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• How to write a literary analysis essay | A step-by-step guide

How to Write a Literary Analysis Essay | A Step-by-Step Guide

Published on January 30, 2020 by Jack Caulfield . Revised on August 14, 2023.

Literary analysis means closely studying a text, interpreting its meanings, and exploring why the author made certain choices. It can be applied to novels, short stories, plays, poems, or any other form of literary writing.

A literary analysis essay is not a rhetorical analysis , nor is it just a summary of the plot or a book review. Instead, it is a type of argumentative essay where you need to analyze elements such as the language, perspective, and structure of the text, and explain how the author uses literary devices to create effects and convey ideas.

Before beginning a literary analysis essay, it’s essential to carefully read the text and c ome up with a thesis statement to keep your essay focused. As you write, follow the standard structure of an academic essay :

• An introduction that tells the reader what your essay will focus on.
• A main body, divided into paragraphs , that builds an argument using evidence from the text.
• A conclusion that clearly states the main point that you have shown with your analysis.

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Table of contents

Step 1: reading the text and identifying literary devices, step 2: coming up with a thesis, step 3: writing a title and introduction, step 4: writing the body of the essay, step 5: writing a conclusion, other interesting articles.

The first step is to carefully read the text(s) and take initial notes. As you read, pay attention to the things that are most intriguing, surprising, or even confusing in the writing—these are things you can dig into in your analysis.

Your goal in literary analysis is not simply to explain the events described in the text, but to analyze the writing itself and discuss how the text works on a deeper level. Primarily, you’re looking out for literary devices —textual elements that writers use to convey meaning and create effects. If you’re comparing and contrasting multiple texts, you can also look for connections between different texts.

To get started with your analysis, there are several key areas that you can focus on. As you analyze each aspect of the text, try to think about how they all relate to each other. You can use highlights or notes to keep track of important passages and quotes.

Language choices

Consider what style of language the author uses. Are the sentences short and simple or more complex and poetic?

What word choices stand out as interesting or unusual? Are words used figuratively to mean something other than their literal definition? Figurative language includes things like metaphor (e.g. “her eyes were oceans”) and simile (e.g. “her eyes were like oceans”).

Also keep an eye out for imagery in the text—recurring images that create a certain atmosphere or symbolize something important. Remember that language is used in literary texts to say more than it means on the surface.

Narrative voice

Ask yourself:

• Who is telling the story?
• How are they telling it?

Is it a first-person narrator (“I”) who is personally involved in the story, or a third-person narrator who tells us about the characters from a distance?

Consider the narrator’s perspective . Is the narrator omniscient (where they know everything about all the characters and events), or do they only have partial knowledge? Are they an unreliable narrator who we are not supposed to take at face value? Authors often hint that their narrator might be giving us a distorted or dishonest version of events.

The tone of the text is also worth considering. Is the story intended to be comic, tragic, or something else? Are usually serious topics treated as funny, or vice versa ? Is the story realistic or fantastical (or somewhere in between)?

Consider how the text is structured, and how the structure relates to the story being told.

• Novels are often divided into chapters and parts.
• Poems are divided into lines, stanzas, and sometime cantos.
• Plays are divided into scenes and acts.

Think about why the author chose to divide the different parts of the text in the way they did.

There are also less formal structural elements to take into account. Does the story unfold in chronological order, or does it jump back and forth in time? Does it begin in medias res —in the middle of the action? Does the plot advance towards a clearly defined climax?

With poetry, consider how the rhyme and meter shape your understanding of the text and your impression of the tone. Try reading the poem aloud to get a sense of this.

In a play, you might consider how relationships between characters are built up through different scenes, and how the setting relates to the action. Watch out for  dramatic irony , where the audience knows some detail that the characters don’t, creating a double meaning in their words, thoughts, or actions.

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Your thesis in a literary analysis essay is the point you want to make about the text. It’s the core argument that gives your essay direction and prevents it from just being a collection of random observations about a text.

If you’re given a prompt for your essay, your thesis must answer or relate to the prompt. For example:

Essay question example

Is Franz Kafka’s “Before the Law” a religious parable?

Your thesis statement should be an answer to this question—not a simple yes or no, but a statement of why this is or isn’t the case:

Thesis statement example

Franz Kafka’s “Before the Law” is not a religious parable, but a story about bureaucratic alienation.

Sometimes you’ll be given freedom to choose your own topic; in this case, you’ll have to come up with an original thesis. Consider what stood out to you in the text; ask yourself questions about the elements that interested you, and consider how you might answer them.

Your thesis should be something arguable—that is, something that you think is true about the text, but which is not a simple matter of fact. It must be complex enough to develop through evidence and arguments across the course of your essay.

Say you’re analyzing the novel Frankenstein . You could start by asking yourself:

Your initial answer might be a surface-level description:

The character Frankenstein is portrayed negatively in Mary Shelley’s Frankenstein .

However, this statement is too simple to be an interesting thesis. After reading the text and analyzing its narrative voice and structure, you can develop the answer into a more nuanced and arguable thesis statement:

Mary Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as.

Remember that you can revise your thesis statement throughout the writing process , so it doesn’t need to be perfectly formulated at this stage. The aim is to keep you focused as you analyze the text.

Finding textual evidence

To support your thesis statement, your essay will build an argument using textual evidence —specific parts of the text that demonstrate your point. This evidence is quoted and analyzed throughout your essay to explain your argument to the reader.

It can be useful to comb through the text in search of relevant quotations before you start writing. You might not end up using everything you find, and you may have to return to the text for more evidence as you write, but collecting textual evidence from the beginning will help you to structure your arguments and assess whether they’re convincing.

To start your literary analysis paper, you’ll need two things: a good title, and an introduction.

Your title should clearly indicate what your analysis will focus on. It usually contains the name of the author and text(s) you’re analyzing. Keep it as concise and engaging as possible.

A common approach to the title is to use a relevant quote from the text, followed by a colon and then the rest of your title.

If you struggle to come up with a good title at first, don’t worry—this will be easier once you’ve begun writing the essay and have a better sense of your arguments.

“Fearful symmetry” : The violence of creation in William Blake’s “The Tyger”

The introduction

The essay introduction provides a quick overview of where your argument is going. It should include your thesis statement and a summary of the essay’s structure.

A typical structure for an introduction is to begin with a general statement about the text and author, using this to lead into your thesis statement. You might refer to a commonly held idea about the text and show how your thesis will contradict it, or zoom in on a particular device you intend to focus on.

Then you can end with a brief indication of what’s coming up in the main body of the essay. This is called signposting. It will be more elaborate in longer essays, but in a short five-paragraph essay structure, it shouldn’t be more than one sentence.

Mary Shelley’s Frankenstein is often read as a crude cautionary tale about the dangers of scientific advancement unrestrained by ethical considerations. In this reading, protagonist Victor Frankenstein is a stable representation of the callous ambition of modern science throughout the novel. This essay, however, argues that far from providing a stable image of the character, Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as. This essay begins by exploring the positive portrayal of Frankenstein in the first volume, then moves on to the creature’s perception of him, and finally discusses the third volume’s narrative shift toward viewing Frankenstein as the creature views him.

Some students prefer to write the introduction later in the process, and it’s not a bad idea. After all, you’ll have a clearer idea of the overall shape of your arguments once you’ve begun writing them!

If you do write the introduction first, you should still return to it later to make sure it lines up with what you ended up writing, and edit as necessary.

The body of your essay is everything between the introduction and conclusion. It contains your arguments and the textual evidence that supports them.

Paragraph structure

A typical structure for a high school literary analysis essay consists of five paragraphs : the three paragraphs of the body, plus the introduction and conclusion.

Each paragraph in the main body should focus on one topic. In the five-paragraph model, try to divide your argument into three main areas of analysis, all linked to your thesis. Don’t try to include everything you can think of to say about the text—only analysis that drives your argument.

In longer essays, the same principle applies on a broader scale. For example, you might have two or three sections in your main body, each with multiple paragraphs. Within these sections, you still want to begin new paragraphs at logical moments—a turn in the argument or the introduction of a new idea.

Robert’s first encounter with Gil-Martin suggests something of his sinister power. Robert feels “a sort of invisible power that drew me towards him.” He identifies the moment of their meeting as “the beginning of a series of adventures which has puzzled myself, and will puzzle the world when I am no more in it” (p. 89). Gil-Martin’s “invisible power” seems to be at work even at this distance from the moment described; before continuing the story, Robert feels compelled to anticipate at length what readers will make of his narrative after his approaching death. With this interjection, Hogg emphasizes the fatal influence Gil-Martin exercises from his first appearance.

Topic sentences

To keep your points focused, it’s important to use a topic sentence at the beginning of each paragraph.

A good topic sentence allows a reader to see at a glance what the paragraph is about. It can introduce a new line of argument and connect or contrast it with the previous paragraph. Transition words like “however” or “moreover” are useful for creating smooth transitions:

… The story’s focus, therefore, is not upon the divine revelation that may be waiting beyond the door, but upon the mundane process of aging undergone by the man as he waits.

Nevertheless, the “radiance” that appears to stream from the door is typically treated as religious symbolism.

This topic sentence signals that the paragraph will address the question of religious symbolism, while the linking word “nevertheless” points out a contrast with the previous paragraph’s conclusion.

Using textual evidence

A key part of literary analysis is backing up your arguments with relevant evidence from the text. This involves introducing quotes from the text and explaining their significance to your point.

It’s important to contextualize quotes and explain why you’re using them; they should be properly introduced and analyzed, not treated as self-explanatory:

It isn’t always necessary to use a quote. Quoting is useful when you’re discussing the author’s language, but sometimes you’ll have to refer to plot points or structural elements that can’t be captured in a short quote.

In these cases, it’s more appropriate to paraphrase or summarize parts of the text—that is, to describe the relevant part in your own words:

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The conclusion of your analysis shouldn’t introduce any new quotations or arguments. Instead, it’s about wrapping up the essay. Here, you summarize your key points and try to emphasize their significance to the reader.

A good way to approach this is to briefly summarize your key arguments, and then stress the conclusion they’ve led you to, highlighting the new perspective your thesis provides on the text as a whole:

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

• Ad hominem fallacy
• Post hoc fallacy
• Appeal to authority fallacy
• False cause fallacy
• Sunk cost fallacy

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By tracing the depiction of Frankenstein through the novel’s three volumes, I have demonstrated how the narrative structure shifts our perception of the character. While the Frankenstein of the first volume is depicted as having innocent intentions, the second and third volumes—first in the creature’s accusatory voice, and then in his own voice—increasingly undermine him, causing him to appear alternately ridiculous and vindictive. Far from the one-dimensional villain he is often taken to be, the character of Frankenstein is compelling because of the dynamic narrative frame in which he is placed. In this frame, Frankenstein’s narrative self-presentation responds to the images of him we see from others’ perspectives. This conclusion sheds new light on the novel, foregrounding Shelley’s unique layering of narrative perspectives and its importance for the depiction of character.

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Textual Analysis: Definition, Types & 10 Examples

Textual analysis is a research methodology that involves exploring written text as empirical data. Scholars explore both the content and structure of texts, and attempt to discern key themes and statistics emergent from them.

This method of research is used in various academic disciplines, including cultural studies, literature, bilical studies, anthropology , sociology, and others (Dearing, 2022; McKee, 2003).

This method of analysis involves breaking down a text into its constituent parts for close reading and making inferences about its context, underlying themes, and the intentions of its author.

Textual Analysis Definition

Alan McKee is one of the preeminent scholars of textual analysis. He provides a clear and approachable definition in his book Textual Analysis: A Beginner’s Guide (2003) where he writes:

“When we perform textual analysis on a text we make an educated guess at some of the most likely interpretations that might be made of the text […] in order to try and obtain a sense of the ways in which, in particular cultures at particular times, people make sense of the world around them.”

A key insight worth extracting from this definition is that textual analysis can reveal what cultural groups value, how they create meaning, and how they interpret reality.

This is invaluable in situations where scholars are seeking to more deeply understand cultural groups and civilizations – both past and present (Metoyer et al., 2018).

As such, it may be beneficial for a range of different types of studies, such as:

• Studies of Historical Texts: A study of how certain concepts are framed, described, and approached in historical texts, such as the Bible.
• Studies of Industry Reports: A study of how industry reports frame and discuss concepts such as environmental and social responsibility.
• Studies of Literature: A study of how a particular text or group of texts within a genre define and frame concepts. For example, you could explore how great American literature mythologizes the concept of the ‘The American Dream’.
• Studies of Speeches: A study of how certain politicians position national identities in their appeals for votes.
• Studies of Newspapers: A study of the biases within newspapers toward or against certain groups of people.
• Etc. (For more, see: Dearing, 2022)

McKee uses the term ‘textual analysis’ to also refer to text types that are not just written, but multimodal. For a dive into the analysis of multimodal texts, I recommend my article on content analysis , where I explore the study of texts like television advertisements and movies in detail.

Features of a Textual Analysis

When conducting a textual analysis, you’ll need to consider a range of factors within the text that are worthy of close examination to infer meaning. Features worthy of considering include:

• Content: What is being said or conveyed in the text, including explicit and implicit meanings, themes, or ideas.
• Context: When and where the text was created, the culture and society it reflects, and the circumstances surrounding its creation and distribution.
• Audience: Who the text is intended for, how it’s received, and the effect it has on its audience.
• Authorship: Who created the text, their background and perspectives, and how these might influence the text.
• Form and structure: The layout, sequence, and organization of the text and how these elements contribute to its meanings (Metoyer et al., 2018).

Textual Analysis Coding Methods

The above features may be examined through quantitative or qualitative research designs , or a mixed-methods angle.

1. Quantitative Approaches

You could analyze several of the above features, namely, content, form, and structure, from a quantitative perspective using computational linguistics and natural language processing (NLP) analysis.

From this approach, you would use algorithms to extract useful information or insights about frequency of word and phrase usage, etc. This can include techniques like sentiment analysis, topic modeling, named entity recognition, and more.

2. Qualitative Approaches

In many ways, textual analysis lends itself best to qualitative analysis. When identifying words and phrases, you’re also going to want to look at the surrounding context and possibly cultural interpretations of what is going on (Mayring, 2015).

Generally, humans are far more perceptive at teasing out these contextual factors than machines (although, AI is giving us a run for our money).

One qualitative approach to textual analysis that I regularly use is inductive coding, a step-by-step methodology that can help you extract themes from texts. If you’re interested in using this step-by-step method, read my guide on inductive coding here .

See more Qualitative Research Approaches Here

Textual Analysis Examples

Title: “Discourses on Gender, Patriarchy and Resolution 1325: A Textual Analysis of UN Documents”  Author: Nadine Puechguirbal Year: 2010 APA Citation: Puechguirbal, N. (2010). Discourses on Gender, Patriarchy and Resolution 1325: A Textual Analysis of UN Documents, International Peacekeeping, 17 (2): 172-187. doi: 10.1080/13533311003625068

Summary: The article discusses the language used in UN documents related to peace operations and analyzes how it perpetuates stereotypical portrayals of women as vulnerable individuals. The author argues that this language removes women’s agency and keeps them in a subordinate position as victims, instead of recognizing them as active participants and agents of change in post-conflict environments. Despite the adoption of UN Security Council Resolution 1325, which aims to address the role of women in peace and security, the author suggests that the UN’s male-dominated power structure remains unchallenged, and gender mainstreaming is often presented as a non-political activity.

Title: “Racism and the Media: A Textual Analysis”  Author: Kassia E. Kulaszewicz Year: 2015 APA Citation: Kulaszewicz, K. E. (2015). Racism and the Media: A Textual Analysis . Dissertation. Retrieved from: https://sophia.stkate.edu/msw_papers/477

Summary: This study delves into the significant role media plays in fostering explicit racial bias. Using Bandura’s Learning Theory, it investigates how media content influences our beliefs through ‘observational learning’. Conducting a textual analysis, it finds differences in representation of black and white people, stereotyping of black people, and ostensibly micro-aggressions toward black people. The research highlights how media often criminalizes Black men, portraying them as violent, while justifying or supporting the actions of White officers, regardless of their potential criminality. The study concludes that news media likely continues to reinforce racism, whether consciously or unconsciously.

Title: “On the metaphorical nature of intellectual capital: a textual analysis” Author: Daniel Andriessen Year: 2006 APA Citation: Andriessen, D. (2006). On the metaphorical nature of intellectual capital: a textual analysis. Journal of Intellectual capital , 7 (1), 93-110.

Summary: This article delves into the metaphorical underpinnings of intellectual capital (IC) and knowledge management, examining how knowledge is conceptualized through metaphors. The researchers employed a textual analysis methodology, scrutinizing key texts in the field to identify prevalent metaphors. They found that over 95% of statements about knowledge are metaphor-based, with “knowledge as a resource” and “knowledge as capital” being the most dominant. This study demonstrates how textual analysis helps us to understand current understandings and ways of speaking about a topic.

Title: “Race in Rhetoric: A Textual Analysis of Barack Obama’s Campaign Discourse Regarding His Race” Author: Andrea Dawn Andrews Year: 2011 APA Citation: Andrew, A. D. (2011) Race in Rhetoric: A Textual Analysis of Barack Obama’s Campaign Discourse Regarding His Race. Undergraduate Honors Thesis Collection. 120 . https://digitalcommons.butler.edu/ugtheses/120

This undergraduate honors thesis is a textual analysis of Barack Obama’s speeches that explores how Obama frames the concept of race. The student’s capstone project found that Obama tended to frame racial inequality as something that could be overcome, and that this was a positive and uplifting project. Here, the student breaks-down times when Obama utilizes the concept of race in his speeches, and examines the surrounding content to see the connotations associated with race and race-relations embedded in the text. Here, we see a decidedly qualitative approach to textual analysis which can deliver contextualized and in-depth insights.

Sub-Types of Textual Analysis

While above I have focused on a generalized textual analysis approach, a range of sub-types and offshoots have emerged that focus on specific concepts, often within their own specific theoretical paradigms. Each are outlined below, and where I’ve got a guide, I’ve linked to it in blue:

• Content Analysis : Content analysis is similar to textual analysis, and I would consider it a type of textual analysis, where it’s got a broader understanding of the term ‘text’. In this type, a text is any type of ‘content’, and could be multimodal in nature, such as television advertisements, movies, posters, and so forth. Content analysis can be both qualitative and quantitative, depending on whether it focuses more on the meaning of the content or the frequency of certain words or concepts (Chung & Pennebaker, 2018).
• Discourse Analysis : Emergent specifically from critical and postmodern/ poststructural theories, discourse analysis focuses closely on the use of language within a social context, with the goal of revealing how repeated framing of terms and concepts has the effect of shaping how cultures understand social categories. It considers how texts interact with and shape social norms, power dynamics, ideologies, etc. For example, it might examine how gender is socially constructed as a distinct social category through Disney films. It may also be called ‘critical discourse analysis’.
• Narrative Analysis: This approach is used for analyzing stories and narratives within text. It looks at elements like plot, characters, themes, and the sequence of events to understand how narratives construct meaning.
• Frame Analysis: This approach looks at how events, ideas, and themes are presented or “framed” within a text. It explores how these frames can shape our understanding of the information being presented. While similar to discourse analysis, a frame analysis tends to be less associated with the loaded concept of ‘discourse’ that exists specifically within postmodern paradigms (Smith, 2017).
• Semiotic Analysis: This approach studies signs and symbols, both visual and textual, and could be a good compliment to a content analysis, as it provides the language and understandings necessary to describe how signs make meaning in cultural contexts that we might find with the fields of semantics and pragmatics . It’s based on the theory of semiotics, which is concerned with how meaning is created and communicated through signs and symbols.
• Computational Textual Analysis: In the context of data science or artificial intelligence, this type of analysis involves using algorithms to process large amounts of text. Techniques can include topic modeling, sentiment analysis, word frequency analysis, and others. While being extremely useful for a quantitative analysis of a large dataset of text, it falls short in its ability to provide deep contextualized understandings of words-in-context.

Each of these methods has its strengths and weaknesses, and the choice of method depends on the research question, the type of text being analyzed, and the broader context of the research.

See More Examples of Analysis Here

Strengths and Weaknesses of Textual Analysis

When writing your methodology for your textual analysis, make sure to define not only what textual analysis is, but (if applicable) the type of textual analysis, the features of the text you’re analyzing, and the ways you will code the data. It’s also worth actively reflecting on the potential weaknesses of a textual analysis approach, but also explaining why, despite those weaknesses, you believe this to be the most appropriate methodology for your study.

Chung, C. K., & Pennebaker, J. W. (2018). Textual analysis. In  Measurement in social psychology  (pp. 153-173). Routledge.

Dearing, V. A. (2022).  Manual of textual analysis . Univ of California Press.

McKee, A. (2003). Textual analysis: A beginner’s guide.  Textual analysis , 1-160.

Mayring, P. (2015). Qualitative content analysis: Theoretical background and procedures.  Approaches to qualitative research in mathematics education: Examples of methodology and methods , 365-380. doi: https://doi.org/10.1007/978-94-017-9181-6_13

Metoyer, R., Zhi, Q., Janczuk, B., & Scheirer, W. (2018, March). Coupling story to visualization: Using textual analysis as a bridge between data and interpretation. In  23rd International Conference on Intelligent User Interfaces  (pp. 503-507). doi: https://doi.org/10.1145/3172944.3173007

Smith, J. A. (2017). Textual analysis.  The international encyclopedia of communication research methods , 1-7.

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The Power of Analysis: Tips and Tricks for Writing Analysis Essays: Home

Crystal sosa.

Helpful Links

• Super Search Webpage Where to start your research.
• Scribbr Textual analysis guide.
• Analyzing Texts Prezi Presentation A prezi presentation on analyzing texts.
• Writing Essays Guide A guide to writing essays/
• Why is it important?
• Explanation & Example
• Different Types of Analysis Essays

Text analysis and writing analysis texts are important skills to develop as they allow individuals to critically engage with written material, understand underlying themes and arguments, and communicate their own ideas in a clear and effective manner. These skills are essential in academic and professional settings, as well as in everyday life, as they enable individuals to evaluate information and make informed decisions.

What is Text Analysis?

Text analysis is the process of examining and interpreting a written or spoken text to understand its meaning, structure, and context. It involves breaking down the text into its constituent parts, such as words, phrases, and sentences, and analyzing how they work together to convey a particular message or idea.

Text analysis can be used to explore a wide range of textual material, including literature, poetry, speeches, and news articles, and it is often employed in academic research, literary criticism, and media analysis. By analyzing texts, we can gain deeper insights into their meanings, uncover hidden messages and themes, and better understand the social and cultural contexts in which they were produced.

What is an Analysis Essay?

An analysis essay is a type of essay that requires the writer to analyze and interpret a particular text or topic. The goal of an analysis essay is to break down the text or topic into smaller parts and examine each part carefully. This allows the writer to make connections between different parts of the text or topic and develop a more comprehensive understanding of it.

In “The Yellow Wallpaper,” Charlotte Perkins Gilman uses the first-person point of view and vivid descriptions of the protagonist’s surroundings to convey the protagonist’s psychological deterioration. By limiting the reader’s understanding of the story’s events to the protagonist’s perspective, Gilman creates a sense of claustrophobia and paranoia, mirroring the protagonist’s own feelings. Additionally, the use of sensory language, such as the “smooch of rain,” and descriptions of the “yellow wallpaper” and its “sprawling flamboyant patterns,” further emphasize the protagonist’s sensory and emotional experience. Through these techniques, Gilman effectively communicates the protagonist’s descent into madness and the effects of societal oppression on women’s mental health.

There are several different types of analysis essays, including:

Literary Analysis Essays: These essays examine a work of literature and analyze various literary devices such as character development, plot, theme, and symbolism.

Rhetorical Analysis Essays: These essays examine how authors use language and rhetoric to persuade their audience, focusing on the author's tone, word choice, and use of rhetorical devices.

Film Analysis Essays: These essays analyze a film's themes, characters, and visual elements, such as cinematography and sound.

Visual Analysis Essays: These essays analyze visual art, such as paintings or sculptures, and explore how the artwork's elements work together to create meaning.

Historical Analysis Essays: These essays analyze historical events or documents and examine their causes, effects, and implications.

Comparative Analysis Essays: These essays compare and contrast two or more works, focusing on similarities and differences between them.

Process Analysis Essays: These essays explain how to do something or how something works, providing a step-by-step analysis of a process.

Analyzing Texts

• General Tips
• How to Analyze
• What to Analyze

When writing an essay, it's essential to analyze your topic thoroughly. Here are some suggestions for analyzing your topic:

Read carefully: Start by reading your text or prompt carefully. Make sure you understand the key points and what the text or prompt is asking you to do.

Analyze the text or topic thoroughly: Analyze the text or topic thoroughly by breaking it down into smaller parts and examining each part carefully. This will help you make connections between different parts of the text or topic and develop a more comprehensive understanding of it.

Identify key concepts: Identify the key concepts, themes, and ideas in the text or prompt. This will help you focus your analysis.

Take notes: Take notes on important details and concepts as you read. This will help you remember what you've read and organize your thoughts.

Consider different perspectives: Consider different perspectives and interpretations of the text or prompt. This can help you create a more well-rounded analysis.

Use evidence: Use evidence from the text or outside sources to support your analysis. This can help you make your argument stronger and more convincing.

Formulate your thesis statement: Based on your analysis of the essay, formulate your thesis statement. This should be a clear and concise statement that summarizes your main argument.

Use clear and concise language: Use clear and concise language to communicate your ideas effectively. Avoid using overly complicated language that may confuse your reader.

Revise and edit: Revise and edit your essay carefully to ensure that it is clear, concise, and free of errors.

• Understanding the assignment: Make sure you fully understand the assignment and the purpose of the analysis. This will help you focus your analysis and ensure that you are meeting the requirements of the assignment.

Read the essay multiple times: Reading the essay multiple times will help you to identify the author's main argument, key points, and supporting evidence.

Take notes: As you read the essay, take notes on key points, quotes, and examples. This will help you to organize your thoughts and identify patterns in the author's argument.

Take breaks: It's important to take breaks while reading academic essays to avoid burnout. Take a break every 20-30 minutes and do something completely different, like going for a walk or listening to music. This can help you to stay refreshed and engaged.

Highlight or underline key points: As you read, highlight or underline key points, arguments, and evidence that stand out to you. This will help you to remember and analyze important information later.

Ask questions: Ask yourself questions as you read to help you engage critically with the text. What is the author's argument? What evidence do they use to support their claims? What are the strengths and weaknesses of their argument?

Engage in active reading: Instead of passively reading, engage in active reading by asking questions, making connections to other readings or personal experiences, and reflecting on what you've read.

Find a discussion partner: Find someone to discuss the essay with, whether it's a classmate, a friend, or a teacher. Discussing the essay can help you to process and analyze the information more deeply, and can also help you to stay engaged.

• Identify the author's purpose and audience: Consider why the author wrote the essay and who their intended audience is. This will help you to better understand the author's perspective and the purpose of their argument.

Analyze the structure of the essay: Consider how the essay is structured and how this supports the author's argument. Look for patterns in the organization of ideas and the use of transitions.

Evaluate the author's use of evidence: Evaluate the author's use of evidence and how it supports their argument. Consider whether the evidence is credible, relevant, and sufficient to support the author's claims.

Consider the author's tone and style: Consider the author's tone and style and how it contributes to their argument. Look for patterns in the use of language, imagery, and rhetorical devices.

Consider the context : Consider the context in which the essay was written, such as the author's background, the time period, and any societal or cultural factors that may have influenced their perspective.

Evaluate the evidence: Evaluate the evidence presented in the essay and consider whether it is sufficient to support the author's argument. Look for any biases or assumptions that may be present in the evidence.

Consider alternative viewpoints: Consider alternative viewpoints and arguments that may challenge the author's perspective. This can help you to engage critically with the text and develop a more well-rounded understanding of the topic.

• Last Updated: Jun 21, 2023 1:01 PM
• URL: https://odessa.libguides.com/analysis

beginner's guide to literary analysis

Understanding literature & how to write literary analysis.

Literary analysis is the foundation of every college and high school English class. Once you can comprehend written work and respond to it, the next step is to learn how to think critically and complexly about a work of literature in order to analyze its elements and establish ideas about its meaning.

If that sounds daunting, it shouldn’t. Literary analysis is really just a way of thinking creatively about what you read. The practice takes you beyond the storyline and into the motives behind it. 

While an author might have had a specific intention when they wrote their book, there’s still no right or wrong way to analyze a literary text—just your way. You can use literary theories, which act as “lenses” through which you can view a text. Or you can use your own creativity and critical thinking to identify a literary device or pattern in a text and weave that insight into your own argument about the text’s underlying meaning. 

Now, if that sounds fun, it should , because it is. Here, we’ll lay the groundwork for performing literary analysis, including when writing analytical essays, to help you read books like a critic. 

What Is Literary Analysis?

As the name suggests, literary analysis is an analysis of a work, whether that’s a novel, play, short story, or poem. Any analysis requires breaking the content into its component parts and then examining how those parts operate independently and as a whole. In literary analysis, those parts can be different devices and elements—such as plot, setting, themes, symbols, etcetera—as well as elements of style, like point of view or tone. 

When performing analysis, you consider some of these different elements of the text and then form an argument for why the author chose to use them. You can do so while reading and during class discussion, but it’s particularly important when writing essays. 

Literary analysis is notably distinct from summary. When you write a summary , you efficiently describe the work’s main ideas or plot points in order to establish an overview of the work. While you might use elements of summary when writing analysis, you should do so minimally. You can reference a plot line to make a point, but it should be done so quickly so you can focus on why that plot line matters . In summary (see what we did there?), a summary focuses on the “ what ” of a text, while analysis turns attention to the “ how ” and “ why .”

While literary analysis can be broad, covering themes across an entire work, it can also be very specific, and sometimes the best analysis is just that. Literary critics have written thousands of words about the meaning of an author’s single word choice; while you might not want to be quite that particular, there’s a lot to be said for digging deep in literary analysis, rather than wide. 

Although you’re forming your own argument about the work, it’s not your opinion . You should avoid passing judgment on the piece and instead objectively consider what the author intended, how they went about executing it, and whether or not they were successful in doing so. Literary criticism is similar to literary analysis, but it is different in that it does pass judgement on the work. Criticism can also consider literature more broadly, without focusing on a singular work. 

Once you understand what constitutes (and doesn’t constitute) literary analysis, it’s easy to identify it. Here are some examples of literary analysis and its oft-confused counterparts: 

Summary: In “The Fall of the House of Usher,” the narrator visits his friend Roderick Usher and witnesses his sister escape a horrible fate.  

Opinion: In “The Fall of the House of Usher,” Poe uses his great Gothic writing to establish a sense of spookiness that is enjoyable to read. 

Literary Analysis: “Throughout ‘The Fall of the House of Usher,’ Poe foreshadows the fate of Madeline by creating a sense of claustrophobia for the reader through symbols, such as in the narrator’s inability to leave and the labyrinthine nature of the house. 

In summary, literary analysis is:

• Breaking a work into its components
• Identifying what those components are and how they work in the text
• Developing an understanding of how they work together to achieve a goal 
• Not an opinion, but subjective 
• Not a summary, though summary can be used in passing 
• Best when it deeply, rather than broadly, analyzes a literary element

Literary Analysis and Other Works

As discussed above, literary analysis is often performed upon a single work—but it doesn’t have to be. It can also be performed across works to consider the interplay of two or more texts. Regardless of whether or not the works were written about the same thing, or even within the same time period, they can have an influence on one another or a connection that’s worth exploring. And reading two or more texts side by side can help you to develop insights through comparison and contrast.

For example, Paradise Lost is an epic poem written in the 17th century, based largely on biblical narratives written some 700 years before and which later influenced 19th century poet John Keats. The interplay of works can be obvious, as here, or entirely the inspiration of the analyst. As an example of the latter, you could compare and contrast the writing styles of Ralph Waldo Emerson and Edgar Allan Poe who, while contemporaries in terms of time, were vastly different in their content. 

Additionally, literary analysis can be performed between a work and its context. Authors are often speaking to the larger context of their times, be that social, political, religious, economic, or artistic. A valid and interesting form is to compare the author’s context to the work, which is done by identifying and analyzing elements that are used to make an argument about the writer’s time or experience. 

For example, you could write an essay about how Hemingway’s struggles with mental health and paranoia influenced his later work, or how his involvement in the Spanish Civil War influenced his early work. One approach focuses more on his personal experience, while the other turns to the context of his times—both are valid. 

Why Does Literary Analysis Matter? 

Sometimes an author wrote a work of literature strictly for entertainment’s sake, but more often than not, they meant something more. Whether that was a missive on world peace, commentary about femininity, or an allusion to their experience as an only child, the author probably wrote their work for a reason, and understanding that reason—or the many reasons—can actually make reading a lot more meaningful. 

Performing literary analysis as a form of study unquestionably makes you a better reader. It’s also likely that it will improve other skills, too, like critical thinking, creativity, debate, and reasoning. 

At its grandest and most idealistic, literary analysis even has the ability to make the world a better place. By reading and analyzing works of literature, you are able to more fully comprehend the perspectives of others. Cumulatively, you’ll broaden your own perspectives and contribute more effectively to the things that matter to you. 

Literary Terms to Know for Literary Analysis 

There are hundreds of literary devices you could consider during your literary analysis, but there are some key tools most writers utilize to achieve their purpose—and therefore you need to know in order to understand that purpose. These common devices include: 

• Characters: The people (or entities) who play roles in the work. The protagonist is the main character in the work. 
• Conflict: The conflict is the driving force behind the plot, the event that causes action in the narrative, usually on the part of the protagonist
• Context : The broader circumstances surrounding the work political and social climate in which it was written or the experience of the author. It can also refer to internal context, and the details presented by the narrator 
• Diction : The word choice used by the narrator or characters 
• Genre: A category of literature characterized by agreed upon similarities in the works, such as subject matter and tone
• Imagery : The descriptive or figurative language used to paint a picture in the reader’s mind so they can picture the story’s plot, characters, and setting 
• Metaphor: A figure of speech that uses comparison between two unlike objects for dramatic or poetic effect
• Narrator: The person who tells the story. Sometimes they are a character within the story, but sometimes they are omniscient and removed from the plot. 
• Plot : The storyline of the work
• Point of view: The perspective taken by the narrator, which skews the perspective of the reader 
• Setting : The time and place in which the story takes place. This can include elements like the time period, weather, time of year or day, and social or economic conditions 
• Symbol : An object, person, or place that represents an abstract idea that is greater than its literal meaning 
• Syntax : The structure of a sentence, either narration or dialogue, and the tone it implies
• Theme : A recurring subject or message within the work, often commentary on larger societal or cultural ideas
• Tone : The feeling, attitude, or mood the text presents

How to Perform Literary Analysis

Step 1: read the text thoroughly.

Literary analysis begins with the literature itself, which means performing a close reading of the text. As you read, you should focus on the work. That means putting away distractions (sorry, smartphone) and dedicating a period of time to the task at hand. 

It’s also important that you don’t skim or speed read. While those are helpful skills, they don’t apply to literary analysis—or at least not this stage. 

Step 2: Take Notes as You Read  

As you read the work, take notes about different literary elements and devices that stand out to you. Whether you highlight or underline in text, use sticky note tabs to mark pages and passages, or handwrite your thoughts in a notebook, you should capture your thoughts and the parts of the text to which they correspond. This—the act of noticing things about a literary work—is literary analysis. 

Step 3: Notice Patterns 

As you read the work, you’ll begin to notice patterns in the way the author deploys language, themes, and symbols to build their plot and characters. As you read and these patterns take shape, begin to consider what they could mean and how they might fit together. 

As you identify these patterns, as well as other elements that catch your interest, be sure to record them in your notes or text. Some examples include: 

• Circle or underline words or terms that you notice the author uses frequently, whether those are nouns (like “eyes” or “road”) or adjectives (like “yellow” or “lush”).
• Highlight phrases that give you the same kind of feeling. For example, if the narrator describes an “overcast sky,” a “dreary morning,” and a “dark, quiet room,” the words aren’t the same, but the feeling they impart and setting they develop are similar. 
• Underline quotes or prose that define a character’s personality or their role in the text.
• Use sticky tabs to color code different elements of the text, such as specific settings or a shift in the point of view. 

By noting these patterns, comprehensive symbols, metaphors, and ideas will begin to come into focus.  

Step 4: Consider the Work as a Whole, and Ask Questions

This is a step that you can do either as you read, or after you finish the text. The point is to begin to identify the aspects of the work that most interest you, and you could therefore analyze in writing or discussion. 

Questions you could ask yourself include: 

• What aspects of the text do I not understand?
• What parts of the narrative or writing struck me most?
• What patterns did I notice?
• What did the author accomplish really well?
• What did I find lacking?
• Did I notice any contradictions or anything that felt out of place?  
• What was the purpose of the minor characters?
• What tone did the author choose, and why? 

The answers to these and more questions will lead you to your arguments about the text. 

Step 5: Return to Your Notes and the Text for Evidence

As you identify the argument you want to make (especially if you’re preparing for an essay), return to your notes to see if you already have supporting evidence for your argument. That’s why it’s so important to take notes or mark passages as you read—you’ll thank yourself later!

If you’re preparing to write an essay, you’ll use these passages and ideas to bolster your argument—aka, your thesis. There will likely be multiple different passages you can use to strengthen multiple different aspects of your argument. Just be sure to cite the text correctly! 

If you’re preparing for class, your notes will also be invaluable. When your teacher or professor leads the conversation in the direction of your ideas or arguments, you’ll be able to not only proffer that idea but back it up with textual evidence. That’s an A+ in class participation. 

Step 6: Connect These Ideas Across the Narrative

Whether you’re in class or writing an essay, literary analysis isn’t complete until you’ve considered the way these ideas interact and contribute to the work as a whole. You can find and present evidence, but you still have to explain how those elements work together and make up your argument. 

How to Write a Literary Analysis Essay

When conducting literary analysis while reading a text or discussing it in class, you can pivot easily from one argument to another (or even switch sides if a classmate or teacher makes a compelling enough argument). 

But when writing literary analysis, your objective is to propose a specific, arguable thesis and convincingly defend it. In order to do so, you need to fortify your argument with evidence from the text (and perhaps secondary sources) and an authoritative tone. 

A successful literary analysis essay depends equally on a thoughtful thesis, supportive analysis, and presenting these elements masterfully. We’ll review how to accomplish these objectives below. 

Step 1: Read the Text. Maybe Read It Again. 

Constructing an astute analytical essay requires a thorough knowledge of the text. As you read, be sure to note any passages, quotes, or ideas that stand out. These could serve as the future foundation of your thesis statement. Noting these sections now will help you when you need to gather evidence. 

The more familiar you become with the text, the better (and easier!) your essay will be. Familiarity with the text allows you to speak (or in this case, write) to it confidently. If you only skim the book, your lack of rich understanding will be evident in your essay. Alternatively, if you read the text closely—especially if you read it more than once, or at least carefully revisit important passages—your own writing will be filled with insight that goes beyond a basic understanding of the storyline. 

Step 2: Brainstorm Potential Topics 

Because you took detailed notes while reading the text, you should have a list of potential topics at the ready. Take time to review your notes, highlighting any ideas or questions you had that feel interesting. You should also return to the text and look for any passages that stand out to you. 

When considering potential topics, you should prioritize ideas that you find interesting. It won’t only make the whole process of writing an essay more fun, your enthusiasm for the topic will probably improve the quality of your argument, and maybe even your writing. Just like it’s obvious when a topic interests you in a conversation, it’s obvious when a topic interests the writer of an essay (and even more obvious when it doesn’t). 

Your topic ideas should also be specific, unique, and arguable. A good way to think of topics is that they’re the answer to fairly specific questions. As you begin to brainstorm, first think of questions you have about the text. Questions might focus on the plot, such as: Why did the author choose to deviate from the projected storyline? Or why did a character’s role in the narrative shift? Questions might also consider the use of a literary device, such as: Why does the narrator frequently repeat a phrase or comment on a symbol? Or why did the author choose to switch points of view each chapter? 

Once you have a thesis question , you can begin brainstorming answers—aka, potential thesis statements . At this point, your answers can be fairly broad. Once you land on a question-statement combination that feels right, you’ll then look for evidence in the text that supports your answer (and helps you define and narrow your thesis statement). 

For example, after reading “ The Fall of the House of Usher ,” you might be wondering, Why are Roderick and Madeline twins?, Or even: Why does their relationship feel so creepy?” Maybe you noticed (and noted) that the narrator was surprised to find out they were twins, or perhaps you found that the narrator’s tone tended to shift and become more anxious when discussing the interactions of the twins.

Once you come up with your thesis question, you can identify a broad answer, which will become the basis for your thesis statement. In response to the questions above, your answer might be, “Poe emphasizes the close relationship of Roderick and Madeline to foreshadow that their deaths will be close, too.” 

Step 3: Gather Evidence 

Once you have your topic (or you’ve narrowed it down to two or three), return to the text (yes, again) to see what evidence you can find to support it. If you’re thinking of writing about the relationship between Roderick and Madeline in “The Fall of the House of Usher,” look for instances where they engaged in the text. 

This is when your knowledge of literary devices comes in clutch. Carefully study the language around each event in the text that might be relevant to your topic. How does Poe’s diction or syntax change during the interactions of the siblings? How does the setting reflect or contribute to their relationship? What imagery or symbols appear when Roderick and Madeline are together? 

By finding and studying evidence within the text, you’ll strengthen your topic argument—or, just as valuably, discount the topics that aren’t strong enough for analysis. 

Step 4: Consider Secondary Sources 

In addition to returning to the literary work you’re studying for evidence, you can also consider secondary sources that reference or speak to the work. These can be articles from journals you find on JSTOR, books that consider the work or its context, or articles your teacher shared in class. 

While you can use these secondary sources to further support your idea, you should not overuse them. Make sure your topic remains entirely differentiated from that presented in the source. 

Step 5: Write a Working Thesis Statement

Once you’ve gathered evidence and narrowed down your topic, you’re ready to refine that topic into a thesis statement. As you continue to outline and write your paper, this thesis statement will likely change slightly, but this initial draft will serve as the foundation of your essay. It’s like your north star: Everything you write in your essay is leading you back to your thesis. 

Writing a great thesis statement requires some real finesse. A successful thesis statement is: 

• Debatable : You shouldn’t simply summarize or make an obvious statement about the work. Instead, your thesis statement should take a stand on an issue or make a claim that is open to argument. You’ll spend your essay debating—and proving—your argument. 
• Demonstrable : You need to be able to prove, through evidence, that your thesis statement is true. That means you have to have passages from the text and correlative analysis ready to convince the reader that you’re right. 
• Specific : In most cases, successfully addressing a theme that encompasses a work in its entirety would require a book-length essay. Instead, identify a thesis statement that addresses specific elements of the work, such as a relationship between characters, a repeating symbol, a key setting, or even something really specific like the speaking style of a character. 

Example: By depicting the relationship between Roderick and Madeline to be stifling and almost otherworldly in its closeness, Poe foreshadows both Madeline’s fate and Roderick’s inability to choose a different fate for himself. 

Step 6: Write an Outline 

You have your thesis, you have your evidence—but how do you put them together? A great thesis statement (and therefore a great essay) will have multiple arguments supporting it, presenting different kinds of evidence that all contribute to the singular, main idea presented in your thesis. 

Review your evidence and identify these different arguments, then organize the evidence into categories based on the argument they support. These ideas and evidence will become the body paragraphs of your essay. 

For example, if you were writing about Roderick and Madeline as in the example above, you would pull evidence from the text, such as the narrator’s realization of their relationship as twins; examples where the narrator’s tone of voice shifts when discussing their relationship; imagery, like the sounds Roderick hears as Madeline tries to escape; and Poe’s tendency to use doubles and twins in his other writings to create the same spooky effect. All of these are separate strains of the same argument, and can be clearly organized into sections of an outline. 

Step 7: Write Your Introduction

Your introduction serves a few very important purposes that essentially set the scene for the reader: 

• Establish context. Sure, your reader has probably read the work. But you still want to remind them of the scene, characters, or elements you’ll be discussing. 
• Present your thesis statement. Your thesis statement is the backbone of your analytical paper. You need to present it clearly at the outset so that the reader understands what every argument you make is aimed at. 
• Offer a mini-outline. While you don’t want to show all your cards just yet, you do want to preview some of the evidence you’ll be using to support your thesis so that the reader has a roadmap of where they’re going. 

Step 8: Write Your Body Paragraphs

Thanks to steps one through seven, you’ve already set yourself up for success. You have clearly outlined arguments and evidence to support them. Now it’s time to translate those into authoritative and confident prose. 

When presenting each idea, begin with a topic sentence that encapsulates the argument you’re about to make (sort of like a mini-thesis statement). Then present your evidence and explanations of that evidence that contribute to that argument. Present enough material to prove your point, but don’t feel like you necessarily have to point out every single instance in the text where this element takes place. For example, if you’re highlighting a symbol that repeats throughout the narrative, choose two or three passages where it is used most effectively, rather than trying to squeeze in all ten times it appears. 

While you should have clearly defined arguments, the essay should still move logically and fluidly from one argument to the next. Try to avoid choppy paragraphs that feel disjointed; every idea and argument should feel connected to the last, and, as a group, connected to your thesis. A great way to connect the ideas from one paragraph to the next is with transition words and phrases, such as: 

• Furthermore 
• In addition
• On the other hand
• Conversely 

Step 9: Write Your Conclusion 

Your conclusion is more than a summary of your essay's parts, but it’s also not a place to present brand new ideas not already discussed in your essay. Instead, your conclusion should return to your thesis (without repeating it verbatim) and point to why this all matters. If writing about the siblings in “The Fall of the House of Usher,” for example, you could point out that the utilization of twins and doubles is a common literary element of Poe’s work that contributes to the definitive eeriness of Gothic literature. 

While you might speak to larger ideas in your conclusion, be wary of getting too macro. Your conclusion should still be supported by all of the ideas that preceded it. 

Step 10: Revise, Revise, Revise

Of course you should proofread your literary analysis essay before you turn it in. But you should also edit the content to make sure every piece of evidence and every explanation directly supports your thesis as effectively and efficiently as possible. 

Sometimes, this might mean actually adapting your thesis a bit to the rest of your essay. At other times, it means removing redundant examples or paraphrasing quotations. Make sure every sentence is valuable, and remove those that aren’t. 

Other Resources for Literary Analysis 

With these skills and suggestions, you’re well on your way to practicing and writing literary analysis. But if you don’t have a firm grasp on the concepts discussed above—such as literary devices or even the content of the text you’re analyzing—it will still feel difficult to produce insightful analysis. 

If you’d like to sharpen the tools in your literature toolbox, there are plenty of other resources to help you do so: 

• Check out our expansive library of Literary Devices . These could provide you with a deeper understanding of the basic devices discussed above or introduce you to new concepts sure to impress your professors ( anagnorisis , anyone?). 
• This Academic Citation Resource Guide ensures you properly cite any work you reference in your analytical essay. 
• Our English Homework Help Guide will point you to dozens of resources that can help you perform analysis, from critical reading strategies to poetry helpers. 
• This Grammar Education Resource Guide will direct you to plenty of resources to refine your grammar and writing (definitely important for getting an A+ on that paper). 

Of course, you should know the text inside and out before you begin writing your analysis. In order to develop a true understanding of the work, read through its corresponding SuperSummary study guide . Doing so will help you truly comprehend the plot, as well as provide some inspirational ideas for your analysis.

16.5 Writing Process: Thinking Critically About Text

Learning outcomes.

By the end of this section, you will be able to:

• Develop a writing project focused on textual analysis.
• Complete the stages of the writing process, including generating ideas, drafting, reviewing, revising, rewriting, and editing.
• Integrate the writer’s ideas with ideas of others.
• Collaborate in the peer review process.

When analyzing a text, writers usually focus on the content of the text itself and deliberately leave themselves in the background, minimizing personal presence and bias. To write this way, they avoid first-person pronouns and value judgments. In reality, of course, writers do reveal their presence by the choices they make: what they include, what they exclude, and what they emphasize. Although your own subjectivity and situation will likely affect your inferences and judgments, recognizing these potential biases will help you keep the focus on your subject and off yourself.

Summary of Assignment

Write an analytical essay about a short story or another short text of your choice, either fiction or literary nonfiction. If desired, you may choose “The Storm” by Kate Chopin, reprinted above. Consider the author’s form and organization, tone, or stylistic choices, including diction and sensory or figurative language. You might also consider the historical or social context, the theme, the character development, or the relation between setting and plot or characterization. If you are free to choose your own text and topic, consider the following approaches:

• Analyze the literary components mentioned and focus your essay on their significance in the work.
• Like student author Gwyn Garrison, choose one or several components and examine how different authors use them and how they relate to broader contexts.

Convincing textual analysis essays usually include the following information:

• overview of the text, identifying author, title, and genre
• very brief summary
• description of the text’s form and structure
• explanation of the author’s point of view
• summary of the social, historical, or cultural context in which the work was written
• assertion or thesis about what the text means: your main task as an analyst

When writing about a novel or short story, explain how the main elements function:

• narrator (who tells the story)
• plot (what happens in the story)
• one or more characters (who are acting or being acted upon)
• setting (when and where things are happening)
• theme (the meaning of the story)

Keep in mind that the author who writes the story is different from the narrator and invented characters in it. Keep in mind, too, that what happens in the story—the plot—is different from the meaning of the story—the theme. Understanding what happens will help you discover what the text means.

The elements of literary or narrative nonfiction are similar to those of a fictional story except that everything in the text is supposed to have really happened. For this reason, the author and the narrator of the story may be one and the same. Informational nonfiction—essays, reports, and textbook chapters—is also meant to be believed; here, however, ideas and arguments must be strong and well supported to be convincing. When analyzing nonfiction, pay special attention to the author’s thesis or claim and to how it is supported through reasoning and evidence. Also note interesting or unusual tone, style, form, or voice.

Another Lens 1. In writing from a personal or subjective viewpoint, the writer and their beliefs and experiences are necessarily part of your analysis and may need to be expressed and examined. For example, you may write subjectively and compare and contrast your situation with that of the author or a character. You might explain how your personal background causes you to read the text in a particular way that is meaningful to you. If you choose this option, be sure to analyze the text as you would for a more objective analysis before focusing on your personal views.

Another Lens 2. A leading contemporary example of narrative nonfiction writing is Jon Krakauer ’s (b. 1954) Into the Wild , the story of Chris McCandless (1968– c. 1992), a young college graduate who lived at subsistence level in the backwoods of Alaska for 113 days. The text is somewhat similar thematically to Henry David Thoreau ’s (1817–1862) Walden (1854), written more than a century earlier and discussed later in this section. Both are about dropping out of society to create a meaningful life. After reading the excerpt of Into the Wild linked above, you may choose to write a textual analysis of it either on its own or in light of the sample analysis of Thoreau’s writings later in this section. Consider comparing and contrasting McCandless’s situation with Thoreau’s life in Walden and how Krakauer and Thoreau use various literary elements in their writing. Topics for analysis might be setting, character traits, motives, cultural communities, historical context, and attitudes toward life and society.

Quick Launch: Start with Your Thesis

For textual analysis, your thesis should be a clear, concise statement that identifies your analytical stance on which readers will expect you to elaborate.

Develop a working thesis

A working thesis is referred to as such because the thesis is subject to revision. You may have to revisit it later in the writing process, for it is almost impossible to craft a thesis without having analyzed some of the text first. Your thesis, therefore, will come from the element(s) you choose to analyze, such as the following:

• an aspect or several aspects of form and structure and their significance
• social, historical, or cultural context in which the text was written and its significance
• style elements such as diction, imagery, or figurative language and their significance
• aspects of characters, plot, or setting
• overall theme of a single work or more than one work
• comparison or contrast of elements within one or more works
• relation to issues outside the text

To develop a working thesis, use the formula shown in Table 16.1 , basing your answers on one of the bulleted items listed above.

You can also start with an analytical question: For what reason(s) does Chopin use linguistic variety? Your initial answer might yield the thesis above. Or you can ask another analytical question, such as this one: In what ways do the plot and setting of “The Storm” reinforce its theme?

Drafting: Explore Possible Areas of Analysis for Fiction: Approach 1

Analytical essays begin by answering basic questions: What genre is this text—poem, play, story, biography, memoir, essay? What is its title? Who is the author? When was it published?

Identify and Summarize the Text

In addition to the basic questions, analytical essays provide a brief summary of the plot or main idea. Summarize briefly, logically, and objectively to provide a background for what you plan to say about the text. This information may be incorporated into the introduction or may follow it.

Explain the Form and Organization

To analyze the organizational structure of a text, ask: How is it put together? Why does the author start here and end there? Why does the author sequence information in this order? What connects the text from start to finish? For example, by repeating words, ideas, and images, writers call attention to these elements and indicate that they are important to the meaning of the text. No matter what the text, some principle or plan holds it together and gives it structure. Fiction and nonfiction texts that tell stories are often, but not always, organized as a sequence of events in chronological order. Poems may have formal structures or other organizational elements. Other texts may alternate between explanations and examples or between first-person and third-person narrative. You will have to decide which aspects of the text’s form and organization are most important for your analysis.

For example, this student analyzes the point of view of Gwendolyn Brooks ’s poem “ We Real Cool .”.

student sample text Gwendolyn Brooks writes “We Real Cool” (1963) from the point of view of members of a street gang who speak as one voice. The boys have dropped out of school to spend their lives hanging around pool halls—in this case “The Golden Shovel.” These guys speak in slangy lingo, such as “Strike straight,” that reveals their need for a melded identity in their rebellious attitude toward life. The plural speaker in the poem, “We,” celebrates what adults might call adolescent hedonism—but the speaker, feeling powerful in the group identity, makes a conscious choice for a short, intense life over a long, safe, and dull existence. end student sample text

Place the Work in Context

To analyze the context of a text, ask: What circumstances (historical, social, political, biographical) produced this text? How does this text compare or contrast with another by the same author or with a similar work by a different author? No text exists in isolation. Each was created by a particular author in a particular place at a particular time. Describing this context provides readers with important background information and indicates which conditions you think were most influential.

For example, this student analyzes the social context of Gwendolyn Brooks ’s poem “We Real Cool.”

student sample text From society’s viewpoint, the boys are nothing but misfits—refusing to work, leading violent lives, breaking laws, and confronting police. However, these boys live in a society that is dangerous for Black men, who often die at the hands of police even when they are doing the right thing. The boys are hopeless, recognizing no future but death, regardless of their actions, and thus “Die soon.” end student sample text

Explain the Theme of the Text

To analyze the theme of a text, determine the implied theme in fiction, poetry, and narrative nonfiction. One purpose for writing a textual analysis is to point out the theme. Ask yourself: So what? What is this text really about? What do I think the author is trying to say by writing this text? What problems, puzzles, or ideas are most interesting? In what ways do the characters change between the beginning and end of the text? Good ideas for a thesis arise from material in which the meaning is not obviously stated.

For example, this student analyzes one theme of Gwendolyn Brooks’s poem “We Real Cool.”

student sample text For the “Seven at the Golden Shovel,” companionship is everything. For many teenagers, fitting in or conforming to a group identity is more important than developing an individual identity. Brooks expresses this theme through the poem’s point of view, the plural “We” repeated at the end of each line. end student sample text

Analyze Stylistic Choices

To analyze stylistic choices, examine the details of the text. Ask yourself: Why does the author use this word or phrase instead of a synonym for it? In what ways does this word or phrase relate to other words or phrases? In what ways do the author’s figurative comparisons affect the meaning or tone of the text? In what ways does use of sensory language (imagery) affect the meaning or tone of the text? In what ways does this element represent more than itself? In what ways does the author use sound or rhythm to support meaning?

For example, this student analyzes the diction of Gwendolyn Brooks’s poem “We Real Cool.”

student sample text Brooks chooses the word cool to open the poem and build the first rhyme. Being cool is the code by which the boys live. However, the word cool also suggests the idiom “to be placed ‘on ice,’” a term that suggests a delay. The boys live in a state of arrested development, anticipating early deaths. In addition, the term to ice someone means “to kill,” another reference to the death imagery at poem’s end. The boys are not suggesting suicide; they expect to be killed by members of society who find them threatening. end student sample text

Support Your Analysis

Analytical interpretations are built around evidence from the text itself. You’ll note the quotations in the examples above. Summarize larger ideas in your own language to conserve space. Paraphrase more specific ideas, also in your own words, and quote directly to feature the author’s diction. See Editing Focus: Paragraphs and Transitions and Writing Process: Integrating Research for more information about summarizing, paraphrasing, and quoting directly. If you include outside information for support, comparison, or contrast, document the sources carefully: MLA Documentation and Format .

Use a graphic organizer such as Table 16.2 to gather ideas for drafting.

Drafting: Explore Possible Areas of Analysis for Literary Nonfiction: Approach 2

Although similar to fiction, narrative or literary nonfiction has a basic orientation toward exposition: relating real events in a creative way rather than inventing fictional events and characters. In reading and analyzing expository prose, you also may encounter literary language, narrative structure, characters, setting, theme, and plot development, depending on the type of prose. Therefore, your approach to analyzing nonfiction will call on many of the same strategies you use to analyze fiction. Two basic differences, however, are that literary nonfiction may have less dialogue, depending on the genre, and that the author and narrator may be the same. In other words, no intermediary or artistic filter may exist between the author and the work. The nonfiction author is assumed to be speaking a truth, which may be serious, comic, controversial, or neutral. Fictional characters, on the other hand, are creations of an author’s mind; they think and speak as they were created to do.

Planning the Essay

In writing your essay, you will need to present the same kinds of text evidence as you would when analyzing fiction to give credibility to your claims and to support your thesis. And you’ll need to keep in mind the rhetorical situation—purpose, audience, stance, context, and culture—as well, for it remains the building block of an effective analysis. As in most academic essays, body paragraphs refer to the thesis through topic sentences and move consistently toward supporting it before you finally arrive at a convincing conclusion that has grown out of the analysis. In nonfiction, because you assume you are dealing with a truthful explanation of facts and views, your task should be to give a new view and understanding of something that already may be familiar to readers. In writing your analysis, consider the following plan:

• Begin your analysis of nonfiction with an introductory overview in which you include the work’s genre, title, author, and publication date.
• Identify the literary point of view, if relevant: first person— I or plural we —or third-person— he, she , or they .
• Continue with a brief summary of the work, and place it in context: the work’s social, historical, and cultural background will help readers follow your points about its theme.
• Present your thesis near the end of the introduction. It should be argumentative, in an academic sense, so that you can “prove” your points.
• Support your thesis with well-elaborated body paragraphs, as you do with all thesis-based writing. Include paraphrases, summaries, and quotations from the text (and outside sources, if you do research for the assignment). Body paragraphs support the topic sentences, which in turn support the thesis.
• Conclude by restating your thesis (using different words and an appropriate transition). Add a general statement about the work and its significance or, if applicable, its relation to culture, history, current events, art, or anything else outside it.

Use the applicable suggestions in Table 16.3 in planning your essay :

Literary Nonfiction Model

A frequent theme in literary nonfiction is the examination of alternative ways of living, often solitary and away from society, and finding truth in individualism and self-sufficiency. Although most people live in social groups and willingly accept the identity and security that communities offer, dropping out and going it alone have long been a part of emotional as well as physical life for some.

You have the option to analyze the nonfiction accounts of writers exploring solitary human behavior in American life. If you select Another Lens 2 , you will read an excerpt from the story of Chris McCandless (1968–c. 1992), who chose a brief and uncomfortable solitary existence in Alaska. Or you can read the following section dealing with the works of Henry David Thoreau , the American philosopher and author who dropped out of society temporarily, largely because of his strong opposition to government policies he believed to be morally wrong and because of his refusal to conform to social practices and expectations he found objectionable.

Introduction

Henry David Thoreau (1817–1862) is best known as a thinker and writer on nature, as reflected in his two famous works, the highly influential Civil Disobedience (1849) and Walden ; or, Life in the Woods (1854). Both works celebrate individual freedoms: the right to protest against what one believes is morally or ethically wrong and the choice to live as one believes. In describing his life over a period of precisely two years, two months, and two days in a 10-by-15-foot cabin he built on Walden Pond, 20 miles northwest of Boston near Concord, Massachusetts, Thoreau wrote:

public domain text I went to the woods because I wished to live deliberately [carefully, unhurried], to front [confront] only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practise resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life. end public domain text

Thoreau’s insistence on standing by his principles and on living a simple life by choice are two abiding themes in his work. Even before the physical move to Walden, Thoreau had refused to pay his poll tax (granting him the right to vote) for a number of years because he strongly objected to the government’s use of his money to support enslavement and the war with Mexico. He went peacefully to jail as a result, until he was bailed out (the next day). In “Civil Disobedience,” Thoreau advocates for more individual freedom and for individuals to defy unjust laws in nonviolent ways. His writings on “passive resistance” inspired the thoughts and actions of influential figures such as Indian leader Mohandas Gandhi (1869–1948), American religious and civil rights leader Martin Luther King , Jr. (1929–1968), and other leaders of nonviolent liberation movements. In Walden , Thoreau describes and advocates for a simple life in which a person breaks with society when they feel the need to express their individualism, often based on ideas others do not share.

These themes are the focus of analysis in the following excerpts from an essay by student Alex Jones for a first-year composition class.

student sample text The Two Freedoms of Henry David Thoreau by Alex Jones end student sample text

student sample text Henry David Thoreau led millions of people throughout the world to think of individual freedom in new ways. During his lifetime he attempted to live free of unjust governmental restraints as well as conventional social expectations. In his 1849 political essay “On the Duty of Civil Disobedience,” he makes his strongest case against governmental interference in the lives of citizens. In his 1854 book Walden; or Life in the Woods , he makes the case for actually living free, as he did in his own life, from social conventions and expectations. end student sample text

annotated text The title clearly identifies Thoreau and sets the expectation that two aspects or definitions of freedom will be discussed in two different works. Alex Jones wants readers to know that millions of people worldwide figure in Thoreau’s legacy. He gives the examples of “unjust governmental restraints” and “conventional social expectations” as the parts of social life Thoreau rejected, thus limiting the scope of the analysis and preparing for the body of the essay. end annotated text

annotated text Jones notes the titles and publication dates of both works and immediately moves ahead to analyze the two works, “Civil Disobedience” first. He will show how this political statement leads to the narrative of Walden , the actual story of a man’s life in temporary exile. end annotated text

student sample text Thoreau opens “Civil Disobedience” with his statement “that government is best which governs not at all.” end student sample text

annotated text The analysis moves immediately to the first work to be discussed and features the memorable quotation regarding a government that does not govern. The statement may seem contradictory, but for Thoreau it is a direct statement in that someone who allows himself to be imprisoned will find freedom by distancing himself from all others to prove his point. end annotated text

student sample text He argues that a government should allow its people to be as free as possible while providing for their needs without interfering in daily life. In other words, in daily life a person attends to the business of eating, sleeping, and earning a living and not dealing in any noticeable way with an entity called “a government.” end student sample text

annotated text Jones repeats “in daily life” to give a rhythm to his own prose and to emphasize the importance to Thoreau of daily activities that are simple and meaningful. The word government is repeated for emphasis as the negative subject of this essay—in literary terms, a powerful and constant antagonist that constrains and disempowers. end annotated text

student sample text Because Thoreau did not want his freedom overshadowed by government regulations, he tried to ignore them. However, the American government of 1845 would not let him. He was arrested and put in the Concord jail for failing to pay his poll tax, a tax he believed unjust because it supported the government’s war with Mexico as well as the immoral institution of slavery. Instead of protesting his arrest, he celebrated it and explained its meaning by writing “Civil Disobedience,” one of the most famous English-language essays ever written. In it, he argues persuasively, “Under a government which imprisons any unjustly, the true place for a just man is also a prison” (230). Thus, the idea of passive resistance—and accepting unjust arrest to make a point—was formed, a doctrine that advocated protest against the government by nonviolent means: end student sample text

student sample text How does it become a man to behave toward this American government today? I answer that he cannot without disgrace be associated with it. I cannot for an instant recognize that political organization as my government which is the slave’s government also. (224) end student sample text

annotated text Jones strengthens his own writing by calling the essay one of the most famous works ever written. This is not an ordinary technique in textual analysis, but when done for emphasis, it helps the analysis gain power. Using “instead of protesting” at the start of his sentence is another example of strong contrast and linkage. end annotated text

student sample text For nearly 200 years, Thoreau’s formulation of passive resistance has been a part of the human struggle for freedom. In fact, it changed the world by inspiring the resistance movements led by Mohandas Gandhi and Martin Luther King, Jr. end student sample text

annotated text The total effect is to make Jones’s analytical essay more important for readers, as Thoreau’s writings have indeed changed the world despite being written humbly as the voice of one man’s conscience and isolation in his own freedom. end annotated text

student sample text Thoreau also wanted to be free from the everyday pressures to conform to society’s expectations. end student sample text

annotated text Jones transitions from the first short work to the different and equally famous nonfiction narrative Walden , moving smoothly from one freedom to the next with the transition “also wanted.” This second analysis of freedom is the second part of the essay’s thesis. end annotated text

student sample text He believed in doing and possessing only the essential things in life. To demonstrate his case, in 1845, he moved to the outskirts of Concord, Massachusetts, and lived by himself for just over two years in a cabin he built at Walden Pond. Thoreau wrote Walden to explain the value of living simply, far removed from the unnecessary complexity of society: “simplicity, simplicity, simplicity! I say, let your affairs be as two or three, and not a hundred or a thousand” (66). At Walden, he lived as much as possible by this statement, building his own house and furniture, growing his own food, bartering for simple necessities, and attending to his own business rather than seeking employment from others. end student sample text

annotated text Jones uses textual evidence to support his claim. He summarizes Thoreau’s activities at Walden and quotes Thoreau as evidence to reinforce the freedom of mind that simple living allows. end annotated text

student sample text Living at Walden Pond gave Thoreau the chance to formulate many of his ideas about living an unencumbered, economical life. At Walden, he lived simply to “front only the essential facts of life” (66) and to center his thoughts on “living” instead of on unnecessary details of mere livelihood. He developed survival skills that freed him from the constraints of city dwellers whose lives depended upon a web of material things and services provided by others. He preferred to “take rank hold on life and spend my day more as animals do” (117). end student sample text

annotated text Jones uses the poetic language of high rhetoric directly from Thoreau. The body of the essay gives specific evidence of how Thoreau ate, built, read, and provided for his needs, cutting away all but the essential man in the two settings of his life. end annotated text

student sample text While living at Walden Pond, Thoreau was free to occupy his time in any way that pleased him, which for him meant mostly writing and tending his bean patch. The details of his gardening appear frequently, as he concentrated on it during his time there. He wasn’t troubled by a boss hounding him with deadlines or a wife and children who needed his attention. His neighbors accused him of being selfish and did not understand that he sought most of all “to live deliberately” (66), as he felt all people should learn to do. end student sample text

student sample text Then, as now, most people had more responsibilities than Thoreau had and could not just pack up their belongings and go live in the woods—if they could find free woods to live in. Today, people are intrigued to read about Thoreau’s experiences and are inspired by his thoughts, but few people can actually live or do as he suggests. The idea of life without cell phones or Internet seems inconceivable, even if one grows one’s own food and lives mostly off the grid. end student sample text

annotated text The next-to-last paragraph recognizes what could be a counterclaim: not everyone in contemporary times would view living alone for two years as a pleasure. Rather, they might see it as a different kind of prison, perhaps even a dangerous one. Indeed, such deprivation has less appeal these days, and people who do go off by themselves may be seen to have questionable motives. end annotated text

student sample text The theme of exploring how a man lives in or outside governmental control is clear in the choices he must make to define himself as a free person. Nevertheless, practical or not, Thoreau’s writings about freedom from government and society have inspired countless people to reassess how they live their lives. Though unable to live as Thoreau advocated, readers everywhere remain inspired by his ideals and his belief in the two freedoms. end student sample text

annotated text Jones concludes by emphasizing the strength of Thoreau’s ideas—his two freedoms—and the influence they have had in the world. end annotated text

Review the Essay

After reading Alex Jones’s essay, complete the following sentences to review his work:

• He identifies and summarizes the content by ________.
• He describes the form and structure of Thoreau’s works when ________.
• He places Thoreau and his works in context by ________.
• He clearly states his own theme in reading Thoreau, which is ________.
• He indicates Thoreau’s unusual language at times, such as ________.
• He gives supporting evidence for his points, such as ________.
• He includes a visual to ________.
• He concludes with a balanced and convincing viewpoint by ________.

For Reference: excerpt from Walden by Henry David Thoreau from “Where I Lived and What I Lived For”

public domain text When first I took up my abode in the woods, that is, began to spend my nights as well as days there, which, by accident, was on Independence Day, or the Fourth of July, 1845, my house was not finished for winter, but was merely a defense against the rain, without plastering or chimney, the walls being of rough, weather-stained boards, with wide chinks, which made it cool at night. The upright white hewn studs and freshly planed door and window casings gave it a clean and airy look, especially in the morning, when its timbers were saturated with dew, so that I fancied that by noon some sweet gum would exude from them. To my imagination it retained throughout the day more or less of this auroral character, reminding me of a certain house on a mountain which I had visited the year before. This was an airy and unplastered cabin, fit to entertain a travelling god, and where a goddess might trail her garments. The winds which passed over my dwelling were such as sweep over the ridges of mountains, bearing the broken strains, or celestial parts only, of terrestrial music.… end public domain text

public domain text The only house I had been the owner of before, if I except a boat, was a tent, which I used occasionally when making excursions in the summer, and this is still rolled up in my garret; but the boat, after passing from hand to hand, has gone down the stream of time. With this more substantial shelter about me, I had made some progress toward settling in the world. This frame, so slightly clad, was a sort of crystallization around me, and reacted on the builder. It was suggestive somewhat as a picture in outlines. I did not need to go outdoors to take the air, for the atmosphere within had lost none of its freshness. It was not so much within doors as behind a door where I sat, even in the rainiest weather. The Harivansa [important Sanskrit text] says, “An abode without birds is like a meat without seasoning.” Such was not my abode, for I found myself suddenly neighbor to the birds; not by having imprisoned one, but having caged myself near them.… end public domain text

public domain text For the first week, whenever I looked out on the pond it impressed me like a tarn high up on the side of a mountain, its bottom far above the surface of other lakes, and, as the sun arose, I saw it throwing off its nightly clothing of mist, and here and there, by degrees, its soft ripples or its smooth reflecting surface was revealed, while the mists, like ghosts, were stealthily withdrawing in every direction into the woods, as at the breaking up of some nocturnal conventicle. The very dew seemed to hang upon the trees later into the day than usual, as on the sides of mountains. end public domain text

public domain text This small lake was of most value as a neighbor in the intervals of a gentle rain storm in August, when, both air and water being perfectly still, but the sky overcast, mid-afternoon had all the serenity of evening, and the wood-thrush sang around, and was heard from shore to shore. A lake like this is never smoother than at such a time; and the clear portion of the air above it being shallow and darkened by clouds, the water, full of light and reflections, becomes a lower heaven itself so much the more important. From a hill top nearby, where the wood had been recently cut off, there was a pleasing vista southward across the pond, through a wide indentation in the hills which form the shore there, where their opposite sides sloping toward each other suggested a stream flowing out in that direction through a wooded valley, but stream there was none. That way I looked between and over the near green hills to some distant and higher ones in the horizon, tinged with blue. Indeed, by standing on tiptoe I could catch a glimpse of some of the peaks of the still bluer and more distant mountain ranges in the north-west, those true-blue coins from heaven’s own mint, and also of some portion of the village. But in other directions, even from this point, I could not see over or beyond the woods which surrounded me. It is well to have some water in your neighborhood, to give buoyancy to and float the earth. One value even of the smallest well is, that when you look into it you see that earth is not continent but insular. This is as important as that it keeps butter cool. When I looked across the pond from this peak toward the Sudbury meadows, which in time of flood I distinguished elevated perhaps by a mirage in their seething valley, like a coin in a basin, all the earth beyond the pond appeared like a thin crust insulated and floated even by this small sheet of interverting water, and I was reminded that this on which I dwelt was but dry land . end public domain text

public domain text We must learn to reawaken and keep ourselves awake, not by mechanical aids, but by an infinite expectation of the dawn, which does not forsake us in our soundest sleep. I know of no more encouraging fact than the unquestionable ability of man to elevate his life by a conscious endeavor. It is something to be able to paint a particular picture, or to carve a statue, and so to make a few objects beautiful; but it is far more glorious to carve and paint the very atmosphere and medium through which we look, which morally we can do. To affect the quality of the day, that is the highest of arts. Every man is tasked to make his life, even in its details, worthy of the contemplation of his most elevated and critical hour. If we refused, or rather used up, such paltry information as we get, the oracles would distinctly inform us how this might be done. end public domain text

public domain text I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practise resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and, if it proved to be mean, why then to get the whole and genuine meanness of it, and publish its meanness to the world; or if it were sublime, to know it by experience, and be able to give a true account of it in my next excursion. For most men, it appears to me, are in a strange uncertainty about it, whether it is of the devil or of God, and have somewhat hastily concluded that it is the chief end of man here to “glorify God and enjoy him forever.” end public domain text

public domain text Still we live meanly, like ants; though the fable tells us that we were long ago changed into men; like pygmies we fight with cranes; it is error upon error, and clout upon clout, and our best virtue has for its occasion a superfluous and evitable wretchedness. Our life is frittered away by detail. An honest man has hardly need to count more than his ten fingers, or in extreme cases he may add his ten toes, and lump the rest. Simplicity, simplicity, simplicity! I say, let your affairs be as two or three, and not a hundred or a thousand; instead of a million count half a dozen, and keep your accounts on your thumb nail. In the midst of this chopping sea of civilized life, such are the clouds and storms and quicksands and thousand-and-one items to be allowed for, that a man has to live, if he would not founder and go to the bottom and not make his port at all, by dead reckoning, and he must be a great calculator indeed who succeeds. Simplify, simplify. Instead of three meals a day, if it be necessary eat but one; instead of a hundred dishes… end public domain text

public domain text Why should we live with such… waste of life? We are determined to be starved before we are hungry. Men say that a stitch in time saves nine, and so they take a thousand stitches to-day to save nine to-morrow. end public domain text

Peer Review:

After you have completed your first draft, exchange essays with a partner for peer review. Look at the questions you answered to address the essay about Thoreau. Then, to provide helpful feedback, answer these questions about your peer’s draft.

• Does the introduction include the author, title of the work, publication date, historical context, and a brief summary?
• What is your peer’s main claim, or thesis? Is it clearly stated? If not, how might your peer clarify it?
• Is the thesis effectively supported throughout the essay? How does each paragraph support the thesis? What evidence does each contain? Has the writer included direct quotations, paraphrases, and summary as relevant and convincing support? Is there enough information to sustain the writer’s claims? How might the author improve their support? In working on this section, go through each body paragraph separately for these criteria.
• Does the analysis address counterclaims? If not, how might the writer include them?
• Which sentence or sentences restate the thesis? If a restatement is not there, what might the writer include?

Once you have feedback from a peer, consider their suggestions. Read all comments, and think carefully before making changes.

• Use your discretion . Sometimes writers do not agree with their peers’ suggestions; indeed, authors do not always revise everything suggested by editors. However, it is important to clarify what might have prompted a response from a peer, such as “This seems like more of an unsupported opinion than text-based evidence.” Here you might consider including a source citation either from the text or from an outside resource, or consider further explaining your claim. However, if you think your peer reviewer misinterpreted or read your claim superficially, do not revise it. At all times, though, maintain ownership. It is your paper; you are the ultimate judge of whether the ideas in it represent you and your views. Never include someone else’s idea in your paper if you do not understand it or believe it. Whether or not you decide to revise, be sure to read and consider all suggestions carefully.
• Focus on global suggestions first. Global feedback applies to your entire paper. You may have to revise your topic or thesis so that your paper meets assigned guidelines or does what it should. It is important to revise global feedback first, for these revisions might necessitate changes in content and organization, among other things.
• Complete a close revision. Check your paper to revise for clarity at the sentence level, and double-check citations, if you have them, for accuracy and style.

In Chapter 16, you have learned about the revision process, including how to evaluate suggestions for revision from peer review. In this activity, evaluate each revision suggestion for specificity. A specific suggestion is helpful and easy to implement. A general suggestion is not helpful and should be ignored unless you can go back and ask the reviewer to provide more details. Based on your evaluation, look at each revision suggestion and decide whether to implement or to ignore.

Student Revision Model

Below is a paragraph from the first draft of Gwyn Garrison’s paper. It was reviewed by a peer, who made the suggestions indicated. First, read the draft. Next, read the reviewer’s suggestions and consider whether you would accept or reject each one. Then, read the paragraph as it appears in the final version. After each suggestion, consider why you think Gwyn Garrison accepted or rejected the reviewer’s comment.

Original Draft

student sample text When Calixta acts outside of societal norms, she discovers the freedom of self-expression and passion. Chopin’s diction evokes a spiritual transcendence that allows Calixta to exist momentarily outside social norms that exist only in the physical plane of existence: “when he possessed her, they seemed to swoon at the very borderland of life’s mystery.” The affair becomes a vehicle that allows Calixta to get to a place of true self-expression. The storm, an aspect of nature or the natural world, acts as the catalyst in Calixta’s natural self-realization of womanhood. The storm breaks externally and internally for Calixta. Chopin’s depiction of Calixta’s sexual liberation and fulfillment outside of her marriage is an early step in the fight to bridge the gap between women’s bodies and their sociopolitical lives. By presenting female sexuality in a way that is enlightening rather than degrading, Chopin helps destigmatize labels such as whore, which have been used to shame women for acting outside of traditional gender expectations. end student sample text

Peer Reviewer’s Comments

• A transition would help link this paragraph with the previous one.
• At the beginning of the paragraph, after the first sentence, add a short description or explanation of what is happening in the scene.
• The quotation from the text doesn’t help explain your claim. Anyway, you left out a word.
• Perhaps you could add a quotation about the storm.
• Can you clarify the relationship between the storm and Calixta’s self-realization?

Final Version

student sample text When Calixta acts outside of societal norms, however , she discovers the freedom of self-expression and passion. All of the parts of her womanhood that have no place in the society in which she lives have been repressed until this one moment. In this scene, Chopin takes possession of the term whore and redefines Calixta’s behavior as a transformative awakening. Chopin’s diction evokes a spiritual transcendence that allows Calixta to exist momentarily outside social norms that exist only in the physical plane of existence: “when he possessed her, they seemed to swoon together at the very borderland of life’s mystery.” The affair becomes a vehicle that allows Calixta to get to a place of true self-expression. The storm, an aspect of nature or the natural world, acts as the catalyst in Calixta’s natural self-realization of womanhood. As the storm breaks externally, it also breaks internally for Calixta. Chopin’s depiction of Calixta’s sexual liberation and fulfillment outside of her marriage is an early step in the fight to bridge the gap between women’s bodies and their sociopolitical lives. By presenting female sexuality in a way that is enlightening rather than degrading, Chopin helps destigmatize labels such as whore, which have been used to shame women for acting outside of traditional gender expectations. end student sample text

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• Authors: Michelle Bachelor Robinson, Maria Jerskey, featuring Toby Fulwiler
• Publisher/website: OpenStax
• Book title: Writing Guide with Handbook
• Publication date: Dec 21, 2021
• Location: Houston, Texas
• Book URL: https://openstax.org/books/writing-guide/pages/1-unit-introduction
• Section URL: https://openstax.org/books/writing-guide/pages/16-5-writing-process-thinking-critically-about-text

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Table of Contents

Ai, ethics & human agency, collaboration, information literacy, writing process, textual analysis – how to engage in textual analysis.

• © 2023 by Jennifer Janechek - IBM Quantum

As a reader, a developing writer, and an informed student and citizen, you need to be able to locate, understand, and critically analyze others’ purposes in communicating information. Being able to identify and articulate the meaning of other writers’ arguments and theses enables you to engage in intelligent, meaningful, and critical knowledge exchanges. Ultimately, regardless of the discipline you choose to participate in,  textual analysis —the summary, contextualization, and interpretation of a writer’s effective or ineffective delivery of their perspective on a topic, statement of thesis, and development of an argument—will be an invaluable skill. Your ability to critically engage in knowledge exchanges—through the analysis of others’ communication—is integral to your success as a student and as a citizen.

Step 1: What Is The Thesis?

In order to learn how to better recognize a thesis in a written text, let’s consider the following argument:

So far, [Google+] does seem better than Facebook, though I’m still a rookie and don’t know how to do even some basic things.

It’s better in design terms, and also much better with its “circles” allowing you to target posts to various groups.

Example: following that high school reunion, the overwhelming majority of my Facebook friends list (which I’m barely rebuilding after my rejoin) are people from my own hometown. None of these people are going to care too much when my new book comes out from Edinburgh. Likewise, not too many of you would care to hear inside jokes about our old high school teachers, or whatever it is we banter about.

Another example: people I know only from exchanging a couple of professional emails with them ask to be Facebook friends. I’ve never met these people and have no idea what they’re really like, even if they seem nice enough on email. Do I really want to add them to my friends list on the same level as my closest friends, brothers, valued colleagues, etc.? Not yet. But then there’s the risk of offending people if you don’t add them. On Google+ you can just drop them in the “acquaintances” circle, and they’ll never know how they’re classified.

But they won’t be getting any highly treasured personal information there, which is exactly the restriction you probably want for someone you’ve never met before.

I also don’t like too many family members on my Facebook friends list, because frankly they don’t need to know everything I’m doing or chatting about with people. But on Google+ this problem will be easily manageable. (Harman)

The first sentence, “[Google+] does seem better than Facebook” (Harman), doesn’t communicate the writer’s position on the topic; it is merely an observation . A position, also called a “claim,” often includes the conjunction “because,” providing a reason why the writer’s observation is unique, meaningful, and critical.https://www.youtube.com/embed/rwSFfnlwtjY?rel=0&feature=youtu.beTherefore, if the writer’s sentence, “[Google+] does seem better than Facebook” (Harman), is simply an observation, then in order to identify the writer’s position, we must find the answer to “because, why?” One such answer can be found in the author’s rhetorical question/answer, “Do I really want to add them to my friends list on the same level as my closest friends, brothers, valued colleagues, etc.? Not yet” (Harman). The writer’s “because, why?” could be “because Google+ allows me to manage old, new, and potential friends and acquaintances using separate circles, so that I’m targeting posts to various, separate groups.” Therefore, the writer’s thesis—their position—could be something like, “Google+ is better than Facebook because its design enables me to manage my friends using separate circles, so that I’m targeting posts to various, separate groups instead of posting the same information for everyone I’ve added to my network.”

In addition to communicating a position on a particular topic, a writer’s thesis outlines what aspects of the topic they will address. Outlining intentions within a thesis is not only acceptable, but also one of a writer’s primary obligations, since the thesis relates their general argument. In a sense, you could think of the thesis as a responsibility to answer the question, “What will you/won’t you be claiming and why?”

To explain this further, let’s consider another example. If someone were to ask you what change you want to see in the world, you probably wouldn’t readily answer “world peace,” even though you (and many others) may want that. Why wouldn’t you answer that way? Because such an answer is far too broad and ambiguous to be logically argued. Although world peace may be your goal, for logic’s sake, you would be better off articulating your answer as “a peaceful solution to the violence currently occurring on the border of southern Texas and Mexico,” or something similarly specific. The distinction between the two answers should be clear: the first answer, “world peace,” is broad, ambiguous, and not a fully developed claim (there wouldn’t be many, if any, people who would disagree with this statement); the second answer is narrower, more specific, and a fully developed claim. It confines the argument to a particular example of violence, but still allows you to address what you want, “world peace,” on a smaller, more manageable, and more logical scale.

Since a writer’s thesis functions as an outline of what they will address in an argument, it is often organized in the same manner as the argument itself. Let’s return to the argument about Google+ for an example. If the author stated their position as suggested—“Google+ is better than Facebook because its design enables me to manage my friends using separate circles, so that I’m targeting posts to various, separate groups instead of posting the same information I’ve added to my network”—we would expect them to first address the similarities and differences between the designs of Google+ and Facebook, and then the reasons why they believe Google+ is a more effective way of sharing information. The organization of their thesis should reflect the overall order of their argument. Such a well-organized thesis builds the foundation for a cohesive and persuasive argument.

Textual Analysis: How is the Argument Structured?

“Textual analysis” is the term writers use to describe a reader’s written explanation of a text. The reader’s textual analysis ought to include a summary of the author’s topic, an analysis or explanation of how the author’s perspective relates to the ongoing conversation about that particular topic, an interpretation of the effectiveness of the author’s argument and thesis , and references to specific components of the text that support his or her analysis or explanation.

An effective argument generally consists of the following components:

• A thesis. Communicates the writer’s position on a particular topic.
• Acknowledgement of opposition. Explains existing objections to the writer’s position.
• Clearly defined premises outlining reasoning. Details the logic of the writer’s position.
• Evidence of validating premises. Proves the writer’s thorough research of the topic.
• A conclusion convincing the audience of the argument’s soundness/persuasiveness. Argues the writer’s position is relevant, logical, and thoroughly researched and communicated.

An effective argument also is specifically concerned with the components involved in researching, framing, and communicating evidence:

• The credibility and breadth of the writer’s research
• The techniques (like rhetorical appeals) used to communicate the evidence (see “The Rhetorical Appeals”)
• The relevance of the evidence as it reflects the concerns and interests of the author’s targeted audience

To identify and analyze a writer’s argument, you must critically read and understand the text in question. Focus and take notes as you read, highlighting what you believe are key words or important phrases. Once you are confident in your general understanding of the text, you’ll need to explain the author’s argument in a condensed summary. One way of accomplishing this is to ask yourself the following questions:

• What topic has the author written about? (Explain in as few words as possible.)
• What is the author’s point of view concerning their topic?
• What has the author written about the opposing point of view? (Where does it appear as though the author is “giving credit” to the opposition?)
• Does the author offer proof (either in reference to another published source or from personal experience) supporting their stance on the topic?
• As a reader, would you say that the argument is persuasive? Can you think of ways to strengthen the argument? Using which evidence or techniques?

Your articulation of the author’s argument will most likely derive from your answers to these questions. Let’s reconsider the argument about Google+ and answer the reflection questions listed above:

The author’s topic is two social networks—Google+ and Facebook.

The author is “for” the new social network Google+.

The author makes a loose allusion to the opposing point of view in the explanation, “I’m still a rookie and don’t know how to do even some basic things” (Harman). (The author alludes to his inexperience and, therefore, the potential for the opposing argument to have more merit.)

Yes, the author offers proof from personal experience, particularly through their first example: “following that high school reunion, the overwhelming majority of my Facebook friends list (which I’m barely rebuilding after my rejoin) are people from my hometown” (Harman). In their second example, they cite that “[o]n Google+ you can just drop [individuals] in the ‘acquaintances’ circle, and they’ll never even know how they’re classified” (Harman) in order to offer even more credible proof, based on the way Google+ operates instead of personal experience.

Yes, I would say that this argument is persuasive, although if I wanted to make it even stronger, I would include more detailed information about the opposing point of view. A balanced argument—one that fairly and thoroughly articulates both sides—is often more respected and better received because it proves to the audience that the writer has thoroughly researched the topic prior to making a judgment in favor of one perspective or another.

Works Cited

Harman, Graham. Object-Oriented Philosophy. WordPress, n.d. Web. 15 May 2012.

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A Comprehensive Guide on How to Write a Literary Analysis Essay

Have you ever been tasked with writing a literary analysis essay and wondered how to approach it effectively? Fear not, for you’ve come to the right place.

In this article on how to write a literary analysis essay, we will walk you through the entire process of crafting an insightful and compelling piece, from understanding the basics to polishing your final draft. So, let’s embark on this journey together and unlock the secrets of analyzing literature like a pro.

Table of Contents

Key Takeaways

• A literary analysis essay is an impartial evaluation of a text to gain understanding of the author’s intentions and implications.
• It involves breaking down and examining elements, structure, language, timeline & other techniques employed by the author.
• Crafting a compelling thesis statement with textual evidence & polishing your essay through reviewing/refining arguments & proofreading are essential steps for successful writing.

Understanding the Basics of a Literary Analysis Essay

To begin with, a literary analysis essay is an academic paper that involves examining a text closely, deciphering its implications, and investigating why the author made specific decisions. The main objective of such an essay is to facilitate comprehension of the literary work by providing a summary of literary research and incorporating examples, review components, literary analysis essay topics, and more.

In this context, literary analysis essays serve as a valuable tool for students and scholars alike to delve deeper into the meaning and significance of a literary work.

The process of analyzing literature entails examining the author’s choices in order to elucidate their intentions, as well as analyzing the use of language throughout the work. It is essential to avoid employing ambiguous language, such as using the words “interesting” and “important,” when following a literary analysis essay step.

Purpose of a Literary Analysis Essay

The primary intent of a literary analysis essay is to analyze and assess a literary work or its aspect. This type of essay delves into the evaluation of both technical and emotional components of the text, necessitating an impartial consideration of both the advantages and disadvantages, similar to a critical analysis. A literary analysis essay investigates literary devices, language selection, point of view, imagery, and the composition of the text, which are all essential aspects to consider in each literary analysis step. It is crucial for student writers to avoid excessively praising the work or the author, as this can detract from a good literary analysis.

When embarking on the journey of writing a literary analysis essay, remember that the ultimate goal is to provide a deeper understanding of the author’s intentions and the impact of the various elements within the literary work. By examining and evaluating the text thoughtfully, you will be able to discern patterns, themes, and techniques that may have been overlooked by others, enriching your own appreciation of the work and showcasing your analytical prowess.

Analyzing Literature

In order to write an insightful literary analysis, it is crucial to break down and examine various literary elements and their effects on the overall work. When analyzing the structure of a literary work, consider the impact of the structure on the flow of the story, novel, or poem, the structural elements employed by the author (chapters, stanzas, lines, acts), and rhyme pattern, punctuation, pauses, and meter. Language analysis is also vital; pay attention to the length of sentences, complexity of grammatical structures, presence of poetic or high-flown language, recurrence of vulgar words, and other literary elements that contribute to the overall meaning and impact of the text.

In addition, consider the timeline of the story and ask yourself questions such as: Do the events unfold in chronological order? Does the author use a time machine to transport readers back and forth? How easy is it to transition between different time layers, and what effect does this have? By asking these questions and examining the various literary techniques used by the author, you will be better equipped to write an astute and well-rounded analysis of the work in question.

Preparing for Your Literary Analysis

Before diving into the nitty-gritty of writing your literary analysis essay, it is crucial to prepare by reading the text thoroughly and choosing a suitable topic. Creating an outline and considering any distinctive characteristics of the literary text to be evaluated is an effective starting point. To analyze literature effectively, it’s essential to have a deep understanding of the work and its context.

In this stage of the process, pay close attention to the details and nuances of the text, as these will become the foundation of your analysis.

Reading the Text Thoroughly

Reading the text in its entirety is of great importance, as it can enhance reading comprehension, critical thinking abilities, memory, and analytical skills. Furthermore, it can aid readers in understanding the author’s message and intent, and creating connections to their coursework. To get the most out of your reading experience, it is advisable to read slowly, take notes, and focus on your thoughts rather than emotions.

When reading the text, make sure to highlight important passages, make note of recurring themes or motifs, and consider the author’s intentions behind certain narrative choices. This careful and attentive reading will not only enrich your understanding of the literary work, but also provide you with a strong foundation for crafting a compelling analysis later on.

Choosing a Topic

Choosing a topic for your literary analysis essay is an essential step in the process. To select a subject that interests you and is relevant to the text, begin by asking yourself questions about the work. Consider the themes, characters, setting, and literary techniques employed by the author, and select a topic that you find engaging and worth exploring in depth.

Once you have chosen a topic, craft a succinct and unambiguous topic sentence that will guide your analysis. This sentence should encapsulate the main idea you will be exploring in your essay and serve as a roadmap for your reader. By selecting a compelling topic and crafting a clear topic sentence, you will set the stage for a successful and insightful literary analysis essay.

Crafting a Compelling Thesis Statement

Crafting a compelling thesis statement is a crucial aspect of writing a literary analysis essay. The thesis statement is the central argument of your essay, serving as the foundation upon which your entire analysis will be built.

A close reading of the text is essential for the development of a strong and arguable thesis statement. Attention to subtle details of narrative voice and structure allows one to make meaningful interpretations that go beyond summary. In this section, we will discuss the characteristics of a good thesis statement and how to support it with textual evidence.

Characteristics of a Good Thesis Statement

A good thesis statement should be unambiguous, precise, and open to debate. It should be novel, succinct, and provide a guide for the remainder of the essay. When crafting your thesis statement, avoid including statements of fact, as they do not invite debate or further analysis.

Instead, aim to create a thesis statement that is intriguing, thought-provoking, and ultimately debatable. This will not only capture the attention of your reader, but also provide a solid foundation for your analysis, ensuring that your essay is both engaging and insightful.

Supporting Your Thesis with Textual Evidence

To support your thesis statement, it is important to present relevant textual evidence from the literary work in question. This includes specific parts of the text that demonstrate your point, such as quotations and examples. When using quotations, they should not exceed 30 words; otherwise, they should be paraphrased to communicate the essence of lengthy passages.

Gathering textual evidence from the start will facilitate the construction of your arguments and help determine if they are persuasive. Be sure to consider contradictory evidence as well, as this can strengthen your analysis by demonstrating your ability to engage with multiple perspectives.

Ultimately, supporting your thesis with strong textual evidence will make your literary analysis essay more convincing and impactful.

Structuring Your Literary Analysis Essay

Now that you have crafted a compelling thesis statement and gathered your textual evidence, it’s time to structure your literary analysis essay. A well-structured essay is crucial for ensuring that your ideas are clearly presented and easily understood by your reader.

In this section, we will discuss the components of a literary analysis essay, including the introduction, body paragraphs, and conclusion, and provide guidance on how to organize and present your analysis effectively.

Introduction

The introduction of your literary analysis essay should provide background information about the work being discussed, the characters, and the topic being addressed. It should also be succinct, allowing you to quickly arrive at the main point of your analysis. The purpose of the introduction is to furnish a comprehension of the magnitude of the essay and the trajectory towards substantiating the thesis.

In addition to providing background information, your introduction should also present your thesis statement. This statement should be presented at or close to the conclusion of the introduction, serving as a roadmap for your reader and guiding the direction of your analysis.

Body Paragraphs

The body of your literary analysis essay should consist of at least three to four paragraphs or more, with each paragraph focusing on one primary point associated with the overall theme of the analysis. Each body paragraph should focus on one topic or aspect and emphasize one primary point pertinent to the general theme of the analysis.

When including quotations in your analysis, remember that they should not exceed one sentence and should not be longer than 30 words. To ensure that your body paragraphs are well-structured and coherent, begin each paragraph with a clear topic sentence. This sentence should encapsulate the main idea you will be exploring in the paragraph and serve as a roadmap for your reader.

Conclude each paragraph with a one-sentence summary of the discussed idea, using transition words to make it easy for your reader to follow the progression of your analysis.

The conclusion of your literary analysis essay should summarize your main points, restate your thesis, and highlight the significance of your analysis. In doing so, you will provide your reader with a sense of closure and reinforce the importance of your analysis.

When writing your conclusion, be sure to avoid introducing any new ideas or concepts that were not discussed in the body of your essay. Instead, focus on reiterating the key points of your analysis and demonstrating how they support your thesis statement.

By summarizing your main points and restating your thesis in the conclusion, you will leave your reader with a clear understanding of your analysis and its significance, making your literary analysis essay both impactful and memorable.

Enhancing Your Essay with Literary Devices and Techniques

To elevate your literary analysis essay even further, consider incorporating the use of literary devices and techniques. These elements can provide a deeper understanding of the text and contribute to a more insightful and engaging analysis.

In this section, we will explore various literary devices and techniques, such as figurative language, narrative voice, and structure and organization, and discuss how they can be used to enhance your essay.

Figurative Language

Figurative language, such as metaphors and similes, can be used to analyze the author’s use of imagery and symbolism in a literary work. By examining the author’s use of figurative language, you can gain a deeper understanding of the underlying themes and motifs present in the text. This can provide a richer and more nuanced analysis, allowing you to engage more deeply with the work and demonstrate your analytical skills.

When discussing figurative language in your analysis, be sure to provide specific examples from the text, explaining how they contribute to the overall meaning and impact of the work. By incorporating figurative language into your analysis, you will not only enhance your understanding of the text, but also showcase your ability to recognize and interpret the various literary devices used by the author.

Narrative Voice

Examining the narrative voice of a literary work can provide valuable insights into the author’s intentions and the overall effect of the text on the reader. Consider the narrator’s viewpoint (first-person or third-person), their level of omniscience or limited knowledge, and their reliability or unreliability when analyzing the narrative voice in a literary work. Additionally, reflect on the tone of the text and whether it is intended to be humorous, sorrowful, or something else.

By analyzing the narrative voice, perspective, and tone of the text, you will be able to gain a deeper understanding of the author’s intentions and the impact of the work on the reader. This can contribute to a more insightful and engaging analysis, demonstrating your ability to recognize and interpret the various narrative techniques used by the author.

Structure and Organization

The structure and organization of a literary work can also provide valuable insights into the author’s intentions and the overall effect of the text on the reader. When analyzing the structure and organization of a text, consider its divisions (chapters, stanzas, lines, acts), chronological order, and use of dramatic irony. By examining these elements, you can gain a deeper understanding of how the author’s choices contribute to the overall meaning and impact of the work.

Incorporating an analysis of the structure and organization of a literary work into your essay can provide a more comprehensive and insightful understanding of the text. By examining these elements, you will be able to recognize and interpret the various techniques used by the author to convey their message and engage the reader, ultimately contributing to a more engaging and impactful analysis.

Polishing Your Literary Analysis Essay

Once you have completed your literary analysis essay, it is important to take the time to review and refine your arguments and proofread for errors. This process will ensure that your essay is coherent, logical, and free of mistakes, making it more effective in communicating your analysis to the reader.

In this section, we will discuss the importance of reviewing and refining your arguments and proofreading for errors, as well as provide tips for ensuring that your essay is polished and well-presented.

Reviewing and Refining Arguments

Reviewing and refining your arguments is a crucial step in the process of crafting a successful literary analysis essay. By revisiting your arguments and considering potential counterarguments, you can refine your thesis statement and make your essay more effective in communicating your message to the reader.

To review and refine your arguments, begin by examining the coherence and logic of your analysis. Ensure that your ideas are clearly presented and well supported by textual evidence. Additionally, consider any points of contradiction or alternative interpretations, and address them in your essay. By thoroughly reviewing and refining your arguments, you will create a more persuasive and impactful literary analysis essay.

Proofreading and Editing

Proofreading and editing your essay are essential steps in ensuring that your literary analysis is polished and professional. This process involves checking for grammar and spelling errors, verifying that your essay is structured and organized appropriately, and confirming that your essay is consistent with your thesis statement.

To proofread and edit your essay effectively, read it aloud and listen for awkward phrasing or unclear ideas. Additionally, consider having a friend or classmate review your work, as they may be able to offer a fresh perspective and catch any errors you may have missed.

By taking the time to proofread and edit your essay, you will ensure that it is free of errors and effectively communicates your analysis to the reader.

Frequently Asked Questions

How do you start a literary analysis essay.

To start a literary analysis essay, begin by identifying the title and author of the work you are examining, then briefly present the issue that will be discussed in the essay. Provide some background information on the text and its author, and then introduce the thesis statement which will guide the rest of the essay.

Finally, offer a general idea about the points to be covered in the essay.

What are the 5 components of a literary analysis?

A literary analysis consists of analyzing a text’s plot, theme, characters, point of view and setting in order to better understand it.

Each of these elements can be broken down further to gain a deeper understanding of the text. For example, the plot can be examined for its structure, the characters can be analyzed for their motivations and the setting can be explored.

What is the basic structure of a literary analysis essay?

A literary analysis essay typically consists of an introduction, three body paragraphs, and a conclusion. The introduction should provide general information about the author and the text itself, while the body paragraphs should focus on specific points from the text that support your overall thesis statement.

Evidence from the text may include summary, paraphrase, specific details, and direct quotations.

What is a literary analysis essay?

A literary analysis essay is an argumentative evaluation of a literary work, making a personal perspective and judgment based on its aesthetics, political messages or beliefs.

This type of essay requires the writer to analyze the text, breaking it down into its component parts and examining how they work together to create meaning. The writer must also consider the author’s intent and purpose in writing the work, as well.

What is the main objective of writing a literary analysis essay?

The main objective of writing a literary analysis essay is to facilitate comprehension of the literary work by providing a summary, incorporating examples, and reviewing components.

In conclusion, writing a literary analysis essay is a rewarding and enriching process that allows you to delve deeper into the world of literature and develop your critical thinking skills. By following the steps outlined in this comprehensive guide, you will be well on your way to crafting a compelling and insightful literary analysis essay.

From understanding the basics of literary analysis to incorporating literary devices and techniques, and finally polishing your essay, each step in the process will bring you closer to achieving a deeper understanding of the literary work you are analyzing. So take the plunge and embark on this exciting journey toward literary analysis mastery.

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How To Write An Analytical Essay A Full Guide

Crafting an impeccable analytical essay is an art form that demands precision, insight, and a structured approach. Whether you’re delving into literature, dissecting historical events, or unraveling scientific theories, the ability to present a compelling analysis is pivotal. Here’s a comprehensive guide to navigate the intricate path of writing a flawless analytical essay.

What Is An Analytical Essay

An analytical essay is a type of academic writing that delves deeply into a topic, idea, or piece of literature. Unlike descriptive or narrative essays, which focus on providing a vivid description or telling a story, an analytical essay aims to examine and dissect its subject matter.

The primary objective of an analytical essay is to present a thorough analysis or interpretation of the subject, often breaking it down into its constituent parts and scrutinizing how they contribute to the whole.

Why Analytical Essay Is Important

Analytical essays play a pivotal role in developing critical thinking skills and fostering a deeper understanding of complex subjects. Through the meticulous examination and interpretation of information, these essays teach individuals how to dissect arguments, evaluate evidence, and form well-supported conclusions. They serve as a platform for honing analytical prowess, enabling individuals to engage with diverse perspectives, challenge assumptions, and articulate their insights effectively. Moreover, mastering the art of analytical essays equips individuals with invaluable skills applicable across various disciplines, fostering a capacity for logical reasoning, problem-solving, and persuasive communication—a skill set indispensable in academia, professional endeavors, and everyday life.

Tips For Writing A Good Analytical Essay

Understanding the essence.

To excel in analytical writing, one must comprehend the essence of analysis itself. It’s not merely about summarizing or narrating; it’s about deconstructing the core components, scrutinizing their significance, and synthesizing perspectives to derive insightful conclusions.

Devising a Strategic Blueprint

Begin with a comprehensive understanding of your subject matter. Formulate a thesis statement —a succinct encapsulation of your perspective—which serves as the guiding beacon throughout your essay. Craft an outline delineating key sections and their respective arguments, ensuring a logical flow that seamlessly connects each point.

The Pinnacle of Research

A sturdy analytical essay is built upon a foundation of rigorous research. Delve into reputable sources, be it scholarly articles, books, or credible online repositories. Gather diverse perspectives and data to fortify your arguments, but always uphold the standards of credibility and relevance.

Structure: The Backbone of Brilliance

A well-structured essay is akin to an architectural marvel. The introduction should entice readers with a gripping hook, provide context, and introduce the thesis statement. The body paragraphs, each beginning with a topic sentence, should expound on individual arguments supported by evidence and analysis. Finally, the conclusion should reaffirm the thesis while offering a nuanced synthesis of the essay’s core ideas.

The Art of Analysis

Here’s where the magic unfolds. Analyze, dissect, and interpret the data and evidence gathered. Scrutinize underlying themes, dissect intricate details, and juxtapose contrasting viewpoints. Employ analytical tools pertinent to your subject, such as literary devices for literature analyses, statistical methods for scientific inquiries, or historical frameworks for historical essays.

Precision in Language and Style

The language employed in an analytical essay should be precise, articulate, and tailored to convey complex ideas clearly. Utilize a formal tone, vary sentence structures, and employ transitions to ensure a seamless progression of ideas. Embrace clarity and coherence as your allies in elucidating intricate analyses.

Revisiting and Refining

Revision is the crucible wherein a good essay transforms into a great one. Review your work meticulously—check for coherence, refine arguments, ensure logical transitions, and verify the alignment of evidence with your thesis. Seek feedback from peers or mentors to gain diverse perspectives and refine your essay further.

Conclusion: A Culmination of Mastery

In conclusion, a perfect analytical essay isn’t merely a collection of facts and opinions; it’s an orchestrated symphony of critical thinking, analysis, and eloquent expression. Embrace the journey of discovery, relish the complexities, and let your essay resonate as a testament to your mastery of analytical prowess.

Best Place To Avail Analytical Essay Service

At Allessaywriter.com, excellence meets expertise in crafting exceptional analytical essay services . Our platform is your gateway to top-tier service, offering a seamless experience to elevate your academic journey. With a team of seasoned writers dedicated to precision and depth in analysis, we ensure tailored essays that reflect critical thinking and comprehensive understanding. Trust us for meticulous research, compelling arguments, and impeccable structure, all aimed at delivering the finest analytical essays that exceed expectations.

An analytical essay service encapsulates the culmination of rigorous analysis, insightful interpretation, and concise articulation. It serves as the pinnacle of intellectual prowess, combining critical thinking with eloquent expression to offer a profound understanding of complex subjects. So if you are still wondering about analytical essay writing then ask our writers and get our do my essay help services.

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A Quick Guide to Textual Analysis – Definition & Steps

Published by Alvin Nicolas at August 16th, 2021 , Revised On August 29, 2023

Textual analysis is the method of analysing and understanding the text. It includes the close reading of fictional texts, images symbols, and all forms of written literary texts. A researcher needs to look keenly at the text to identify the writer’s context and its message.

What is a Text? 

• A text can be anything from which you can extract any meaning or information.
• A text can be a written book, records, journals, newspapers, magazines, ornaments, objects, emails, or transcribed conversations.
• It also includes analysing events, places, videos, images, or movies to get in-depth knowledge about its creation and purpose.

Why do we Call it a Text?

You might be thinking, why don’t we call it a book, video, or magazine? Why do we call it a  text ?

The word  text means the post-structuralist approach to thinking about the development of meaning.

The Purpose of Textual Analysis

The purpose of your textual analysis depends on the object of your analysis, such as:

• Analysis of a video or movie may aim to determine the target audience, dialogues, cinematography, visual and sound effects, and the message conveyed through his work.
• Analysis of texts and short stories focus on the language, narrative, choice of words, imagery, perception of the writer, and organisation of the text.
• You can analyse a monument based on its architectural history, stories related to it, and visitors’ navigation.
• You can analyse images in terms of the photographer’s creativity, use of a camera, sense of selecting locations, skills of capturing images, etc.
• You can analyse paintings in terms of their artistic level, use of colours, perception of the painters, the message hidden in the image, etc.

Confused between qualitative and quantitative methods of data analysis? No idea what discourse and content analysis are?

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• Whether you want a full dissertation written or need help forming a dissertation proposal, we can help you with both.
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Textual Analysis of Cultural and Media Studies

A researcher uses videos, social media content, newspapers, maps, buildings, advertisements, and images. Textual analysis plays a key role in the fields of cultural and media studies. A researcher aims to analyse, interpret, and analyse the controversial issues and messages embedded within the text and tries to connect them with other texts or events.

These kinds of texts are analysed from the following aspects:

• Content of the texts
• Language and word choice
• Elements of creativity
• Target audience
• Association with other texts or events

It focuses primarily on the creative and qualitative approach of the text. A researcher identifies the context and hidden message of the text.

Textual Analysis in the Social Sciences

It includes the textual analysis of the interview transcripts and surveys, and other media, including TV programs, chats, social media content. It takes a quantitative approach to measure the characteristics and organisation of the text. You can measure the text’s repetitions, types of colours displayed, tone of the speakers, etc.

Content analysis ,  thematic analysis , and  discourse analysis are the most frequent ways to analyse these texts.

Literary Text Analysis

The literary text analysis is breaking a text’s structure and content into smaller parts to seek in-depth understanding. A researcher It includes stories, poetry, plays, novels, plays, and books.

Also read about: Correlational research , a comprehensive guide on its types with examples

It focuses on identifying:

• The association between various individual texts.
• The similarities between the concepts of the two separate texts.
• The relationship between the texts and political, social, aesthetic, economic, or religious contexts.

Frequently Asked Questions

How to describe textual analysis.

Textual analysis examines written, visual, or spoken material to uncover layers of meaning, themes, and patterns. It dissects language, structure, and context to reveal how elements convey messages, ideologies, and cultural insights, often contributing to a deeper understanding of the content’s significance.

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A hypothesis is a research question that has to be proved correct or incorrect through hypothesis testing – a scientific approach to test a hypothesis.

Descriptive research is carried out to describe current issues, programs, and provides information about the issue through surveys and various fact-finding methods.

Thematic analysis is commonly used for qualitative data. Researchers give preference to thematic analysis when analysing audio or video transcripts.

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How to Write a Literary Analysis Essay Step by Step

Some students find writing literary analysis papers rather daunting. Yet, an English class cannot go without this kind of work. By the way, writing literary analysis essays is not that complicated as it seems at a glance. On the contrary, this work may be fascinating, and you have a chance to study your favorite works of literature more in-depth.

Our specialists will write a custom essay specially for you!

Literary analysis implies that you read a certain piece of literature in a particular way. You need to break it into parts and see how each of these parts work . How to do this exactly? How to start a literary analysis essay? Continue reading this article by Custom-writing experts, and soon you’ll become an expert too!

❔ What Is a Literary Analysis Essay?

📑 literary analysis outline.

• 👣 Step-by-Step Writing Guide

🔗 References

It is one of the types of an argumentative essay in which you carry out an in-depth investigation of a novel, story, poem, play, or any other literary creation. The purpose is to explore the reasons for certain technical and artistic choices of the author and interpret their meaning.

What Is the Purpose of a Literary Analysis Essay?

This academic assignment aims to examine and evaluate a literary work or its aspect. The definition of a literary analysis essay presupposes the study of literary devices, choice of language, perspective, imagery, and structure of the text. These techniques are examined to understand the ideas the author intended to convey.

Feel free to use the following literary analysis outline . It will make your work much easier!

Writing an Introduction to a Literary Analysis Essay

Writing body paragraphs for a literary analysis essay, writing a conclusion for a literary analysis essay.

Find more details and a step-by-step guide on writing your literary analysis in the next section.

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👣 How to Write a Literary Analysis Step by Step

Step 1. read critically.

If you wonder how to start the literary analysis, the answer is careful reading. At this stage, you need to find out the main themes of the novel. Make a list of them and note the pages where you can find evidence of the main ideas later. This method can be applied for all the references, as an academic paper requires you to indicate pages in the text for any quotations and paraphrases.

At this stage, the text’s events are important since they convey the main theme or the principal idea. You should rather focus on literary devices, choice of language, structure, and narrative voice. These are the elements of the text that create visual and emotional effects and convey the meaning.

• Literary techniques (allusion, allegory, exposition, anthropomorphism, foil, foreshadowing, repetition, and parallelism)
• Figurative language (metaphor, onomatopoeia, understatement, symbolism, personification, simile, pun, cliche, analogy, proverb, hyperbole, alliteration, idiom, assonance, irony, and oxymoron)
• Literary elements (plot, theme, setting, imagery, mood, tone, point of view, protagonists, antagonists, conflict, climax, characterization, diction, motifs, and narrator)
• Language . Here you should analyze the length of sentences, the complexity of grammatical structures, use of poetic or high-flown language, recurring to vulgar words, etc.
• Structure . Does the structure impact the flow of the story, novel, or poem? What are the structural elements used by the author (chapters, stanzas, lines, acts)? This aspect is essential in the analysis of poetry. Rhyme pattern, punctuation, pauses, and meter shape the reader’s perception of verses and convey the author’s thoughts and feelings, just as the words do. Some of the items mentioned in the literary devices can be discussed as well in terms of structure. Foreshadowing and repetition can create suspense or generate dramatic irony. Climax can be located in the middle or at the end of the narration. The plot timeline influences action development, accelerating, and slowing down the in-text time. You don’t need to discuss all these factors, but if something strikes your eye while reading, note it.
• Person vs. person
• Person vs. nature
• Person vs. self
• Person vs. supernatural forces, fate, or God
• Person vs. society
• Person vs. technology
• Narrative voice . In the course of reading, the narrator becomes the reader’s friend. What kind of person are they? Are they omnipresent and omniscient as a supernatural force, or are they in the same situation as the other protagonists? The narration can be first-person (fully involved in the plot and subjective) or third-person (distanced and objective). The tone of the narrator’s voice defines your perception of the text. Is it comic, realistic, or tragic? Is the narrator’s figure reliable, and do their words sound plausible?

Step 2. Formulate the Thesis

World classics and modern professional literature are valuable because of their multifaceted conflicts, well-thought structure, and abundant literary devices. Even the long research thesis cannot comprise all of them. Choose an aspect that stroke you the most in the course of critical reading. Formulate the intention of your analysis in one sentence. Make it succinct and to the point. The thesis tells your readers what you will tell them, but it also implies what you are not going to discuss.

A thesis statement should clearly describe the topic scope and the writer’s approach to it. It is a claim about the text that will be proved in the essay. A thesis can be argumentative, analytical, or explanatory. The samples given below will make the difference clear.

Your thesis statement requires sufficient textual evidence. In the previous step, you gathered much information, so now, it will be easier to find passages and quotations that refer to the subject. You may not use everything you have discovered in your writing, but having enough material at hand will help to structure the arguments.

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Step 3. Write Your Essay

• Write the title. It should be an abridged version of the thesis. This is the best place to be creative, witty, and brief. If you don’t know how to start the title, begin with a short quote followed by a colon, and then explain how it relates to your thesis. For example, “He’s more myself than I am”: the Destructive Nature of an Ego Blurred by Love in Wuthering Heights by Emily Bronte. This is the easiest and the most compelling way to entitle an essay.
• Write the literary analysis introduction . In brief, it consists of background information about the author and the book, leading to the thesis. You can refer to popular opinion on the subject and state your thesis as a contradiction to it. Alternatively, you can limit out the literary devices or a theme you are going to analyze. The introduction paragraph can be concluded with an indication of what is going to be discussed in the essay. However, in a five-paragraph essay, this summary should be condensed into a single sentence.
• Start with a topic sentence stating what the paragraph is about. Avoid long phrases with complex grammar in the first sentence. It gives the reader a glance at the section and helps to orient in your text. Transition words can smooth the transition from one idea to another.
• Continue with evidence and substantiation . Using quotes is reasonable when the quote is one sentence long, not more than 30 words. Otherwise, paraphrase or summarize the quote, leaving only the essential information. Never use quotes or paraphrases without providing a proper explanation.
• Finish each paragraph with a one-sentence conclusion of the discussed idea.

Step 5. Prepare the Conclusion

Wrap up the essay without introducing any new ideas and avoiding direct quotations. Summarize everything you have mentioned above in different words. Then stress the thesis once again, highlighting the new perspective the essay has opened.

Literary Analysis Essay Topics

• Thematic analysis of The Black Cat by Edgar Alan Poe.
• Analyze the literature techniques used by W. Shakespeare in his tragedy Hamlet, Prince of Denmark .
• Discuss the central theme of the play Beautiful Thing by Jonathan Harvey .
• Describe the conflict of Tennessee Williams’ play A Streetcar Named Desire .
• The topic of illegal immigration in Just Like Us by Helen Thorpe .
• Explore how Steven E Ambrose describes the building of transcontinental railroad in Nothing Like It in the World .
• Analyze the literary devices in The Red Convertible by Louise Erdrich .
• Analyze the plot of Arthur Miller’s Death of a Salesman .
• Examine the symbols used by William Wymark Jacobs in his horror story The Monkey’s Paw .
• The importance of integral human sentiments in The Road by Cormac McCarthy .
• Discuss how McDonald described the conditions that lead to degradation and loss of humanity in his autobiography All Souls .
• Analyze Kafka’s short story A Hunger Artist .
• Interpret the use of stylistic devices in The Minister’s Black Veil by Nathaniel Hawthorne .
• Explore Hemingway’s ideas about life in his story A Clean, Well-Lighted Place .
• The symbolism in Joseph Conrad’s Heart of Darkness .
• Study the core motif of the Sophocles’ Oedipus the King .
• Analyse the topics of The Lottery by Shirley Jackson.
• Examine the literary elements used by Lisa Ko in The Leavers .
• Allegory in Where Are You Going, Where Have You Been by Joyce Carol Oates.
• Interpret the idea behind Herman Melville’s Bartleby, the Scrivener .
• Discuss how Alice Munro describes issues in marriage and relationships in How I Met My Husband .
• Analyze the main themes of Jack London’s To Build a Fire .
• The central topic of Rich Dad Poor Dad by Robert Kiyosaki.
• The connection between past and future in Virginia Woolf’s Mrs. Dalloway .
• Describe the rhetoric means used by August Wilson in the play Fences .
• Discuss the idea behind Jon Krakauer’s novel Into the Wild .
• Interpretation of Why I Live at the P.O. Eudora Welty .
• Compare the topic of women’s rebellion in Ibsen’s A Dollhouse and Glaspell’s Trifles .
• Analyze the rhetoric used by Chinua Achebe in Things Fall Apart .
• Gender biases and marginalization in Girl by Jamaica Kincaid.
• Analyze the main character in A Rose for Emily by William Faulkner .
• Examine the theme of tragic fate in Homer’s Iliad .
• Discuss the message to society in Margaret Atwood’s The Handmaid’s Tale .
• Analyze the stylistic devices used by Tennessee Williams in The Glass Menagerie .
• Interpret the theme of George Orwell’s The Hanging .
• Jealousy and lasting love in Annabel Lee by Edgar Allan Poe .
• Analyzing the novel Frankenstein by Mary Shelly .
• Describe the rhetoric techniques used by Jesmyn Ward in Sing, Unburied, Sing .
• Examine the symbolism of John Updike’s A&P .
• Literary elements used by James Joyce in Ulysses .
• Discuss the themes of appearance and reality in Much Ado About Nothing by Shakespeare .
• Examine the characters of Jane Austen’s Pride and Prejudice .
• Literary analysis of the poem The Man He Killed by T. Hardy .
• Analyze the central theme of Matsuo Basho’s The Narrow Road to the Interior .
• The role of an individual in the protection of the environment in The Man Who Planted Trees by Jean Giono.
• Describe Hemingway’s rhetoric in Hills Like White Elephants .
• Discuss the role of allegory in Beloved by Toni Morrison .
• Analyze the elements of Charles Brockden Brown’s gothic novel Wieland .
• The significant features of Summer by David Updike .
• Examine the depiction of the contemporary society’s issues in Franz Kafka’s The Metamorphosis .

Good luck with your assignment! Note that the information that you will find in articles about a literary criticism essay and Lady Macbeth essay can also also be useful.

✏️ Literary Analysis FAQ

Here is a possible definition: a description of some peculiarities of a literary text in a structured and cohesive way. It should include some elements of a research report. There are countless examples of such essays available online and in books.

It is always a good idea to create an essay outline first. Write a minimum of 3-4 key ideas for the body part. Then, exemplify those points (you may cite the text). Then, add an appropriate introduction and a corresponding conclusion.

If you need to write a literary analysis, begin with an outline. It will help you proceed step by step without losing the structure. Think about the peculiar features of the literary text you analyze. Brush up the principles of analytical writing, too.

A book analysis essay summarizes literary research and includes examples, review elements, etc. The purpose of such a paper is to help readers understand the book better. Just like any other essay, it should be appropriately structured: an appropriate introduction, several body paragraphs, a logical conclusion.

• A Short Guide to Close Reading for Literary Analysis – UW Madison Writing Center
• Writing a Literary Analysis Presentation // Purdue Writing Lab
• Types of Literary Analysis – UVM Writing Center
• Literary Analysis | Writing Center – Leeward Community College
• Suggested Structure of Your Literary Analysis Essay (Hawaii.edu)
• Writing Critical Analysis Papers – Washington University
• Literature – The Writing Center • University of North Carolina
• Stanford Literary Lab
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I have to type out an essay over this story “everyday use” but how would I start off the paragraph so that it can flow good??? Please help

Hello! Our experts will definitely help you with your essay here .

This was really useful. Thank you so much!

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Love your blog and all posts. They helped me write many of my academic assignments. This post on writing literary analysis essays is what I need right now! Thanks!

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Analytical Essay: Tips, Structure, Examples

Analytical essays could be perfect for you if you enjoy immersing yourself in tasks and excel at thinking creatively. By conducting thorough analysis and employing innovative writing techniques, you can discover new viewpoints and enhance your understanding of the subject.

In this article, our research paper writer will explain what it entails, learn how to structure your paper for top marks, snag some snazzy topic ideas, and glean practical examples. This guide has got all the essentials you need for writing success!

What Is an Analytical Essay

To write an effective analytical essay, it is important to understand its purpose and method. In basic terms, it requires using textual evidence to logically support the author's arguments rather than relying on emotions or personal anecdotes. ‍ Compared to persuasive essays that advocate for one specific viewpoint, a quality analytical essay example should delve into all aspects of the subject. This involves examining different perspectives, dissecting arguments, and assessing evidence thoughtfully. ‍ Ultimately, you will have to express your viewpoint after conducting your analysis. This requires combining your research and determining if you agree with the conclusions made or have a different interpretation.

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How to Structure an Analytical Essay

Now it's time to ace the process of crafting an excellent paper. To make writing easier, organize your thoughts and structure your arguments clearly. An analytical essay needs the introduction, body, and conclusion of an outline, which acts as a guide from start to finish. Here's the simple breakdown of an analytical essay outline:

‍Introduction‍

• Background information
• Thesis statement

Body paragraph 1‍

• Topic sentence
• Supporting evidence
• Transition to the body paragraph to‍

Body paragraph 2‍

• Transition to body paragraph 3

Body paragraph 3

• Transition to conclusion
• Summary of major points
• Restate the thesis
• Key takeaways

Introduction: To begin your essay successfully (see our analytical essay example), captivate the reader's interest from the very start and clearly outline the topic. A good beginning should give some background information, outline the essay's purpose, and suggest the main arguments that will be made. Grab the reader's attention with an engaging and pertinent opening sentence, such as a surprising fact, a funny story, or a challenging question. After that, introduce your thesis statement, which summarizes your main point in the essay.

Body Paragraphs: In an analysis essay, each paragraph begins with a topic sentence that helps guide the reader. The paragraph then provides evidence to support the thesis, concentrating on a single issue. By summarizing the main point at the end of each paragraph, the essay flows smoothly from one idea to the next, maintaining clarity and coherence in the argument.

Conclusion: The final paragraph of an analytical essay usually adheres to a specific structure:

• Reiterating the main argument
• Outlining the main ideas discussed in the essay
• Providing thoughts on the overall significance of the analysis

It is crucial to include your perspective on the topic's relevance and how your analysis adds to the understanding of it. This approach can strongly impact the reader's perception of the essay.

Meanwhile, you might also be interested in how to write a reflection paper , so check out the article for more information!

How to Write an Analytical Essay

Once you understand the structure, there are some steps you can take to make writing an analytical essay easier. Preparing beforehand can simplify the process and improve the overall flow and structure of your essay. Here are some tips from our experts. Meanwhile, you can also request from our experts - write my essay for me . And we'll take care of it right away.

• Think Ahead : Before writing, a good analytical essay writer should spend some time thinking about the topic. Make a list of ideas or themes related to it. This helps you find interesting angles for your essay.
• Create a Thesis Statement : Develop a clear and concise thesis statement that outlines the main argument of your essay. This will guide you in how to write an analytical essay introduction and keep your writing focused.
• Visualize Information : Use graphs or charts to organize your thoughts visually. This makes your research easier to understand. For example, you can compare ideas with a chart.
• Consider Different Views : Address opposing viewpoints in your essay. This shows you've thought about different perspectives and strengthens your argument.
• Use Original Sources : Include interviews, presentations, or original documents in your research. They give a unique insight into your topic. For instance, old letters can offer personal views on historical events.
• Analyze Cause and Effect : Explore the cause-and-effect relationships within your topic. Analyze how different factors contribute to certain outcomes or phenomena.

Analytical Essay Topics

Choosing the right one among lots of analytical essay topic ideas is crucial when tackling your essay. Here's a guide to help you pick wisely:

• Find a topic that piques your interest. It's easier to dive into analysis when you're passionate about the subject.
• Look for topics that catch the reader's eye. Think about what would make someone stop and want to read more.
• Avoid topics that are too broad. Focus on something specific that you can thoroughly analyze within the scope of your essay.
• Ensure there's enough quality research available to support your analysis. You'll need evidence to back up your points.
• Your topic should raise questions worth exploring. Aim for something that sparks curiosity and has significance.

Now, here's a mix of engaging topics from our dissertation services to consider:

• Analyzing the Impact of Blue Light from Screens on Sleep Quality
• Exploring the Environmental Effects of Microplastics in Ocean Ecosystems
• Understanding the Benefits of Deep Breathing Exercises for Anxiety Relief
• Analyzing the Influence of Instagram Filters on Body Image Perception
• Exploring the Health Risks of Artificial Sweeteners in Diet Soda
• Understanding the Psychological Effects of High-Intensity Interval Training (HIIT)
• Analyzing the Environmental Impact of Fast Food Packaging Waste
• Exploring the Effects of Social Media Validation on Self-Esteem
• Understanding the Benefits of Indoor Plants for Air Quality Improvement
• Analyzing the Relationship Between Sugar Consumption and Dental Health
• Exploring the Psychological Effects of Online Shopping Addiction
• Understanding the Environmental Impact of Fast Fashion Textile Dyes
• Analyzing the Effects of Smartphone Notifications on Focus and Productivity
• Exploring the Benefits of Outdoor Exercise for Vitamin D Production
• Understanding the Relationship Between Noise Pollution and Cardiovascular Health
• Analyzing the Psychological Effects of Colorful Food Presentation on Appetite
• Exploring the Impact of Petting Therapy Dogs on Stress Reduction
• Understanding the Benefits of Classical Music for Concentration While Studying
• Analyzing the Effects of Lavender Aromatherapy on Sleep Quality
• Exploring the Health Risks of Prolonged Sitting and Sedentary Lifestyles

Analytical Essay Examples

Here is our analytical writing sample to see theory in action. Notice how analytical thinking applies to real-world situations, improving your understanding of concepts. By studying these examples, you'll learn to analyze complex issues, build strong arguments, and sharpen your critical thinking skills.

Final Thoughts

With our tips on how to write an analytical essay and examples, you're ready to boost your writing skills and craft essays that captivate your audience. With practice, you'll become a pro at analytical writing, ready to tackle any topic with confidence.

And hey, if you need help to buy essay online , just drop us a line saying ' do my homework for me ' and we'll jump right in!

Do Analytical Essays Tend to Intimidate You?

Give us your assignment to uncover a deeper understanding of your chosen analytical essay topic!

How to Write an Analytical Essay?

What is an analytical essay, what is the purpose of an analytical essay, related articles.

Textual Analysis Essay - Read, Grasp and Analyze

Table of contents:, step 2. build your textual analysis essay structure, step 3. work the introduction section, step 4. include a thesis statement, step 5. develop the main body, step 6. summarize your conclusion, step 7. study examples of a textual analysis outline.

One of the most significant and substantial traits that every student must possess is a knack for analyzing. It is basically what college is about: learning to perceive and process information on the go. College professors assign you tasks that are meant to develop your analytical, writing and conceptual skills. One of such assignments is a textual analysis essay, also known as literary analysis essay.

Step 1. Determine the Goal of Your Textual Analysis Essay

The point of it is precisely what the name implies - the analysis of a certain piece of text. But, do you know how to write a textual analysis essay? Not all students have the required set of skills. It may not be easy for every scholar to master the task of writing a textual analysis. And if by any chance, you are among them, we are here to help you out. Our professional team have been performing all kinds of writings for years now. And today we want to help you figure out how to write a textual analysis, understand its definition and purpose, and learn all the ins and outs. Let's begin!

In order to understand how to go about the writing, you need to grasp the textual analysis definition first. Like mentioned before, the name explains itself. You are presented with an extract or the entirety of a piece of writing, be it a novel, a short story, an article, or something else falling under the "text" category.

Textual analysis essays are papers that break down the whole given body of the written work, fractionate it as a whole and as an assembly of a few different parts, and explain the meaning or intent behind them.

Sounds a tad too complicated, doesn't it? Well, that's what you get when you apply to college - a lot of unnecessarily fancy words and sleep deprivation. Basically, you need to write a fully detailed study, highlighting strong and weak points and making conclusions based on text references. It is, after all, an analysis. So, if you understand now what is a textual analysis essay, you are prepared to take on the task of the text inspector.

The first thing you need to do is, of course, pick a text you're planning on analyzing. In most cases, the assigner provides you with one right away, but sometimes you need to choose it yourself. Proceed carefully and don't make a mistake of overestimating your abilities. Choose something that is easy for you to understand, and therefore, easier to write about. Try finding as many sources as you can. Of course, all the analyzing must be done exclusively by you, but it's not prohibited to reference someone else's work when presenting examples.

One of the main secrets about how to write a good textual analysis is planning. By the way, it applies to any type of work: before starting anything, you need to make a plan in order to reach the maximum efficiency in your doings. Back to your task - first, put together the structure. Make a textual analysis essay outline. It will help you organize your thoughts. While writing an outline, you can see more clearly how your essay will look like. Getting the "big picture" of it all is a crucial stage of writing. Just like you're assembling Lego's with an outlined instruction, you need to build your essay from separate pieces. And to find those pieces - make a plan!

While writing an outline, you can see more clearly how your essay will look like. Just like you're assembling Lego's with an outlined instruction, you need to build your essay from separate pieces. And to find those pieces - make a plan!

The introduction of textual analysis is, in a way, the most important part of the paper. If the intro "hooks" the reader, they will proceed with examining your essay further. Yes, you are writing it for your professor, but every college assignment should be regarded as one up for the nationwide publishing. It gives you a better understanding of its significance. So, try your best to catch the reader's attention. For instance, you can add an epigraph with a quote from a book you're compiling an analysis on.

The introduction part needs to establish the theme of your essay, and explain why it is important to investigate it.

The introduction part needs to establish the theme of your essay, and explain why it is important to investigate it. Once again, your topic must be something you are interested in, intrigued by, or feel the need for a discussion. After you've done that, proceed to make your thesis statement. It is desirable, although not necessarily, for your thesis statement to be the last sentence of the introduction section. After that, it's all about convincing your reader in the main body.

A little tip: write your introduction when the rest of the essay is done. It seems strange, but composing the main part first will help you see all the major points you need to mention at the beginning.

Let us provide you with an example of an introduction to a textual analysis essay on the Victor Hugo's Les Miserables .

Enjolras' portrayal by Hugo was clearly intended as a re-establishing of the old archetype of Orestes in the new age.

"His flaring nostrils, his downcast eyes, gave to his implacable Greek profiles that expression of wrath and chastity which for the ancient world belonged to justice." ― Victor Hugo, Les Miserables

Victor Hugo's epic novel about the destinies of various societal outcasts is one of the most significant written works ever to exist. In it, the author portrays the human nature as a neutral state. People are born with neither good nor bad qualities, but they are shaped by the society and circumstances of their lives. The problematique of "nature vs. nurture" is as old as the literature itself, but in this essay, I would like to look more closely at the destiny of one particular character. Young revolutioner Enjolras. His story is made even more interesting in this discourse, for he was brought up as an aristocrat, but ended up on the barricades fighting to bring down the king. Enjolras' portrayal by Hugo was clearly intended as a re-establishing of the old archetype of Orestes in the new age.

As you can see, we've set the mood of the essay and added our thesis statement at the end.

When you get to the part of the actual analysis, it's time to whip out a good old argumentative structure.

In the textual analysis, you are required to provide a few examples regarding your thesis statement, following by the explanations and elaborations that prove the said statement to be true.

Don't make them vague and subjective. Write short and on point. At this stage, you don't need to go into details. Prove in general terms - just why your statements are true. You'll get to the more thorough analysis later on.

Next step is to demonstrate your perception of the author's strategy. Describe how and what the author does to highlight something, bring attention to it, or deny it. Don't write about everything there is in the book, though. You only need to mention the points that connect directly to your thesis statement.

After that, it's time for our usual argument-example scheme. You need to have at least three paragraphs on this, as per usual. Here, you can go into as much detail as you want. Bring out the references to the text or some other sources to relate to your arguments. There's no restriction about using quotes straight from the text, but it is advisable to avoid them. Instead, you can reference the part you want to bring to attention.

After everything is done, look it over and make sure you didn't omit anything. The next part of the writing process is simultaneously the easiest and the hardest one.

The textual analysis conclusion can be a tricky thing. On the one hand, you are already at the finish line, and you just need to summarize everything you've written in the central part. On the other hand, it can be hard to condense everything without repeating yourself a lot.

Be careful and precise: go back to your thesis points and paraphrase them in a way that makes answers from them, not questions.

Conclusively end your essay, and finish every thought you've started.

• Introduction
• Thesis Statement Enjolras' portrayal by Hugo was clearly intended as a re-establishing of the old archetype of Orestes in the new age.
• Topic Sentence The destinies and characteristics of Enjolras and Orestes are paralleled through the ages.
• Example Meaning of the name Orestes is "one who can conquer mountains," which goes strongly in line with Enjolras' characteristics. According to the myth about Orestus, his destiny is to fight and be an avenger and a warrior, who is, however, doomed to fall before seeing his goal through. Enjolras is described as the passionate man who died fighting for the freedom but never saw said freedom coming to France.
• Two or three topic sentences with accompanying examples, written in the same fashion.
• Conclusion Victor Hugo accomplished a great deal of things with writing Les Miserables, including reestablishing and reshaping certain archetypical tropes in literature. He managed to bring to life the shapeless abstract form of French life and people who were long gone by the time he started writing the first pages of his magnum opus. One of the brightest examples is the character of Enjolras, a young rebelling aristocrat who defied all the expectations and became a warrior, just like Orestes did centuries ago... etc.

And that's how you go about writing a textual analysis. Of course, there are a lot of different methods that can help you with this task. But the one we provided is simple and accessible, so don't be shy and buy custom paper writing online.

In case if you get so tired of that wretched textual analysis paper that you start having nightmares about it, there is one simple answer. Ask us to help you! Our professional writers will whip up your textual analysis essay in a blink of an eye. And they will make it an excellent example of a proper paper! Fair prices, fast delivery, and constant support - that's what we offer.

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Textual Analysis Essay: A Full Guide

Does your teacher like assigning to write textual analysis essays? Then, devote a little bit of time to learn what this kind of essay is and how it differs from other academic papers. A textual essay is also known as the literary essay. Even if it is the first time you are going to write it, you may easily guess that it is intended to teach you how to express your thoughts on a particular text.

This type of assignment isn't a piece of cake at all as it should contain in-depth analysis. However, if you have a clear understanding of how the paper should look like, the process of its crafting will become much more effective. Want to compose an impressive essay and get an A-grade? Be careful and check the complete guide on how to write a textual paper the right way.

What is a Textual Analysis Essay: Define the Purpose

Before you get started, answer the question “What is a textual analysis essay?” This kind of paper can be defined as a piece of writing, which should contain your own thoughts on certain literary work and the evidence from the text in the form of poems, quotes, etc. You are supposed to process the text and conduct in-depth analysis before you start structuring it. Don't hurry to make any conclusions. This type of task isn't as easy as ABC. It requires an ability to think logically. When writing this kind of work, your main purpose is to provide the persuasive textual evidence of your ideas.

Textual Analysis Essay Structure: How to Organize It?

Remember that you'll get the desired high score for the essay if you stick to the correct structure. You should divide your paper into three major parts: an introduction, the main body, and the conclusion. What should you write about in each of them? Have a closer look at the tips on how to write a textual analysis essay structure below.

• An introduction: Read a hooking introduction able to attract the reader to your analysis paper. The well-written thesis statement is a must for the successful textual paper writing. Your chances to get the desired A-grade will increase if you craft a powerful thesis statement reflecting the main text idea. Place the thesis sentence at the end of the introductory part.
• The main body: The largest part of your work will be devoted to the main points of the text that you have identified while reading it. You should look for the textual evidence to each thought you include in your paper. As for the volume of the main body, usually, it is either 3 or 4 informative paragraphs that help the reader to understand what the text is about and what your attitude to the author and his/her work is.
• The conclusion: Every paper has a final part. A textual paper isn't an exception. Write a short paragraph summarizing all ideas and evidence and helping the reader to make his/her own conclusions with the help of your in-depth text analysis.

How to Start a Textual Analysis Essay: Tips for Writing

In the very beginning of your paper, you should provide the following information: the name of the author of the literary work used for the analysis and its title. How to start a textual analysis essay? Start with a summary of the text, use quotes from the text. Introduce the topic and do your best to engage the reader. There are different tricks that can help you to hook your target audience. Think of some interesting facts you can start your paper with. Sure, that the search of factual information will take you a certain amount of time but believe that it is worth it! Your reader will be attracted!

How to End a Textual Analysis Essay

It is not a secret that most people memorize the end of the read text better than any other part. That's why you should make sure that your conclusion is really powerful and well-written. There are two things to keep in mind when crafting a final part of the textual analysis essay. So, how to end a textual analysis essay?

First of all, make it clear that it is the end of the paper and assure that your conclusion doesn't contain any new information. It should provide a high-quality evaluation of the text arguments and your standpoint. Assure that the reader has understood whether you evaluate the text high or you consider it to be of the poor quality and why.

10 Textual Analysis Essay Topics: Impress Your Teacher

Check the list of the interesting topics for a textual analysis essay and choose the one you like most:

• Choose any play by Shakespeare and analyze it.
• Write a textual essay on the poetry of Robert Burns.
• Write an analysis of the literary work “ To Kill a Mockingbird.”
• Provide the textual analysis of the Bible story.
• Write a Great Gatsby essay.
• Analyze the characters of M.Twain.
• A textual analysis of a famous speech of D.Trump.
• Choose successful/unsuccessful advertising and provide the textual evidence of why it is successful/unsuccessful.
• Choose a slogan of some famous company and analyze its text quality.
• A textual analysis of the religious text.

A Textual Analysis Essay Outline Sample

Check a sample of the textual analysis essay outline before you get started with crafting your own paper. Remember that at this stage you should concentrate on the major points not to miss anything important. You are expected to craft an outline, which will become your helper. The detailed plan is the key to success! Here, there is an example of how to write a textual analysis essay on a poem.

• Introduction:
• Time (place) of writing, history of creation;
• Genre peculiarity;
• The place of this poem in the poet's work or a series of poems on a similar theme (with a similar motive, plot, structure, etc.);
• Explanation of unclear places, complex metaphors, and other transcripts.
• The Main Body:
• Feelings expressed by the lyrical hero of the poem; feelings, which a poem causes in the reader;
• The author's thoughts, feelings from the beginning to the end of the poem;
• The interdependence of the content of the poem and its artistic form.
• The Conclusion:
• Associations, caused by this poem (literary, life, music, picturesque – any);
• Typicality and originality of this poem in the poet's work, deep moral or philosophical meaning of the work, opened as a result of the analysis.

Study these recommendations, and you will succeed in writing a textual analysis paper!

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Fall 2024 course descriptions, chinese language and literature courses, chinese 1a: elementary chinese.

The course is designed for students who are of non-Chinese origin and were not raised in a Chinese-speaking environment; or who are of Chinese origin but do not speak Chinese and whose parents do not speak Chinese. The course develops beginning learners’ functional language ability—the ability to use Mandarin Chinese in linguistically and culturally appropriate ways  at the beginning level. It helps students acquire communicative competence in Chinese while sensitizing them to the links between language and culture.

Chinese 1B: Elementary Chinese

The course is designed for students who are of non-Chinese origin and were not raised in a Chinese-speaking environment, or who are of Chinese origin but do not speak Chinese and whose parents do not speak Chinese. The course continues to focus on training students in the four language skills--speaking, listening, reading, and writing with a gradually increasing emphasis  on basic cultural readings and developing intercultural competence.  Prerequisites:  Chinese 1A.  

Chinese 1X: Accelerated Elementary Chinese for Heritage Speakers

This course is designed specifically for Mandarin heritage students who possess speaking skill but little or no reading and writing skills in Chinese. The course utilizes students’ prior knowledge of listening and speaking skills to advance them to the intermediate Chinese proficiency level in one semester. Close attention is paid to meeting Mandarin heritage students’ literacy needs in meaningful contexts while introducing a functional vocabulary and a systematic review of structures through culturally related topics. The Hanyu Pinyin (a Chinese Romanization system) and traditional/simplified characters are introduced.  Prerequisites:  Consent of instructor.

Chinese 3A: Elementary Cantonese

Elementary Cantonese 3A is designed for non-Chinese heritage learners with no prior knowledge of Cantonese, a regional variety of Chinese, introducing students to its use through oral, written and visual texts related to daily life. Topics include meeting people, shopping, leisure activities, telling the time, discussing daily routines, describing people and family members, and transportation, and students will compose texts in Cantonese that show the relationship between language and culture. Finally, the course develops students’ awareness of socio-culturally situated language use and their ability to compare and negotiate similarities and differences between the target culture and their own culture.

Chinese 3X: Elementary Cantonese for Heritage Speakers

This course is designed for native and heritage Mandarin speakers. These students share the knowledge of standard Chinese writing system with Cantonese speakers. They have an interest in speaking Cantonese and learning a Chinese subculture shared among Cantonese speakers. This course will introduce students to its use through oral, written and visual texts related to daily life. Topics include meeting people, shopping, leisure activities, telling the time, discussing daily routines, describing people and family members, transportation, and students will compose texts in Cantonese. Students will focus on vocabulary, linguistic knowledge, culture through expression analysis, and practical use of language.  Prerequisites:  Consent of instructor.

Chinese 4A: Elementary Taiwanese

Elementary Taiwanese is designed to allow learners with no prior knowledge of Chinese language to build familiarity with Taiwanese (or Southern Min), a regional variety of Chinese, through oral, written and visual texts related to daily life. This course is the first part of a two-semester sequence designed to equip students with the basic language skills needed in everyday life situations. There are no prerequisites for this course. The course develops students’ awareness of socio-culturally situated language use and their ability to compare and negotiate similarities and differences between the target culture and their own culture.

Chinese 7A: Introduction to Premodern Chinese Literature and Culture

The first in a two-semester sequence, introducing students to Chinese literature in translation. In addition to literary sources, a wide range of philosophical and historical texts will be covered, as well as aspects of visual and material culture. 7A covers early China through late medieval China, up to and including the Yuan Dynasty (14th century);  the course will also focus on the development of sound writing.

Chinese 10A: Intermediate Chinese

The course is designed for students who are of non-Chinese origin and were not raised in a Chinese-speaking environment, or who are of Chinese origin but do not speak Chinese and whose parents do not speak Chinese. The course deals with lengthy conversations as well as narrative and descriptive texts in both simplified and traditional characters. It helps students  to express themselves in speaking and writing on a range of topics and raises their awareness of the connection between language and culture to foster the development of communicative competence.  Prerequisites:  Chinese 1 or Chinese 1B; or consent of instructor

Chinese 10X: Intermediate Chinese for Mandarin Speakers

Chinese 100a: advanced chinese.

The course takes students to a higher level of competence in Chinese language and culture and develops students’ critical linguistic and cultural awareness. It surveys social issues and values on more abstract topics in a changing China. Through the development of discourse and cultural knowledge in spoken and written Chinese, students learn to interpret subtle textual meanings in texts and  contexts as well as reflect on the world and themselves and express themselves using a variety of genres.  Prerequisites:  Chinese 10 or Chinese 10B.

Chinese 100XA: Advanced Chinese for Heritage Learners

This course advances students’ linguistic and cultural competence through the development of critical literacy skills. It guides students to become more sophisticated language users equipped with linguistic, pragmatic, and textual knowledge in discussions, reading, writing, and translation. Students reflect on the world and themselves through the lens of the target language and culture and  become more competent in operating between English and Chinese and between American culture and Chinese culture. Students learn to recognize a second version of Chinese characters.  Prerequisites:  Chinese 10X; or consent of instructor

Chinese 102: Fourth-Year Chinese Readings: Chinese Readings: Social Sciences and History

The course is designed to further develop students’ advanced-mid level language proficiency and intercultural competence. It uses authentic readings on Chinese social, political, and journalistic issues, supplemented by newspaper articles. To develop students’ self-learning abilities and help them to link the target language to their real world experience, students’ agency in learning is promoted  through critical reading and rewriting and through comparing linguistic and cultural differences.  Prerequisites:  Chinese 100B or Chinese 100XB; or consent of instructor.

Chinese 110A: Literary Chinese

Chinese 111: fifth-year readings: reading and analysis of advanced chinese texts, chinese c116: buddhism in china.

This course is an introduction to the history of Buddhism in China from its beginnings in the early centuries CE to the present day. Through engagement with historical scholarship, primary sources in translation, and Chinese Buddhist art, we will explore the intellectual history and cultural impact of Buddhism in China. Students will also be introduced to major issues in the institutional history of Buddhism, the interactions between Buddhism and indigenous  Chinese religions, and the relationship between Buddhism and the state. Previous study of Buddhism is helpful but not required.

Chinese 155: Readings in Vernacular Chinese Literature

The primary goal of this course is to provide students with the tools for in-depth reading of one of the most famed of Chinese novels,  The Story of the Stone (Honglou meng) .  Our focus this semester is how this novel treats character, both major and minor.   Honglou  meng 's   rich world is composed of hundreds of characters, a bewildering array that forms a sharp distinction to the more condensed worlds of the contemporary novels that have formed our habits of reading.  We will ask how the novel structures relationships among this cast of hundreds, and how as it progresses it spotlights different aspects of its complex social world.   Most importantly, we will ask how the novel both encourages and discourages interpretation.

Chinese 156: Modern Chinese Literature

Modern Chinese literature was, from the very start, a revolutionary project. In reinventing the Chinese language, 20th century writers such as Lu Xun attempted to fundamentally rewrite Chinese social and political realities. It was also a pedagogical project: instructing readers not only about how to be "Chinese" in a time of imperial incursion and political turmoil, but how to be "modern" in all aspects of their lives, from growing up, to falling in love, to changing the world, to dying. To a shocking degree, the project succeeded. In this course, we will explore the historical world out of which modern Chinese literature emerged; and how this linguistic revolution helped to produce modern China, focusing in particular on the problems of gender, youth, and social marginality. We will read short stories and essays in Chinese by many of the greatest writers and public intellectuals of the twentieth century, including Lu Xun, Shen Congwen, Ding Ling, Eileen Chang, and others. We will also watch and analyze a select group of cinematic masterworks from the same period. We will conclude the semester with a set of stories and films produced in the aftermath of war and the communist revolution of 1949 that reveal the continuing resonance, as well as showing the tragic limits of this project's utopian aspirations, and perhaps even questioning the coherence of "China" and "Chineseness" as its organizing principle. 

Chinese 179: Exploring Premodern Chinese Novels

Vernacular fiction in late imperial China emerged at the margins of official historiography, traveled through oral storytelling, and reached sophistication in the hands of literati. Covering the major genres and masterpieces of traditional Chinese novels including military, martial arts, libertine, and romantic stories, this course investigates how shifting boundaries brought about significant transformations of Chinese narrative at the levels of both form and content.  Prerequisites : None.

Chinese 220: Seminar in Philological Analysis of Ancient Chinese Texts

Course description coming soon

Chinese C223: Readings in Chinese Buddhist Texts

This seminar is an intensive introduction to various genres of Buddhist literature in classical Chinese, including translations of Sanskrit and Central Asian scriptures. Chinese commentaries, philosophical treatises, hagiographies, and sectarian works. It is intended for graduate students who already have some facility in classical Chinese. It will also serve as a tools and methods course.

Chinese 282: Modern Chinese Film Studies

In recent years, the proliferation and ubiquity of screens across the globe has raised new questions about the ontology, archaeology, and ecology of media. What is a screen? Is it a technical device, a material surface, an optical portal, a spatial construct, or a living environment? Or is it a psychic mechanism, a social interface, a cultural articulation, and a political instrument? How are these questions considered beyond the dominant scope of Europe and North America?

East Asian Languages and Cultures Courses

Ea lang r1b: reading and composition in the east asian humanities.

Fall 2024 course description coming soon

EA Lang C50: Introduction to the Study of Buddhism

This course will provide students with a basic understanding of the history, teachings, and practices of the Buddhist tradition. We will begin with a look at the Indian religious culture from which Buddhism emerged, and then move on to consider the life of the Buddha, the early teachings, the founding of the monastic order, and the development of Buddhist doctrinal systems. We will then turn to the rise of Mahāyāna Buddhism, and the transformation of Buddhism as it moved from India to China, Japan, Tibet and the countries of Southeast Asia. We will end with a brief look at contemporary controversies over, (1) the tulku (reincarnate lama) system in Tibet; (2) the ordination of Buddhist nuns in Southeast Asia; and (3) the rise and popularity of mindfulness meditation in America. Readings will cover a variety of primary and secondary materials, as well as two short novels, and we will make use of films and videos.  There are no prerequisites for this course—everyone is welcome. But the course does demand a great deal of time and effort on the part of  students. There is a lot of reading as well as a short written assignment or quiz each week,  and attendance at all lectures and discussion sections is mandatory. Students should only enroll if they can commit the required time and energy to the course.

EA Lang 109: History of the Culture of Tea in China and Japan

In this course we compare the cultural traditions of tea in China and Japan. In addition, using tea as the case study, we analyze the mechanics of the flow of culture across both national boundaries and social practices (such as between poetry and the tea ceremony). Understanding the tea culture of these countries informs students of important and enduring aspects of both cultures, provides an opportunity to discuss the  role of religion and art in social practice, provides a forum for cultural comparison, and provides as well an example of the relationship between the two countries and Japanese methods of importing and naturalizing another country's social practice. Korean tea traditions are also briefly considered.  

EA Lang 116: Modern East Asian Fiction

Ea lang 119: history of heaven.

Higher Learning begins with the study of heaven. As the source of orientation in space and time, heaven provides humanity the foundation for its knowledge and political order. To understand what knowledge is or how politics function, we need a basic understanding of the ways of heaven. This course examines the function heaven serves in the founding of order against the void in nature through the formation of conventional systems of time and space  and the role heaven has played in the promulgation of governments. From a cross-cultural, interdisciplinary perspective that covers the course of Eurasian history and using primary sources in translation, we will see heaven unfold through the developments that leave us with the world we know today.

EA Lang 200: Proseminar in East Asian Languages and Cultures

This proseminar in literary theory and methods will serve as an intensive crash course in the interpretative practice known as “close reading,” open to any student who may foreseeably benefit from such practice. While the dominant trend in cultural studies East and West has moved away from formal analysis to prioritize content and context, we will reassess the potential merits of close reading by considering a given work’s aesthetic and medium specificity as we collectively exercise our interpretive muscles. Toward this end, we will pair influential literary-critical texts from scholars in various language areas with a range of East Asian fiction, poetry, painting, music, film and photography on which students will conduct weekly close reading exercises.

Japanese Language and Literature Courses

Japan 1a: elementary japanese.

Japanese 1A is designed to develop basic Japanese language skills: listening, speaking, reading and writing. Students will learn the Japanese writing system: hiragana, katakana and approximately 150 kanji. At the end of the course, students should be able to greet, invite, compare, and describe persons and things, activities, intensions, ability, experience, purposes, reasons, and wishes.  Grades will be determined on the basis of attendance, quiz scores, homework and class participation.

Japan 1B: Elementary Japanese

Japanese 1B is designed to develop basic skills acquired in Japanese 1A further. Students will learn approximately 150 new kanji. At the end of the course students should be able to express regret, positive and negative requirements, chronological order of events, conditions, giving and receiving of objects and favors, and to ask and give advice. Grades will be determined on the basis of attendance, quiz scores, homework  and class participation.  Prerequisite : Japanese 1A 

Japan 7A: Introduction to Premodern Japanese Literature and Culture

A survey of pre-modern Korean literature and culture from the seventh century to the 19th century, focusing on the relation between literary texts and various aspects of performance tradition. Topics include literati culture, gender relations, humor, and  

Japan 10A: Intermediate Japanese

The goal of this course is for the students to understand the language and culture required to communicate effectively in Japanese. Some of the cultural aspects covered are; geography, speech style, technology, sports, food, and religion. Through the final project, students will learn how to discuss social issues and their potential solutions. In order to achieve these goals, students will learn how to integrate the basic linguistics knowledge they acquired in J1, as well as study new structures and vocabulary. An increasing amount of reading and writing, including approximately 200 new kanji, will also be required.  Prerequisites:  Japan 1 or Japan 1B.

Japan 100A: Advanced Japanese

This course will develop further context-specific skills in speaking, listening, reading and writing. It concentrates on students using acquired grammar and vocabulary with more confidence in order to express functional meanings, while increasing overall linguistic competence. Students will learn approximately 200 new Kanji. There will be a group or individual project. Course materials include  the textbook supplemented by newspapers, magazine articles, short stories, and video clips which will provide insight into Japanese culture and society.  Prerequisites:  Japan 10B.

Japan 101: Fourth Year Japanese: Aspects of Japanese Society

Students develop their reading, writing, speaking, and listening skills further to think critically, to express their points of view, and to understand Japanese culture and society in depth The readings are mainly articles on current social issues from Japanese newspapers, magazines, and professional books as sources of discussions. Students are required to write short essays on topics related to the reading materials.   Prerequisites :  Japan 100, Japan 100B, or Japan 100X; or consent of instructor.

Japan C115: Buddhism and Its Culture in Japan

This course provides a critical survey of prominent and other noteworthy expressions of Buddhist thought and culture in Japanese history. The Japanese experience of Buddhist teachings, practices and institutions, as well as aesthetic expressions in painting, sculpture, architecture, garden design, literature, and theatre will be examined against the backdrop of the transmission of all these forms of Buddhist culture from India to China to Korea to Japan. Special attention will also be given to the fusion of Buddhist and “native” Japanese sensibilities in theater (Noh, Kabuki, and Bunraku) and popular art such as ukiyo-e prints and manga.  Prerequistes : None.

Japan 120: Introduction to Classical Japanese

An introduction to classical Japanese (bungo), the premodern vernacular, which was used as Japan's literary language until well into the 20th century and remains essential for a thorough grounding in Japanese literature and culture. Prerequisites:  Japanese 10 or Japanese 10B.

Japan 155: Modern Japanese Literature

This course is an introduction to Japanese modernism through the reading and discussion of representative short stories, poetry, and criticism of the Taisho and early Showa periods. We will examine the aesthetic bases of modernist writing and confront the challenge posed by their use of poetic language. The question of literary form and the relationship between poetry and prose in the works will receive special attention.  Prerequisites:  Japanese 100A (may be taken concurrently).

Japan 161: Introduction to Japanese Linguistics

This course deals with issues of the usage of the Japanese language and how they have been treated in the field of linguistics. It concentrates on pragmatics, modality/evidentiality, deixis, speech varieties (politeness, gender, written vs. spoken), conversation management, and rhetorical structure. Students are required to have intermediate knowledge of Japanese. No previous linguistics training is required.  Prerequisites : Japan 10, Japan 10B, or Japan 10X; or consent of instructor.

Japan 164: Reading Japanese Texts Using Advanced Grammatical Analysis

This course is designed for those at high-intermediate to low-advanced level of fluency in Japanese to further develop their reading proficiency through detailed grammatical analyses of selected texts. Although adequate knowledge of both vocabulary and grammar is essential for understanding the text, often in foreign-language learning, vocabulary typically receives more emphasis than grammar. Through assigned texts, students learn through a hands-on approach how words are combined to form a phrase, how phrases are combined to form a clause, how clauses are combined to form a sentence, how sentences are combined to form a text. Readings are selected from modern Japanese writing on current affairs, social sciences, history, and literature.  Prerequisites : Japan 10B; or consent of instructor

Japan 170: Classical Japanese Literature in Translation

Japan 173: modern japanese literature in translation.

This course surveys modern Japanese fiction and poetry in the first half of the 20th century. Topics will vary.

Japan 188: Japanese Visual Culture: Introduction to Anime

This course is a lecture and discussion course focusing on Japanese animation, or anime, as a medium from its earliest forms to contemporary works. We will think through issues of digital culture, seriality, transnational circulations, and the relation between anime, manga (comics), gaming and cinema; limited and full animation; cultural disaster and the post-war; bodies and sexuality, and queer/yaoi (BL) and otaku culture, as well as anime's place within contemporary media theory. We will view works by Miyazaki Hayao, Kon Satoshi, Anno Hideaki, Oshii Mamoru, and many others.

Japan 240: Classical Japanese Texts

Fall 2024 Course Description coming soon

Japan 255: Seminar in Prewar Japanese Literature

Korean language and literature courses, korean 1a: elementary korean.

This course is designed for non-heritage students who have absolutely no prior knowledge of the Korean language. Students will learn written and spoken Korean on self-related and day-to-day topics, and present information both in oral and written forms using formulaic and memorized expressions. They will also engage in simple conversational exchanges on a variety of daily topics.  Prerequisites : None.

Korean 1AX: Elementary Korean for Heritage Speakers

This course is designed for students who already have elementary comprehension and speaking skills in Korean and have minimum exposure to reading and/or writing in Korean.  Prerequisites : Consent of instructor.

Korean 1B: Elementary Korean

This is a continuing course for non-heritage students who have completed K1A or demonstrated an equivalent proficiency level. Students will enhance and broaden their linguistic and cultural competence by learning more essential grammatical structures, daily life expressions and speech acts. The course is also intended to introduce certain cultural aspects through media sources and various activities.  Prerequisites : Korean 1A; or consent of instructor.

Korean 7A: Introduction to Premodern Korean Literature and Culture

A survey of pre-modern Korean literature and culture from the seventh century to the 19th century, focusing on the relation between literary texts and various aspects of performance tradition. Topics include literati culture, gender relations, humor, and material culture. Texts to be examined include ritual songs, sijo, kasa, p'ansori, prose narratives, art, and contemporary media representation  of performance traditions. All readings are in English.

Korean 10A: Intermediate Korean

With equal attention given to speaking, listening, reading, writing, and cultural aspects of the language, students will further develop their language skills for handling various everyday situations.  Prerequisites : Korean 1B; or consent of instructor.

Korean 10AX: Intermediate Korean for Heritage Speakers

This is an intermediate course for students whose Korean proficiency level is higher in speaking than in reading or writing due to Korean-heritage background. Students will elaborate their language skills for handling various everyday situations.  Prerequisites : Korean 1BX; or consent of instructor.

Korean 100A: Advanced Korean

This is a third-year course in modern Korean with emphasis on acquisition of advanced vocabulary and grammatical structure. Equal attention will be given to all four language skills: speaking, listening, reading, and writing.  Prerequisites : Korean 10B; or consent of instructor.

Korean 100AX: Advanced Korean for Heritage Speakers

This is a third-year course in modern Korean with emphasis on acquisition of advanced vocabulary and grammatical structure.  Prerequisites : Korean 10BX; or consent of instructor.

Korean 101: Fourth-Year Readings: Korean Literature

This is an advanced course of reading and textual literary analysis in Korean. Advanced reading and writing skills and practice in the use of standard reference tools will also be introduced.

Korean 101: Korean Language in Popular Media

This course is uniquely designed for students who are interested in enhancing their proficiency level up to high-advanced or superior level through the lens of Korean popular media. By analyzing various media such as movies, documentary, TV shows, K-Pop songs, and news articles, students will broaden their knowledge and understanding about Korean society and culture in a deeper level, which is vital in advancing proficiency.

Korean 105: Business Korean

This course is for students wanting to acquire high-advanced and superior level Korean proficiency in Korean business settings through the nuances of job-related communication and cultural expectations. Students master appropriate workplace terminology, expressions, and professional style spoken and written form. They complete job a search, plan a new product, present and negotiate the product status, and finally present the product externally.

Korean 111: Fifth-Year Korean: Korean Culture and History

This course is designed to help advanced Korean students understand the influence of history and politics on contemporary Korean culture. Students will analyze contrastive views on historical events reflected in writings and media. Structured as a seminar format, students will take active roles in a class by sharing their inquiries and findings on course materials. A superior level of speaking and writing competence will be promoted based on advanced reading and listening competence. Prerequisites: Korean 101 or Korean 102; or consent of instructor.

Korean 150: Modern Korean Poetry

This course will examine the works of major poets in the first half of the 20th century and will consider the formation of modern Korean poetry. Particular attention will be given to the ideas of lyricism, modernism, and the identity of a poet in the context of the colonial occupation of Korea. Prerequisite: Korean 100A or Korean 100AX.

Korean 186: Introduction to Korean Cinema

This course offers a historical overview of Korean cinema from its colonial development to its present renaissance. It covers Korean film aesthetics, major directors, film movements, genre, censorship issues, and industrial transformation as well as global circulation and transnational reception. In an effort to read film as sociocultural texts, various topics will be discussed. All readings are in English.

Korean 188: Cold War in Korea: Literature and Film

Cold War Culture in Korea: Literature and Film. This course examines the formation and transformation of global Cold War culture in South Korean literature and film of the 20th century. It pays close attention to representations of the Korean War and its aftermath in literature and cinema, but opens up the field of inquiry to encompass larger sociocultural issues related to the Cold War system manifest in literature and cinema.  Prerequisites : None.

Mongolian Language and Literature Courses

Mongoln 110: literary mongolian.

This course introduces students to Literary Mongolian, its phonetics, grammar, vertical writing system and its relation to living spoken language. The course emphasizes reading texts in the Mongol vertical script. As foundation, students receive a basic introduction to Mongolian phonology and grammar as well as learn the Mongol vertical script writing system and a standard system of transcription.  After a brief period of introduction students immerse in reading texts. Class time is devoted to reading comprehension, translation, and analysis. Although texts may be drawn to suit student interest, the standard course repertoire will consist of works of Mongolian Buddhist literature and history.

Mongoln C117: Mongolian Buddhism

This course covers the history of Mongolian Buddhism from its inception in the Yuan dynasty to the present. The importance of Mongolian Buddhism to the greater dharma lies not only with the ways of its priests but also with the means of its patrons, the Mongol aristocracy, in forging a distinctive tradition in Inner Asia and disseminating it throughout the world. While maintaining a  historical thread throughout, this course will examine in detail some of the tradition’s many facets, including Mongolian-Buddhist politics, the politics of incarnation, the establishment of monasteries, economics, work in the sciences, astral science and medicine, ritual practice, literature, sculpture and painting, music and dance, and more.