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500 Words Essay on Allama Iqbal in English

by Cherie McCord

Allama Iqbal was undoubtedly a prestigious National hero born in Sialkot. He was an outstanding poet-philosopher and political leader. However, writing an essay on such great personalities requires enormous time and research to do complete justice. Hence, availing help from expert essay writers can make your life easier. They perform detailed research and write an essay that surely entices the readers.

500 words Complete essay on Allama Iqbal in English. You can use the Allama Iqbal essay as my favourite poet, hero, and personality as well. Allama Iqbal is the national poet of Pakistan. He was born in Sialkot in 1877. After completing his primary education in Sialkot, he moved to Lahore for further studies.

He did his MA in philosophy there and taught for some time in the GC Lahore. After that, he went to Germany for his PhD in philosophy.

At that time, English were the ruler of India. They were trying their utmost to confine Muslims to the cages of slavery and ignorance. Therefore, the situation of Muslims was pathetic during that time. They were not offered high-rank jobs in Government.

Iqbal, being a well-wisher of Muslims, tried to awaken them from the deep sleep of negligence. He used the power of poems and verses to give Muslims of the subcontinent a light of hope. He reminded them of the achievements and standards of their forefathers.

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Table of Contents

Essay on Allama Iqbal Quotes

I lead no party; I follow no leader. I have given the best part of my life to careful study of Islam, its law and polity, its culture, its history, and its literature Allama Iqbal

Nations are born in the hearts of poets, they prosper and die in the hands of politicians. Allama Iqbal

Two Nation Theory by Allama Iqbal

He also wrote letters to Quaid-e-Azam to work for his depressed nation. In his Allahabad session, he gave the solution to the problems of Muslims in the form of Two Nation Theory. He believed that Muslims are different in every aspect of life from Hindus. He suggested that Muslims should work for getting their own homeland.

Iqbal as a Poet

Iqbal was a great poet. The goal of his poetry was to remind the Muslims of their glorious history. His poetry highlighted golden Muslim traditions and achievements. Every verse by Iqbal gave Muslims a wake-up call to regain their respect. It is full of permanent national feelings.

Teachings by Allama Iqbal

He wrote poetry both in Urdu and Persian. His verses give reference to the Holy Quran. It gives a sense of spirituality and morality. In this age, Muslims need to get guidance from his poetry. He is our hero and one of the people who laid the foundation of Pakistan.

Allama Iqbal died on 21st April 1938 due to severe throat infection. May his would rest in heaven. May his words continue to inspire young generations to follow the path of self-esteem.

We hope that this essay on Allama Iqbal has provided you enough information to use it in 9th, 10th, first year and second year classes and you won’t need to ask expert essay help from someone from Write My Paper Hub for writing your own paper on similar topics.

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plz may increase this essay its very short for 2nd year student

Essay on My Favourite Poet

Students are often asked to write an essay on My Favourite Poet in their schools and colleges. And if you’re also looking for the same, we have created 100-word, 250-word, and 500-word essays on the topic.

Let’s take a look…

100 Words Essay on My Favourite Poet

Introduction.

My favourite poet is Robert Frost, famous for his realistic depictions of rural life.

Frost’s Work

Frost’s poems, like “The Road Not Taken”, inspire me. They reflect life’s complexities, encouraging deep thought.

Why I Admire Him

I admire Frost for his profound wisdom and ability to convey complex ideas simply, making his poetry accessible and enjoyable for all readers.

250 Words Essay on My Favourite Poet

In the realm of literature, poetry stands as a unique medium of expression, offering profound insights into the human condition. My favourite poet, T.S. Eliot, masterfully harnesses this potential, weaving intricate tapestries of thought and emotion.

The Power of Eliot’s Poetry

Eliot’s work is a testament to the power of poetic language. His poems, such as “The Waste Land” and “The Love Song of J. Alfred Prufrock,” are renowned for their depth and complexity. Through his innovative use of imagery and metaphor, Eliot explores themes of disillusionment, despair, and the search for meaning in a rapidly changing world.

Resonance with Modern Life

Eliot’s poetry resonates with me because of its relevance to modern life. His exploration of the individual’s struggle against the impersonal forces of society speaks to the alienation and anxiety that many of us experience in the contemporary world. His work serves as a mirror, reflecting our own struggles and fears.

In conclusion, T.S. Eliot’s poetry captivates me due to its depth, complexity, and relevance. His work embodies the power of poetry to articulate the human condition in all its complexity. In a world often characterized by superficiality and noise, Eliot’s poetry offers a profound and thoughtful sanctuary.

500 Words Essay on My Favourite Poet

Every individual has their own unique taste when it comes to literature and art. For me, the realm of poetry holds a special place, and within that realm, the works of William Blake shine the brightest. Blake, an English poet, painter, and printmaker, has been a constant source of inspiration and fascination for me. His profound influence on the Romantic age of literature and his ability to weave intricate emotions and thoughts into his verses make him my favourite poet.

Blake’s Unique Artistic Vision

What strikes me most about Blake is his unique artistic vision. His poetry reflects a deep connection with spirituality and human nature. He was not just a poet, but also a philosopher who explored the depths of the human psyche. His works, such as “Songs of Innocence and of Experience”, portray the contrasting states of the human soul, encapsulating the innocence of childhood and the complexities of adulthood.

His Socio-Political Relevance

Blake’s poetry is not only spiritually enlightening but also socially and politically relevant. He was a vocal critic of the oppressive societal norms and the Industrial Revolution’s negative impacts. His poem “London” from “Songs of Experience” is a vivid portrayal of the city’s dismal state during the industrial era, marked by poverty, child labour, and social injustice. This socio-political consciousness in his poetry resonates with me deeply, making his work not only timeless but also universally relevant.

Blake’s Mysticism and Symbolism

Another aspect that draws me towards Blake’s poetry is his use of mysticism and symbolism. His work is filled with religious and mythological allusions, creating a rich tapestry of meaning that invites readers to dive deeper. For instance, his epic poems “The Four Zoas” and “Jerusalem” are filled with complex allegories and symbols, reflecting his innovative and imaginative spirit. His ability to create such a vivid and mystical world through his words is truly captivating.

His Impact on Me

Blake’s poetry has had a profound impact on my understanding of literature and life. His exploration of human nature, his critique of societal norms, and his spiritual insights have shaped my perspectives and inspired me to look beyond the surface. His poems have taught me that literature is not just about beautiful words but also about deep thought, critical analysis, and emotional resonance.

In conclusion, William Blake, with his unique artistic vision, socio-political relevance, and mystic symbolism, stands as my favourite poet. His poetry, rich in thought and emotion, transcends the barriers of time and space, making him a universal poet. His works continue to inspire and enlighten, making him not just a poet of the Romantic era, but a poet for all ages.

That’s it! I hope the essay helped you.

If you’re looking for more, here are essays on other interesting topics:

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Apart from these, you can look at all the essays by clicking here .

Happy studying!

My Favourite Personality Allama Iqbal Essay in English

Allama iqbal is my favourite personality.

Hero is man of outstanding character and matchless genius. He must be a man of unique qualities. though the Muslim History is full of great men, my hero in history is Allama Iqbal. I think, he is really a man worthly of the title ‘Hero’.

Allama Iqbal was born in Sialkot in 1877. He came to Lahore for learning after completing his primary education. At that time the English were the rules of India. They were very cunning. They did not like the Muslims. They tried their best to keep the Muslims backward and ignorant. Iqbal, who was a great well-wisher of the Muslims, tried to awaken the Muslims from their sleep of ignorance through his poetry. He wrote a number of poems and verses to make the Muslims realize their negligence. He taught them a lesson of ‘self-esteem’. He made them realize the achievements of their forefathers. He wrote many letters to the Qauid-e-Azam to urge him to work for his nation.

In the session of Muslim League at Illahabad in 1930, he suggested the solution to the discontent of India. He showed a sure way of peace and happiness for the people living in India. Iqbal’s speech demonstrates his concern for his nation. He said that the Muslims were different in their religious, beliefs and traditions from the other nations living in the sub-continent . He said that the concept of nationality of the Muslims is quite different from those of other nations of the world. He said that India be divided into two nation states. The territories of the Muslims majority should be made a new Muslim state.

Iqbal was a great Muslim poet. His poetry was aimed at teaching the Muslims what they had forgotten. It was a lesson of their golden traditions and matchless achievements. He wrote his poetry urging the Muslims to break the slavery chain. His poetry is a permanent source of joy and inspiration for the Muslims. It is full of national feeling and sentiments.

Iqbal’s poetry places him in the sky of immortal fame high among the stars. he wrote poetry both in Urdu and Persian. Many reference to the Holy Quraan can be found in his poetry. Some critics go even to the extent that his poetry is the true explanation of the Holy Quraan. It elevates us spiritually and morally.

In this age when the Muslims are being insulted and crushed throughout the world, it is necessary that we should get guidance and inspirational from his poetry. If we study his poetry and follow his advice, we will surely regain our lost glory. His poetry is not for one time. It is for everyone and for every age. What a perfect code of ethics and morality his poetry is! May the Muslims of today read his poetry and get an urge to gain their golden past. Aameen!

Essay on Allama Iqbal for Class 9, 10 in English, Urdu
Allama Muhammad Iqbal | Poet of The East

7 thoughts on “My Favourite Personality Allama Iqbal Essay in English”

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47 of Your Favorite Writers on Their Favorite Poems

The best way to celebrate national soyfoods month (wait).

It’s April, which according to Wikipedia , is Financial Literacy Month. It is also Jazz Appreciation Month, Mathematics and Statistics Awareness Month, National Volunteer Month, Arab American Heritage Month, National Grilled Cheese Month, Donate Life Month, National Pecan Month, National Soft Pretzel Month, and National Soyfoods Month. Last but not least, it is National Poetry Month. So if you are hoping to enjoy some poetry with your pecans and soft pretzels this April, but don’t know exactly where to start, we’ve got you covered with recommendations from these 47 writers you (probably) already know.

Ben Lerner:

The narrator [of 10:04 ] is both inspired and embarrassed by [Walt] Whitman’s belief that he could project himself into the future and that his poems could help form a kind of collective subject. Also Whitman sometimes flirts with the boundary between poetry and prose. And he’s a great poet of New York. And “Walt Whitman” is himself a work of fiction—a kind of silly yet messianic figure who is supposed to be able to contain multitudes. I guess my favorite poem is “ Crossing Brooklyn Ferry .”

—from a 2014 interview with McNally Jackson

Danez Smith:

Some poems never really leave you once you hear them. Ariana Brown’s “ Wolfchild ” was one of those poems for me last year. Brown speaks on black and brownness with such complexity and rawness and grace in this piece. Every time I come back to it I’m amazed how through such stunning language she creatives something so magical and clear and needed in our conversations about reimagining America and Americaness. Hella stunning, hella important, and also just a fantastic poem. I’m voting for this poem in the primaries.

—as told to HuffPost

Laura Lippman:

If we agree that Stephen Sondheim is a poet, then I pick “ Someone in a Tree ,” which encompasses all my favorite subjects — perspective, memory, who gets to tell the story. My more traditional pick would be W. H. Auden’s “ In Memory of W. B. Yeats ,” particularly for the lines about poetry flowing past the places “where executives would never want to tamper. . . . ranches of isolation . . . raw towns.” I covered poverty for The Baltimore Sun for a long time, and there was definitely a raw town vibe to that beat.

—from Lippman’s “ By the Book ” interview

Elizabeth Gilbert:

[Jack Gilbert] wrote what may be my very favorite poem, “ A Brief for the Defense ,” late in his life; there’s maturity in it no youth could ever muster. It feels like something that should be in Ecclesiastes—it’s biblical in its wisdom and scope. The poem takes on his the central trauma of human consciousness, which is: What are we supposed to do with all this suffering? And how are we supposed to live?

The first lines of the poem are:

Sorrow everywhere. Slaughter everywhere. If babies are not starving someplace, they are starving somewhere else. With flies in their nostrils.

So it begins with an admission of how devastating the world is, how unfair and how sad. He goes on to say what he’s seen from a life of watching very carefully: women at the fountain in a famine-stricken town, “laughing together between / the suffering they have known and the awfulness / in their future.” He describes the “terrible streets” of Calcutta, caged prostitutes in Bombay laughing. So there’s this human capacity for joy and endurance, even when things are at their worst. A joy that occurs not despite our suffering, but within it.

When it comes to developing a worldview, we tend to face this false division: Either you are a realist who says the world is terrible, or a naïve optimist who says the world is wonderful and turns a blind eye. Gilbert takes this middle way, and I think it’s a far better way: he says the world is terrible and wonderful, and your obligation is to joy. That’s why the poem is called “A Brief for the Defense”—it’s defending joy. A real, mature, sincere joy—not a cheaply earned, ignorant joy. He’s not talking about building a fortress of pleasure against the assault of the world. He’s talking about the miraculousness of moments of wonder and how it seems to be worth it, after all. And one line from this poem is the most important piece of writing I’ve ever read for myself:

We must risk delight. We can do without pleasure, but not delight. Not enjoyment. We must have the stubbornness to accept our gladness in the ruthless furnace of this world.

This defines exactly what I want to strive to be—a person who holds onto “stubborn gladness,” even when we dwell in darkness. I want to be able to contain both of them within me at the same time, remain able to cultivate joy and wonder even at life’s bleakest.

—from Gilbert’s “By Heart” column in The Atlantic

Julian Barnes:

A. E. Housman’s “ The Laws of God, the Laws of Man ,” otherwise known as “Last Poems XII.” This poem, written circa 1900, is about independence of mind and independence of spirit. It acknowledges, while also undermining, the powers that seek to control the individual. I particularly admire, and am moved by, that final, ironic, defiant sub-clause in the penultimate line: “if keep we can.”

—as told to The New York Times Book Review

Darryl Pinckney:

“ In Paris With You ,” by James Fenton.

—from Pinckney’s “ By the Book ” interview

Emma Donoghue:

One of the poems [my mother] used to recite to me, “ Wild Nights – Wild Nights! ”, became very important to me in my teens. I probably sought it out again once I knew that I was in love with a girl myself at 14—because there I was, in 1980s Ireland, realizing that I was a lesbian and couldn’t tell a soul. It was as if there was nobody around in Irish culture at the time who I could see myself in. So I used Emily Dickinson. On the basis of her poems and letters, it seemed like she had strong passions for women in her life as well as for men. I remember thinking, “Well, I may be a freak in my social context, but I can be like Emily Dickinson. Who needs to be normal?”

I find the poem to be viscerally expressive of romantic and erotic love. What comes across most is this sense of overwhelming yearning. It’s actually quite a demanding overture: she’s saying she wants to “moor in” somebody, a very physical and intimate image.

At the same time, you don’t know who she’s addressing—it’s very unspecific, and not just in terms of gender. It’s hard to determine the relationship between the narrator and the object of affection. Is the speaker someone who has experienced a cozy life with the beloved, and has been sadly parted from that person? Or is the narrator pining for an acquaintance from afar? “Were I with thee”—that could even be a stalker talking. It’s very ambiguous.

What makes it all work is the slight edge of hysteria edge we sense in the speaker. One minute you’re thinking oh, she’s a wonderful, romantic heroine; the next minute you’re wondering whether she’s a stalker. The slightly unhinged feel to her adds to the reader’s thrill. She appears to be offering images of safety and comfort and home, but there’s this crazy edge.

—from Donoghue’s “By Heart” essay in the Atlantic

Ta-Nehisi Coates:

For me, at this point in my life, [my favorite poem] has to be Robert Hayden’s “ Middle Passage .” It is the poem I return to over and over — both for what it says about my country, and how it says it. Hayden wrote an origin myth for America and placed it right where it belonged — in enslavement. The narrators of this myth are the enslavers themselves. The irony of our history drips from every one of their lines. “Lost three this morning,” a ship’s captain observes. “Leaped with crazy laughter / to the waiting sharks, sang as they went under.”

In poetry, Robert Morgan [deserves a greater readership]. His long poem “ Mockingbird ” is my favorite poem by a living American.

—from a 2015 interview with Glen Glazer at the NYPL

Geoff Dyer:

“ The Prelude ,” by Wordsworth, or “ Paradise Lost ,” by Milton. “The Prelude” is part of my bloodstream practically, or maybe I mean metaphorically. Obviously parts of “Paradise Lost” are a total bore, but it’s worth the slog. After reading the scene where Adam and Eve eat the apple (“Carnal desire inflaming, he on Eve / Began to cast lascivious Eyes, she him / As wantonly repaid. . . .”), it’s hard not to concur with Terence McKenna’s claim that the expulsion was the original drug bust. The end is the most beautiful thing in all of literature; as Adam and Eve leave Eden they are us. Oh, and to bring things up-to-date, I love practically every funny, crazy and profound line in “ It Is Daylight ,” by Arda Collins.

—from Dyer’s “ By the Book ” interview

Joan Didion:

“ Carrion Comfort ,” by Gerard Manley Hopkins.

—according to Guernica

Jesse Ball:

There’s a misunderstanding about what nonsensical things are—the idea that they’re just funny, and that’s the beginning and the end of it. Nonsense is not “not sense”—it operates at the edge of sense. It teems with sense—at the same time, it resists any kind of universal understanding.

I believe Carroll first wrote “ Jabberwocky ” as a stanza of Anglo-Saxon poetry. (Nonsense tends to play off and puncture some known landscape.) Here, he’s playing off the language of all these wonderful things from The Canterbury Tales to The Pearl to one of my personal favorites, Sir Gawain and the Green Knight . As well as older texts like the Exeter Book riddles. He’s tapping into those wonderfully alliterative verses, that rich history of sound, within the Old English and Middle English traditions. What comes out is this:

‘Twas brillig, and the slithy toves Did gyre and gimble in the wabe: All mimsy were the borogoves, And the mome raths outgrabe.

It’s not in favor of some other sensical thing that could be said. In fact, it’s very precise. You couldn’t supply another object that would do a better job of what it’s doing in its place. The poem preserves a truth Carroll feels within himself of the sounds of those Anglo-Saxon words, their color and direction.

At the same time the poem provides this very specific insight about the sound and of Anglo-Saxon poetry, it also evades clear interpretation. Many times, when someone writes something, they hope for some precision of communication—they want to provide some precise statement that exists in one mind, and make it exist in your mind. But I think Carroll’s understanding of communication was more interesting than that. He understands that the text that you create is an object that collides with the mind with the reader—and that some third thing, which is completely unknowable, is made. He was completely content with that, and that contentment allows him to make this object “Jabberwocky” as interesting and beautiful and lovely as an object as it can be. The poem’s construction allows you to be sent somewhere along the vector of “Jabberwocky,” though no one but you can say just where.

—from Ball’s “By Heart” column in the Atlantic

Franny Choi:

If the best poems contain a transformative element, Ross Gay’s “ Small Needful Fact ” is actual magic. To me, this poem is proof of the necessity of the thought experiment as a tool for survival. And it is one of the humblest and most beautiful poems in the realm of poems addressing police violence that I have ever read. It does, I think, exactly what poems are meant to do.

Anthony Doerr:

The poem I’ve returned to most often over the past decade or so is a 39-page diamond mine called “ The Glass Essay ,” by Anne Carson. Every stanza of this masterpiece sends bolts of pleasure and recognition ricocheting through me. It’s about the speaker visiting her mother on a moor; it’s also about heartbreak, various connotations of “glass,” the Brontë family and “prisons, / vaults, cages, bars, curbs, bits, bolts, fetters, / locked windows, narrow frames, aching walls.” Who knows, maybe it’s not even a poem—maybe it’s a novel, a short story, an essay in verse? Whatever we call it, it feels to me like a thousand floodlights switching on.

Kate Atkinson:

[On Edward Thomas’s “ Adlestrop “] This is my favorite poem and the one that moves me more than any other. In June 1914 the poet Edward Thomas was traveling from Worcester to Oxford when the train he was on made an unscheduled stop—”The steam hissed. Someone cleared his throat.” Afterwards, Thomas immortalized this fleeting moment.

There are many things to love—the artlessness of the opening line, “Yes, I remember Adlestrop,” as though we had just joined a conversation that had being going on for a while. The strangely effective use of the word “unwontedly.” The sense of languid heat conjured up by the “high cloudlets” and the “meadowsweet, and haycocks dry.” At the beginning of the poem language is pared down to simplicity—”No one left and no one came / On the bare platform.” Adlestrop itself is “only the name.” But then we begin to see a progression, an expansion into something more numinous until we reach the swell of those sublime final lines as the lone blackbird begins to sing and “round him, mistier, / Farther and farther, all the birds / Of Oxfordshire and Gloucestershire.” This is when the tears come, for the transiency of all things and for the transcendent beauty of these lines.

The moment is made more poignant with hindsight, of course, for this is a lost Eden, on the cusp of Armageddon. Thomas must have sensed that too, I think. He joined the Artists Rifles and was killed at Arras in 1917 without ever seeing his poems published.

—as originally appeared on Literary Hub

Erica Jong:

“ Renascence ,” by Edna St. Vincent Millay.

—chosen and performed for Robert Pinsky’s Favorite Poem Project

Alice McDermott:

“ Dirge Without Music ,” by Edna St. Vincent Millay.

Elena Ferrante:

Amelia Rosselli (1930-96) is one of the Italian poets of the last century who pushed herself most forcefully, most painfully and most imprudently beyond the limits destiny had set for her. Among her many “superb sheets of disobedience,” I recommend Sleep (1953-66, but published in Italy in 1992), a collection of poems written in English in the grip of Italian. I especially love “Well, so, patience to our souls.” I like that word, “patience,” which, in the 10 lines that follow—in a jiffy run, as we are “left alone with our sister / navel” — is struck by aggressive verbs like run, snap, tear and ravish, and by “flaming strands of opaque red lava” while “the wind cries oof! / and goes off.”

Benjamin Percy:

“ At the Lowe’s Home Improvement Center ,” by Brian Turner.

—according to The Minnesota Daily ; hear Percy read the poem here

Michael Cunningham:

“ St. Kevin and the Blackbird ,” by Seamus Heaney.

francine j. harris:

Every semester I gather things. And there are things that I come back to, and usually the poems I keep coming back to are because I can teach them for so many different reasons. Mary Ruefle’s “ White Buttons ” [for example]: I keep teaching this poem, because there are so many reasons to teach this poem. I can teach it to talk about how images reinforce themselves over a period of time because it’s a little bit longer, so these images just develop out of thin air– almost literally- there are these text pages, these book pages, like petals, and you don’t know how it happened, right? There’s a way that the images build, and I can teach it for that. I can teach it for the associative moves she makes, like that weird move she makes where she suddenly says:

(I am sorry I did not

go to your funeral

but like you said

on the phone

an insect cannot crawl

I can teach it as a second person address, that interrupts the speaker. I can teach it for so many different reasons. One of the poems I’ve been teaching on and off for years is Yusef Komunyakaa “ You And I Are Disappearing ” for almost all of the same reasons. There are so many reasons to teach that poem: listing, cataloguing, subtext, how you can read a poem have two entirely different experiences with the poems based on your experience with the subject matter, imagery. I’m always grabbing poems for imagery. . . The funny thing is, I feel like, and maybe this is an essentialist statement, I’ll say poems today that stay with me, stay with me for the same reasons– because there’s a lot going on in them. Every time I come back to them I’m thinking of something else, something else that makes it work.

—as told to Four Way Review

Gillian Flynn:

Gwendolyn Brooks nestled into my heart when I was about 12, and she’s never been replaced. So, this is my heartbeat anthem: “ A Song in the Front Yard .” It hit me with so much impact as a quiet, shy, relentlessly pleasing junior-schooler who yearned to be so much more than that. “I’ve stayed in the front yard all my life./ I want a peek at the back./ Where it’s rough and untended and hungry weed grows./ A girl gets sick of a rose.” Whenever I’m feeing unnerved or anxious or timid, I think of that: “A girl gets sick of a rose.” Yes, exactly.

Colm Tóibín:

It seems strange now that the poem by [Elizabeth Bishop] that I liked best then [at 19] and learned by heart was “ Cirque d’Hiver, ” a poem about a “mechanical toy,” a poem with elaborate rhyme schemes and a tone close to a nursery rhyme.

Across the floor flits the mechanical toy, fit for a king of several centuries back. A little circus horse with real white hair. His eyes are glossy black. He bears a little dancer on his back.

The poem seems so determined to be jolly and inconsequential, almost jokey, that it is hard to find the undertow in it, which arises oddly from the sheer amount of time and energy spent observing this scene in such great and good-humored detail to the exclusion of all else. Somehow, I felt a sense that, in concentrating on this and this only for a long time, the poem hinted that the rest of the world could be kept away and made to seem not to matter.

—from Tóibín’s On Elizabeth Bishop

Cynthia Ozick:

“ Dover Beach ,” by Matthew Arnold. And running neck-and-neck, Shelley’s “ Ozymandias ” and Auden’s “ September 1, 1939 .” All are cutting-edge images of the 21st century so far.

—from Ozick’s “ By the Book ” interview

Sloane Crosley:

“ Tulips ,” by Sylvia Plath.

—as told to Double or Nothing

Stephen King:

My favorite poem is “ Falling ,” by James Dickey. Published in 1967, its delirious language, coupled with a clear narrative, make it a precursor to Dickey’s novel Deliverance , published three years later. The poem is audacious, sensuous and completely beautiful. It’s also as neat a parable of the human condition as has ever been written.

Junot Díaz:

“ Kingdom Animalia ,” by Aracelis Girmay. Girmay is one of my favorite poets. She blows across the islands of my soul like storm season. I remember rereading these lines shortly after I lost my sister:

Oh, body, be held now by whom you love. Whole years will be spent, underneath these impossible stars, when dirt’s the only animal who will sleep with you & touch you with its mouth.

And I was never the same.

Richard Bausch:

“ For the Last Wolverine, ” by James Dickey.

Aimee Bender:

I first heard “ The Final Soliloquy of the Interior Paramour ” [by Wallace Stevens] at a funeral. A large funeral, and a very sad one. A poet read it to the people gathered, and I found it moving, and helpful, but in a kind of inexplicable way. It’s something of an oblique poem. It concerns mystery, and its language is itself mysterious. Yet there was something in it that I sensed, even listening for the first time, about a community coming together to support this family and pay tribute to this life. . . Right away, I knew I’d want to look that poem up and spend more time with it. One line—“We say God and the imagination are one”—stuck with me especially. There’s something beautifully enigmatic about that line: It contains what feels so expansive and mysterious about the imagination to me. I love the way it treats the imagination with an almost-religious reverence.

Language is the ticket to plot and character, after all, because both are built out of language. If you write a page a day for 30 days, and you pick the parts where the language is working, plot and character will start to emerge organically. For me, plot and character emerge directly from the word—as opposed to having a light-bulb about a character or event. I just don’t work like that. Though I know some writers do, I can’t. I’ll think, oh I have an insight about the character, and when I’ll sit down to write, it feels extremely imposed and last for two minutes. I find I can write for two lines and then I have nothing else to say. For me, the only way to find something comes through the sentence level, and sticking with the sentences that give a subtle feeling that there’s something more to say. This means I’ve hit on something unconscious enough to write about—something with enough unknown in there to be brought out. On some level I can sense that, and it keeps me going.

That’s why I love Stevens’s poem, too—it sits between these great mysteries that he’s articulated without dispelling them completely. Some of those mysteries clarify, but they’re not all going to clarify. I think a good poem will always stay a little mysterious. The best writing does. The words that click into place, wrap around something mysterious. They create a shape around which something lives—and they give hints about what that thing is, but do not reveal it fully. That’s the thing I want to do in my own writing: present words that act as a vessel for something more mysterious. I know it’s working when I feel like there’s something hovering beneath it the verbal, that mysterious emotional place that Stevens wrote about.

—from Bender’s “By Heart” column in the Atlantic

J. K. Rowling:

Walt Whitman’s “ Of the terrible doubt of appearances .”

—according to The New Yorker

Donna Tartt:

Though some poems I loved when I was young have lost their sting over the years, Rimbaud’s “ The Drunken Boat ” still exhilarates me as much as it ever did; it’s a mysterious poem, difficult to translate, but every time I read it I’m astonished all over again by its glaciers and whirlwinds, its swamps and deliriums, its bursts of phosphorescence and its final, heartsick dream of Europe: a paper boat floating in a sidewalk puddle.

Maurice Sendak:

John Keats’s “ Welcome Joy, and Welcome Sorrow .” (Sendak also kept a death mask of Keats next to his bed.)

—according to The Comics Journal

Helen Macdonald:

[I admire] Milton and Shakespeare, Donne, Wordsworth, Coleridge—“ Frost at Midnight ” is my favorite poem—Auden, Frank O’Hara, Barbara Guest, John Ashbery, Peter Riley, J. H. Prynne, and R. F. Langley, who is perhaps my favorite modern poet. The Cambridge School movement influenced me a lot as a student. It taught me to be playful with language and never, ever to be afraid of difficulty.

—from Macdonald’s “ By the Book ” interview

Kaveh Akbar:

My favorite poem to teach is, I think, Russell Edson’s “ The Neighborhood Dog .” Something about it vibrates at the exact frequency of my brain. It’s just the perfect poem. It does everything I love in poems, and though I’ve taught it dozens of times to dozens of different groups of poets, I still don’t really have any idea how to talk about why it works in any sort of critically useful way. It’s actual magic.

Also, it’s important to note that the version of “The Neighborhood Dog” originally published in AGNI is a full 15% better than the weaker version Edson eventually published in the book, and in The Tunnel .

—from a 2017 interview with The Rumpus

Joyce Carol Oates:

Christopher Smart’s “ Jubilate Agno .”

Jeanette Winterson:

No one who loves poetry can have a favorite poem. There are too many, and life changes, and poems occupy us just as we occupy them. So I am going to cheat and say that for performance poetry it’s Kate Tempest’s “ Brand New Ancients .” Catch it on YouTube. She is language, passion and politics, and if that isn’t life, what is? Poetry and politics are not separate spheres. Life is connected. So I am reading Adrienne Rich right now. Try anything from The Will to Change . Engagement, activism, beauty, longing and a way to talk about those things. Poetry turbocharges language.

Jamaica Kincaid:

William Wordsworth’s “ I Wandered Lonely as a Cloud .”

E. E. Cummings:

William Wordsworth’s “ Intimations of Immortality .”

—according to Susan Cheever’s E. E. Cummings: A Life

David Mitchell:

Before I was published, when I was about 29 years old—I’m 45 now—I was looking through the poetry section in a bookshop. I found this very slim volume of poems by a man I’d never heard of before, James Wright, called This Branch Will Not Break . I flicked through it, and found a poem that is still one of the most beautiful things I’ve ever read. [“ Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota ”] I bought it, and for much of my life I’ve had a copy of the poem just above my desk, or wherever I’ve worked. Whatever else is going on in the day, my eyes can go and find this textual hammock.

For me, the poem’s chief value is as a reminder to stay inside the moment. It asks us not to let our minds rerun things that have already happened, not to trouble our head fruitlessly about things that haven’t happened yet. Inhabit the now, the poem urges— just see the beauty around you that you don’t normally see.

—from Mitchell’s “By Heart” essay in the Atlantic

Grace Paley:

“ 1919 ,” by W. B. Yeats.

Bill Bryson:

I am not a good reader of poetry, but recently I happened upon “ In Flanders Fields ,” the celebrated poem of the First World War. I had never read it all the way through and was astounded by how powerful and moving a few simple lines could be. I had always assumed that the author was British, but in fact he was a Canadian doctor named John McCrae, who wrote it just after the Second Battle of Ypres. McCrae died a short while later himself without ever seeing home again, which clearly adds to the poignancy of it.

—from Bryson’s “ By the Book ” interview

Quan Barry:

I’ve always loved the work of W.S. Merwin. As I became a more serious student of poetry, I read his body of work much more closely. It was amazing to see how he evolved from rather formal beginnings to the poet we think of today, whose unpunctuated work relies pretty heavily on the reader to pull meaning out of the text. I once saw Merwin read when I was an undergrad, and I still remember how he ended the evening with this long poem called “ Lives of the Artists ,” which is an amazing poem about the life of a Native American youth. In general, I love the collection by Merwin that contains this poem, a collection titled Travels —there’s a poem in it called “A Distance” that I adore, adore, adore. I can’t necessarily tell you what’s happening in that poem, but it ends with three questions: “what/ are you holding above your head child/ where are you taking it what does it know.”

—as told to Writer’s Bone

Louise Erdrich:

I covered the vinyl walls around my soaking bathtub with poems written in permanent marker—James Harrison’s “ Counting Birds ” is my favorite. His work is bold, consolatory; like Harrison, I wonder if there is a bird waiting for me in the onrushing clouds.

—from Erdrich’s “ By the Book ” interview

Francine Prose:

Elizabeth Bishop’s “ In the Waiting Room .”

Elizabeth Alexander:

We did a sound check [for Obama’s first inaugural] on the mother of all microphones, which carried laser-sharp sound for miles and miles without an echo. “O.K., now, read your poem,” the technician said. “I can’t do that!” I exclaimed, and then, out of nowhere, “It’s bad luck!” “O.K., O.K.,” the man said. “Say something else.” So I recited my favorite poem by my favorite poet, the bard of Chicago’s South Side, Miss Gwendolyn Brooks. I was certain she would have been the one to have written and read a poem for Obama if she had been living.

I recited “ kitchenette building ,” the first poem in her first collection, A Street in Bronzeville , from 1945. It is about how people who feel themselves at the mercy of inequitable circumstance experience hope. “We are things of dry hours and the involuntary plan,” the poem opens, then builds into a meditation on how people fight to make space for their dreams despite privation and difficult circumstance. “Could a dream send up through onion fumes / its white and violet[?]” she asks. It is one answer to Langston Hughes’s concept of the dream deferred, expressed in his poem “ Harlem ,” in which he wonders what happens when opportunity is unmet too long and injustice prevails:

Does it stink like rotten meat? Or crust and sugar over— like a syrupy sweet?

Maybe it just sags, like a heavy load.

Or does it explode?

These poets are some of America’s pithiest great philosophers. As I spoke Brooks’s lines, I saw people among the many milling tourists and inaugural-goers on the Mall stop and listen to her arresting words, cast in the shape of a poem.

—from Alexander’s essay in The New Yorker

Jacqueline Woodson:

“ You Don’t Miss Your Water ,” by Cornelius Eady, is a poem I return to when I’m stuck as a writer. The depth of emotion in this very short poem speaks not only to Eady’s amazing voice as a writer but to everything so many of us know about the complicated relationship between adult child and dying parent. Even when this poem is very far away from what I’m writing, it serves to remind me how much emotion matters in story.

Robert Pinsky:

“ Incantation ,” by Czeslaw Milosz.

—chosen and performed for his own Favorite Poem Project

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My favourite personality essay | my hero in history essay for 2nd year with quotations pdf | my hero in history essay.

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Allama Iqbal Essay In Urdu | علامہ اقبال پر ایک مضمون

Today, we write Allama Iqbal essay in Urdu.Allama Muhammad Iqbal was a philosopher, mystic, poet, and politician in British India who inspired the Pakistan Movement. He is considered one of the most influential figures in Urdu literature. He is one of my favorite poet personality.

Some people may think that Allama Iqbal was strictly a religious poet, but that is not. He was, in fact, a philosopher and thinker who used poetry as a medium to get his message across. In this essay on Allama Iqbal in Urdu, we explore some of his most famous quotes and see how they relate to life and religion.

He is one of the most famous and influential poets and philosophers of Urdu. His poetry has been translated into many languages all over the world. He is considered one of the most significant literary figures in south Asia. According to a variant account, Iqbal was born in Sialkot on 9 November 1877 in Allahabad in 1876.

He received his early education in Sialkot, and then he went to Lahore for higher studies. In his honor, a poetry festival is held every November, having seminars, speeches, and mushairas of national and international poets. Iqbal was well versed in Arabic, Urdu, and Persian languages.

He has composed several poems and is also known as shair e mashriq (poet of the east). His famous works include “Asrar-e-Khudi”, “rumuz-e-bekhudi”, “Payam-e-Mashriq”, “Zabur-e-Ajam”, “Bal-e-Jibreel”, “Pas Che Bayad Kard Ay Aqwam-e–Sharq

IQBAL Essay Poetry in Urdu – شاعری

200 words Mera pasandida shair essay in urdu

IQBAL 10 lines mazmoon in Urdu 100 words

This article provides an essay on Allama Iqbal in Urdu for class 1,2,3,4,5,6,7,8,10, 12 and others with headings, poetry, and quotation, and it is an excellent resource for anyone looking to learn more about this legendary poet and philosopher. Please like and comment if you found this allama iqbl mazmoon helpful.

You can also read a science ke karishme essay in urdu

Allama Iqbal was a philosopher, poet, and politician in British India who is widely regarded as having inspired the Pakistan Movement. He is considered one of the most important figures in Urdu literature, with literary work in both the Urdu and Persian languages. Iqbal is known for his poems, which are written primarily in Persian, that discuss themes of spiritual awakening, the nature of God, and the role of Muslims in the world. He is also known for his political activism, particularly his support for the creation of a separate Muslim state in the northwest of British India. Iqbal was born in Sialkot, in the Punjab region of British India, in 1877, and studied at some of the most prestigious universities in British India and Europe. He was a member of the All India Muslim League, and his ideas and writings continue to influence political and religious thought in South Asia and beyond.

Allama Iqbal was never formally titled “Sir”. The title “Sir” is typically used as a honorific for knights in the British honours system, or for other individuals who have been knighted by the British monarch. As far as I know, Iqbal was never knighted and therefore never held the title of “Sir”. Iqbal was a philosopher, poet, and politician in British India, and he was known for his political activism and his poetry, but he was not a knight and did not hold the title of “Sir”.

It is not clear how many sisters Allama Iqbal had. Iqbal was born into a family of nine siblings, but the exact number and genders of his siblings is not known. Some sources indicate that Iqbal had four brothers and four sisters, while others suggest that he had three brothers and five sisters. Without more specific information, it is difficult to say for certain how many sisters Iqbal had.

Allama Iqbal was born in Sialkot, in the Punjab region of British India, in 1877. Sialkot is a city in the northeast of modern-day Pakistan, near the border with India. Iqbal’s family was part of the Kāshmirī Pundit community, a Hindu minority group that had converted to Islam several generations before Iqbal’s birth. Iqbal grew up in Sialkot and studied at some of the city’s most prestigious schools, before going on to study at universities in Lahore, Cambridge, and Munich. He returned to Sialkot after completing his studies and spent much of his life there, before moving to Lahore in the 1930s.

It is not clear on which day Allama Iqbal was born. Iqbal was born in 1877 in Sialkot, in the Punjab region of British India. While the exact date of his birth is not known, it is generally accepted that he was born in November of that year. Some sources indicate that he was born on November 9, while others suggest that he was born on November 11. Without more specific information, it is difficult to say for certain on which day Iqbal was born.

It is not clear whether Allama Iqbal drank alcohol or not. There is no mention of alcohol consumption in his biographies or personal writings, and it is not considered to be a part of his personal or religious beliefs. Iqbal was a devout Muslim, and as such, he would have been expected to follow the Islamic prohibition on the consumption of alcohol. However, without concrete evidence one way or the other, it is difficult to say for certain whether he drank alcohol or not.

If you are interested in learning more about the Urdu poetry of Allama Iqbal, there are several resources that you can use. One option is to look for books or articles that provide analysis and explanation of Iqbal’s poetry. You may be able to find these at a local library or bookstore, or you can search for them online. Another option is to look for websites or forums where people discuss and interpret Iqbal’s poetry. These can be a good source of information and can provide insight into the meaning and significance of his work. You may also be able to find recordings or videos of Iqbal’s poetry being recited, which can provide a deeper understanding of his work.

Allama Iqbal is revered in Pakistan as its national poet. So many schools, public institutions and even a province are named after him. But the information about his life is scarce. Few people are aware that allama iqbal was born in 1877 at Sialkot, in a house on a hill overlooking the city. The house is now a school called ‘Allama Iqbal Academy’ but the house holds very few memories of the poet.

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THIS ESSAY IS VERY HELPFUL FOR MY HOMEWORK THANK YOU

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Essay on “My Favourite Poet” for Kids and Students, English Essay, Paragraph, Speech for Class 8, 9, 10, 12, College and Competitive Exams.

My Favourite Poet

The literature of any language is adorned by its poetry because poetry can convey the meanings beyond word using a few words. My favorite poet is William Wordsworth, a pioneer of romantic poetry in English literature. He had the courage and conviction to break away from the set rules and regulations of classical poetry and form his own poems independently. He wrote in the language of ‘humble and rustic people’. And the poetic subjects in his poems are simple and impressive. He experienced the profundity of innocence and simplicity of children and declared ‘child is the father of man’. Nature appealed to him as a mystic and majestic presence that always casts an impact on the human mind. His poetry draws us back in the soothing lap of nature from this world of teens and travails. In his love for nature, he calls nature the ‘the nurse, the guide, the guardian of my heart/and the soul of all my moral being.’ He has this firm faith that close contact with nature can make us more human, kind, and generous to our fellow beings. His poetry is sensitive, impressive, and educative too. Among his famous poems, “The Solitary Reaper, Lines on Tintern Abbey, on Westminster Bridge and Daffodils’-I like ‘The Daffodils’, the best. In it, describing the beautiful daffodil flowers, he conveys how nature can be a perpetual source of joy and solace to the human heart. I always derive some inspiration and calm from his poetry.

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Saturday 17 October 2015

My favorite poet - allama iqbal | english essay pdf read online and download.

About Maher Afrasiab

Hello, I am Maher Afrasiab a founder of Ratta.pk and some other websites. I have created ratta.pk to promote the eductaion in Pakistan. And to help the students in their studies. Find me on Facebook: @Maher Afrasiab

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Top 20 My Hobby Essay Quotations in English for 2nd Year

Quotations for essay my hobby in english for fsc.

Do you need English quotes for My Hobby Essay? This post contains My Hobby Essay Quotations in English for FSC, 2nd Year students. I have already shared a complete essay on My Hobby in English with Quotations. So, if you do not have content on this essay and you are looking for an outstanding complete essay, you should follow this link . Not only My hobby essay but I have shared a wide range of complete essays for FSC Students . All the essays are of very good length and enriched with appropriate quotations . Students who are preparing 2nd Year English notes should go for the said post.

Now, let’s come back to this post. This post is especially for those students who have already essay and searching for appropriate quotations. Why not talk about other essays besides this one. I have already placed a post for the same students with the name Quotations for English Essays . If your requirement is only quotations for my hobby essay, fine. You can note all the quotations from here and choose the most appropriate quotations for your essay. But you should visit the above-quoted post for the purpose to get quotations for other essays .

My Hobby Quotes in English for 2nd Year Students

“The finest thing about a hobby is that you can’t do any pretending about it. You either like it or you don’t.” ~ (Dorothy Draper)

“When passion meets work, work becomes a hobby.” ~ (Tochukwu Ezekiel)

“To be really happy and really safe, one ought to have at least two or three hobbies, and they must all be real.” ~ (Winston Churchill)

“Happy is the man who is living by his hobby.” ~ (George Bernard Shaw)

“Hobby is an alternative mental interest.” ~ (Sir Winston Churchill)

“The love of gardening is a seed once sown that never dies.” (Gertrude Jekyll)

“From the garden of plants; Do I move towards the garden of inner joys; The flowers dance on leaves, And ideas dance on heartbeats and mind.” (Poetry)

“A thing of beauty is a joy forever.” (Keats)

“Earth is here so kind, that just tickle her with a hoe and she laughs with a harvest.” (Douglas)

And In my flower-beds, I think, Smile the carnation and the pink; (Rupert Brooke)

“Hobby is an activity that you do for please when you are not working.” (Oxford Dictionary)

“A hobby a day keeps the doldrums away.” (Phyllis McGinley)

“A hobby is hard work you wouldn’t do for a living.” ~ (Ralph Waldo Emerson)

“Doing what you love is the cornerstone of having an abundance in your life.” (Wayne Dyer)

“Success is not the key to happiness. Happiness is the key to success. If you love what you are doing, you will be successful.” (Albert Schweitzer)

“It’s nice to just do my hobby and be able to live.” (Gold Panda)

“In polite society, we call our obsessions hobbies.” (Stephen King)

“Make a commitment to having fun. See your best friends and make time for your hobbies and passions.” ~ (Robert Holden)

“It’s hard to escape when your hobby is your job.” ~ (Lights)

“There is a very fine line between hobby and mental illness.” ~ (Dave Barry)

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One comment.

Taqdees fatima

September 15, 2023 at 8:07 am

These quotations are very helpful. I love it 😍

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Essays with quotations 2nd year & 10th english notes - tca lectures, fsc ics fa icom english grammar notes essays with quotations 2nd year notes online taleem ilm hub.