creative writing exam ideas

11+ creative writing guide with 50 example topics and prompts

by Hayley | Nov 17, 2022 | Exams , Writing | 0 comments

The 11+ exam is a school entrance exam taken in the academic year that a child in the UK turns eleven.

These exams are highly competitive, with multiple students battling for each school place awarded.

The 11 plus exam isn’t ‘one thing’, it varies in its structure and composition across the country. A creative writing task is included in nearly all of the 11 plus exams, and parents are often confused about what’s being tested.

Don’t be fooled into thinking that the plot of your child’s writing task is important. It is not.

The real aim of the 11+ creative writing task is to showcase your child’s writing skills and techniques.

And that’s why preparation is so important.

This guide begins by answering all the FAQs that parents have about the 11+ creative writing task.

At the end of the article I give my best tips & strategies for preparing your child for the 11+ creative writing task , along with 50 fiction and non-fiction creative writing prompts from past papers you can use to help your child prepare. You’ll also want to check out my 11+ reading list , because great readers turn into great writers.

Do all 11+ exams include a writing task?

Not every 11+ exam includes a short story component, but many do. Usually 3 to 5 different prompts are given for the child to choose between and they are not always ‘creative’ (fiction) pieces. One or more non-fiction options might be given for children who prefer writing non-fiction to fiction.

Timings and marking vary from test to test. For example, the Kent 11+ Test gives students 10 minutes for planning followed by 30 minutes for writing. The Medway 11+ Test gives 60 minutes for writing with ‘space allowed’ on the answer booklet for planning.

Tasks vary too. In the Kent Test a handful of stimuli are given, whereas 11+ students in Essex are asked to produce two individually set paragraphs. The Consortium of Selective Schools in Essex (CCSE) includes 2 creative writing paragraphs inside a 60-minute English exam.

Throughout the UK each 11+ exam has a different set of timings and papers based around the same themes. Before launching into any exam preparation it is essential to know the content and timing of your child’s particular writing task.

However varied and different these writing tasks might seem, there is one key element that binds them.

The mark scheme.

Although we can lean on previous examples to assess how likely a short story or a non-fiction tasks will be set, it would be naïve to rely completely on the content of past papers. Contemporary 11+ exams are designed to be ‘tutor-proof’ – meaning that the exam boards like to be unpredictable.

In my online writing club for kids , we teach a different task each week (following a spiral learning structure based on 10 set tasks). One task per week is perfected as the student moves through the programme of content, and one-to-one expert feedback ensures progression. This equips our writing club members to ‘write effectively for a range of purposes’ as stated in the English schools’ teacher assessment framework.

This approach ensures that students approaching a highly competitive entrance exam will be confident of the mark scheme (and able to meet its demands) for any task set.

Will my child have a choice of prompts to write from or do they have to respond to a single prompt, without a choice?

This varies. In the Kent Test there are usually 5 options given. The purpose is to gather a writing sample from each child in case of a headteacher appeal. A range of options should allow every child to showcase what they can do.

In Essex, two prescriptive paragraphs are set as part of an hour-long English paper that includes comprehension and vocabulary work. In Essex, there is no option to choose the subject matter.

The Medway Test just offers a single prompt for a whole hour of writing. Sometimes it is a creative piece. Recently it was a marketing leaflet.

The framework for teaching writing in English schools demands that in order to ‘exceed expectations’ or better, achieve ‘greater depth’, students need to be confident writing for a multitude of different purposes.

In what circumstances is a child’s creative writing task assessed?

In Essex (east of the UK) the two prescriptive writing tasks are found inside the English exam paper. They are integral to the exam and are assessed as part of this.

In Medway (east Kent in the South East) the writing task is marked and given a raw score. This is then adjusted for age and double counted. Thus, the paper is crucial to a pass.

In the west of the county of Kent there is a different system. The Kent Test has a writing task that is only marked in appeal cases. If a child dips below the passmark their school is allowed to put together a ‘headteacher’s appeal’. At this point – before the score is communicated to the parent (and probably under cover of darkness) the writing sample is pulled out of a drawer and assessed.

I’ve been running 11+ tutor clubs for years. Usually about 1% of my students passed at headteacher’s appeal.

Since starting the writing club, however, the number of students passing at appeal has gone up considerably. In recent years it’s been more like 5% of students passing on the strength of their writing sample.

What are the examiners looking for when they’re marking a student’s creative writing?

In England, the government has set out a framework for marking creative writing. There are specific ‘pupil can’ statements to assess whether a student is ‘working towards the expected standard,’ ‘working at the expected standard’ or ‘working at greater depth’.

Members of the headteacher panel assessing the writing task are given a considerable number of samples to assess at one time. These expert teachers have a clear understanding of the framework for marking, but will not be considering or discussing every detail of the writing sample as you might expect.

Schools are provided with a report after the samples have been assessed. This is very brief indeed. Often it will simply say ‘lack of precise vocabulary’ or ‘confused paragraphing.’

So there is no mark scheme as such. They won’t be totting up your child’s score to see if they have reached a given target. They are on the panel because of their experience, and they have a short time to make an instant judgement.

Does handwriting matter?

Handwriting is assessed in primary schools. Thus it is an element of the assessment framework the panel uses as a basis for their decision.

If the exam is very soon, then don’t worry if your child is not producing immaculate, cursive handwriting. The focus should simply be on making it well-formed and legible. Every element of the assessment framework does not need to be met and legible writing will allow the panel to read the content with ease.

Improve presentation quickly by offering a smooth rollerball pen instead of a pencil. Focus on fixing individual letters and praising your child for any hint of effort. The two samples below are from the same boy a few months apart. Small changes have transformed the look and feel:

Sample 1: First piece of work when joining the writing club

Sample 2: This is the same boy’s improved presentation and content

How long should the short story be.

First, it is not a short story as such—it is a writing sample. Your child needs to showcase their skills but there are no extra marks for finishing (or marks deducted for a half-finished piece).

For a half hour task, you should prepare your child to produce up to 4 paragraphs of beautifully crafted work. Correct spelling and proper English grammar is just the beginning. Each paragraph should have a different purpose to showcase the breadth and depth of their ability. A longer – 60 minute – task might have 5 paragraphs but rushing is to be discouraged. Considered and interesting paragraphs are so valuable, a shorter piece would be scored more highly than a rushed and dull longer piece.

I speak from experience. A while ago now I was a marker for Key Stage 2 English SATs Papers (taken in Year 6 at 11 years old). Hundreds of scripts were deposited on my doorstep each morning by DHL. There was so much work for me to get through that I came to dread long, rambling creative pieces. Some children can write pages and pages of repetitive nothingness. Ever since then, I have looked for crafted quality and am wary of children judging their own success by the number of lines competed.

Take a look at the piece of writing below. It’s an excellent example of a well-crafted piece.

Each paragraph is short, but the writer is skilful.

He used rich and precisely chosen vocabulary, he’s broken the text into natural paragraphs, and in the second paragraph he is beginning to vary his sentence openings. There is a sense of control to the sentences – the sentence structure varies with shorter and longer examples to manage tension. It is exciting to read, with a clear awareness of his audience. Punctuation is accurate and appropriate.

11+ creative writing example story

How important is it to revise for a creative writing task.

It is important.

Every student should go into their 11+ writing task with a clear paragraph plan secured. As each paragraph has a separate purpose – to showcase a specific skill – the plan should reflect this. Built into the plan is a means of flexing it, to alter the order of the paragraphs if the task demands it. There’s no point having a Beginning – Middle – End approach, as there’s nothing useful there to guide the student to the mark scheme.

Beyond this, my own students have created 3 – 5 stories that fit the same tight plan. However, the setting, mood and action are all completely different. This way a bank of rich vocabulary has already been explored and a technique or two of their own that fits the piece beautifully. These can be drawn upon on the day to boost confidence and give a greater sense of depth and consideration to their timed sample.

Preparation, rather than revision in its classic form, is the best approach. Over time, even weeks or months before the exam itself, contrasting stories are written, improved upon, typed up and then tweaked further as better ideas come to mind. Each of these meets the demands of the mark scheme (paragraphing, varied sentence openings, rich vocabulary choices, considered imagery, punctuation to enhance meaning, development of mood etc).

To ensure your child can write confidently at and above the level expected of them, drop them into my weekly weekly online writing club for the 11+ age group . The club marking will transform their writing, and quickly.

What is the relationship between the English paper and the creative writing task?

Writing is usually marked separately from any comprehension or grammar exercises in your child’s particular 11+ exam. Each exam board (by area/school) adapts the arrangement to suit their needs. Some have a separate writing test, others build it in as an element of their English paper (usually alongside a comprehension, punctuation and spelling exercise).

Although there is no creative writing task in the ISEB Common Pre-test, those who are not offered an immediate place at their chosen English public school are often invited back to complete a writing task at a later date. Our ISEB Common Pre-test students join the writing club in the months before the exam, first to tidy up the detail and second to extend the content.

What if my child has a specific learning difficulty (dyslexia, ADD/ADHD, ASD)?

Most exam boards pride themselves on their inclusivity. They will expect you to have a formal report from a qualified professional at the point of registration for the test. This needs to be in place and the recommendations will be considered by a panel. If your child needs extra arrangements on the day they may be offered (it isn’t always the case). More importantly, if they drop below a pass on one or more papers you will have a strong case for appeal.

Children with a specific learning difficulty often struggle with low confidence in their work and low self-esteem. The preparations set out above, and a kids writing club membership will allow them to go into the exam feeling positive and empowered. If they don’t achieve a pass at first, the writing sample will add weight to their appeal.

Tips and strategies for writing a high-scoring creative writing paper

• Read widely for pleasure. Read aloud to your child if they are reluctant.
• Create a strong paragraph plan where each paragraph has a distinct purpose.
• Using the list of example questions below, discuss how each could be written in the form of your paragraph plan.
• Write 3-5 stories with contrasting settings and action – each one must follow your paragraph plan. Try to include examples of literary devices and figurative language (metaphor, simile) but avoid clichés.
• Tidy up your presentation. Write with a good rollerball pen on A4 lined paper with a printed margin. Cross out with a single horizontal line and banish doodling or scribbles.
• Join the writing club for a 20-minute Zoom task per week with no finishing off or homework. An expert English teacher will mark the work personally on video every Friday and your child’s writing will be quickly transformed.

Pressed for time? Here’s a paragraph plan to follow.

At Griffin Teaching we have an online writing club for students preparing for the 11 plus creative writing task . We’ve seen first-hand what a difference just one or two months of weekly practice can make.

That said, we know that a lot of people reading this page are up against a hard deadline with an 11+ exam date fast approaching.

If that’s you (or your child), what you need is a paragraph plan.

Here’s one tried-and-true paragraph plan that we teach in our clubs. Use this as you work your way through some of the example prompts below.

11+ creative writing paragraph plan

Paragraph 1—description.

Imagine standing in the location and describe what is above the main character, what is below their feet, what is to their left and right, and what is in the distance. Try to integrate frontend adverbials into this paragraph (frontend adverbials are words or phrases used at the beginning of a sentence to describe what follows—e.g. When the fog lifted, he saw… )

Paragraph 2—Conversation

Create two characters who have different roles (e.g. site manager and student, dog walker and lost man) and write a short dialogue between them. Use what we call the “sandwich layout,” where the first person says something and you describe what they are doing while they are saying it. Add in further descriptions (perhaps of the person’s clothing or expression) before starting a new line where the second character gives a simple answer and you provide details about what the second character is doing as they speak.

Paragraph 3—Change the mood

Write three to four sentences that change the mood of the writing sample from light to gloomy or foreboding. You could write about a change in the weather or a change in the lighting of the scene. Another approach is to mention how a character reacts to the change in mood, for example by pulling their coat collar up to their ears.

Paragraph 4—Shock your reader

A classic approach is to have your character die unexpectedly in the final sentence. Or maybe the ceiling falls?

11+ creative writing questions from real papers—fictional prompts

• The day the storm came
• The day the weather changed
• The snowstorm
• The rainy day
• A sunny day out
• A foggy (or misty) day
• A day trip to remember
• The first day
• The day everything changed
• The mountain
• The hillside
• The old house
• The balloon
• The old man
• The accident
• The unfamiliar sound
• A weekend away
• Moving house
• A family celebration
• An event you remember from when you were young
• An animal attack
• The school playground at night
• The lift pinged and the door opened. I could not believe what was inside…
• “Run!” he shouted as he thundered across the sand…
• It was getting late as I dug in my pocket for the key to the door. “Hurry up!” she shouted from inside.
• I know our back garden very well, but I was surprised how different it looked at midnight…
• The red button on the wall has a sign on it saying, ‘DO NOT TOUCH.’ My little sister leant forward and hit it hard with her hand. What happened next?
• Digging down into the soft earth, the spade hit something metal…
• Write a story which features the stopping of time.
• Write a story which features an unusual method of transport.
• The cry in the woods
• Write a story which features an escape

11+ creative writing questions from real papers—non-fiction prompts

• Write a thank you letter for a present you didn’t want.
• You are about to interview someone for a job. Write a list of questions you would like to ask the applicant.
• Write a letter to complain about the uniform at your school.
• Write a leaflet to advertise your home town.
• Write a thank you letter for a holiday you didn’t enjoy.
• Write a letter of complaint to the vet after an unfortunate incident in the waiting room.
• Write a set of instructions explaining how to make toast.
• Describe the room you are in.
• Describe a person who is important to you.
• Describe your pet or an animal you know well.

Choose Your Test

Sat / act prep online guides and tips, 105 creative writing prompts to try out.

General Education

The most common advice out there for being a writer is, "if you want to write, write." While this is true (and good advice), it's not always that easy, particularly if you're not writing regularly.

Whether you're looking for help getting started on your next project, or just want to spend 20 minutes being creative, writing prompts are great ways to rev up your imagination. Read on for our list of over 100 creative writing prompts!

feature image credit: r. nial bradshaw /Flickr

10 Short Writing Prompts

If you're looking for a quick boost to get yourself going, these 10 short writing prompts will do the trick.

#1 : Write a scene starting with a regular family ritual that goes awry.

#2 : Describe exactly what you see/smell/hear/etc, right now. Include objects, people, and anything else in your immediate environment.

#3 : Suggest eight possible ways to get a ping pong ball out of a vertical pipe.

#4 : A shoe falls out of the sky. Justify why.

#5 : If your brain were a tangible, physical place, what would it be like?

#6 : Begin your writing with the phrase, "The stage was set."

#7 : You have been asked to write a history of "The Summer of [this past year]." Your publisher wants a table of contents. What events will you submit?

#8 : Write a sympathetic story from the point of view of the "bad guy." (Think fractured fairy tales like Wicked or The True Story of the 3 Little Pigs! , although the story doesn't have to be a fairy tale.)

#9 : Look at everyday objects in a new way and write about the stories one of these objects contains.

#10 : One person meets a stranger on a mode of transportation. Write the story that ensues.

11 Writing Prompts for Kids

Any of these prompts can be used by writers of any age, but we chose the following 11 prompts as ones that would be particularly fun for kids to write about. (Most of them I used myself as a young writer, so I can vouch for their working!)

#1 : Include something falling in your writing.

#2 : Write a short poem (or story) with the title, "We don't know when it will be fixed."

#3 : Write from the perspective of someone of a different gender than you.

#4 : Write a dumb internet quiz.

#5 : Finish this thought: "A perfect day in my imagination begins like this:"

#6 : Write a character's inner monologue (what they are thinking as they go about their day).

#7 : Think of a character. Write a paragraph each about:

• An important childhood experience that character had.
• The character's living situation.
• Two hobbies or things the character likes to do.
• The room where the character sleeps.
• An ambition of the character.
• Two physical characteristics of the character.
• What happens when a second person and this character meet.
• Two important defining personal traits of this character.

#8 : Start a story with a quote from a song.

#9 : Begin a story with, "It was the summer of ______ when ______"

#10 : Pretend everyday objects have no names. Think about what you would name them based on what they do, what you can use them for, and what they look like.

#11 : Start a story with the phrases "My grandparents are/were," "My parents are/were," or "My mother/father/parent is/was."

15 Cool Writing Prompts

#1 : List five issues that you're passionate about. Write about them from the opposite point of view (or from the perspective of a character with the opposite point of view).

#2 : Walk around and write down a phrase you hear (or read). Make a story out of it.

#3 : Write using no adjectives or adverbs.

#4 : Write a character's inner dialogue between different aspects of a character's self (rather than an inner monologue).

#5 : Write a true story from your past that involves light or darkness in some way.

#6 : "Saying goodbye awakens us to the true nature of things." Write something in which someone has to say goodbye and has a realization.

#7 : Begin by writing the end of the story.

#8 : Write a recipe for an intangible thing.

#9 : Write a horror story about an ordinary situation (e.g., buying groceries, going to the bank, listening to music).

#10 : Write a story from within a bubble.

#11 : Write down 2-3 short character descriptions and then write the characters in conversation with one another.

#12 : Write a story in second person.

#13 : Write a story that keeps contradicting itself.

#14 : Write about a character with at least three big problems.

#15 : Write something that takes place on a Friday, the 13th (of any month).

15 Funny Writing Prompts

#1 : Write a story which starts with someone eating a pickle and potato sandwich.

#2 : Write a short script where the plot has to do with evil dolls trying to take over something.

#3 : Write about writers' block.

#4 : List five election issues that would be ridiculous to includes as part of your election platform (e.g. outlawing mechanical pencils and clicky pens, mandating every person over the age of 30 must own an emergency last rites kit). Choose one of the ridiculous issues and write a speech in favor of it.

#5 : Write a children's story that is insanely inappropriate but can't use graphic language, curses, or violence.

#6 : List five careers. Write about someone with one of those careers who wants to quit it.

#7 : Write down a list of murder methods. Choose one at random from the list to use in a story.

#8 : Write a romance story in which the hero must have a last name corresponding with a physical characteristic (e.g. Jacques Hairyback or Flora Dimple).

#9 : Come up with 10 different ways to:

• order a pizza
• congratulate someone on a job well done
• return to the store something that's broken

#10 : Search for "random Renaissance painting" (or any other inspirational image search text you can think of) on any online internet image search engine. Picking one image, write half a page each of:

• Statements about this image (e.g. "I meant bring me the BREAD of John the Baptist").
• Questions about this image (e.g. "How many of those cherubs look like their necks are broken?").
• Explanations of this image (e.g. "The painter ran out of blue paint halfway through and had to improvise for the color of the sky").
• Commands said by people in this image or about this image (e.g. "Stop telling me to smile!" or "Bring me some gasoline!").

#11 : Write starting with a word that sounds like "chute" (e.g. "chute," "shoot," "shooed").

#12 : Write about a character named X "The [article of clothing]" Y (e.g. Julie "The Yellow Darted Skirt" Whyte) or simply referred to by their clothing (e.g. "the man in the brown suit" or "the woman in black").

#13 : Write down a paragraph each describing two wildly different settings. Write a story involving both settings.

#14 : Think of a fictional holiday based around some natural event (e.g. the Earth being at its farthest point from the sun, in memory of a volcanic eruption, that time a cloud looked like a rabbit riding a bicycle). Write about how this holiday is celebrated.

#15 : Write a "Just-So" type story about a fictional creature (e.g. "how the dragon got its firebreath" or "how the mudkip got its cheek gills").

54 Other Writing Prompt Ideas

#1 : Borrow a character from some other form of media (or create your own). Write from that character's perspective.

#2 : Write for and against a non-consequential controversy (e.g., salt vs. pepper, Mac vs. PC, best kind of door).

#3 : Choose an ancestor or a person from the past to write about or to.

#4 : Write a pirate story with a twist.

#5 : Have a character talk about another character and their feelings about that other character.

#6 : Pick a season and think about an event in your life that occurred in that season. Write a creative nonfiction piece about that event and that season.

#7 : Think of something very complicated and long. Write a page about it using short sentences.

#8 : Write a story as a dream.

#9 : Describe around a food without ever directly naming it.

#10 : Write a monologue (one character, talking to the audience/reader) (*not* an inner monologue).

#11 : Begin a story with the phrase, "It only took five seconds to..."

#12 : List five strong emotions. Choosing one, write about a character experiencing that emotion, but only use the character's actions to convey how they are feeling (no outright statements).

#13 : Write a chapter of the memoir of your life.

#14 : Look through the (physical) things you're currently carrying with you or wearing. Write about the memories or emotions tied with each of them.

#15 : Go be in nature. Write drawing your story from your surroundings (both physical, social, and mental/emotional).

#16 : Write from the perspective of a bubble (or bubble-like creature).

#17 : A person is jogging along an asphalt road. Write a story.

#18 : Title your story (or poem, or play, etc) "Anti-_____". Fill in the blank and write the story.

#19 : Write something that must include an animal, a mineral, and a vegetable.

#20 : Begin your writing with the phrase, "6 weeks later..."

#21 : List 5-10 office jobs. Pick one of them and describe a person working in that job as if you were a commentator on an Olympic sporting event.

#22 : Practice your poetic imagery: overwrite a description of a character's breakfast routine.

#23 : Write about a character (or group of characters) trying to convince another character to try something they're scared of.

#24 : Keep an eye out in your environment for examples of greengrocer's apostrophes and rogue quotation marks. Pick an example and write about what the misplaced punctuation implies (e.g., we have the "best" meat or we have the best "meat" ).

#25 : Fill in the blank with the first word that comes to mind: "_______ Riot!" Write a newspaper-style article describing the events that that took place.

#26 : Write from the point of view of your most-loved possession. What does it think of you?

#27 : Think of five common sayings (e.g., "An apple a day keeps the doctor away"). Write a horror story whose plot is one of those common sayings.

#28 : Write a scene in which two characters are finally hashing out a long-standing misunderstanding or disagreement.

#29 : You start receiving text messages from an unknown number. Tell the story of what happens next.

#30 : Write one character bragging to another about the story behind their new tattoo.

#31 : Superheroes save the world...but they also leave a lot of destruction in their wake. Write about a normal person in a superhero's world.

#32 : Sometimes, family is who we are related to; sometimes, family is a group of people we gather around ourselves. Write a story about (some of) a character's found family and relatives meeting for the first time.

#33 : Write a story that begins in the middle of the plot's action ( en media res ).

#34 : Everyone says you can never have too much of a good thing. Write a story where that isn't true.

#35 : What do ghosts do when they're not creating mischief? Write about the secret lives of ghosts.

#36 : Every year, you dread the last week of April. Write a story about why.

#37 : Write a story about what it would be like to have an animal sidekick in real life.

#38 : Heists don't just have to be black-clad thieves stealing into vaults to steal rare art or money. Write about a group of people (adults or children) who commit a heist for something of seemingly little monetary value.

#39 : "Life is like a chooseable-path adventure, except you don't get to see what would have happened if you chose differently." Think of a choice you've made and write about a world where you made a different choice.

#40 : Write a story about a secret room.

#41 : You find a message in a bottle with very specific directions. Write a story about the adventure you embark upon.

#42 : "You'll always be okay as long as you know where your _______ is." Fill in the blank and write a story (either fictional or from your life) illustrating this statement.

#43 : Forcing people into prolonged proximity can change and deepen relationships. Write about characters on a road trip together.

#44 : In music, sonata form includes three main parts: exposition, development, and recapitulation. Write a short story that follows this format.

#45 : Begin writing with a character saying, "I'm afraid this simply can't wait."

#46 : Write a story with a happy ending (either happily-ever-after or happy-for-now).

#47 : Write about a character before and after a tragedy in that character's life.

#48 : Choose an object or concept you encounter in everyday life (e.g. tables, the feeling of hot or cold, oxygen) and write an infomercial about it.

#49 : "Life is a series of quests, whether important or mundane." Write about a quest you've gone on (or would like to go on, or will have to go on).

#50 : List 10 different ways to learn. Choose one (or more) and write a story where a character learns something using that one (or more) method.

#51 : You've been called to the principal's office for bad behavior. You know what you did. Explain and justify yourself.

#52 : A character discovers their sibling owns a cursed object. Write about what happens next.

#53 : Write a character description by writing a list of items that would be on a scavenger hunt about them.

#54 : The slogan for a product or service you're advertising is, "Kid-tested, _____." Fill in the blank and write the copy for a radio or podcast advertisement for your product.

How to Use Creative Writing Prompts

There's no wrong way to use a creative writing prompt (unless it's to harass and hurt someone)—the point of them is to get you writing and your imagination flowing.

To help you get the most out of these writing prompts, however, we've come up with the six tips below. Try them out!

#1: DON'T Limit Yourself to Prose

Unless you're writing for a particular assignment, there's no reason everything you write in response to a writing prompt has to be prose fiction . Instead of writing your response to a prompt as a story, try writing a poem, nonfiction essay, play, screenplay, or some other format entirely.

#2: DON'T Edit as You Write

The purposes of writing prompts is to get you writing, typos and weird grammar and all. Editing comes later, once you've finished writing and have some space from it to come back to what you wrote.

It's OK to fix things that will make it difficult to read what you've written (e.g., a weird autocorrect that changes the meaning of a sentence), but don't worry too much about typos or perfect grammar when you're writing; those are easy enough to fix in edits . You also can always insert asterisks or a short note as you're writing to remind yourself to go back to fix something (for instance, if as you're writing it seems like you want to move around the order of your paragraphs or insert something earlier).

#3: DO Interpret the Prompt Broadly

The point of using a writing prompt is not to write something that best exemplifies the prompt, but something that sparks your own creativity. Again, unless you're writing in response to an assignment with specific directions, feel free to interpret writing prompts as broadly or as narrowly as you want.

For instance, if your prompt is to write a story that begins with "The stage was set," you could write about anything from someone preparing to put a plan into motion to a literal theatre stage constructed out of pieces of old sets (or something else entirely).

If you're using a writing prompt, it doesn't have to be the first sentence of your story or poem, either; you can also use the prompt as a goal to work towards in your writing.

#4: DO Try Switching Up Your Writing Methods

If it's a possibility for you, see if you write differently in different media. Do you write the same kind of stories by hand as you would typing at a computer? What about if you dictate a story and then transcribe it? Or text it to a friend? Varying the method you use to write can affect the stories you're able to tell.

For example, you may find that it's easier for you to tell stories about your life to a voice recorder than to try to write out a personal essay. Or maybe you have trouble writing poetry, but can easily text yourself or a friend a poem. You might even find you like a writing method you've not tried before better than what you've been doing!

#5: DO Mix and Match Prompt Ideas

If you need more inspiration, feel free to combine multiple prompts (but don't overwhelm yourself with too much to write about).

You can also try switching genres from what might be suggested in the prompt. For instance, try writing a prompt that seems funny in a serious and sad way, or finding the humor in something that otherwise seems humorless. The categories we've organized the prompts into are by no means limiters on what you're allowed to write about.

#6: DO Try to Write Regularly

The more regularly you write, the easier it will be to write (with or without writing prompts).

For some people, this means writing daily; for others, it means setting aside time to write each weekend or each month. Set yourself an achievable goal (write 2x a week, write 1000 words a month) and stick to it. You can always start small and then ramp your wordcount or frequency up.

If you do better when you have something outside yourself prompting to write, you may also want to try something like morning pages , which encourages you to write at least 750 words every day, in any format (story, diary entry, social media postings, etc).

What's Next?

Thinking about attending college or grad school for creative writing? Our articles on whether or not you should major in creative writing and the best creative writing programs are there for you! Plus, if you're a high schooler, you should check out these top writing contests .

Creative writing doesn't necessarily have to be fiction. Check out these three examples of narrative writing and our tips for how to write your own narrative stories and essays .

Just as writing prompts can help give form to amorphous creative energy, using specific writing structures or devices can be great starting points for your next story. Read through our discussion of the top 20 poetic devices to know and see if you can work at least one new one into your next writing session.

Still looking for more writing ideas? Try repurposing our 100+ easy drawing ideas for characters, settings, or plot points in your writing.

Laura graduated magna cum laude from Wellesley College with a BA in Music and Psychology, and earned a Master's degree in Composition from the Longy School of Music of Bard College. She scored 99 percentile scores on the SAT and GRE and loves advising students on how to excel in high school.

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Picture Prompts

145 Picture Prompts to Inspire Student Writing

A school year’s worth of short, accessible image-driven posts that invite a variety of kinds of writing.

By The Learning Network

Image from our related Picture Prompt “ Creative Juices .”

We’ve been publishing our Picture Prompts series four days a week since 2016. Below, we’ve rounded up all the prompts we published for the 2021-22 school year.

These short, accessible, image-driven prompts invite students to pen short stories, poems and memoirs; share experiences from their lives; analyze illustrations, graphs and charts; and tell us their opinions on hot-button issues.

You can find even more in our roundups for the 2016-17 , 2017-18 , 2018-19 , 2019-20 and 2020-21 school years. That’s nearly 900 prompts, many still open for comment by students 13 and up. We have also published a short, visual post highlighting four popular prompts from this school year.

To learn how you can use Picture Prompts to build literacy skills, promote critical thinking, inspire discussion and foster creativity in your classroom, watch our three-minute tutorial video or our on-demand webinar . For dozens more ideas, see our lesson plan, “ How to Teach With Our Picture Prompts (and Other Times Images) .”

If you use this feature with your students, or if you have other ideas for how to use photos, illustrations and graphics to encourage writing, let us know in the comments.

What story does this image inspire for you?

Phone Booth in the Wilderness Roller Coasters In the Waves In the Lunchroom Den of Toys Butterflies Flight Delays Two Roads Dog Park Friendship Under the Sea Found in the Crowd Under the Desk Barren Landscape Park Bench Other Selves On the Court Holiday Party Little Red House Candy Cornucopia Doors Mystery Money Royal Dining Up in a Tree Around the Fire Galaxy Plundered Shelves Confetti Solo Climb At the Fountain Heated Conversation Yellow Creatures Meadow in Starlight Storm On the Subway Giant Jar Family

Share experiences from your own life.

Pet Ownership Creative Juices Horror Stories One Great Summer Memory Dining Out Riddle Me This Your Go-To Recipes Hitting the Road Comic Con Craze October Thrifting Harry Potter Self-Compassion Holiday Shopping Giving Gratitude Festive Wear Measuring Time Winter TV Shows Sacred Spaces Your Tech Local Celebrities Winter Olympics Wildlife in Winter Group Chat Winter Getaways D.I.Y. Taste Test Spring Fashion March Madness Mask Withdrawal Your Favorite Tree Rites of Spring Fortuitous Finds Hanging Out Heartbroken Best Pizza? Everyday Pleasures Musical Instruments

What do you think this image, chart or cartoon is saying?

Hands Blasting Out of a Phone Dings and Pings Pulling at a Reflection Memorial Twisting Track Elephant and Donkey Tiny Dollar Clouds Vision Test The Whole World Work and Home Bedroom Staring Crossed-Out Words Clicking Her Heels Weapon Burger Quitting Spoonfed Brady Mesmerized Skates Melting Man Lit-Up Landmarks Literary Allusions A Brick on an Egg Listening and Clapping Between the Ears Smiling X’s on Bubbles Eyeballs Inside Vs. Outside Amazon Boxes Area Closed High Wire Very, Very Tired

What’s your opinion on this issue?

A New Social App Morality Plays Flamboyant Fashion Home Games Powering Down Facebook Outage Old Glory Custom Cars Tourist Surveillance E-Scooters, E-Bikes Motorcycle Adventures Veterans Day Book Lovers Speed Skydiving Gift-Giving, Gift-Getting Solstice Favorite Moments in Sports Your Word of the Year Guilty Pleasures Smart Watch Wordle True Love? Prized Possessions Audiobooks Separate Together TV-Themed Trips Forgiveness Life at Sea Constructive Criticism Electric Cars Little Free Libraries Met Gala #VanLife Responding to the Shooting in Uvalde

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Your protagonist is a writer who discovers a new favorite author. How does their writing, or even their own personality, change as the protagonist falls under the writer’s influence?

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Creative Writing Prompts

When the idea to start a weekly newsletter with writing inspiration first came to us, we decided that we wanted to do more than provide people with topics to write about. We wanted to try and help authors form a regular writing habit and also give them a place to proudly display their work. So we started the weekly Creative Writing Prompts newsletter. Since then, Prompts has grown to a community of more than 450,000 authors, complete with its own literary magazine, Prompted .  

Here's how our contest works: every Friday, we send out a newsletter containing five creative writing prompts. Each week, the story ideas center around a different theme. Authors then have one week — until the following Friday — to submit a short story based on one of our prompts. A winner is picked each week to win $250 and is highlighted on our Reedsy Prompts page.

Interested in participating in our short story contest? Sign up here for more information! Or you can check out our full Terms of Use and our FAQ page .

Why we love creative writing prompts

If you've ever sat in front of a computer or notebook and felt the urge to start creating worlds, characters, and storylines — all the while finding yourself unable to do so — then you've met the author's age-old foe: writer's block. There's nothing more frustrating than finding the time but not the words to be creative. Enter our directory! If you're ready to kick writer's block to the curb and finally get started on your short story or novel, these unique story ideas might just be your ticket.

This list of 1800+ creative writing prompts has been created by the Reedsy team to help you develop a rock-solid writing routine. As all aspiring authors know, this is the #1 challenge — and solution! — for reaching your literary goals. Feel free to filter through different genres, which include...

Dramatic — If you want to make people laugh and cry within the same story, this might be your genre.

Funny — Whether satire or slapstick, this is an opportunity to write with your funny bone.

Romance — One of the most popular commercial genres out there. Check out these story ideas out if you love writing about love.

Fantasy — The beauty of this genre is that the possibilities are as endless as your imagination.

Dystopian – Explore the shadowy side of human nature and contemporary technology in dark speculative fiction.

Mystery — From whodunnits to cozy mysteries, it's time to bring out your inner detective.

Thriller and Suspense — There's nothing like a page-turner that elicits a gasp of surprise at the end.

High School — Encourage teens to let their imaginations run free.

Want to submit your own story ideas to help inspire fellow writers? Send them to us here.

After you find the perfect story idea

Finding inspiration is just one piece of the puzzle. Next, you need to refine your craft skills — and then display them to the world. We've worked hard to create resources that help you do just that! Check them out:

• How to Write a Short Story That Gets Published — a free, ten-day course by Laura Mae Isaacman, a full-time editor who runs a book editing company in Brooklyn.
• Best Literary Magazines of 2023 — a directory of 100+ reputable magazines that accept unsolicited submissions.
• Writing Contests in 2023 — the finest contests of 2021 for fiction and non-fiction authors of short stories, poetry, essays, and more.

Beyond creative writing prompts: how to build a writing routine

While writing prompts are a great tactic to spark your creative sessions, a writer generally needs a couple more tools in their toolbelt when it comes to developing a rock-solid writing routine . To that end, here are a few more additional tips for incorporating your craft into your everyday life.

• NNWT. Or, as book coach Kevin Johns calls it , “Non-Negotiable Writing Time.” This time should be scheduled into your routine, whether that’s once a day or once a week. Treat it as a serious commitment, and don’t schedule anything else during your NNWT unless it’s absolutely necessary.
• Set word count goals. And make them realistic! Don’t start out with lofty goals you’re unlikely to achieve. Give some thought to how many words you think you can write a week, and start there. If you find you’re hitting your weekly or daily goals easily, keep upping the stakes as your craft time becomes more ingrained in your routine.
• Talk to friends and family about the project you’re working on. Doing so means that those close to you are likely to check in about the status of your piece — which in turn keeps you more accountable.

Arm yourself against writer’s block. Writer’s block will inevitably come, no matter how much story ideas initially inspire you. So it’s best to be prepared with tips and tricks you can use to keep yourself on track before the block hits. You can find 20 solid tips here — including how to establish a relationship with your inner critic and apps that can help you defeat procrastination or lack of motivation.

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10+ GCSE creative writing ideas, prompts and plot lines

Getting a good GCSE creative writing plot going can be difficult, here are some ideas to help you out.

Ahead of your exams, here are a selection of GCSE creative writing ideas and prompts to hopefully provide some inspiration.

The Lost Timepiece

Prompt: In an old, dusty attic, a teenager discovers a mysterious pocket watch that doesn’t seem to tell the correct time.

Potential Story Directions:

• The watch could transport the teenager to different moments in history whenever it's wound.
• The watch might belong to a long-lost relative, leading to a family mystery.
• The watch could be counting down to a significant event, and the protagonist must figure out what is about to happen.

The Secret Garden Door

Prompt: Behind the overgrown ivy in the school's garden, a student finds a door that wasn't there before.

• The door could lead to a magical world, offering an escape from everyday life but with challenges of its own.
• It might be a portal to the past, showing the school's history and secrets.
• The door could be a metaphorical passage to self-discovery, revealing hidden aspects of the character’s personality.

The Last Message

Prompt: A character receives a mysterious message in a bottle on the beach, written in a cryptic language.

• Deciphering the message could lead to an adventure, perhaps a treasure hunt or a rescue mission.
• The message might be from a distant land or time, offering insights into an ancient or futuristic world.
• It could be a personal message from someone significant in the character’s past, triggering a journey of emotional growth.

Midnight at the Museum

Prompt: A night guard at a museum notices that the exhibits come to life after midnight.

• The guard could interact with historical figures, learning about history firsthand.
• There might be a plot to steal an exhibit, and the living exhibits help to thwart it.
• The phenomenon could be linked to a supernatural event or an ancient curse that needs resolving.

The Forgotten Melody

Prompt: A pianist discovers an old, unplayed piano in a neglected music room that plays a melody no one seems to recognize.

• The melody could be a key to unlocking forgotten memories or a hidden past.
• It might be a magical melody, having various effects on listeners.

Each of these prompts offers a starting point for creative exploration, allowing students to develop their storytelling skills in imaginative and engaging ways.

Galactic Storm

Prompt: Astronauts on a mission to a distant planet encounter a bizarre, otherworldly storm.

• The storm could have strange, mind-altering effects on the crew.
• It might be a living entity, communicating in an unprecedented way.
• The crew must navigate through the storm to discover a hidden aspect of the universe.

Unearthed Powers

Prompt: A teenager suddenly discovers they have a supernatural ability.

• The power could be a family secret, leading to a journey of self-discovery.
• It might cause conflict with friends and society, forcing the protagonist to make difficult choices.
• The ability could attract unwanted attention, leading to a thrilling adventure.

Reflections of Reality

Prompt: A story that mirrors a significant real-life experience involving friendship or a pet.

• The story could explore the depth of human-animal bonds or the complexities of friendship.
• It might involve a heartwarming journey or a challenging ordeal.
• The protagonist learns valuable life lessons through these relationships.

Chronicle of Times

Prompt: A character discovers a way to travel through time.

• Traveling to the future, they encounter a radically different world.
• In the past, they might inadvertently alter history.
• The story could explore the moral and emotional implications of time travel.

Apocalyptic Event

Prompt: A natural disaster of unprecedented scale threatens humanity.

• The story could focus on survival, resilience, and human spirit.
• It might involve a journey to avert the disaster.
• The narrative could explore the societal changes that occur in the face of such a disaster.

The Unsolved Case

Prompt: A detective starts investigating a complex and mysterious murder.

• The investigation uncovers deep secrets and conspiracies.
• The detective's personal life might intertwine with the case.
• The story could have a surprising twist, challenging the reader's expectations.

Retold Fable

Prompt: Modernize a classic fable or story, such as the Boy Who Cried Wolf, in a contemporary setting.

• The story could be set in a modern city, exploring current social issues.
• It might be told from a different perspective, offering a fresh take on the moral of the story.
• The narrative could blend the original fable with current events, creating a powerful commentary.

Forbidden Love

Prompt: Two characters from vastly different worlds fall in love, against all odds.

• Their love could challenge societal norms and expectations.
• The story might explore the sacrifices they make for each other.
• It could be a journey of self-discovery and acceptance in the face of adversity.

Thomas Brella is the founder of Student Hacks, starting the website in 2013 while studying at the University of Brighton to share tips and tricks on life as a cash-strapped student. He's now spent over 10 years scoping out the best ways to live on a budget

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11 Plus creative writing tips and examples

Preparing for your  11 Plus creative writing  exam doesn’t have to be a worry. We help you here with 11 Plus creative writing tips and examples to prepare you for the exam. We're here to help you practice and improve your writing techniques and creative writing skills so you’re ready for your 11 Plus exams . 

Creative writing can be really fun – you can explore something you really want to and write about something that means a lot to you. Although, we know it can be a little bit worrying for some students that don’t enjoy writing as much or don’t feel confident in their writing skills. 

So, ahead of your  11 Plus exams  we want to help you prepare with these 11 Plus creative writing tips and strategies.

What Is 11 Plus Creative Writing?

The 11 Plus creative writing exam assesses a child’s ability to compose structured and engaging pieces of written work. It’s designed to evaluate a student’s fluency, imaginative capabilities, grammar, punctuation and overall ability to write creatively.

What does the 11 Plus creative writing exam include?

The 11 Plus creative writing exam is usually 25-30 minutes and could involve the continuation of a storyline that you’ll be provided with. Alternatively you might be asked to write a short piece of your own in response to a visual stimulus – this could be describing a character or writing something from their perspective, like a diary entry. 

Here are some the potential writing tasks you could be given for your 11 Plus creative writing exam: 

Descriptive task – continuing on a short story that you’ll be provided with, or describing a place or situation that your character finds themselves in. 

Persuasive task – you could be asked to write a letter or an article with the goal to persuade the reader to feel or act in a certain way after reading it by using emotive language. 

Narrative task – this would usually involve writing your own short story. 

Expository task – this could involve writing an article or set of instructions designed to inform the reader how to go about doing something properly. 

What are the 11 Plus creative writing topics?

Prior to starting your creative writing piece, you’ll need to have a topic. It’s important that the topic remains at the centre of everything you’re writing, as it will shape the direction of the story and the characters

You can think of a topic as a theme for your story. This can be really simple, as a simple theme will really help write a story in your own way. 

For your 11 plus creative writing exam, you’ll likely be presented with a topic that you then have to write about. Often these topics will have you writing about: 

Being lost or scared, capturing the feeling of being alone and writing a story about overcoming it.

Doing something exciting or achieving something impressive, the best day of your life so far. 

A holiday or an adventure

Travelling to the city or countryside and what you might experience there.

Writing a short story on each of the topics above can be a great way to familiarise yourself with creative writing.

What do examiners look for in creative writing?

Successfully passing your creative writing 11 Plus creative writing exam is a lot less daunting if you know what the examiners are looking for in your creative writing. 

Unlike other exams, it can be difficult to prepare the exact answers. It’s not like a sum in maths, where there’s only one correct answer after your working out. That doesn’t mean there aren’t specific things that examiners are looking for. Let’s take a look at those:

A well planned piece of writing

Strong creativity and good imagination

A fluent writing style

Good and correct use of punctuation 

Good use of English grammar

Complex sentences that are broken in an easy-to-read way with commas

Good spelling

Good and exciting vocabulary

Neat, easy-to-read handwriting

You can use those things as a checklist for your creative writing. When you write practice pieces, read them back and see if you can check off everything on the list of things that examiners are looking for. This will not only highlight areas needing improvement but will also act as a confidence-building tool.

11 Plus creative writing marking scheme

Your creative writing task will be worth 50% of your  English 11 plus exam  paper. So, you’ll want to make sure you’re well prepared!

Part of preparing for the creative writing task is ensuring you know how the exam will be marked. Here’s what your examiner will look at when they mark your work: 

The plot – you need to write a piece that’s got an engaging plot, but more importantly it needs to follow a strong beginning, middle and end structure. We’ll be getting more detail about that further on. Make sure you plan your story to ensure you have a well-structured and easy-to-follow plot. 

Vocabulary – Make sure you’re using a wide range of adjectives, nouns and adverbs. Rather than describing everything the same way, come up with some other engaging ways to write something. Use a good amount of complex words that you normally wouldn’t use (and make sure you understand what they mean so you use them correctly). 

Writing devices – no, your examiner isn’t looking at what pen you used to write the exam. Writing devices refer to things like metaphors, similes, tension building short sentences, alliteration and irony. Try sentences like “he was as fast as a runaway train,” for a simile example. See if you can write a few sentences that each use a different writing device to practice.

Grammar – now is a good time to start practising your grammar skills. Make sure you’re using commas correctly when you write long sentences, and that you format your character dialogue properly. There are a few common grammar mistakes that may catch you out, so keep practising. 

Spelling – While avoiding spelling mistakes is good, to get great marks on your exams you’ll want to use complicated words and spell them correctly. It might be tempting to avoid complicated words if you’re not sure how to spell them but it’s actually not a bad idea to use one or two complicated words and spell them so they’re recognisable than to use no complicated words at all.

11 Plus creative writing tips and techniques

Every great writer has one thing in common – writing techniques! Everyone can develop their creative writing skills by practising these creative writing tasks.

Getting creative 

If you want to write a story this should be your starting point! Have a good think about the topic for your story and the character you’ll be writing about. Take a minute to sit back, close your eyes and think about the world of your story. Can you see it? 

If you can visualise the world of your story, then you’ve got a good idea to work with! Get creative about the story and think about directions that it can go, and the characters you can work with. 

Planning and structure

Once you’ve got your theme in place you need to have a think about the direction of your story. Think about how your story starts, how you want it to end and then think about how you want your main character to get there. 

Remember the classic story structure of beginning, middle and end:

Use the beginning of your story to introduce your character, where they are and maybe one of two of their friends. Maybe even try to set them a goal at this point, what’s something they really, really want? 

Introduce the middle of your story with a problem or an obstacle for your main character to overcome. This is going to be the longest section of your story, so make sure you don’t spend too long with the opening! Think about how your character would overcome the problem you’ve introduced for them. 

In the end your main character overcomes the problem that you introduced for them. Think about what they would feel, the relief they’d experience and how you can sum that up in a paragraph or two. 

There are lots of different ways to write a story, but following the beginning, middle and end structure like this will really help you plan. Try to just write a few short sentences from the beginning, middle and end, then expand it out from there. 

If you need more inspiration to improve your writing skills, why not see David Walliam’s top ten writing tips ?

Creative writing examples: using the senses

Remember – writing descriptively helps your ideas to really come across in what you’re writing. The person reading your creative writing piece can’t read your mind!

A great way to really set a scene in your creative writing is to use the senses:

Sight – what can your character see? Describe how the scene around them looks, and be sure to use some good adjectives.

Sound – can your character hear anything? Even if your character can’t hear anything, that can sometimes be a great way to set a scene. Or maybe your character can hear lots of noise? Either way, make sure the reader knows that.

Smell – what does the place your character’s in smell like? You can make a disgusting, murky bog seem even filthier by describing how smelly it is to the reader. We all react strongly to smells, good or bad, so make sure you’re describing them to your reader.

Touch – what can your character feel? Are they sitting on a really soft sofa? Is the cat they’re stroking extra fluffy? Describe everything your character feels!

Taste – is your character tasting anything? Of course, if your character’s eating you need to describe it. How sweet are the sweets they’re eating? How bitter is the medicine they had to take? You could even get creative and describe a smell so bad that your character can almost taste it!

Get creative when you write about senses. You don’t have to cover every sense in order, you can mix things up in a paragraph or two, and sometimes you only need to cover two or three senses in a particular scene. Make sure you’re always telling your audience what your character is experiencing so the reader can put themselves in your character’s shoes. Utilising this technique ensures the reader engages with your creative writing piece.

Fluent writing

Practice makes perfect when it comes to fluent writing. To practice fluent writing, set yourself a creative writing task as if you were taking your 11 Plus creative writing test.

Try keeping the stories short. Just a few paragraphs so you can do a few attempts. When you’re finished, read them back to yourself out loud. See if the sentences are easy to read out loud. If they’re not, it might be good to rewrite them in a way that makes them easier to say. Try doing this out loud too, rephrase the sentence so it means the same thing but is easier to say. 

Reading out loud is not something you will be doing at the exam, so practicing your fluency at home is the key. Never be scared to do a few practice stories before your 11 Plus creative writing exam.

Proofreading Your Creative Writing

Finally, once you’ve finished writing and you’re happy with how fluent your piece sounds you’ve got to proofread it! That means checking your grammar, your punctuation and spelling. 

Make sure you’ve only used capital letters where they need to be used – the start of sentences and the names of people and places. 

Make sure you’ve used quotation marks correctly – start a new paragraph for when a character starts speaking, open with a quotation mark and then write what they said before closing with a quotation mark. Make sure you carry on writing after they’ve finished speaking with a new paragraph!

Have you checked the tenses? Make sure you’re not mixing up  past, present and future tenses !

Have you used enough punctuation? Make sure all your sentences end with full stops, but also that questions end with a question mark. Space out long sentences with a well-placed comma and make sure if a character says something loudly or is surprised that you’re using exclamation marks. 

Check your spelling! Are there any words you struggle with? Go back and check them to make sure they look right. If you’re really struggling to spell a word, maybe use a different one for your creative writing piece – lots of writers do this! If you do this a lot, then it might be worth doing some spelling practice. 

How do I prepare for creative writing? 

When it comes to 11 Plus creative writing exams it’s difficult to find something specific to revise – unlike exams in maths or English spelling, creative writing exams don’t have a right or wrong answer. So, don’t get overwhelmed by reading countless creative writing books.

The best way to prepare for a creative writing test is to practice all the key points we mentioned above. Set yourself some small creative writing tasks, practice your spelling and get some help fromyour teachers. You could also ask your parents or guardians about tuition to help you prepare for your creative writing .

We also have some creative writing book suggestions and worksheets that could help you prepare. 

11 Plus creative writing examples books

If you’re looking for some books to help you prepare for your 11 Plus creative writing exam or want to find some creative writing examples, here are some of our favourites:

11+ Essentials Creative Writing Examples Book 1 (First Past the Post)

11+ Essentials Creative Writing Examples Book 2 (First Past the Post)

Bond 11+: English Focus on Writing: 9-11 years

RSL Creative Writing, Book 1: KS2, KS3, 11 Plus & 13 Plus – Workbook For Ages 9 Upwards

11+ Creative Writing

Remember to always ask a parent or guardian before buying anything online.

11 Plus creative writing tasks and worksheets

Here are some of our own worksheets that’ll help you prepare and improve your creative writing skills: 

Creating characters

Creating dilemmas

Creating settings

My favourite author

Try an 11 plus creative writing tutor

If you’re worried about your 11 plus creative writing exam, that’s okay. There are numerous ways you can prepare without getting yourself overwhelmed. We’ve already covered how practice makes perfect when it comes to writing, so creative writing courses could be a great way for you to improve your confidence.

11 Plus tuition  will also help with your creative writing. Explore Learning’s expert tutors can help you work on your story planning and structure, grammar, writing fluency and vocabulary. 

Don’t let yourself get overwhelmed about your 11 Plus creative writing task, we’re here to help you do your best.  

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11 Plus creative writing FAQs

How to prepare for 11 plus creative writing.

Prepare by understanding the 11 Plus creative writing requirements. Engage in regular practice on various topics like adventures, challenges and feelings. Focus on grammar, punctuation, fluency, spelling and vocabulary. Always proofread and consider getting feedback.

Is there creative writing in the 11 Plus exam?

The 11 Plus exam may include a creative writing component, often lasting 25-30 minutes, where a student demonstrates their narrative and language skills.

What are the different types of creative writing 11+?

The 11 Plus creative writing includes descriptive, persuasive and narrative tasks. Studentsmay be asked to craft or add to stories, describe scenarios, write persuasive letters or informative pieces.

How do I study for a creative writing exam?

Study by practising various creative writing tasks regularly. Focus on language proficiency, structure your narratives and proofread. For tailoredsupport, consider 11 Plus tuition .

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Creative Writing Tips

Here are our top tips for acing any creative writing exam! 

1. HAVE A BANK OF STORY PLOT LINES READY

One of our top tips for any creative writing exam, is to have a bank of easily adapted plot ideas up your sleeve. Time is precious in an exam and you need to spend minimal time thinking, leaving you with the maximum amount of time to crack on with your writing!

2. DON'T MAKE YOUR PLOT LINES COMPLICATED

Don’t make your plot too complicated- only one thing needs to happen- just DESCRIBE ONE TEN MINUTE MOMENT. If your story was turned into a film, it would be a 10 minute scene, not a 2 hour film! Keep it simple! 

3. DESCRIBE DON'T EXPLAIN

This point carries on from point 2. When you have a complicated plot then you end up explaining and summarising. What any teacher or examiner wants to see in a story is description. One moment described very slowly, in lots of detail.   

4. DON'T BE AFRAID TO 'MAGPIE' IDEAS

'Magpieing' is a phrase that teachers use to describe using other people's ideas for story writing. Authors do it all the time! Nothing needs to be original! If you hear a great phrase in a book that you are reading, use it in a story! 

5. SHOW DON'T TELL

'Show don't tell' is  phrase that teachers use all the time, when teaching creative writing. It means, don't TELL me that the character is nervous; SHOW me that they are nervous by describing their sweaty palms and butterflies flutterin g in their tummy. 

6. PAINT A PICTURE IN THE READER'S MIND

If you write a simple sentence such as, 'The man walked down the road', you will conjure up different images in different reader's minds! Is it a tall man or a short man? Is he walking angrily or happily? Add description to paint the same picture in the reader's mind, as you have in your own! 

7. USE POWERFUL VERBS

The difference between an ok story and a great story, usually comes down to verb choices. Every sentence must contain a verb, so why not use powerful verb choices! For example, 'said' is a boring verb. Swap it for a verb such as 'mumbled' or 'screeched' to add more description! 

8. PERSONIFICATION

Personification is a writing technique, where an object is described like a person. The effect is that it tells you the mood of the story- how the characters are feeling. In  a happy story, the sun might be smiling but if the mood of the story is angry, the sun might be scowling! 

9. SIMILES AND METAPHORS

Similes and metaphors are both types of comparisons. We use these comparisons to exaggerate a quality. Similes use the word LIKE or AS- ' He ran as fast as a racing car' or 'He zoomed like a racing car'. A metaphor does not contain like or as- 'He was a racing car zooming.' 

10. ALLITERATION

 Alliteration is when words near or next to each other start with the same sound. An alliterative phrase like, 'flickering, firey flames' is effective because the repetition of the F sound emphasises the sound of the fire. This is a great way to add marks in an exam!

11. ONOMATOPOEIA

 We always want to describe using our senses, and onomatopoeic words describe sounds. Using sounds as verbs in a sentence, for example, BANGING, CRASHED, RUSTLING, SCREECHED, is a great way to add extra marks in a creative writing exam. 

12. AVOID REPETITION

Avoid repetition! Make sure that you vary the first word in every sentence- sometimes start with a verb, sometimes start with a preposition, sometimes sart with an adverb... Do NOT always start with He/ She/ The! Also,  vary your sentence length- some short, some medium, some long. 

13. GREAT WAYS TO START A STORY

Think carefully about the first sentence in your story, and more importantly the first WORD! Do not start with ‘Once upon a time’ or ‘One day’.  Starting with a subordinating conjunction like ‘As’ or ‘While’, is a great way to open a story as you are instantly giving the reader additional information to paint a picture of the scene in their minds.

14. PREPOSITIONS

Use prepositions in your sto ry- particularly at the start of sentences. Prepositions are words that tell us WHEN or WHERE. Prepositions that show where, are particularly good when describing a setting. It allows you to be precise and to paint a picture in the reader's mind. 

15. AVOID DIRECT SPEECH

Do not overuse direct speech- it tends to explain rather than describe. Direct speech can be a great way to start a story and it is effective in establishing relationships between the characters- but use it no more than twice. You will get a mark for correct punctuation but don’t waste dozens of lines on one mark!

16. USE THE ACRONYM MAPSO

Use the acronym MAPSO as a checklist to ensure that you have used a variety of techniques in your story. There are lots of acronyms out there, but I like MAPSO the best- it’s short, easy to remember and covers the 5 most important techniques- Metaphor, Alliteration, Personification, Simile, Onomatopoeia.

17. DESCRIBE ACTIONS NOT FEELINGS 

Avoid using these phrases in a story- they FELT, they THOUGHT, they WONDERED, they REALISED, they DECIDED… all of these phrases TELL the reader and what we want to do is SHOW. The reader is able to work out for themselves what the character is thinking and feeling from the description of their ACTIONS.

18. WHO/ WHERE/ WHEN/ WHAT/ WHY/ HOW

By the end of the first paragraph, make sure that the reader has an idea of WHO your character is, WHERE they are, WHEN it is (time of day/ season), WHAT they are doing when the story begins, HOW they are doing it (the mood) and WHY (it does not matter what order you put this information in). 

19. PLANNING

The key thing is to keep your plan short- spend no more than 2 minutes- it doesn’t matter if your plan is messy and you shouldn’t write in full sentences. A five part plan is ideal (just a few words for each section) as 5 paragraphs is about the right length for a story written in a half hour exam.

20. CHECK SPELLING AND PUNCTUATION

Always  leave yourself a few minutes at the end of the exam to check for silly mistakes!

A Guide to 11 Plus Creative Writing Preparation

Updated: December 1, 2023 Author: Creative Hare

Introduction:

As children gear up for their challenging 11 Plus English exams, creative writing often stands as a significant hurdle. Mastering this section requires not just a solid grasp of ambitious vocabulary and literary techniques but also the ability to think outside the box and express ideas in a compelling manner. This takes confidence and experimentation. In this blog, we’ll delve into effective strategies to prepare for the 11+ creative writing exam and unlock the doors to imaginative excellence, happiness and success! 

Understand the Exam Format:

• Before diving into preparation, it’s crucial to familiarise yourself with the exam format. There is no singular 11-plus exam format so it is best to check with the admissions team at your target schools what specific format they use. 
• Understand the time constraints, the types of prompts, and the criteria by which your writing will be assessed. You generally don’t find mark schemes readily available on school websites. Although 11+ creative writing criteria is devised by the individual schools, aside from spelling and grammar, the skills and techniques commonly assessed include:

Where your child can win marks:

• Use of ambitious vocabulary
• Literary devices (personification, simile, metaphor, repetition, emotive language)
• Imaginative and descriptive writing
• Overall narrative flow and coherency
• Ensure your child practises reading creative writing questions carefully so their written piece  addresses the exact question, rather than an interpretation. Click here for a creative writing mark scheme example which can be found on the Latymer School website. 

Read Widely and Often:

• A well-read mind is a fertile ground for creativity. Encourage your child to explore a variety of genres, from fiction to non-fiction, poetry to prose.
• Exposure to diverse writing styles enhances vocabulary and fosters creative thinking.
• Use the Christmas holiday to visit your favourite book shop and encourage your child to browse freely - notice the types of books they are drawn to….light, frothy and funny books or perhaps fantasy books?

Build a Strong Vocabulary:

• 11 Plus creative writing flourishes on a rich tapestry of words.
• Make vocabulary building a daily habit.
• Introduce new words, explore their meanings, and encourage their use in everyday conversation.
• Children who take charge of their learning by recording words that they come across are empowered learners.

"The beautiful thing about learning is that no one can take it away from you."

Practice, Practice, Practice:

• Creative writing is a skill honed through practice. Set aside dedicated time for writing exercises regularly. Provide prompts that challenge your child’s imagination, encouraging them to create stories with a distinct beginning, middle, and end. Check out 6 Creative Writing Tips for Children for the best websites for free, fun writing prompts.

Develop a Writing Routine:

• Establishing a writing routine creates a sense of discipline and familiarity. Consistent practice helps build confidence and improves the ability to think creatively under pressure.

Explore Different Genres and Styles:

• The 11 Plus English exam might present prompts from various genres. Prepare your child by exposing them to different styles of writing—mystery, adventure, fantasy, and more. This versatility will prove invaluable during the exam. My new Bright to Brilliant 12-week Creative Writing programme equips children with the full-range of 11-Plus creative writing question types. 

Encourage Thoughtful Planning:

• Before jumping into writing, teach your child the importance of thinking ahead. Whether that’s sitting quietly with their ideas or jotting down their ideas in a quick planning format, this will help ensure their writing stays on track! 

Seek Constructive Feedback:

• Share your child’s writing with teachers, peers, or family members. Constructive feedback is an invaluable tool for improvement. Encourage your child to identify their strengths and areas to further improve to refine their creative writing skills. This is isn’t easy, it takes practice. However, empowering your child to self-evaluate their writing in a positive light is a key characteristic of awesome, confident writers. 

Learn from Examples:

• Analyse various pieces of creative writing. Identify what makes them compelling—the use of descriptive language, character development, plot twists. But encourage your child to ask how they could improve the writing. Children love to offer improvements on what they could do better, so it’s a great way to engage them. Learning from other’s writing can inspire and guide your child’s own writing.

Time Management Skills:

• The 11 Plus exam is as much about managing time as it is about writing skills.
• Practice timed writing sessions to ensure your child can express their ideas effectively within the given constraints.
• Ensuring your child is confident in expressing their ideas in writing before introducing exam style timing will make the experience more comfortable and worthwhile for them.

"I can see my competitors sweating, and I am cool as a cucumber."

Adam Rippon

Preparation for the 11 Plus Creative Writing component is not just about mastering accurate spelling; it’s about cultivating a creative mindset. Through a combination of regular practice, diverse reading, and constructive feedback, students can sharpen their creative writing skills and approach the exam with confidence.

Remember, creativity is a skill that can be nurtured and developed with dedication and the right strategies. Best of luck to all the young writers embarking on this exciting journey!

Interested in exploring a creative writing class?

Let your child discover their creative voice, related articles.

11+ English Sample Papers

Here's a list of 11+ English papers, FREE for you to download.

How Matteo reaped the benefits of 11+ success

Matteo was in Year 4 and attending a small independent school in North London when we first started working together. 

Get your free list of 11+ Creative Writing Questions

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Ten 11+ & 13+ Creative Writing Tips For Excellent Exam Stories

When my students get the hang of these techniques, it makes an enormous difference to their creative writing – but it takes practice.

M y advice for 11 plus stories in this article applies just as well to 8 plus, 13 plus or GCSE … in fact, although I have written with 11 plus creative writing in mind, my suggestions should be relevant at any level.

I’ve been teaching these things to young people for many years, and I hope you also find them useful. Please write a comment if you do!

The creative writing materials offered by 11 Plus Lifeline teach students to use all the techniques explained on this page.

Every writing paper has full example answers, as well as detailed step-by-step discussions, marking guidelines and story-planning advice. Papers are structured to help students develop high-level skills – and just as importantly, to enjoy themselves!

Click on the infographic to view a zoomable version in a new tab:

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1 – before you write, daydream.

If you can see your story’s world in your head, you will be able to describe it powerfully.

If you can’t, your descriptions risk being superficial and your writing uninteresting.

After a little daydream, your next step is to turn it into a simple plan:

THE STORY PLANNING PROCESS

1) the main event.

The first thing to write in your plan is the main event in your story (see point 2 , below). Keep this simple for now.

2) Your Main Character

Next, jot down a few notes about your main character (see point 3 ). What is interesting about them? Try to imagine them sitting in the place next to you. See them clearly in your mind. Who are they, really?

3) Getting There

Now note down some ideas for how you will get to the main event. Make this simple too: don’t write more than a couple of lines.

4) … And Getting Out Of There!

Finally, write a few thoughts about what will happen after the event: why does it matter, and – above all else – how does it affect your characters?

The reason I suggest this order of planning is that when you only have a short time to write, there are two important things which will hold your story together: the main event (what it is about ) and your central character (who gives us a reason to care ).

Everything else should be very simple, allowing you to focus on describing beautifully.

In fact, you can probably guess what the next of my 11 plus tips is …

2 – Keep things simple! In an 11 plus exam story, choose  one main plot event & bring it to life.

If there are too many things happening, your descriptive skills may get lost.

What’s more, once there are lots of dramatic events in a story, many students struggle to write about all of them properly.

Look at this example:

As they walked through the forest a tree fell and nearly crushed them. That was close , thought Claudia. Then they sat down to scrutinise the map.

It’s good to describe the small details of life – and especially with an interesting verb like “scrutinise”.

But if you forget to fully describe big events, such as a tree almost killing your characters, the effect is very peculiar. It implies that a near-death experience is no more interesting than reading a map!

Either give dramatic events their due importance, by describing them powerfully and giving a clear sense of your characters’ reactions, or steer clear of them altogether.

This is often a problem in exam stories with too much action, or with too many plot events in general.

It’s best to structure your story around one main event, which isn’t too extreme. Spend the rest of your time building up to it and showing its after-effects.

3 – Focus on one character

Just as it’s best to focus your writing around one main event, it makes sense to have one core character.

You probably won’t have time to make more than one person interesting and believable in a thirty minute writing exam. If you try, you’re at risk of coming unstuck.

(If you feel really confident, you might manage to develop two characters: a brother and sister, for example. But in the exam itself, ask yourself: Is it worth the risk? )

Make your main character really interesting, and only refer to others in passing.

4 – Put a little dialogue in … but don’t write a play script!

“Because writing dialogue is easier than thinking,” he said.

“That makes sense,” I said, “because otherwise I can’t explain why we’ve been chatting pointlessly for two full pages.”

Dialogue is excellent in an exam piece, and you should aim to include some in every story. However, there are risks, demonstrated by the example above!

Don’t let your story turn into a play script.

Use a little dialogue in 11+ creative writing, but focus on your descriptions of the setting, characters and events.

When you do write conversations, don’t stop describing. Avoid repeating “I said”, “she said”, “Mum answered”, and so on.

Instead, add little details which help the reader to imagine the scene as the characters talk.

Describe how people move around between saying things, the expressions on their faces, and so on:

“Because writing dialogue is easier than thinking,” he replied, a hint of a smile twitching like a worm at the edge of his mouth.

A quick note about paragraphing:

Examiners are likely to expect that a new speaker begins on a new line, if somebody else has already spoken in the paragraph.

This doesn’t happen in every book you’ll read, but it’s a convention – a normal way of doing things – which you are supposed to know about.

Look at this way of writing the example at the top, and think about where a sentence should begin a new line :

“Why are we still talking?” I said. “Because writing dialogue is easier than thinking,” he said. “That makes sense,” I said, “because otherwise I can’t explain why we’ve already been talking for two full pages.”

Now check the original again, to see whether you were right!

And now for the advertising break. Time to run away and make a cup of tea …

RSL Creative Writing is the children’s writing course from RSL Educational, written by Robert Lomax.

It’s perfect for Key Stages 2 and 3 and for 11+ exam preparation, at home or in the classroom. It’s also ideal for anybody aged 9 or above who enjoys writing and wants to do it better.

Click on the covers to learn more and view sample pages from the books:

RSL Creative Writing: Book 1

Rsl creative writing: book 2, rsl creative writing: book 3, the rsl creative writing collection (£40.47), 5 – short stories don’t need an introduction.

Robert was 33. He lived in a small flat with his cat and his wife. One day, he decided to go for a walk to the shops. The shops weren’t very far away: it took about ten minutes to get there. It was a cloudy day. It was the middle of February and it was a bit cold but not cold enough for a scarf. The road was in need of some repairs. He was wearing a blue jumper and black shoes and some fairly old jeans.

You don’t need to introduce your story as though it is a 300 page novel!

The reader doesn’t have to know everything about the main character, and especially not at the start. This way you waste a paragraph, when you might only have time for four or five in your whole story.

Anything that really matters about your characters can be mentioned along the way. In creative writing for 11 plus exams, everything else can be left out.

Get into the main business of your story from the very first line.

6 – Show, don’t tell … Whether you’re writing an 11 plus story, or whether you’re a famous novelist!

In real life, we can’t see what is in other people’s minds.

We have to work it out from what they do – and sometimes from what they say, although this can be very misleading!

For this reason, other people’s creative writing is often most interesting when we have to work out what characters are thinking and feeling.

This makes the characters seem like real people whose thoughts we can’t immediately know.

It also helps to get us – the readers – involved in the story by making us do some thinking for ourselves!

You might initially want to write this:

Simon looked up. He was angry.

But this is much more interesting to read:

As Simon looked up I could see his jaw muscles flexing.

Have a go at re-writing the following paragraph to make it more interesting . You can change things around as much as you like.

I admit: this is the sort of thing which you will sometimes read in a book. It isn’t necessarily  always bad writing, in itself.

However, it is a missed opportunity to bring a character to life. In a time-limited 11-plus exam story, you need to take advantage of such moments.

The rule is:

Where possible,  show me  what a character is feeling … don’t  tell me .

Have a look at my way of re-writing the paragraph above:

All Anna’s thoughts have gone.

Instead, there are some strong clues which steer you towards a particular idea about what she thinks and how she feels: but you still have to decide for yourself.

This forces you to imagine Anna clearly in your own mind.

How does my answer compare to your approach?

7 – Use a range of senses throughout your story

This is good writing. The trees may be “green” (which is a bit dull), but they are “swaying”, which is an effective detail and more than makes up for it.

The simile in the second sentence (“like wisps of cigar smoke”) is vivid and well planned.

The sandwich bag is “crumpled”, and “bag of bacon” is a nice moment of alliteration to emphasise this robust, commonplace item of food.

But imagine a story which continues in the same way, all the way through.

Everything is visual: a sight image.

For the reader, it is like being in a world without the ability to hear, smell, touch or taste.

Furthermore, the narrator seems to be looking around constantly, noticing everything. Is this normal behaviour?

It’s an unrealistic way of seeing the world, and after a while it becomes exhausting to read.

For a student, there are two simple but very useful lessons:

1) Always think about the five senses (sight, hearing, touch, taste, smell).

2) Sometimes avoid the most obvious sense when describing a thing (see point 8 below).

These tips are easy to apply in your creative writing for 11+, but they make a huge difference.

What’s more, unlike a clumsy simile (see point 9 ), a sensory description rarely ends up  harming  your writing. It can be effective or ineffective, but that’s another matter!

Take the example above:

“The trees were green and swaying”  could become:  “The trunks were groaning, and overhead I heard the dull rustle of a thousand fresh leaves slapping against one another.”

There’s nothing startlingly original here, but because it is a slightly less obvious way of describing trees, it creates a much more powerful atmosphere.

If you want a metaphor as well, try turning  “dull rustle”  into  “distant applause” , which makes the leaves seem like a mass of enthusiastic people.

Similarly,  “I looked at the bag of bacon sandwiches crumpled on the seat next to me”  takes on more life like this:

I smelt something like old sick; then I remembered the bag of bacon sandwiches crumpled on the seat next to me.

Notice how easily similes (“like old sick”) and metaphors happen, almost by themselves, when you focus on describing with a range of senses .

This is one of my most important 11 plus writing tips.

8 – Sometimes describe things using a less obvious sense

Using a range of senses, as I discussed in point 7 , is really, really important.

But how can you come up with surprising, powerful descriptions – descriptions to make the marker stop ticking your work for a second, raise their eyebrows and smile?

Imagine that you are just about to write the following sentence:

It was a cold morning.

But you stop yourself, think for a second, and write this:

I could hear the crackle of thawing ice on car windscreens.

This is much more interesting. Rather than using the sense of touch (a “cold” feeling), you are using a sound: “the crackle of thawing ice”.

There’s a good chance that the reader will think:  “Yes! I never considered it before, but you really do hear a sound when ice thaws quickly.”

This version also tells you much more about the weather:

The reader can work out that the night has been exceptionally cold, but also that the temperature is now rising quickly.

The thought process to produce descriptions like this is much simpler than it seems:

1) Think of the sense which is most obvious to describe the thing you are writing about.

3) Think of the second most obvious sense.

4) Ban that too!

5) From the three remaining senses, pick the one which is most useful.

6) Ask yourself how the thing would sound, feel, smell or taste – whichever three of these you have left (you’ve almost certainly banned sight!).

7) Write about it.

9 – Use similes and metaphors carefully in your creative writing

Similes and metaphors are useful (and can be impressive), but they have to make things clearer for the reader, not create confusion.

“She won the sprint like a racing car” asks more questions than it answers.

Was she noisy? Was she travelling at 150 miles per hour?

On the other hand, “She ducked her head and slipped across the line as cleanly as a racing car” helps me to picture the event exactly as intended.

Here’s another simile for speed, which I’ve seen a great many times (you’d hardly believe how many) in 11-plus stories:

Donald wrote like a cheetah.

Does this mean that Donald wrote savagely and meaninglessly, like a wild animal with a pencil jammed between its claws ?

Or perhaps that he wrote largely about the themes of hunting and sleeping ?

My guess is that Donald wrote quickly , but I’m not sure … because if that’s all you meant, WHY DIDN’T YOU JUST SAY IT?

This sort of thing is not really the fault of a young writer, who after all is (hopefully!) doing their best.

It is the fault of those dastardly teachers who advise children to include, for example, “at least one metaphor and two similes” in each story.

The result of this, for most children, is a succession of poorly chosen descriptive tricks, which add nothing.

Indeed, we’ve seen how these things can end up making a story comical for all the wrong reasons!

The right approach to creative writing doesn’t start with the need to include a simile: it starts with the need to describe effectively .

To me, this means allowing the reader to imagine the situation fully, and helping them care what happens.

Let’s play around with the image of Donald writing “like a cheetah”.

What happens if we just get rid of the simile?

Donald wrote quickly.

OK, but it doesn’t tell us much: did he write quickly because he wanted to finish his story before  Newsnight , or because he was really excited by his work?

Let’s say that it was the first reason: he wanted to get his work out of the way. Perhaps he was feeling annoyed, given that it might interrupt his favourite TV show.

When somebody is writing rapidly while annoyed, what might this look like?

I imagine Donald’s arm wiggling as the pen moves — especially the elbow. The movement is fast and constant because he is worried about getting the work finished, and because in his irritation he doesn’t much care about its quality.

So I ask myself: What moves to and fro constantly, performing a task in an unimaginative way?

And the first thing I think of is a machine in a factory:

Donald hunched over the page, his arm jerking to and fro with the quick, regular movements of a factory robot.

This sentence by itself would go some way to making your story the best in the exam room.

I hope I’ve persuaded you that with a well-organised thought process, a good simile isn’t too difficult to write!

Because children have been taught to work in this way, a story will often contain the required two similes, a metaphor, a personification, even an interesting alliteration …

… but everything in between is lifeless.

What students need is a different sort of checklist, to help them make the rest of their writing interesting .

I hope this article will give you some ideas!

10 – Stephanie was writing a beautiful story in the 11-plus exam hall. Or was she …?

Suspense is good if it’s appropriate to the story, but don’t jack-knife it in clumsily!

“It was a calm, sunny day. Or was it?” doesn’t really make me curious.

It makes me think that you’re trying to pester me into being excited, rather than persuading me to feel that way through your excellent writing.

If you write in a way that builds suspense by making me interested in the characters and events in the story – while keeping some important information hidden from me, just out of sight – this will speak for itself.

However, not every piece of creative writing needs it!

If you found these story writing tips useful or if you have a question, please leave a comment below! I’d love to have your feedback. (Tick the “Receive email updates” box to receive an email when I reply.)

For the most comprehensive range of resources to help with preparation for the 11+ exam,  you might like to try 11 Plus Lifeline (with a money-back guarantee in the first month). Every practice paper has full example solutions, with a detailed discussion and explanation for every question – like being taught by an excellent private tutor. There’s lots of material to help develop creative, high-scoring exam stories!

According to Tutorful, it’s “ the gold standard for independent and grammar school 11-plus preparation ”.

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At the same time, you’ll receive 121 Pages of award-winning RSL practice material, with step-by-step solutions – for free!

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89 Comments

If you have any questions, feel free to ask me here. I’ll do my best to help you out!

Hi, I’m preparing my son for 11+. His story ideas are good but he needs to add more details/depth. How can I encourage that? Thanks

That’s a very difficult question to answer, because there is so much that I could say! Many of my suggestions are in the article above. The sample at http://digioh.com/em/27284/164929/84za5s4g4u may offer more ideas. If this is useful, then 11 Plus Lifeline offers many further resources.

What’s the syllabus of creative writing for 11plus. I understand there is no definitive one, it varies with target school as well, but still I’d like to know the min types of writing children should be knowing end of year 6 e.g. story writing, descriptive writing, poetry writing, persuasive writing, diary, reconnect, fiction, non fiction writing, script writing, book/film review, blog writing etc. Really confused with the list of categories and subcategories under each. I just need a good structure with every details. Please help with a detailed table of contents.

Hi Jay. I’m afraid I don’t have such a list – because there isn’t one. Schools can set anything that they like! However, I think getting children used to responding to a range of formats is more important than covering everything. The most common formats are probably: 1) A story based on a title or topic 2) A continuation of a passage (usually the passage already used as a comprehension text) 3) A story based on a picture

You provide excellent tips that we can use to guide our children. Done in a very simple but effective way. Even more – as times are hard and money is tight your generosity shows you truly do wish to help children and not just make money out of them. Thank you

Thank you Alison. I’m glad you found the article useful. Robert

Thank you ever so much for your very useful tips. Would you have some advice (or a sample essay) on writing a descriptive essay based on a given image?

Hi Aparna, There is some relevant content in 11 Plus Lifeline. For more along these lines, keep an eye on the website in the autumn …

Hi Robert, I found the article above very helpful. My daughter is in year 5 and we have just started our 11 plus journey. She seems to be struggling air with creative writing. She has such great ideas and an amazing imaginative mind, however she struggles to express this on paper as compared to her peers also studying for the 11 plus. How can I help her become a better writer?

Speaking as she writes might help: perhaps she will write more fluently if she just thinks of it as a way to record her verbal ideas.

My RSL Creative Writing books might help her to develop her ideas.

What is a good range for the word count for a “continue the story” creative writing task at 10+? I see suggestions of 4-5 paragraphs, but paragraphs vary hugely in length. My son is only writing around 150 words, and I fear this is taking “quality not quantity” to the extreme!

It really depends! Sometimes you’ll be given an 8-10 line answer space, in which case that would be appropriate. On the other hand, if you have 30-40 minutes, you should be pitching for 1 to 1.5 pages. Robert

Thank you so much! Very informative

I’m glad to help!

how much your fees for creative writing, and how many lesson? please let me know [email protected]

Hello Hemang. I’m afraid I don’t work as a tutor these days. However, you might be interested in my creative writing books at https://www.rsleducational.co.uk/rsl-creative-writing . These will take your child through their skills step by step, much as I would if I was teaching them. Good luck! Robert

Hi Sir! Sir, you suggestions are greatly useful. Sir, can you assist me on how to incorporate Strong Verbs in my writings as I do not know many and I struggle on account of it ?

There’s no easy answer, but the best starting point is to look for specific ways of describing things. For instance, instead of “he talked”, you might say “he muttered”, for example. You’ll learn more verbs if you look out for them as you read things, and perhaps note interesting ones down in a book. Good luck!

Dear Robert Hope you are doing well , my son is in year 5 and he is going to set for 11 plus exam for very highly competitive grammar schools , he need help for is creative writing . I advice that you are the best , I’m seeking help from you ,please . Yours sincerely Saha Mcewan

Hello. Have a look at 11 Plus Lifeline , perhaps, and my RSL Creative Writing books. I do intend to release some new things for creative writing in the future: watch this space!

Hi Robert. These are great tips. My question is how to come with effective descriptions that vary. When I do descriptive writing, I describe with only the five senses and often run out of ideas. Also, how can we write in a way that will make a clear image in the readers mind. Thanks for the time

Hi Yatharth! My video at https://youtu.be/LKnvrad6jpw is all about this, so why not have a look at that? If that’s useful, look at https://www.rsleducational.co.uk/product/rsl-creative-writing-1

I completely agree with your article, and as a teacher who prepares children for GCSE and the 11 tests, I employ a lot of the ‘strategies’ you mention. What children need ultimately is time to read, digest and above all enjoy stories and poems and then to talk about what they’ve read and in some ( or maybe a lot of cases) relate the themes and ideas etc in what they have read to their own lives. This I feel, can give a greater sense of ‘reality’ to what they can eventually write; and then we as teachers (and parents) can model how to write ‘good’ creative stories (and include all the SPAG) which can go a long way to ensuring children actually begin to feel that they themselves can be imaginative and write great stories.

Thank you for taking the time to comment, Molly. I very much agree with you.

What children need ultimately is time to read, digest and above all enjoy stories and poems and then to talk about what they’ve read and in some ( or maybe a lot of cases) relate the themes and ideas etc in what they have read to their own lives.

The only thing I’d add to this is that it works both ways: reading informs writing, but the very best way to develop critical reading skills is to become more sophisticated as a writer!

Hi Robert,l am a Creative Writing teacher for 8+ Do you think 6+ can be taught Creative Writing that will yield excellent result? I asked this question from my experience of teaching Creative Writing,I observe that more 6+ struggle with understanding and implementing Creative Writing stages than 8+ Also,I teach Creative Writing easily because I believe I have the skills to teach it but how can I come up with a special syllabus to teach my colleagues how to teach Creative Writing in the class that will be result oriented.

Hello Soremi.

I would not think too much about results, if by that you mean percentage scores, when children are 6 or so and developing their writing. I would focus on their enjoyment and on encouraging them to explore their imagination, creating interestingly described characters and environments. It’s a different situation in 11+ exams, where children must demonstrate certain skills and perform well in comparison with their peers.

However, it is very important to encourage the development of accurate and clear English from an early stage. Creative writing is a good opportunity to uncover and address problems.

I found this very useful and straightforward, and also very funny… The tips will take me flying in my writing!

Thanks Lily-Grace. The work you sent for me to look at this week was very impressive: you’re already flying!

Thanks Robert this description is very helpful

I’m very glad it’s useful. Thanks for commenting!

Hola me gustaria hacer unas infografias mas dinamicas

Thank you for the topic

It’s a pleasure. I hope the advice helps.

I thought that this was a brilliant summary. Thank you very much. Engaging and thoughtful. Very much appreciated.

I’m delighted to hear it. Thank you!

I found your creative writing tips very insightful, a real shame for us it was right at the end of our 11+/13+ preparation.

Thank you Sara. I hope they made some difference, even at a late stage.

Very useful tips! I like the way you have broken down the advice into bite-sized chunks! Thanks Robert

I’m glad you found them helpful! Thanks for commenting.

Great tips, thanks Robert. Do you have tips on non fictional writing as well? E.g. how a child can do a stellar job when asked to write a suggestion letter to the council. My child struggles with writing on everyday things that she deems uninteresting like describing everday things but is flying when writing on imaginary topics. Thanks in advance.

Hi Tolu. I have some resources for less creative subject matter in 11 Plus Lifeline .

I think the best way to add interest to potentially unexciting things, like letters, is with examples. “I think you should do more to reduce bullying, because it discourages children from studying” is not interesting. “Last week, a boy trudged towards me across the playground, clenching and unclenching his fists, with the dead-eyed look of meaningless aggression that I’ve come to know so well. This is happening too often in our school!” is much more impressive.

Thanks for these tips . Would you suggest any topics for DS to practice .

There are a great many writing topics with fully explained example answers in 11 Plus Lifeline . I might add a blog post with some suggested topics in the coming months. Robert

These SPECTACULAR tips helped me a lot when I was planning and writing a story. I think that these AMAZING tips will help me a lot when I am doing the exam. THANKS Robert!!!!

Thanks Raon! I hope you’ll share the link. Good luck in your exam. Robert

Thanks for the tips to improve the writing skill for the content writers and the students.

Thank you Nihal – I’m glad my advice is useful.

What can I Say?

My son is about to take the 11 + and part of the material is creative writing,

Can you recommend any good material please?

The key is reading and I don’t think he reads as much as he should do

Please advise

Hi Fazal. I would of course recommend my own creative writing material in 11 Plus Lifeline . There’s a free sample here .

Reading is certainly important, but it won’t do any magic without good writing practice alongside it.

If your son isn’t keen on reading, trying to push him to read more may not work. However, you can help to improve the quality of the reading he does do, by discussing it whenever possible in a way that encourages him to think about it in more depth. You can also introduce new vocabulary into your conversations, and so on.

Also, the reading list here may help him to find books that he does want to read!

Hi, my son 11, is really struggling with creative writing, the main problem being he can’t think of anything to write about. he’s a clever boy but more into science and computers. He thinks he can’t do it and I’m worried he’s going to freeze in the exam. how can i get him to access his imagination and not panic. Thanks

Practice is certainly the main thing. If he can start to “access his imagination” (a nice phrase) without exam pressure, he is more likely to be able to do so in the test.

When you say that he can’t think of anything to write about, you’re describing a problem that I can relate to. However, it should not be a big concern at 11+, for the simple reason that the best stories tend to be about very little! If he can construct a simple plot, focused on one event – even something very ordinary and apparently dull – then he has what he needs. From that point, all his effort should be focused on describing well, so that the story creates atmosphere and has a believable main character.

The real problem at 11+ is when children have too many creative ideas. They construct complex, overwhelming plots, about which it is impossible to write well – or even plausibly – in the time available.

Hi Robert Have you got any tips for the CSSE style quick 10 mins Continuous Writing tasks please. These have included instructions, descriptions and this year the exam paper included a picture to write about- what’s happening- story /description?

Many thanks for your help.

This is very difficult to answer in a brief comment. I do have some specially designed resources for these CSSE writing tasks in 11 Plus Lifeline , if that is of interest.

If writing creatively, keep the plot to an absolute minimum. Imagine that you are describing a ten second scene from a movie – not writing the plot for a whole film. Focus on effective use of the senses, in particular – very much as I outline in this article. Don’t waste any space introducing your writing.

If describing a picture, the same applies. Focus on details from it, and try to find a logical structure. For example, a character might move around the image, finding things; or you might imagine the scene changing over a period of time.

For instructions, try to visualise the activity as precisely as you can, then use words to convey your thoughts exactly. This will lead to good vocabulary. Rather than saying “Screw the lightbulb into the socket”, say something like this: “Steadying the socket with your spare hand, twist the bulb gently in a clockwise direction until you encounter resistance.” This doesn’t come from trying to be fancy: it comes from very clearly imagining the action before I write.

There is a great deal more to be said, but I hope these pointers are useful.

Great tips and advice here. I have 4 boys, all at different levels of education. This has helped me to help them. Thanks!

That makes me very happy. Good luck to your sons!

Anybody who found this useful might like to read more of my creative advice at https://www.rsleducational.co.uk/creative-writing-less-is-more .

This article is very helpful. Thank you.

Thanks for taking the time to say so!

I found this very helpful, thank you

Hello Good Afternoon and thank you very much for my help. I am a young child preparing the eleven plus. I don’t necessarily have any questions i just don’t have any questions. Good luck on your educative journey.

Good luck to you, Lukas! Well done for taking the initiative and researching your exams.

I am a 8 years old child and I am doing your 11+ RSL comprehension, do you have any tips that might help me improve my writing? Thank you for your help!

Hi Kate! I’d like to help, but I’m not sure how to. You’ve written this under an article about improving your writing, and you’re working on a book that also helps with this. I don’t know what tips to add here. If you could be more specific, perhaps I’ll be able to say something. Good luck with your work! Robert

Hi Robert! I really like your tips and they did improve my daughter’s writing! Thank you so much!

I’m so glad! Well done to her.

Hi Richard, Does cursive or printed handwriting affect the writing score a 11+ level? Thanks in advance.

No, it shouldn’t make any difference. All that matters is that the writing should be easy to read, and that the student can write reasonably quickly.

Hi there, I am doing 13+, My tutor says that I should not use metaphors or similes, but I think I should. Do you have any advice for me on descriptive writing? And can you explain what a metaphor is?

I think you are probably misinterpreting your tutor. A good simile or metaphor, in the right place, is a good thing, but I would guess that your tutor is concerned that you are over-using these things and that this is distracting you from simply writing well. An alternative is that you haven’t quite understood how to use them effectively. A misjudged simile can look odd: using no simile (or metaphor) is better than using a bad one!

For a good explanation of what a metaphor is, see https://www.grammarly.com/blog/metaphor/ .

Hi, I’m currently helping a student prepare for entrance exams, and I just wondered if you could help me with a question. He was struggling with the timed element of creative writing and wanted to know if he DID run out of time, what would a marker prefer? To just leave the piece unfinished, or to quickly make an ending for the story, even if it meant it was quite an abrupt ending that didn’t necessarily do the story justice?

I think it depends on the marker. I’d prefer an unfinished piece to one with something actively bad in it, like a bad ending. However, can they leave an unfinished ending that nonetheless has something final about it: for instance, zoom out and describe the trees swaying in the distance, or the waves, so that there’s a sense of the world rolling on, despite the events in the story? If this is done well, it might even appear that they intended to finish this way.

great work, keep it up.

Amazing website! The content is wonderful. Highly informative indeed.

That’s brilliant to hear. Thank you!

Do you have to pay to get your work marked?

Yes, that’s right. Most people do it via an 11 Plus Lifeline Platinum subscription .

My daughter is not good at creative writing and I am apprehensive as she writes her pre-tests on 11th November . How do I help her with the following formats?

1) A story based on a title or topic 2) A continuation of a passage (usually the passage already used as a comprehension text) 3) A story based on a picture

Hello! I cover all these things in my RSL Creative Writing books – see https://www.rsleducational.co.uk/rsl-creative-writing You will also find creative writing videos covering these things at https://go.easy11plus.org/VIDEOLIST Good luck! Robert

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3 Simple Ideas for Your Creative Writing Final Exam

Creative Writing is usually a fun class that allows students to be more inventive and imaginative with their writing. How, then, do you possibly assess students’ growth at the end of the class? In this post, I will share three ways you can give students a Creative Writing final exam or summative assessment. 

( Looking for more Creative Writing teaching tips? Try this post! )

Creative Writing Final Exam Idea #1: Portfolio

With a portfolio, students will determine which of their writing pieces from the class were their best. Then, they’ll assemble them together. 

The pros of this final exam? 

Theoretically, you won’t have to read any student writing for the first time. This will save you invaluable grading time during those last, precious few days of the year. 

A portfolio will also force students to reflect on their own learning. Make them justify or explain each piece in their portfolio. This will show you what concepts students have learned and what skills they’re proud of having mastered. 

This is also a final exam that should be difficult for students to fail. If they’ve done the work throughout the class, they’ll have plenty of pieces from which to choose. However, if they’ve slacked the entire class, it will obviously show in their final product–or lack thereof. 

Engage your students in more creative writing!

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Creative Writing Final Exam Idea #2: Literary Terms Test

Giving a test is certainly a final exam classic. For a Creative Writing class, you can give one that focuses specifically on literary terms. 

Throughout your class, you’ve no doubt covered and reviewed many terms as you’ve read and written with your students. Now’s the time to see what stuck. 

If you give a test online through a tool like Google Forms, it can be graded instantly. 

You won’t have to waste much time reading–which you might not have if you’re required to give an exam on the last day of school. 

If you choose to do a test as a final exam because you’re short on time, try to make as much of the test multiple choice (or matching, fill-in-the-blank, or other easy-to-grade question styles) as possible. 

This Literary Terms test is entirely multiple-choice for quick and easy grading. 15 questions are simple multiple choice. 20 questions are matching. And 15 are questions based on excerpts from texts. 

The entire test is editable, and it also comes with a Google Forms version which can grade itself. 

If you’re only giving a final exam because it’s required of you, a simple test might be the way to go. 

Creative Writing Final Exam Idea #3: A Larger Writing Assignment

This is for Creative Writing teachers who don’t have to give a final exam on a specific day or who want a general summative assessment. Having students tackle a larger writing assignment might be the best way to assess and challenge students. 

This larger writing assignment could be almost anything and will depend on the kinds of writing you’ve done in class already. 

Students will learn and practice more writing while completing a new writing project. 

(This version will, however, take you longer to grade. If you can’t give your final exam until the last day of class or have to turn grades around quickly, avoid this.)

While your final writing project could be anything, I’ll present two that work well.

First, an Author Study can be used for poetry or short story writing. If you really want students to focus on literary terms, analyzing literature, and examining mentor texts, this is the project for you. 

Learn more about structuring and teaching an author study project here . 

Another classic writing project is the Fairy Tale Retelling Project . This project has some built-in differentiation and scaffolding making it a great choice if you have some struggling writers in class. 

You can learn more about structuring and teaching a fairy tale retelling project here.  

If you decide to go with a larger writing assignment as a final exam, start early. Students will probably need more time to finish than you think. 

Also, give students an early due date. If you have to read entire short stories before the end of the year, you’ll want to make sure you have at least a week to do all of that grading. 

For a Creative Writing final exam, be realistic about how much time your students will have to complete it and how much time you’ll have to grade it. 

If you have to give a test and turn in grades within forty-eight hours of one another, a simple test will be your best option. Even if it’s not the most exciting assessment option for you or your students. 

However, if you want students to end class engaged in something meaningful, a larger writing project might be the perfect capstone for your course. 

Be realistic and make the choice based on your schedule. 

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11 Plus Creative Writing: Exam Preparation Guide

What is the creative writing element of the 11 Plus and what does it include?

Both 11 plus exam boards (GL and CEM) don’t have a creative writing element, however some schools may decide to add this element in to assist with the selection process. For instance, it may be used in cases where two students have very similar scores and so the creative writing piece will be the deciding factor.

Each school will have a different format for the writing element; some schools may ask for a creative piece of writing from scratch and others may ask students to complete a story from a passage they‘re provided with. Independent schools, on the other hand, usually require an essay or creative writing piece as part of the exam. 

In private schools, this section is crucial and is always marked, however in grammar schools this section may not always be marked. Nonetheless, it shouldn’t be overlooked as it could be a deciding factor of whether or not your child gets an offer at their target grammar school.

This element of the eleven plus will require students to manage their time well and be able to complete their story in just under an hour. Generally, students are given a scenario or prompt that they are free to interpret in their own way. Students will then be required to put their ideas together in a creative style.

Some examples of past prompts that have come up in grammar and private school 11 Plus exams include:

• Describe a situation which you have experienced which might also be called A Magical Moment, showing what your thoughts and feelings are
• The Prince of Darkness is a Gentleman
• The Broken Window

As you can see from these titles, there’s no specific category that they fall into and they are very unpredictable. The trick here is to ensure your child has lots of practice with these past paper questions, so they can better understand how they’re going to draft their ideas together coherently.

The structure of the writing piece should include:

• A beginning that sets the scene
• Characters who have a motivation behind their actions and drive the plot forward
• An ending that wraps up the original idea that was set out at the beginning 

How to prepare for the creative writing part of the exam?

Practice is of course a crucial element of the revision process. It may also be useful to jot down ideas and descriptions of: emotions, actions, characters and the environment. Having these sets of descriptions ready will save lots of time in the actual exam. Even though the emotions and characters your child has practised writing don’t match the question in the exam, they will have a better idea of how to formulate the structure and plot in a timely manner by developing the descriptions they practised. 

Themes to practice writing about:

• Nature : this could be rivers, rain, mountains, lightning
• Emotions : this is an essential part of the story as it helps to set the tone. Some emotions can be: joy, anger, sadness. It may be beneficial to visualise the ‘inside out’ movie and write out the emotions according to how each character behaves
• Activities you enjoy : this will help with writing the plot in the eleven plus exam since you can adapt and build on these descriptions based on the title question
• Animals : this may be your favourite animal or your pet
• Your surroundings : this could be houses, parks, churches, villages, roads. Understanding how to write about basic structures in a captivating way is a very important of this writing element

Techniques to practise using in your writing:

• Personification : This technique involves associating something that isn’t human with human qualities. For example: the trees danced in the wind . This technique allows the objects throughout the story to have meaning and gives energy to something that is usually expressionless. 
• Metaphors : This is a figure of speech, where a word or phrase is defined as another object or action to which it is not literally applicable. A famous example is from one of Shakespeare’s plays, As You Like It, is: ‘all the world’s a stage. ’ This metaphor compares the world to a theatrical stage. While this is not literally true, the metaphor demonstrates that the world is like a show and the people are like actors. Metaphors allow the reader to think more deeply about a subject, and they can also add emotion and dramatic effect.
• Similes : This is like a metaphor, except similes use the connective words ‘like’ or ‘as’ to draw comparisons. For example: her eyes were like diamonds . The purpose of similes is to make comparisons to better illustrate your ideas, which makes the story more vivid and entertaining for the reader. 
• Hyperbole : This is an exaggeration to emphasise a point to the reader. For instance: I have waited forever for this to happen . This makes the sentence more dramatic and grabs the reader’s attention, which makes the emotions more memorable.
• Alliteration : This is having two or more words with the same letters consecutively in a sentence. An example of this could be: the big bug bit the little bee . This will have a different effect depending on whether the letters sound soft or harsh, but generally alliteration adds a rhythmic sound to the sentence and accentuates your descriptions.

Some revision techniques

Although the topics for the creative writing section are unpredictable, they are usually very broad so your child can use their imagination to think of a plot or build on the descriptions they have already practised. They can start off by writing short stories on the themes mentioned above in this article, and attempt to implement the literary techniques throughout their writing.

It’s crucial to keep your reader hooked throughout your story, so having an interesting plot and characters will help, but it’s also important to focus on developing the techniques listed. Use past paper questions and practice writing short stories under timed conditions, then read over it and see how many techniques your child managed to implement. 

If your child is struggling to come up with ideas, it may be useful to encourage them to pick up one of their favourite books and allow them to get inspiration from there. This will encourage their creative thinking skills to grow; the first few pages of a book are especially important as they sometimes outline the main characters and setting of the entire story. 

Reading and analysing the first few pages can allow them to imagine how they’re going to start their own. Even better, try to encourage them to annotate the pages they read with how the characters are displayed, the emotions, actions and the techniques used. After this, they can try to use their structure and techniques in their own writing. Adding these techniques can improve their score tremendously in the eleven plus creative writing section.

General tips and informative articles on 11 Plus:

• 11 Plus for Parents
• 11 Plus Creative Writing
• 11 Plus English
• 11 Plus Non Verbal Reasoning
• 11 Plus Maths
• 11 Plus Verbal Reasoning
• 11 Plus Comprehension Tips
• 11 Plus Reading List
• What Is 11 Plus Exam
• 11 Plus Maths Questions

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11+ Creative Writing Exam Prompts

Author: Sam Wainwright

Categories: Blog, Revision, Tips

Date: November 5, 2021

Most independent schools require prospective pupils to write an essay as part of their selective entrance exams. This can be in the form of a nonfiction essay or a creative writing assignment. Typically, students are given between 20 to 30 minutes for this essay and can select what to write from a number of up to four essay titles or other writing prompts, such as images.

Children do often feel that the essay element of the 11+ is a monumental, insurmountable task, and parents preparing them for it can often feel the same way! The tough time limit and the unseen writing prompts can make the essay quite daunting.

What’s more, it can be difficult to find the right resources to prepare effectively for the 11+ creative writing exam. For students seeking extra help, we recommend Eleven Plus Exams’s creative writing preparation course . The course consists of a thorough walkthrough of the forms of fiction and non-fiction that have appeared over the years in 11+ creative writing exams and what skills and techniques are needed to write successfully in each. Each lesson in the course covers different writing briefs commonly found in the exams and teaches pupils how best to tackle all types of questions, placing a focus on exam timing and exam practice.

For those looking for some quick tips and practice materials, you can read our advice for how students can improve their writing and what an examiner is really looking for in a writing essay here .

Creative Writing Prompts

Preparation is key to succeeding in this part of the 11+. Children should aim to write on a daily basis. This does not have to be a full essay every time, but a sentence or two in their vocabulary journals can really help to inspire more ideas and help boost their confidence in their own creativity! The brain, like most other parts of the body, needs to be exercised in order to grow stronger. Creativity and inspiration are no exceptions to this. The more a child dedicates their efforts to creating and exploring new ideas, the easier this will start to come to them. And in the time pressure of an exam, this kind of skill can be invaluable!

Children should therefore practice writing to unseen prompts – they should come up with their ideas, plan, write and proofread all in 20-30 minutes.

We have compiled lists of the different types of writing prompts that can appear in a 11+ exam to help kickstart your child’s creative writing and to provide ample fodder for exam accurate preparation.

Remember that if your child does tackle any of these sample tasks they should set aside time a few days after completing them to revisit their work. Children who rewrite their stories, especially after receiving feedback from readers, often find they are able to spot where to improve and make better progress in elevating their writing.

Essay Titles

Essay titles may be the most common creative writing task assigned to students. For this task, students will be given a single title or a writing brief and must write their story to fit it accordingly. For these types of prompts, it is important to read the whole brief carefully .

Before students begin writing or even planning their essays, they should highlight the keywords in their title or brief. They should note if there are any specific instructions that they must follow. Students will be marked according to how well they fulfil the task they have been given.

For example, we can take a question from Merchant Taylor School in London.

The prompt reads: Write a story with Alone as the title, where you suddenly realise that you are on your own. It may be true or entirely made up, but it should include your thoughts and feelings as well as what happened. 

Successful students would follow this brief entirely. Those who title their story Alone and write a story that fits this thematically but fail to write their character suddenly realising that they are on their own, would potentially lose marks for failing to follow the title brief fully. 

Here are some more essay titles for your students to practice with.

• Write a story (true or made up) about a visit you make to some relations of your own. (Question from Merchant Taylor School)
• Write a letter to a cousin inviting them to stay with you . You should try and interest them in some of the varied and unusual activities they can take part in. (Question from Merchant Taylor School)
• Describe a situation that you have experienced which might also be called A Magical Moment , showing your thoughts and feelings on the event. (Question from Merchant Taylor School)
• Write a clear description of an animal you know well. Make sure you describe what it does and how it behaves as well as what it looks like. (Question from Merchant Taylor School)
• I prefer Winter to Spring (Dulwich College, London)
• The door and what was behind it (Dulwich College, London)
• The prince of Darkness is a Gentleman (Dulwich College, London)
• Ash on an old man’s sleeve (Dulwich College, London)
• My hobby (Emmanuel College, London)
• Write a story that begins with the words, I had been waiting for such a long time for this to happen… (Emmanuel College, London)
• Write a description of someone you admire . (You may choose someone you actually know, or someone you have never met. Describe them and explain why you admire them.) (Emmanuel College, London)

And more…

• A surprising spy
• Break time at school
• Write a story about a lost key
• Is life too hectic to enjoy fully?
• My favourite memories
• A farewell party
• An attempted robbery
• It was a while before I realised my cat could talk
• Moving Houses
• The new pupils
• The Burglary
• My Brilliant Idea
• The Balloon
• The school rules
• A place that inspires you
• Your favourite day out
• Are Jamie Oliver’s new school dinners a good idea.
• What makes a good friend?
• Describe the scene and the activities at a bus station.
• How does the life of your generation differ from that of your grandparents?
• Discuss the good and bad effects of competition in modern life.

Visual Stimuli

Another type of essay prompt is the visual stimuli. This typically involves one image or a series of images that students can select from that will serve as the basis for a creative writing or nonfiction essay.

This type of prompt is more interpretive than any of the others. Essays can be purely descriptive, wherein students are asked to simply describe the scene pictured using evocative language, or they can be more abstract, in which students are asked to use a picture as a jumping off point for their ideas, and to create a story based on what they see. 

Students should therefore practice both describing scenes in unseen pictures and also interpreting unseen pictures to create a story. In the case of the latter, they will often be marked on their creativity and ability to incorporate what they see in an innovative way, as well as on the usual hallmarks of good creative writing.

Here are some examples of visual stimuli for your students to practice with.

Students can practice writing descriptions of the scenes or characters they see, or they can try to write stories based on them. Printing the pictures and labelling them can help with generating ideas and sparking imagination.

Continue an Extract

Students may also be asked to continue a given piece of writing. This could be a single, unseen sentence or paragraph or it could be based on a longer comprehension that the students will have already read as a part of their exam paper. In either case, strong reading skills will be crucial to success in this type of writing prompt.

Students should once again read the question they have been given carefully to ascertain the exact details of their task; they may be asked to continue a text directly from where it finishes, or may be given particular instructions from where to pick it up. They may also be instructed to respond to the text, rather than continue it, which can involve writing letters to characters within it or writing a story based on the events of what they have read.

Students are being marked on their understanding of the text they have read as well as their innate writing ability – successful candidates will demonstrate that they understand the events, tone, genre, style and characters of what they have read.

Here are a few paragraphs from classic texts to kickstart your student’s practice for this question style.

It is good practice to attempt full practice papers for this question style also, as it will help children to prepare for the strict timings and the challenges of the potential comprehension part more accurately.

The printable version can be accessed here .

• Dracula by Bram Stoker  (Gothic/Horror) Here and there are silver threads where the rivers wind in deep gorges through the forests. But I am not in heart to describe beauty, for when I had seen the view I explored further; doors, doors, doors everywhere, and all locked and bolted. In no place save from the windows in the castle walls is there an available exit. The castle is a veritable prison, and I am a prisoner!
• Peter Pan by J. M. Barrie (Fantasy) If you shut your eyes and are a lucky one, you may see at times a shapeless pool of lovely pale colours suspended in the darkness; then if you squeeze your eyes tighter, the pool begins to take shape, and the colours become so vivid that with another squeeze they must go on fire. But just before they go on fire you see the lagoon. This is the nearest you ever get to it on the mainland, just one heavenly moment; if there could be two moments you might see the surf and hear the mermaids singing.
• Treasure Island by Robert Louis Stevenson (Adventure) Then all of a sudden there was a tremendous explosion of oaths and other noises—the chair and table went over in a lump, a clash of steel followed, and then a cry of pain, and the next instant I saw Black Dog in full flight, and the captain hotly pursuing, both with drawn cutlasses, and the former streaming blood from the left shoulder.

Sample Essays

The following sample essays were written by children preparing for their selective examinations for entry into senior independent schools. Whilst they have been typed out, the original spelling, punctuation and grammatical errors have been preserved deliberately. These can be great practice to go through with your child, to see if they can spot these errors. This can help improve both their spelling, punctuation and grammar skills as well as their proofreading abilities.

These essays are also a great way for children to see what is expected of them in their exam. This can make the task far less daunting, as they can see what is reasonable and achievable for them to write in their given time limit! You can find more sample essays like those below in our Creative Writings Examples books .

• 11 Plus Sample Essay 1: Original Version and Corrected Version: Tsunami
• 11 Plus Sample Essay 2: Original Version and Corrected Version: Alone
• 11 Plus Sample Essay 3: Original Version and Corrected Version: Ace

Further Practice

For more focussed practice, we have written our own series of Creative Writing preparation books . 

These books are full to the brim with more prompts like those above and they are divided into distinct sections dedicated to different styles of writing, with a number of example pieces in each chapter written by students who have sat the 11+. Examining these extracts, like the samples above, and completing the accompanying writing activities will give your child a better understanding of what is required of them in the exam and will provide a great insight into the types of writing they are able to produce themselves, based on the work of children their own age.

Buy these books here . 

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65: Creative Final Exam Options for ELA

• April 26, 2017

As the end of the year approaches, everyone is thinking about what to do for final exams. If you’re like me, you feel a strong distaste for matching, multiple choice and fill-in-the-blank (though wouldn’t it be SO MUCH EASIER to grade?!).

In today’s episode, I’m going to share five ways to abandon the three hours of silent pencil scratching in favor of a creative closing event. Give your students something memorable that helps them take what they’ve learned from your class forwards in their lives!

#1 The Graduation Speech

I did this with my sophomores and loved it. I had them look back at our texts and write a speech featuring evidence from our texts and other books they had read if they wanted. They had to address three of the following four ideas:

• How literature helps people understand their own lives.
• How literature helps people understand the lives of others and empathize with other people.
• How literature makes it easier to understand history.
• How literature illuminates issues of morality.

#2 The Springboard Movie

In this film, an author is writing a book and through some strange twist of fate, her main character is actually a living person and can hear her narrating his life. Obviously, her decisions about his life matter very much indeed to him! For this option you can show this film and then ask your students to write a paper, record a podcast, or create a video on the theme of why literature matters. For Harold Crick, literature is life or death. What is it for the rest of us? Why do we read? Lay out clear parameters as to how many of the year’s texts the final product should reference. On the day of the final exam, let students present their work in rotating partners. Have everyone find a partner and share what they have come up with. Whenever they are done they can drift on to the next partner. Circulate with them and let it go on for as long as it is interesting and useful. Then collect the work and wish them well.

#3 Curate the Year

Jennifer Gonzalez recently did a podcast I really enjoyed on  Curation Assignments . Though I’ve long been familiar with the idea of doing a museum exhibition on a subject, I like the new directions she took curation. There are so many ways you could have students curate the year – students could design a website featuring the best works from the curriculum around a theme of their choosing with related images, sound, video, etc.,  design a virtual art show of works related to the texts you have studied, record a podcast including critical quotations and related research surrounding an important thread from the year, etc. The museum exhibit is always an option! This type of final assessment can then be showcased during the final exam period.

#4  The Video Game

Gaming seems to be taking over the world. One walk through a boys’ dorm at my boarding school can attest to this. Give students the opportunity to turn your course into a video game for their final exam. Perhaps each text is a level they create. Perhaps the major conflicts from the works you have studied become the challenges faced by the hero. Perhaps each game world is about emulating the narrative style of each work studied. Give students a lot of examples and then give them a lot of freedom. Just be sure to set out specific guidelines for connecting their games to their studies, so they know they must use their games to show their thorough knowledge of the work you have done together. I would definitely create the rubric in advance so they have it as they work.

#5 The Netflix Series

Netflix impressively brought history to life with “The Crown” this year. Why not move on to a literature series next? Have students create a pitch for a Netflix series that would feature the stories you have studied in your course. The pitch must center around a theme or two that could capture the hearts of the world and then show how each text could be brought to dramatic life to highlight that theme. Students can imagine the settings, main characters, directors, etc. to the extent that you think is interesting and helpful. Some will love including details like these, others may wish to focus solely on the textual explication. Give them some room to maneuver, as long as they prove their understanding of the coursework.

Whenever I have the option, I abandon traditional final exams in favor of a creative option. I’ve never regretted it yet!

I’ll help you find the creative ELA strategies that will light up your classroom. Get ready for joyful teaching!

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7 Plus English: Creative writing prompts explained!

April 26th, 2021 Last updated: July 6th, 2023

In this blog, the second in a series of 'Types of...' 7 Plus preparation posts, Meredith outlines a range of different creative writing prompts that can appear in the English paper and offers some useful insight and handy tips for preparing for each one.

The ‘composition’ aspect of the 7 and 8 Plus entrance exams can include a variety of different prompts for writing. Getting familiar with the different types of prompts that can appear and practising how to relate back to what is being asked is a crucial skill to practice ahead of the exams. 

Students will usually be given an option of two prompts to use with the words ‘either’, ‘or’. All types of prompts come with some bullet points ‘things / questions to think about / try to include’ that students should read and refer to in their writing. 

Continue the story 

Most often, students are given an option to continue the story from the comprehension passage they have read. This requires that students ensure they know the characters in the story, continue using the correct names and write in ‘third person’. They will also need to use consistency of tense e.g. if the story is written in the present tense, they will need to continue with the same tense and not switch to the past tense. Using clues from the text about the setting and characters are also important – for example, if the comprehension passage describes ‘Lucy’ as ‘quiet and shy’, it would be inconsistent to have Lucy ‘yelling at her friends to hurry up’ in the next part of the story! The same goes for the setting. If the story in the comprehension passage is set in an old, haunted house, it makes sense to keep it there! Another key point about continuing the story is to start where the passage left off, so it is helpful for students to read the last paragraph or few lines again before writing to think about what just happened and what will happen next. 

Write a story about a time when you… 

This is usually connected to the comprehension passage too. For instance, if the comprehension story involved a storm, students may be asked to write about a time when they were in a storm. Key to this is knowing to write in ‘first person’ rather than ‘third’. It is important that students get to practice the skill of writing stories from their own experiences. This can bring the added benefit of using first-hand memories and their own senses. Some students find it easier to rely on their experiences and memories rather than use their imagination so plenty of first-hand experiences of the world is crucial! 

Write a story entitled/ with the title… 

With this kind of prompt, it is essential to really use the title and refer to it somehow throughout the story. For instance, if the title is ‘The Magical World Beyond the Wardrobe’, students will be expected to use the title to write about a relevant setting e.g. a bedroom wardrobe / magical world, a relevant possible problem e.g. getting lost, relevant characters e.g. explorer children, magical creatures and a relevant resolution e.g. finding their way back. The key here is making reference to the title throughout and creating relevant story elements. This kind of prompt may also include a picture to use to spark imagination. 

Need help? View our 7 Plus tutors here

Picture prompt

Less often (but it does come up) is a prompt that is a stand-alone picture. This prompt may ask students to describe what they see in the picture or create a story from it. Either way, students should examine the details of the picture closely for a minute or two and let themselves note down any relevant words, phrases or ideas that begin to form in their minds. Describing the picture requires plenty of descriptive writing practice using adjectives, expanded noun phrases and figurative language (similes, metaphors, personification etc.) as well as drawing on the senses to bring the writing to life. If students are creating a story from the picture, they should let it spark their imagination and include the character and/or setting they see in the picture in their story. An excellent resource for practice with this prompt is the website https://www.onceuponapicture.co.uk/ which has a wealth of amazing and inspiring pictures! 

Character description  

A lesser-seen prompt is that of a character description. Brief character descriptions are important to include in stories (a sentence or two about a character e.g. ‘Imran had dark brown eyes and jet-black hair that was as dark as the night. He was the kind of boy who never seemed to get scared, or at least that’s what it looked like.’ However, this kind of prompt is asking students to write entirely about a character. Important elements to include in a character description are: appearance, personality, likes and dislikes. It is essential students know what these words mean and that they have a range of vocabulary they can draw on to describe a character’s appearance and personality (there are plenty of vocabulary sheets for this purpose). Practising writing character descriptions is hugely helpful, not only for the exams but for a student’s writing journey. 

Recount 

This is similar to writing a story about a time when… but slightly different! A recount is an autobiographical piece that should appear as non-fiction. That is, the student should write about their real experiences rather than using their imagination. However, one’s imagination can of course be useful to draw on if the student finds they have not had an experience such as ‘A day you spent at the fair’. Recounts should be written from a ‘first person’ perspective and in chronological order using ‘time’ connectives and sentence openers such as ‘First’, ‘Then’, ‘After that’, ‘Later on’, ‘Finally’ etc. 

Diary entry  

I have only seen diary writing once as a prompt in a 7 Plus paper referring to the comprehension passage but it is a useful skill to practice. If the student doesn’t already keep a diary it is helpful to get into the habit of asking the student to write a couple/ few sentences at the end of each day. I personally think keeping a diary/ journal is a wonderful practice for writing in general and helps children to see that writing can be purely for personal pleasure rather than for any external validation or grade. Get students into the habit of writing the date on the top line, beginning ‘Dear Diary’ and signing off with their name. A standard element of diary writing is to include one’s feelings. 

Letter writing 

I have never seen being asked to write a letter as a prompt before but it could come up! Students may be asked to write a letter to one of the characters in the comprehension passage or imagine they are one of the characters writing a letter home etc. Old-fashioned though it may sound, get students to practice writing letters to their friends or family to see the real-life benefit and enjoyment of sending and receiving letters! Personally, I see letter-writing as a beautiful life-skill to develop and enjoy. Ensure students are familiar with the structure and vocabulary for writing both formal and informal letters. 

Creative writing prompts can come in many forms so having some practice ahead of the exam at recognising and writing using the above range of prompts will ensure students feel confident and prepared for whatever appears!

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• Assessing Student Learning

In designing assessments or assignments for a course, instructors often think of exams or term papers, but there are many other types of assessments that may be appropriate for your course. If you are willing to think creatively about assignments that go beyond traditional exams or research papers, you may be able to design assignments that are more accurate reflections of the kind of thinking and problem-solving you want your students to engage in. In addition, non-traditional assignments can boost students’ motivation.

In developing creative assessments of your students’ learning, it is helpful to think about exactly what you want to assess. The questions below will help you focus on exactly what skills and knowledge your assessment should include.

• Do you want to assess your students’ acquisition of specific content knowledge, or their ability to apply that knowledge to new situations (or both)?
• Do you want to assess a product that students produce, or the process they went through to produce it, or both?
• writing ability
• speaking skills
• use of information technology
• Is a visual component to the assessment necessary or desirable?
• Is the ability for students to work in a group an important component of the assessment?
• Is it important that the assessment be time-constrained?

To help you think outside the box in developing assessments of your students’ learning, here are some alternatives to multiple-choice exams that can be used in many disciplines and contexts. They are organized based on what kinds of cognitive processes or skills they require.

Alternatives that draw on students’ creativity:

• Advertisement
• Development of a product or proposal (perhaps to be judged by external judges)
• Diary entry for a real or fictional character
• Letter to a friend explaining a problem or concept
• Performance: e.g., a presentation to the class or a debate
• Poem, play, or dialogue
• Web page or video
• Work of art, music, architecture, sculpture, etc.
• Newspaper article or editorial

Alternatives that require analysis or evaluation:

• Analysis and response to a case study
• Analysis of data or a graph
• Analysis of an event, performance, or work of art
• Chart, graph, or diagram with explanation
• Legal brief
• Review of a book, play, performance, etc.
• Literature review
• Policy memo or executive summary
• Diagram, table, chart, or visual aid

Alternatives that require work similar to what is required for a term paper, but that result in shorter documents:

• Annotated bibliography
• Introduction to a research paper or essay (rather than the full paper)
• Executive summary
• Research proposal addressed to a granting agency
• Scientific abstract
• Start of a term paper (the thesis statement and a detailed outline)

Alternatives that require only that students understand course material:

• Explanation of a multiple-choice answer (students must explain why the answer they chose to a multiple-choice question is correct, or why the alternative answers are wrong)
• Meaningful paragraph (given a list of specific terms, students must use the terms in a paragraph that demonstrates that they understand the terms and their interconnections)
• Short-answer exam (rather than asking multiple-choice questions, make some questions short-answer, to require students to show their understanding of key concepts)

Alternatives that require integration of many skills and types of knowledge:

• Poster (which could be presented to the class or a larger audience in a poster session)
• Portfolio to demonstrate improvement or evolution of work and thinking over time
• Powerpoint presentation
• Reflection by students on what they have learned from an experience

Who Is Doing This at IUB

Ben Motz, in the department of Psychological and Brain Sciences, assesses his students’ understanding of concepts in his cognitive psychology course by asking them to produce 60-second public service announcements about the concepts. He describes the project in  this CITL faculty spotlight . He has also created a course in which students apply concepts of probability and techniques of statistical analysis to managing fantasy football leagues.  His course is described in  this news release .

Professor Leah Shopkow, in the department of History, has her students create posters to demonstrate their understanding of concepts in her medieval history class. The students present the posters in a poster session that is open to the public.

Learning Outcomes

Walvoord, Barbara and Virginia Anderson (1998). Types of assignments and tests. Appendix B in Effective Grading: A Tool for Learning and Assessment. San Francisco: Jossey-Bass, pp. 193 – 195.

For More Help or Information

For help in designing creative assignments,  contact the CITL  to meet with a consultant. 

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15 Creative Writing Prompts for 11-year-olds Preparing for the 11 Plus English Exam

If your child is in year 5 of primary school, then chances are they may be sitting their 11+ exams soon.

In many of the 11 Plus exams will be an English paper that includes a creative essay, in which your child will be expected to demonstrate their literacy skills creatively by using extensive language, grammar and punctuation.

In order to put their best foot forward, your child will need to prepare adequately – there is no such thing as too much practice when it comes to writing. That’s why we have created some free creative writing resources , including the following 15 creative writing prompts to help your child exercise their creativity

Don’t forget – we have lots of writing prompts books and booklets, too! See below:

15 Creative Writing Prompts

• Let’s say you could create your own animal, what would it look like? How would you describe it in terms of size, colour and height? What would it sound like? What does it eat?
• Write a story about a day in your life from the viewpoint of a mouse.
• Imagine you are 10 years older. Write about what the 21-year-old version of you would be like.
• Imagine that you were chosen as one of the first people to visit Mars. What would you take with you and what do you think the planet would be like?
• If you switched places with your parents for a day, how would you run the house? What rules would you introduce and which rules would you change?

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ChatGPT Plus vs Copilot Pro: Which AI is better?

• ChatGPT Plus and Copilot Pro use GPT-4 but have noticeable differences due to integrated tools and user interfaces.
• Copilot is faster, offers more integrated image editing tools, and is integrated with Microsoft 365.
• ChatGPT excels in writing eloquent content, has fewer ads, and restricts content imitation more than Copilot.

OpenAI's ChatGPT Plus and Microsoft's Copilot Pro are among the biggest names in artificial intelligence. Yet, these chatbots arguably have more in common than any other subscription-based AI software. That's because both platforms are built with versions of GPT-4 . In theory, this means one shouldn't be any smarter than the other. However, while the underlying training data is similar, the two AI platforms have a few noticeable disparities that could make all the difference in choosing where to spend that $20-a-month subscription.

I created a ChatGPT Plus vs. Copilot Pro battle by feeding both programs the same prompts. Both use GPT-4 and DALL-E, yet Copilot just made GPT-4 Turbo available even to non-paying customers. That move gives Microsoft's offering a bit more speed. Yet, that's not the only distinction. The wildly different user interfaces, integrations, and policies create noticeable gaps between the two AI chatbots. ChatGPT tended to be a bit more long-winded yet offered more descriptive language and varied sentence structures. On the other hand, Copilot offered more tools inside the AI app while simultaneously being integrated into more places, like Word and Outlook.

With both subscriptions costing $20 a month and utilizing GPT-4 and DALL-E, the differences between ChatGPT Plus and Copilot Pro make one a better fit. Here's how the two programs differ.

I tested Gemini Advanced against ChatGPT Plus to see which AI is better

Image test: copilot has more built-in image editing tools, yet chatgpt delivers the requested style a bit better.

Both chatbots had the same struggles that feel fairly universal across generative AI -- neither could properly spell "happy birthday" within the graphic itself when I asked it to create a birthday card. Similarly, both struggled with human hands and portraying people in a way that didn't feel artificial.

While the platforms share similar struggles, looking at the integrated tools, Copilot pulls ahead. Microsoft's AI created four image options, whereas ChatGPT created one. But Copilot's real benefits come from the integrated tools. Designer, the GPT made for creating images, has a few integrated tools where you can edit the resulting graphic. Integrated styles allowed me to convert to a different genre like watercolor or pixel art. I could even click on part of the image to create a background blur or a color pop effect or switch to a square aspect ratio, all without leaving Copilot.

The one thing I felt ChatGPT excelled at was getting the style right on the first attempt. When I asked for a watercolor image, ChatGPT produced a watercolor image. With Copilot, it produced a render that wasn't at all like a watercolor. With Copilot, I could then use the built-in tools to select a style, and then the result was closer to what I was looking for. Still, Copilot's watercolor featured black outlines more consistent with comic book art than with a painting.

Copilot: Everything you need to know about Microsoft's AI

Writing test: chatgpt is long-winded, but more eloquent, copilot was able to add in more recent facts.

ChatGPT tends to get wordy if you don't request a specific length. However, the program from OpenAI also produced more polished content. ChatGPT's writing, for both business and creative tasks, contained more varied sentence structures, less passive voice, and more descriptive language.

In contrast, when tasked with writing a short story about a haunted house, Copilot started with "once upon a time" and ended with "happily ever after" in an odd mashup of horror tropes and fairy tale storytelling. Copilot did a bit better when I switched from the fast conversation style to creative, though I still enjoyed ChatGPT's story more. Copilot also misunderstood instructions when I asked it to write up a letter of recommendation for a former coworker, writing a letter to me rather than from me.

The one area where Copilot performed a little better was pulling recent information. ChatGPT integrated more specifics in an email about the iPhone 15 Pro when requested, but acted as if the phone hadn't been announced yet and reminded me to check the specifications. Copilot seemed to do better at incorporating recent information, adding specifications about the smartphone on the first attempt. Both programs incorrectly stated that the Pro version had the A16 chipset, serving as a reminder to always check factual data when using AI.

I tried ChatGPT Plus. Here's everything it can do

Advice test: chatgpt often suggests more options, but co-pilot still had some sound advice.

What felt long-winded when tasked with writing a professional email turned into more ideas when I asked ChatGPT for advice. When I asked for gift ideas, the chatbot churned out more ideas in general than Copilot.

However, the two programs felt most similar here in chatting and asking for advice. I could have asked for a specific number of ideas and received very similar results. ChatGPT listed more options, but both churned out fairly standard advice when I asked for gift ideas and job interview tips.

How to master GPT-4 in ChatGPT: Prompts, tips, and tricks

Speed test: copilot tends to finish faster, copilot has three modes for choosing when speed is most important.

With ChatGPT coming from OpenAI, the company behind GPT-4, it's a bit surprising that Copilot is actually the first to utilize GPT-4 Turbo. While the upgraded GPT is available for beta users of ChatGPT Pro, Copilot began integrating the Turbo version for consumers first, resulting in a tendency to answer questions faster.

When I asked for a poem, Copilot finished plus added four images (that I didn't request) before ChatGPT could even finish just the text. In general, Copilot seemed to finish faster nearly every time.

Copilot also has three conversation styles to choose from, so you can prioritize speed, creativity, or precision. Switching to creative mode occasionally allowed ChatGPT to finish first. But, in general, Copilot completed more tasks first.

ChatGPT seemed to experience more freezes. It's limited to 40 messages every three hours. Microsoft doesn't list a specific number for Copilot, but the company recently removed the former 300-message daily limit for the free tier.

How to use ChatGPT to make AI-generated art and images

Ethics test: both chatbots use the similar training data, but chatgpt has more content restrictions in place.

With both chatbots using GPT-4, the difference in ethics between the two platforms lies in each company's content policy guidelines. Neither chatbot refused to generate an image in the style of Van Gogh. However, when I asked for an image inspired by more recent living artists, ChatGPT refused, as imitating a specific artist's style is against the content guidelines.

Neither platform refused when asked to imitate a writer's style, past or present.

10 ChatGPT extensions to try and what exactly they can do

Privacy test: copilot doesn't use data for training, but both platforms have some data controls.

Both ChatGPT and Copilot allow users to delete their previous chats. ChatGPT will delete your data automatically every 30 days if you turn off chat history. Copilot has a privacy center where users can visit and manually delete their data, though this also deletes Bing search history.

Microsoft says it doesn't use data typed into Copilot for training -- which makes sense as the system is based on training data from OpenAI. ChatGPT will use your data for training, but users can turn this off in the settings.

OpenAI launches GPT Store for custom chatbots in ChatGPT

Extra features test: copilot has more integrations, but chatgpt has more custom gpts and fewer ads.

Naturally, as a Microsoft product, Copilot is integrated into more apps. You can use Copilot in Word and PowerPoint if you also have a Microsoft 365 subscription. Microsoft also incorporates the AI into Outlook email. That means there's less copy-paste action to get the AI-written content into your email, word processor, or presentation. You don't have to go back and forth between the Copilot app or web version and the program you are using.

Copilot also has more integrated tools. You can edit your images right from the image generator. Copilot Notebook will also generate content for you without the chat-like experience, allowing longer descriptions of what you would like the AI to write for you.

While ChatGPT doesn't have those same integrations, it does have a longer list of custom GPTs. The Explore GPT section has plenty of different options in a number of different categories, while Copilot is limited to Copilot, Designer, Vacation Planner, Cooking Assistant, and Fitness Trainer.

ChatGPT also doesn't have ads within the paid mobile app or web platform. Copilot annoyingly sneaks in some links and even some photo ads after nearly each generation.

How to use Google's Gemini AI from the web or your phone

Verdict: which ai chatbot subscription is the best, copilot has a free trial and is faster, and the free version uses gpt-4.

Despite sharing similar training data, ChatGPT Plus and Copilot Pro both have unique quirks that make the decision on which chatbot to use a more clear-cut choice. Both have the same $20 a month cost, though Microsoft is the only one with a one-month free trial accessible by downloading the mobile app.

With integration into Microsoft 365, Copilot is the better choice for users who already have a subscription to the brand's suite of tools like Word and PowerPoint. While the AI is in addition to the subscription costs for Microsoft 365, the integration means less back-and-forth between separate apps.

Copilot is also the faster of the two AI systems, with fewer message limits. Microsoft's chatbot also has more integrated image editing tools for use with DALL-E graphics. The user interface also has a separate Copilot Notebook, allowing for generating text without the chat-like experience.

While Copilot is the better choice for those who already use Word and Outlook, ChatGPT Pro consistently produces more eloquent written content. Where Copilot's felt more like a first draft, OpenAI delivered more varied sentence structure and vocabulary for a smoother read. ChatGPT also has content restrictions that prevent imitating another modern artist. The OpenAI program was also free of the ads that dotted Copilot.

Looking outside the subscriptions to the free tiers, the decision is more clear-cut. The free version of Copilot uses GPT-4, while ChatGPT uses the older GPT-3.5 for non-paying users. That allows Copilot to deliver better results in less time for those who cannot swing the cost. The free access to GPT-4 and GPT-4 Turbo is limited to non-peak times, however, and the free option also excludes the Microsoft 365 integrations.