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Hamlet essays questions and answers grade 12 pdf.

Hamlet Essays Questions and Answers Grade 12 pdf: There are contextual questions as well as essay questions for The Tragedy of Hamlet, Prince of Denmark .

1 Quick FACTS about Hamlet
2 Contextual question
3 Literary Essay Question
4.0.1 The nobility
4.0.2 The commoners
4.0.3 Clergy
5.1 How to answer the above essay question: Answer Guide
6.1 How to answer the above essay question: Answer Guide
7 Hamlet Essays Questions and Answers Grade 12 pdf Downloads
8 Questions and Answers

Quick FACTS about Hamlet

Who wrote Hamlet?

William Shakespeare

What is the Genre of the Story?

Tragedy; revenge tragedy

Who is the Protagonist?

Prince Hamlet

Explain the major conflict that happens in the story

Hamlet feels a responsibility to avenge his father’s murder by his uncle Claudius, but Claudius is now the king and this complicates matters for Prince Hamlet. Moreover, Hamlet has doubts about whether he can trust his father’s ghost, and whether killing Claudius is the appropriate thing to do.

Explain the rising of the action in the story

The ghost appears to Hamlet and tells Hamlet to avenge his murder; Hamlet pretends to be mad to his hide intentions; Hamlet stages the mousetrap play; Hamlet is reluctant to take the opportunity to kill Claudius while he is praying.

What happens in the climax?

When Hamlet violently stabs Polonius through the arras in Act III, scene iv, he brings himself into unavoidable conflict with the king (Claudius). Another possible climax comes at the end of Act IV, scene iv, when Hamlet resolves to commit himself fully to violent revenge.

What is falling action of a story?

Hamlet is sent to England to be killed; Hamlet returns to Denmark and confronts Laertes at Ophelia’s funeral; the fencing match between Hamlet and Laertes; the deaths of the royal family.

What is the setting (time) for the story?

Elizabethan times . In and around the royal palace in Elsinore, a city in Denmark

Contextual question

In a contextual question, you are given an extract (about 25–30 lines) from the drama. You will then have to answer questions based on the extract. Some answers can be found in the extract. Other questions will test your understanding of other parts of the drama: plot, characters, symbols and themes. Some questions will require that you express your opinion about the drama.

Literary Essay Question

Writing literary essays is a skill requiring preparation, planning and practice. When answering literary essays, you do not re-tell the story. Instead , you need to focus on specific requirements of the set essay question. The number of paragraphs in your literary essay will depend on what the question requires.

Characters in Hamlet

Cl assification of characters according to social status

In Hamlet , the characters’ social standing plays an important role, especially in relation to the Great Chain of Being.

The nobility

This is the noble class, made up of the royal family and the courtiers, whose wealth and position in society were inherited. They had political power and owned most of the land. The nobles in the play include Prince Hamlet, Claudius, Gertrude, King Hamlet and the Fortinbrases.

The commoners

These are people who had no inherited titles or wealth. Most of them had little chance of improving their social status except through their relationships with the nobility. For example, Horatio, Hamlet’s university associates (Guildenstern and Rosencrantz), Polonius and his children, the guards and the grave diggers, all belong to this class.

Some of the commoners are used to provide humour and to comment on the actions of the other characters are doing , e.g. in the graveyard scene.

The clergy in Elizabethan times were given a special role in society. In Hamlet , the priest performs the last rites and burials, as seen during Ophelia’s burial.

Hamlet Essay Question 1

Hamlet’s behaviour throughout the play has unintended consequences. Critically discuss the extent to which you agree with the above statement. Your response should take the form of a well-constructed essay of 400–450 words (2–21⁄2 pages).

How to answer the above essay question: Answer Guide

Candidates might argue that this statement is not entirely true and discuss how Hamlet’s behaviour has either intended or unintended consequences or they might offer a mixed response.

From the time he learns of his father’s murder, Hamlet is obsessed with the need to avenge his death. This sets him on a course that has many unintended consequences.
Hamlet intends for his antic disposition to mislead his enemies and to allow him to investigate the Ghost’s accusations. It serves, however, to make Claudius suspicious of him and leads to Rosencrantz and Guildenstern’s spying on him and ultimately their deaths.
Hamlet’s introspection, self-doubt and anxiety cause him to procrastinate, thus giving Claudius the opportunity to act against him.
Although Hamlet has the perfect opportunity to kill Claudius while he is at prayer, he decides against it, as he does not want Claudius’s soul to ascend to heaven. His delay gives Claudius time to come up with a plan to kill him. Realising that Hamlet poses a threat to him, Claudius sends Hamlet to England where he will be executed by the English king.
Hamlet’s boarding of the pirate ship has the unintended consequence of enabling him to return to Denmark and escape execution.
Hamlet unintentionally kills Polonius when he realises that he is being spied upon in his mother’s room. As a result, Laertes is determined to avenge his father’s death.
Hamlet’s cruel treatment of Ophelia is a result of his disillusionment with his mother, and women in general. His brutal rejection of her and her father’s death at Hamlet’s hands cause Ophelia to descend into madness and she drowns soon after.
In order to eliminate the threat that Hamlet poses to him, Claudius poisons Hamlet’s wine at the duel. Gertrude’s death after drinking the poison is a consequence that neither Hamlet nor Claudius could have predicted.
Fortinbras’s becoming King of Denmark is another unexpected outcome of Hamlet’s commitment to revenge.
Candidates might argue that much of what Hamlet does is orchestrated and that he has a very clear outcome in mind. They might refer to his deliberate act of feigning madness and his plan to stage a play that mirrors Claudius’s murderous and incestuous actions. Both these acts have the intended outcome of confirming Claudius’s guilt.

Hamlet Essay Question 2

Hamlet is responsible for his own tragic fate. Assess the validity of this statement. Your response should take the form of a well-constructed essay of 400–450 words (2–21⁄2 pages).

Below is the basis for answering this essay. Use the following as a guideline only. However, also allow for answers that are different, original and show evidence of critical thought and interpretation.
A range of examples may be used by the candidates to support their arguments.

A mixed response would demonstrate a comprehensive understanding of the text.

Hamlet struggles to reconcile his conscience with the need to avenge his father’s death. His dilemma is that he is prone to philosophic speculation and a desire to make judgements based on reason. He vacillates rather than reacts. While some might construe Hamlet’s behaviour as weak and see him as responsible for his own fate, others might argue that Hamlet’s vacillations are a consequence of his goodness.
Hamlet has no control over certain events: the murder of his father, Claudius’s ascension to the throne and his marriage to Gertrude.
Hamlet acknowledges that fate plays a role in the way in which matters unfold: he says that ‘there’s a divinity that shapes our end’. This suggests that, although Hamlet’s flaws may contribute to his downfall, there are elements beyond his control.
Candidates might argue that Hamlet’s assumed madness is a fatal error of judgement that contributes to the tragic consequences.
Candidates might argue that Hamlet is solely responsible for his fate because of his self-pitying attitude and his procrastination. The consequent train of events is a result of his failure to act timeously. He ought to have disclosed the presence of the Ghost to Gertrude and then perhaps events might have taken a different turn.
Candidates who argue that Hamlet has no control over events will focus on issues of fate and/or restrictive circumstances rather than Hamlet’s decisions.
Fate plays a role when the ship Hamlet travels on is attacked by pirates, resulting in his being saved and returning to Denmark.
The machinations of Claudius, his collusion with Rosencrantz and Guildenstern, as well as with Polonius and Laertes, make it impossible for Hamlet to be held solely accountable for the tragic unfolding of events.
When Hamlet does act, he does so impulsively (e.g. the killing of Polonius and his role in the killing of Rosencrantz and Guildenstern). He avoids acting with premeditation. He struggles to react to the Ghost’s request.

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Home — Essay Samples — Literature — Plays — Hamlet

Essays on Hamlet

Hamlet essay topics and outline examples, essay title 1: the tragic hero in "hamlet": analyzing the complex character of prince hamlet.

Thesis Statement: This essay delves into the character of Prince Hamlet in Shakespeare's "Hamlet," examining his tragic flaws, internal conflicts, and the intricate web of relationships that contribute to his downfall, ultimately highlighting his status as a classic tragic hero.

Introduction
Defining Tragic Heroes: Characteristics and Literary Tradition
The Complex Psychology of Prince Hamlet: Ambiguity, Doubt, and Melancholy
The Ghost's Revelation: Hamlet's Quest for Justice and Revenge
The Theme of Madness: Feigned or Real?
Hamlet's Relationships: Ophelia, Gertrude, Claudius, and Horatio
The Tragic Climax: The Duel, Poisoned Foils, and Fatal Consequences

Essay Title 2: "Hamlet" as a Reflection of Political Intrigue: Power, Corruption, and the Tragedy of Denmark

Thesis Statement: This essay explores the political dimensions of Shakespeare's "Hamlet," analyzing the themes of power, corruption, and political manipulation as portrayed in the play, and their impact on the fate of the characters and the kingdom of Denmark.

The Political Landscape of Denmark: Claudius's Ascension to the Throne
The Machiavellian Villainy of Claudius: Murder, Deception, and Ambition
Hamlet's Struggle for Justice: The Role of Political Morality
The Foils of Polonius and Laertes: Pawns in Political Games
The Fate of Denmark: Chaos, Rebellion, and the Climactic Tragedy
Shakespeare's Political Commentary: Lessons for Society

Essay Title 3: "Hamlet" in a Contemporary Context: Adaptations, Interpretations, and the Play's Enduring Relevance

Thesis Statement: This essay examines modern adaptations and interpretations of "Hamlet," exploring how the themes, characters, and dilemmas presented in the play continue to resonate with audiences today, making "Hamlet" a timeless and relevant work of literature.

From Stage to Screen: Iconic Film and Theater Productions of "Hamlet"
Contemporary Readings: Gender, Race, and Identity in "Hamlet" Interpretations
Psychological and Existential Interpretations: Hamlet's Inner Turmoil in the Modern World
Relevance in the 21st Century: Themes of Revenge, Justice, and Moral Dilemma
Adapting "Hamlet" for New Audiences: Outreach, Education, and Cultural Engagement
Conclusion: The Timelessness of "Hamlet" and Its Place in Literature

Exploring The Success of Hamlet: a Timeless Tragedy

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Use of Dramatic Irony in Hamlet

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The Tragic Story of Hamlet

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"Act": The Theme of "Acting" in Hamlet

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1603, William Shakespeare

Play; Shakespearean tragedy

Hamlet, Claudius, Gertrude, Polonius

The play Hamlet is the most cited work in the English language and is often included in the lists of the world's greatest literature.

"Frailty, thy name is woman!" "Brevity' is the soul of wit" "To be, or not to be, that is the question" "I must be cruel to be kind" "Why, then, ’tis none to you, for there is nothing either good or bad but thinking makes it so. To me, it is a prison."

1. Wright, G. T. (1981). Hendiadys and Hamlet. PMLA, 96(2), 168-193. (https://www.cambridge.org/core/journals/pmla/article/abs/hendiadys-and-hamlet/B61A80FAB6569984AB68096FE483D4FB) 2. Leverenz, D. (1978). The woman in Hamlet: An interpersonal view. Signs: Journal of Women in Culture and Society, 4(2), 291-308. (https://www.journals.uchicago.edu/doi/abs/10.1086/493608?journalCode=signs) 3. Lesser, Z., & Stallybrass, P. (2008). The first literary Hamlet and the commonplacing of professional plays. Shakespeare Quarterly, 59(4), 371-420. (https://academic.oup.com/sq/article-abstract/59/4/371/5064575) 4. De Grazia, M. (2001). Hamlet before its Time. MLQ: Modern Language Quarterly, 62(4), 355-375. (https://muse.jhu.edu/article/22909) 5. Calderwood, J. L. (1983). To be and not to be. Negation and Metadrama in Hamlet. In To Be and Not to Be. Negation and Metadrama in Hamlet. Columbia University Press. (https://www.degruyter.com/document/doi/10.7312/cald94400/html) 6. Kastan, D. S. (1987). " His semblable is his mirror":" Hamlet" and the Imitation of Revenge. Shakespeare Studies, 19, 111. (https://www.proquest.com/openview/394df477873b27246b71f83d3939c672/1?pq-origsite=gscholar&cbl=1819311) 7. Neill, M. (1983). Remembrance and Revenge: Hamlet, Macbeth and The Tempest. Jonson and Shakespeare, 35-56. (https://link.springer.com/chapter/10.1007/978-1-349-06183-9_3) 8. Gates, S. (2008). Assembling the Ophelia fragments: gender, genre, and revenge in Hamlet. Explorations in Renaissance Culture, 34(2), 229-248. (https://go.gale.com/ps/i.do?id=GALE%7CA208534875&sid=googleScholar&v=2.1&it=r&linkaccess=abs&issn=00982474&p=AONE&sw=w&userGroupName=anon%7Eebb234db)

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by William Shakespeare

Hamlet study guide.

The story of the play originates in the legend of Hamlet (Amleth) as recounted in the twelfth-century Danish History, a Latin text by Saxo the Grammarian. This version was later adapted into French by Francois de Belleforest in 1570. In it, the unscrupulous Feng kills his brother Horwendil and marries his brother's wife Gerutha. Horwendil's and Gerutha's son Amleth, although still young, decides to avenge his father's murder. He acts the fool in order to avoid suspicion, a strategy which succeeds in making the others think him harmless. With his mother's active support, Amleth succeeds in killing Feng. He is then proclaimed King of Denmark. This story is on the whole more straightforward than Shakespeare’s adaptation. Shakespeare was likely aware of Saxo's version, along with another play performed in 1589 in which a ghost apparently calls out, "Hamlet, revenge!" The 1589 play is lost, leading to much scholarly speculation as to who might have authored it. Most scholars attribute it to Thomas Kyd, author of The Spanish Tragedy of 1587. The Spanish Tragedy shares many elements with Hamlet , such as a ghost seeking revenge, a secret crime, a play-within-a-play, a tortured hero who feigns madness, and a heroine who goes mad and commits suicide.

The Spanish Tragedy was one of the first and most popular Elizabethan "revenge tragedies," a genre that Hamlet both epitomizes and complicates. Revenge tragedies typically share a few plot points. In all of them, some grievous insult or wrong requires vengeance. Often in these plays the conventional means of retribution (the courts of law, generally speaking) are unavailable because of the power of the guilty person or persons, who is often noble if not royal. Revenge tragedies also emphasize the subjective struggle of the avenger, who often fights (or feigns) madness and generally wallows in the moral difficulties of his situation. Finally, revenge tragedies end up with a dramatic bloodbath in which the guilty party is horribly and often ritualistically killed. Hamlet is not Shakespeare's first revenge tragedy - that distinction belongs to Titus Andronicus , a Marlovian horror-show containing all of the elements just mentioned. But Hamlet is generally considered the greatest revenge tragedy, if not the greatest tragedy, if not the greatest play, ever written.

The central reason for the play's eminence is the character of Hamlet. His brooding, erratic nature has been analyzed by many of the most famous thinkers and artists of the past four centuries. Johann Wolfgang von Goethe described him as a poet - a sensitive man who is too weak to deal with the political pressures of Denmark. Austrian psychoanalyst Sigmund Freud viewed Hamlet in terms of an “Oedipus complex,” an overwhelming sexual desire for his mother. This complex is usually associated with the wish to kill one’s father and sleep with one’s mother. Freud points out that Hamlet's uncle has usurped his father's rightful place, and therefore has replaced his father as the man who must die. However, Freud is careful to note that Hamlet represents modern man precisely because he does not kill Claudius in order to sleep with his mother, but rather kills him to revenge his father’s death. Political interpretations of Hamlet also abound, in which Hamlet stands for the spirit of political resistance, or represents a challenge to a corrupt regime. Stephen Greenblatt, the editor of the Norton Edition of Shakespeare, views these interpretive attempts of Hamlet as mirrors for the interpretation within the play itself - many of the characters who have to deal with Hamlet, including Polonius , Claudius, and Rosencrantz and Guildenstern , also develop theories to explain his behavior, none of which really succeeds in doing so. Indeed, nothing sure can be said about Hamlet except that it has been a perennial occasion for brilliant minds to explore some of the unanswerable questions of human existence.

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Hamlet Questions and Answers

The Question and Answer section for Hamlet is a great resource to ask questions, find answers, and discuss the novel.

Describe Fortinbras based on what Horatio says.

Do you mean in Act 1? Based upon Horatio's description, young Fortinbras is bold, inexperienced, and willing to do anything to regain his father's lost lands.

Why is a clock mentioned in Hamlet. There weren’t any clock’s in Hanlet’s time.

Yes I've heard this question before. This is called an anachronism. It is an inconsistency in some chronological arrangement. In this case, there were clocks in Shakespeare’s time but not in Hamlet's. Shakespeare wrote it in because he thought it...

Hamlet’s obsession with the partying going on inside the castle while he stands watch with Horatio mainly suggests that he .

D. feels that King Claudius wants to hide his evil with merriment

Study Guide for Hamlet

Hamlet study guide contains a biography of William Shakespeare, literature essays, a complete e-text, quiz questions, major themes, characters, and a full summary and analysis.

About Hamlet
Hamlet Summary
Hamlet Video
Character List

Essays for Hamlet

Hamlet essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Hamlet by William Shakespeare.

Through Rose Colored Glasses: How the Victorian Age Shifted the Focus of Hamlet
Q to F7: Mate; Hamlet's Emotions, Actions, and Importance in the Nunnery Scene
Before the Storm
Haunted: Hamlet's Relationship With His Dead Father
Heliocentric Hamlet: The Astronomy of Hamlet

Lesson Plan for Hamlet

About the Author
Study Objectives
Common Core Standards
Introduction to Hamlet
Relationship to Other Books
Bringing in Technology
Notes to the Teacher
Related Links
Hamlet Bibliography

E-Text of Hamlet

The Hamlet e-text contains the full text of the play Hamlet by William Shakespeare.

List of Characters

Wikipedia Entries for Hamlet

Introduction

Hamlet Research Paper & Essay Examples

When you have to write an essay on Hamlet by Shakespeare, you may need an example to follow. In this article, our team collected numerous samples for this exact purpose. Here you’ll see Hamlet essay and research paper examples that can inspire you and show how to structure your writing.

✍ Hamlet: Essay Samples

What Makes Hamlet such a Complex Character? Genre: Essay Words: 560 Focused on: Hamlet’s insanity and changes in the character Characters mentioned: Hamlet, Claudius, Ophelia
Shakespeare versus Olivier: A Depiction of ‘Hamlet’ Genre: Essay Words: 2683 Focused on: Comparison of Shakespeare’s Hamlet and Laurence Olivier’s adaptation Characters mentioned: Hamlet, the Ghost, Claudius, Ophelia, Gertrude
Drama Analysis of Hamlet by Shakespeare Genre: Essay Words: 1635 Focused on: Literary devices used in Hamlet Characters mentioned: Hamlet, Claudius, Gertrude, Ophelia
Hamlet’s Renaissance Culture Conflict Genre: Critical Essay Words: 1459 Focused on: Hamlet’s and Renaissance perspective on death Characters mentioned: Hamlet, Claudius, Ophelia, Horatio
Father-Son Relationships in Hamlet – Hamlet’s Loyalty to His Father Genre: Explicatory Essay Words: 1137 Focused on: Obedience in the relationship between fathers and sons in Hamlet Characters mentioned: Hamlet, Laertes, Ophelia, Polonius, Fortinbras, Polonius, the Ghost, Claudius
A Play “Hamlet” by William Shakespeare Genre: Essay Words: 1026 Focused on: Hamlet’s personality and themes of the play Characters mentioned: Hamlet, Claudius, Ophelia, Gertrude, Polonius
Characterization of Hamlet Genre: Analytical Essay Words: 876 Focused on: Hamlet’s indecision and other faults Characters mentioned: Hamlet, Ophelia, Claudius, the Ghost, Gertrude
Hamlet’s Relationship with His Mother Gertrude Genre: Research Paper Words: 1383 Focused on: Hamlet’s relationship with Gertrude and Ophelia Characters mentioned: Hamlet, Gertrude, Ophelia, Claudius, Polonius
The Theme of Revenge in Shakespeare’s Hamlet Genre: Research Paper Words: 1081 Focused on: Revenge in Hamlet and how it affects characters Characters mentioned: Hamlet, Claudius, Gertrude, the Ghost
Canonical Status of Hamlet by William Shakespeare Genre: Essay Words: 1972 Focused on: Literary Canon and interpretations of Hamlet Characters mentioned: Hamlet, Horatio, Claudius
A Critical Analysis of Hamlet’s Constant Procrastination in Shakespeare’s Hamlet Genre: Essay Words: 1141 Focused on: Reasons for Hamlet’s procrastination and its consequences Characters mentioned: Hamlet, Claudius, Gertrude, Ophelia, Polonius
Role of Women in Twelfth Night and Hamlet by Shakespeare Genre: Research Paper Words: 2527 Focused on: Women in Shakespeare’s Twelfth Night and Hamlet Characters mentioned: Ophelia, Gertrude, Hamlet, Claudius, Laertes, Polonius
William Shakespeare’s Hamlet, Prince of Denmark Genre: Essay Words: 849 Focused on: Key ideas and themes of Hamlet Characters mentioned: Hamlet, Ophelia, Laertes
Shakespeare: Hamlet Genre: Essay Words: 1446 Focused on: The graveyard scene analysis Characters mentioned: Hamlet, Ophelia, Laertes, Claudius, Gertrude, Polonius
Oedipus Rex and Hamlet Compare and Contrast Genre: Term Paper Words: 998 Focused on: Comparison of King Oedipus and Hamlet from Sophocles’ Oedipus the King and William Shakespeare’s Hamlet . Characters mentioned: Hamlet
The Play “Hamlet Prince of Denmark” by W.Shakespeare Genre: Essay Words: 824 Focused on: How Hamlet treats Ophelia and the consequences of his behavior Characters mentioned: Hamlet, Ophelia, Claudius, Gertrude, Polonius, Laertes
Hamlet by William Shakespeare Genre: Explicatory Essay Words: 635 Focused on: Key themes of Hamlet Characters mentioned: Hamlet, Claudius, Gertrude, Fortinbras
Hamlet’s Choice of Fortinbras as His Successor Genre: Essay Words: 948 Focused on: Why Hamlet chose Fortinbras as his successor Characters mentioned: Hamlet, Fortinbras, Claudius
Hamlet, Laertes, Fortinbras: Avenging the Death of their Father Compare and Contrast Genre: Compare and Contrast Essay Words: 759 Focused on: Paths and revenge of Hamlet, Laertes, and Fortinbras Characters mentioned: Hamlet, Laertes, Fortinbras, Claudius
Oedipus the King and Hamlet Genre: Essay Words: 920 Focused on: Comparison of Oedipus and King Claudius Characters mentioned: Hamlet, Claudius, Gertrude
Hamlet Genre: Term Paper Words: 1905 Focused on: Character of Gertrude and her transformation Characters mentioned: Gertrude, Hamlet, Claudius, the Ghost, Polonius
Compare Laertes and Hamlet: Both React to their Fathers’ Killing/Murder Compare and Contrast Genre: Compare and Contrast Essay Words: 1188 Focused on: Tension between Hamlet and Laertes and their revenge Characters mentioned: Hamlet, Laertes, Ophelia, Polonius, Claudius, Gertrude
Recurring Theme of Revenge in Hamlet Genre: Essay Words: 1123 Focused on: The theme of revenge in Hamlet Characters mentioned: Hamlet, Laertes, Ophelia
The Function of the Soliloquies in Hamlet Genre: Research Paper Words: 2055 Focused on: Why Shakespeare incorporated soliloquies in the play Characters mentioned: Hamlet, Claudius, Gertrude
The Hamlet’s Emotional Feelings in the Shakespearean Tragedy Genre: Essay Words: 813 Focused on: What Hamlet feels and why Characters mentioned: Hamlet, Gertrude, Claudius
Blindness in Oedipus Rex & Hamlet Genre: Research Paper Words: 2476 Focused on: How blindness reveals itself in Oedipus Rex and Hamlet Characters mentioned: Hamlet, Claudius, Horatio, the Ghost
“Hamlet” and “Rosencrantz and Guildenstern are Dead” Genre: Essay Words: 550 Focused on: Comparison of Hamlet and Rosencrantz and Guildenstern are Dead Characters mentioned: Hamlet, Rosencrantz, Guildenstern
The Role of Queen Gertrude in Play “Hamlet” Genre: Essay Words: 886 Focused on: Gertrude’s role in Hamlet and her involvement in King Hamlet’s murder Characters mentioned: Gertrude, Hamlet, the Ghost, Claudius, Polonius
Rosencrantz and Guildenstern Genre: Explicatory Essay Words: 276 Focused on: The role and destiny of Rosencrantz and Guildenstern in Hamlet Characters mentioned: Rosencrantz, Guildenstern, Hamlet, Claudius
Passing through nature into eternity Genre: Term Paper Words: 2900 Focused on: Comparison of Because I Could Not Stop for Death, and I Died for Beauty, but was Scarce by Emily Dickinson with Shakespeare’s Hamlet Characters mentioned: Hamlet, the Ghost, Claudius, Gertrude
When the Truth Comes into the Open: Claudius’s Revelation Genre: Essay Words: 801 Focused on: Claudius’ confession and secret Characters mentioned: Claudius, Hamlet
Shakespeare Authorship Question: Thorough Analysis of Style, Context, and Violence in the Plays Hamlet, Julius Caesar, Twelfth Night Genre: Term Paper Words: 1326 Focused on: Whether Shakespeare wrote Hamlet, Julius Caesar, Twelfth Night Characters mentioned: Hamlet
Measuring the Depth of Despair: When There Is no Point in Living Genre: Essay Words: 1165 Focused on: Despair in Hamlet and Macbeth Characters mentioned: Hamlet
Violence of Shakespeare Genre: Term Paper Words: 1701 Focused on: Violence in different Shakespeare’s plays Characters mentioned: Hamlet, Horatio, Claudius, Gertrude, Palonius, Laertes,
Act II of Hamlet by William Shakespeare Genre: Report Words: 1129 Focused on: Analysis of Act 2 of Hamlet Characters mentioned: Hamlet, Polonius, Ronaldo, Laertes, Rosencrantz, Guildenstern, First Player, Claudius
The Value of Source Study of Hamlet by Shakespeare Genre: Explicatory Essay Words: 4187 Focused on: How Shakespeare adapted Saxo Grammaticus’s Danish legend on Amleth and altered the key characters Characters mentioned: Hamlet, Ophelia, Gertrude, Claudius, the Ghost, Fortinbras, Horatio, Laertes, Polonius
Ophelia and Hamlet’s Dialogue in Shakespeare’s Play Genre: Essay Words: 210 Focused on: What the dialogue in Act 3 Scene 1 reveals about Hamlet and Ophelia Characters mentioned: Hamlet, Ophelia
Lying, Acting, Hypocrisy in Shakespeare’s “Hamlet” Genre: Essay Words: 1313 Focused on: The theme of deception in Hamlet Characters mentioned: Hamlet, Gertrude, Claudius, Ophelia
Shakespeare’s Hamlet’s Behavior in Act III Genre: Report Words: 1554 Focused on: Behavior of different characters in Act 3 of Hamlet Characters mentioned: Hamlet, Claudius, Gertrude, Ophelia, Rosencrantz, Guildenstern, Polonius
The Masks of William Shakespeare’s Play “Hamlet” Genre: Research Paper Words: 1827 Focused on: Hamlet’s attitude towards death and revenge Characters mentioned: Hamlet, the Ghost
Ghosts and Revenge in Shakespeare’s Hamlet Genre: Essay Words: 895 Focused on: The figure of the Ghost and his relationship with Hamlet Characters mentioned: Hamlet, the Ghost, Gertrude, Claudius
Macbeth and Hamlet Characters Comparison Genre: Essay Words: 1791 Focused on: Comparison of Gertrude in Hamlet and Lady Macbeth in Macbeth Characters mentioned: Gertrude, Claudius, Hamlet
Depression and Melancholia Expressed by Hamlet Genre: Essay Words: 3319 Focused on: Hamlet’s mental issues and his symptoms Characters mentioned: Hamlet, Claudius, Ophelia, Laertes, the Ghost, Polonius
Meditative and Passionate Responses in the Play “Hamlet” Genre: Essay Words: 1377 Focused on: Character of Hamlet in Shakespeare’s play and Zaffirelli’s adaptation Characters mentioned: Hamlet, Claudius, Gertrude, Ophelia, Polonius
Portrayal of Hamlet in Shakespeare’s Play and Zaffirelli’s Film Genre: Essay Words: 554 Focused on: Character of Hamlet in Shakespeare’s play and Zaffirelli’s adaptation Characters mentioned: Hamlet, Ophelia
Hamlet in the Film and the Play: Comparing and Contrasting Genre: Essay Words: 562 Focused on: Comparison of Shakespeare’s Hamlet and Zeffirelli’s version of the character Characters mentioned: Hamlet
Literary Analysis of “Hamlet” by William Shakespeare Genre: Essay Words: 837 Focused on: Symbols, images, and characters of the play Characters mentioned: Hamlet, the Ghost, Claudius, Gertrude, Ophelia
Psychiatric Analysis of Hamlet Genre: Essay Words: 1899 Focused on: Hamlet’s mental state and sanity in particular Characters mentioned: Hamlet, Claudius, Ophelia, Laertes, Polonius
Hamlet and King Oedipus Literature Comparison Genre: Essay Words: 587 Focused on: Comparison of Hamlet and Oedipus Characters mentioned: Hamlet

Thanks for checking the samples! Don’t forget to open the pages with Hamlet essays that you’ve found interesting. For more information about the play, consider the articles below.

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Hamlet Essays Questions and Answers Grade 12 pdf

Hamlet Essays Questions and Answers Grade 12 pdf: There are contextual questions as well as essay questions for The Tragedy of Hamlet, Prince of Denmark .

Table of Contents

Quick FACTS about Hamlet

Who wrote Hamlet?

William Shakespeare

What is the Genre of the Story?

Tragedy; revenge tragedy

Who is the Protagonist?

Prince Hamlet

Explain the major conflict that happens in the story

Explain the rising of the action in the story

What happens in the climax?

What is falling action of a story?

Hamlet is sent to England to be killed; Hamlet returns to Denmark and confronts Laertes at Ophelia’s funeral; the fencing match between Hamlet and Laertes; the deaths of the royal family.

What is the setting (time) for the story?

Elizabethan times . In and around the royal palace in Elsinore, a city in Denmark

Contextual question

Literary Essay Question

Characters in Hamlet

Cl assification of characters according to social status

In Hamlet , the characters’ social standing plays an important role, especially in relation to the Great Chain of Being.

The nobility

The commoners

Some of the commoners are used to provide humour and to comment on the actions of the other characters are doing , e.g. in the graveyard scene.

The clergy in Elizabethan times were given a special role in society. In Hamlet , the priest performs the last rites and burials, as seen during Ophelia’s burial.

Hamlet Essay Question 1

How to answer the above essay question: Answer Guide

Candidates might argue that this statement is not entirely true and discuss how Hamlet’s behaviour has either intended or unintended consequences or they might offer a mixed response.

From the time he learns of his father’s murder, Hamlet is obsessed with the need to avenge his death. This sets him on a course that has many unintended consequences.
Hamlet intends for his antic disposition to mislead his enemies and to allow him to investigate the Ghost’s accusations. It serves, however, to make Claudius suspicious of him and leads to Rosencrantz and Guildenstern’s spying on him and ultimately their deaths.
Hamlet’s introspection, self-doubt and anxiety cause him to procrastinate, thus giving Claudius the opportunity to act against him.
Although Hamlet has the perfect opportunity to kill Claudius while he is at prayer, he decides against it, as he does not want Claudius’s soul to ascend to heaven. His delay gives Claudius time to come up with a plan to kill him. Realising that Hamlet poses a threat to him, Claudius sends Hamlet to England where he will be executed by the English king.
Hamlet’s boarding of the pirate ship has the unintended consequence of enabling him to return to Denmark and escape execution.
Hamlet unintentionally kills Polonius when he realises that he is being spied upon in his mother’s room. As a result, Laertes is determined to avenge his father’s death.
Hamlet’s cruel treatment of Ophelia is a result of his disillusionment with his mother, and women in general. His brutal rejection of her and her father’s death at Hamlet’s hands cause Ophelia to descend into madness and she drowns soon after.
In order to eliminate the threat that Hamlet poses to him, Claudius poisons Hamlet’s wine at the duel. Gertrude’s death after drinking the poison is a consequence that neither Hamlet nor Claudius could have predicted.
Fortinbras’s becoming King of Denmark is another unexpected outcome of Hamlet’s commitment to revenge.
Candidates might argue that much of what Hamlet does is orchestrated and that he has a very clear outcome in mind. They might refer to his deliberate act of feigning madness and his plan to stage a play that mirrors Claudius’s murderous and incestuous actions. Both these acts have the intended outcome of confirming Claudius’s guilt.

Hamlet Essay Question 2

Hamlet is responsible for his own tragic fate. Assess the validity of this statement. Your response should take the form of a well-constructed essay of 400–450 words (2–21⁄2 pages).

Below is the basis for answering this essay. Use the following as a guideline only. However, also allow for answers that are different, original and show evidence of critical thought and interpretation.
A range of examples may be used by the candidates to support their arguments.

A mixed response would demonstrate a comprehensive understanding of the text.

Hamlet struggles to reconcile his conscience with the need to avenge his father’s death. His dilemma is that he is prone to philosophic speculation and a desire to make judgements based on reason. He vacillates rather than reacts. While some might construe Hamlet’s behaviour as weak and see him as responsible for his own fate, others might argue that Hamlet’s vacillations are a consequence of his goodness.
Hamlet has no control over certain events: the murder of his father, Claudius’s ascension to the throne and his marriage to Gertrude.
Hamlet acknowledges that fate plays a role in the way in which matters unfold: he says that ‘there’s a divinity that shapes our end’. This suggests that, although Hamlet’s flaws may contribute to his downfall, there are elements beyond his control.
Candidates might argue that Hamlet’s assumed madness is a fatal error of judgement that contributes to the tragic consequences.
Candidates might argue that Hamlet is solely responsible for his fate because of his self-pitying attitude and his procrastination. The consequent train of events is a result of his failure to act timeously. He ought to have disclosed the presence of the Ghost to Gertrude and then perhaps events might have taken a different turn.
Candidates who argue that Hamlet has no control over events will focus on issues of fate and/or restrictive circumstances rather than Hamlet’s decisions.
Fate plays a role when the ship Hamlet travels on is attacked by pirates, resulting in his being saved and returning to Denmark.
The machinations of Claudius, his collusion with Rosencrantz and Guildenstern, as well as with Polonius and Laertes, make it impossible for Hamlet to be held solely accountable for the tragic unfolding of events.
When Hamlet does act, he does so impulsively (e.g. the killing of Polonius and his role in the killing of Rosencrantz and Guildenstern). He avoids acting with premeditation. He struggles to react to the Ghost’s request.

Hamlet Essays Questions and Answers Grade 12 pdf Downloads

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Gr. 12 ENGLISH HL T1 W3 Introduction to the drama: Hamlet

Introduction to the drama: Hamlet • Understanding Shakespeare – The Chain of Being • Introduction to Hamlet – plot, characters, character traits and themes

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Jeffrey R. Wilson

Essays on hamlet.

Written as the author taught Hamlet every semester for a decade, these lightning essays ask big conceptual questions about the play with the urgency of a Shakespeare lover, and answer them with the rigor of a Shakespeare scholar. In doing so, Hamlet becomes a lens for life today, generating insights on everything from xenophobia, American fraternities, and religious fundamentalism to structural misogyny, suicide contagion, and toxic love.

Prioritizing close reading over historical context, these explorations are highly textual and highly theoretical, often philosophical, ethical, social, and political. Readers see King Hamlet as a pre-modern villain, King Claudius as a modern villain, and Prince Hamlet as a post-modern villain. Hamlet’s feigned madness becomes a window into failed insanity defenses in legal trials. He knows he’s being watched in “To be or not to be”: the soliloquy is a satire of philosophy. Horatio emerges as Shakespeare’s authorial avatar for meta-theatrical commentary, Fortinbras as the hero of the play. Fate becomes a viable concept for modern life, and honor a source of tragedy. The metaphor of music in the play makes Ophelia Hamlet’s instrument. Shakespeare, like the modern corporation, stands against sexism, yet perpetuates it unknowingly. We hear his thoughts on single parenting, sending children off to college, and the working class, plus his advice on acting and writing, and his claims to be the next Homer or Virgil. In the context of four centuries of Hamlet hate, we hear how the text draws audiences in, how it became so famous, and why it continues to captivate audiences.

At a time when the humanities are said to be in crisis, these essays are concrete examples of the mind-altering power of literature and literary studies, unravelling the ongoing implications of the English language’s most significant artistic object of the past millennium.

Publications

Why is Hamlet the most famous English artwork of the past millennium? Is it a sexist text? Why does Hamlet speak in prose? Why must he die? Does Hamlet depict revenge, or justice? How did the death of Shakespeare’s son, Hamnet, transform into a story about a son dealing with the death of a father? Did Shakespeare know Aristotle’s theory of tragedy? How did our literary icon, Shakespeare, see his literary icons, Homer and Virgil? Why is there so much comedy in Shakespeare’s greatest tragedy? Why is love a force of evil in the play? Did Shakespeare believe there’s a divinity that shapes our ends? How did he define virtue? What did he think about psychology? politics? philosophy? What was Shakespeare’s image of himself as an author? What can he, arguably the greatest writer of all time, teach us about our own writing? What was his theory of literature? Why do people like Hamlet ? How do the Hamlet haters of today compare to those of yesteryears? Is it dangerous for our children to read a play that’s all about suicide?

These are some of the questions asked in this book, a collection of essays on Shakespeare’s Hamlet stemming from my time teaching the play every semester in my Why Shakespeare? course at Harvard University. During this time, I saw a series of bright young minds from wildly diverse backgrounds find their footing in Hamlet, and it taught me a lot about how Shakespeare’s tragedy works, and why it remains with us in the modern world. Beyond ghosts, revenge, and tragedy, Hamlet is a play about being in college, being in love, gender, misogyny, friendship, theater, philosophy, theology, injustice, loss, comedy, depression, death, self-doubt, mental illness, white privilege, overbearing parents, existential angst, international politics, the classics, the afterlife, and the meaning of it all.

These essays grow from the central paradox of the play: it helps us understand the world we live in, yet we don't really understand the text itself very well. For all the attention given to Hamlet , there’s no consensus on the big questions—how it works, why it grips people so fiercely, what it’s about. These essays pose first-order questions about what happens in Hamlet and why, mobilizing answers for reflections on life, making the essays both highly textual and highly theoretical.

Each semester that I taught the play, I would write a new essay about Hamlet . They were meant to be models for students, the sort of essay that undergrads read and write – more rigorous than the puff pieces in the popular press, but riskier than the scholarship in most academic journals. While I later added scholarly outerwear, these pieces all began just like the essays I was assigning to students – as short close readings with a reader and a text and a desire to determine meaning when faced with a puzzling question or problem.

The turn from text to context in recent scholarly books about Hamlet is quizzical since we still don’t have a strong sense of, to quote the title of John Dover Wilson’s 1935 book, What Happens in Hamlet. Is the ghost real? Is Hamlet mad, or just faking? Why does he delay? These are the kinds of questions students love to ask, but they haven’t been – can’t be – answered by reading the play in the context of its sources (recently addressed in Laurie Johnson’s The Tain of Hamlet [2013]), its multiple texts (analyzed by Paul Menzer in The Hamlets [2008] and Zachary Lesser in Hamlet after Q1 [2015]), the Protestant reformation (the focus of Stephen Greenblatt’s Hamlet in Purgatory [2001] and John E. Curran, Jr.’s Hamlet, Protestantism, and the Mourning of Contingency [2006]), Renaissance humanism (see Rhodri Lewis, Hamlet and the Vision of Darkness [2017]), Elizabethan political theory (see Margreta de Grazia, Hamlet without Hamlet [2007]), the play’s reception history (see David Bevington, Murder Most Foul: Hamlet through the Ages [2011]), its appropriation by modern philosophers (covered in Simon Critchley and Jamieson Webster’s The Hamlet Doctrine [2013] and Andrew Cutrofello’s All for Nothing: Hamlet’s Negativity [2014]), or its recent global travels (addressed, for example, in Margaret Latvian’s Hamlet’s Arab Journey [2011] and Dominic Dromgoole’s Hamlet Globe to Globe [2017]).

Considering the context and afterlives of Hamlet is a worthy pursuit. I certainly consulted the above books for my essays, yet the confidence that comes from introducing context obscures the sharp panic we feel when confronting Shakespeare’s text itself. Even as the excellent recent book from Sonya Freeman Loftis, Allison Kellar, and Lisa Ulevich announces Hamlet has entered “an age of textual exhaustion,” there’s an odd tendency to avoid the text of Hamlet —to grasp for something more firm—when writing about it. There is a need to return to the text in a more immediate way to understand how Hamlet operates as a literary work, and how it can help us understand the world in which we live.

That latter goal, yes, clings nostalgically to the notion that literature can help us understand life. Questions about life send us to literature in search of answers. Those of us who love literature learn to ask and answer questions about it as we become professional literary scholars. But often our answers to the questions scholars ask of literature do not connect back up with the questions about life that sent us to literature in the first place—which are often philosophical, ethical, social, and political. Those first-order questions are diluted and avoided in the minutia of much scholarship, left unanswered. Thus, my goal was to pose questions about Hamlet with the urgency of a Shakespeare lover and to answer them with the rigor of a Shakespeare scholar.

In doing so, these essays challenge the conventional relationship between literature and theory. They pursue a kind of criticism where literature is not merely the recipient of philosophical ideas in the service of exegesis. Instead, the creative risks of literature provide exemplars to be theorized outward to help us understand on-going issues in life today. Beyond an occasion for the demonstration of existing theory, literature is a source for the creation of new theory.

Chapter One How Hamlet Works

Whether you love or hate Hamlet , you can acknowledge its massive popularity. So how does Hamlet work? How does it create audience enjoyment? Why is it so appealing, and to whom? Of all the available options, why Hamlet ? This chapter entertains three possible explanations for why the play is so popular in the modern world: the literary answer (as the English language’s best artwork about death—one of the very few universal human experiences in a modern world increasingly marked by cultural differences— Hamlet is timeless); the theatrical answer (with its mixture of tragedy and comedy, the role of Hamlet requires the best actor of each age, and the play’s popularity derives from the celebrity of its stars); and the philosophical answer (the play invites, encourages, facilitates, and sustains philosophical introspection and conversation from people who do not usually do such things, who find themselves doing those things with Hamlet , who sometimes feel embarrassed about doing those things, but who ultimately find the experience of having done them rewarding).

Chapter Two “It Started Like a Guilty Thing”: The Beginning of Hamlet and the Beginning of Modern Politics

King Hamlet is a tyrant and King Claudius a traitor but, because Shakespeare asked us to experience the events in Hamlet from the perspective of the young Prince Hamlet, we are much more inclined to detect and detest King Claudius’s political failings than King Hamlet’s. If so, then Shakespeare’s play Hamlet , so often seen as the birth of modern psychology, might also tell us a little bit about the beginnings of modern politics as well.

Chapter Three Horatio as Author: Storytelling and Stoic Tragedy

This chapter addresses Horatio’s emotionlessness in light of his role as a narrator, using this discussion to think about Shakespeare’s motives for writing tragedy in the wake of his son’s death. By rationalizing pain and suffering as tragedy, both Horatio and Shakespeare were able to avoid the self-destruction entailed in Hamlet’s emotional response to life’s hardships and injustices. Thus, the stoic Horatio, rather than the passionate Hamlet who repeatedly interrupts ‘The Mousetrap’, is the best authorial avatar for a Shakespeare who strategically wrote himself and his own voice out of his works. This argument then expands into a theory of ‘authorial catharsis’ and the suggestion that we can conceive of Shakespeare as a ‘poet of reason’ in contrast to a ‘poet of emotion’.

Chapter Four “To thine own self be true”: What Shakespeare Says about Sending Our Children Off to College

What does “To thine own self be true” actually mean? Be yourself? Don’t change who you are? Follow your own convictions? Don’t lie to yourself? This chapter argues that, if we understand meaning as intent, then “To thine own self be true” means, paradoxically, that “the self” does not exist. Or, more accurately, Shakespeare’s Hamlet implies that “the self” exists only as a rhetorical, philosophical, and psychological construct that we use to make sense of our experiences and actions in the world, not as anything real. If this is so, then this passage may offer us a way of thinking about Shakespeare as not just a playwright but also a moral philosopher, one who did his ethics in drama.

Chapter Five In Defense of Polonius

Your wife dies. You raise two children by yourself. You build a great career to provide for your family. You send your son off to college in another country, though you know he’s not ready. Now the prince wants to marry your daughter—that’s not easy to navigate. Then—get this—while you’re trying to save the queen’s life, the prince murders you. Your death destroys your kids. They die tragically. And what do you get for your efforts? Centuries of Shakespeare scholars dumping on you. If we see Polonius not through the eyes of his enemy, Prince Hamlet—the point of view Shakespeare’s play asks audiences to adopt—but in analogy to the common challenges of twenty-first-century parenting, Polonius is a single father struggling with work-life balance who sadly choses his career over his daughter’s well-being.

Chapter Six Sigma Alpha Elsinore: The Culture of Drunkenness in Shakespeare’s Hamlet

Claudius likes to party—a bit too much. He frequently binge drinks, is arguably an alcoholic, but not an aberration. Hamlet says Denmark is internationally known for heavy drinking. That’s what Shakespeare would have heard in the sixteenth century. By the seventeenth, English writers feared Denmark had taught their nation its drinking habits. Synthesizing criticism on alcoholism as an individual problem in Shakespeare’s texts and times with scholarship on national drinking habits in the early-modern age, this essay asks what the tragedy of alcoholism looks like when located not on the level of the individual, but on the level of a culture, as Shakespeare depicted in Hamlet. One window into these early-modern cultures of drunkenness is sociological studies of American college fraternities, especially the social-learning theories that explain how one person—one culture—teaches another its habits. For Claudius’s alcoholism is both culturally learned and culturally significant. And, as in fraternities, alcoholism in Hamlet is bound up with wealth, privilege, toxic masculinity, and tragedy. Thus, alcohol imagistically reappears in the vial of “cursed hebona,” Ophelia’s liquid death, and the poisoned cup in the final scene—moments that stand out in recent performances and adaptations with alcoholic Claudiuses and Gertrudes.

Chapter Seven Tragic Foundationalism

This chapter puts the modern philosopher Alain Badiou’s theory of foundationalism into dialogue with the early-modern playwright William Shakespeare’s play Hamlet . Doing so allows us to identify a new candidate for Hamlet’s traditionally hard-to-define hamartia – i.e., his “tragic mistake” – but it also allows us to consider the possibility of foundationalism as hamartia. Tragic foundationalism is the notion that fidelity to a single and substantive truth at the expense of an openness to evidence, reason, and change is an acute mistake which can lead to miscalculations of fact and virtue that create conflict and can end up in catastrophic destruction and the downfall of otherwise strong and noble people.

Chapter Eight “As a stranger give it welcome”: Shakespeare’s Advice for First-Year College Students

Encountering a new idea can be like meeting a strange person for the first time. Similarly, we dismiss new ideas before we get to know them. There is an answer to the problem of the human antipathy to strangeness in a somewhat strange place: a single line usually overlooked in William Shakespeare’s play Hamlet . If the ghost is “wondrous strange,” Hamlet says, invoking the ancient ethics of hospitality, “Therefore as a stranger give it welcome.” In this word, strange, and the social conventions attached to it, is both the instinctual, animalistic fear and aggression toward what is new and different (the problem) and a cultivated, humane response in hospitality and curiosity (the solution). Intellectual xenia is the answer to intellectual xenophobia.

Chapter Nine Parallels in Hamlet

Hamlet is more parallely than other texts. Fortinbras, Hamlet, and Laertes have their fathers murdered, then seek revenge. Brothers King Hamlet and King Claudius mirror brothers Old Norway and Old Fortinbras. Hamlet and Ophelia both lose their fathers, go mad, but there’s a method in their madness, and become suicidal. King Hamlet and Polonius are both domineering fathers. Hamlet and Polonius are both scholars, actors, verbose, pedantic, detectives using indirection, spying upon others, “by indirections find directions out." King Hamlet and King Claudius are both kings who are killed. Claudius using Rosencrantz and Guildenstern to spy on Hamlet mirrors Polonius using Reynaldo to spy on Laertes. Reynaldo and Hamlet both pretend to be something other than what they are in order to spy on and detect foes. Young Fortinbras and Prince Hamlet both have their forward momentum “arrest[ed].” Pyrrhus and Hamlet are son seeking revenge but paused a “neutral to his will.” The main plot of Hamlet reappears in the play-within-the-play. The Act I duel between King Hamlet and Old Fortinbras echoes in the Act V duel between Hamlet and Laertes. Claudius and Hamlet are both king killers. Sheesh—why are there so many dang parallels in Hamlet ? Is there some detectable reason why the story of Hamlet would call for the literary device of parallelism?

Chapter Ten Rosencrantz and Guildenstern: Why Hamlet Has Two Childhood Friends, Not Just One

Why have two of Hamlet’s childhood friends rather than just one? Do Rosencrantz and Guildenstern have individuated personalities? First of all, by increasing the number of friends who visit Hamlet, Shakespeare creates an atmosphere of being outnumbered, of multiple enemies encroaching upon Hamlet, of Hamlet feeling that the world is against him. Second, Rosencrantz and Guildenstern are not interchangeable, as commonly thought. Shakespeare gave each an individuated personality. Guildenstern is friendlier with Hamlet, and their friendship collapses, while Rosencrantz is more distant and devious—a frenemy.

Chapter Eleven Shakespeare on the Classics, Shakespeare as a Classic: A Reading of Aeneas’s Tale to Dido

Of all the stories Shakespeare might have chosen, why have Hamlet ask the players to recite Aeneas’ tale to Dido of Pyrrhus’s slaughter of Priam? In this story, which comes not from Homer’s Iliad but from Virgil’s Aeneid and had already been adapted for the Elizabethan stage in Christopher Marlowe’s The Tragedy of Dido, Pyrrhus – more commonly known as Neoptolemus, the son of the famous Greek warrior Achilles – savagely slays Priam, the king of the Trojans and the father of Paris, who killed Pyrrhus’s father, Achilles, who killed Paris’s brother, Hector, who killed Achilles’s comrade, Patroclus. Clearly, the theme of revenge at work in this story would have appealed to Shakespeare as he was writing what would become the greatest revenge tragedy of all time. Moreover, Aeneas’s tale to Dido supplied Shakespeare with all of the connections he sought to make at this crucial point in his play and his career – connections between himself and Marlowe, between the start of Hamlet and the end, between Prince Hamlet and King Claudius, between epic poetry and tragic drama, and between the classical literature Shakespeare was still reading hundreds of years later and his own potential as a classic who might (and would) be read hundreds of years into the future.

Chapter Twelve How Theater Works, according to Hamlet

According to Hamlet, people who are guilty of a crime will, when seeing that crime represented on stage, “proclaim [their] malefactions”—but that simply isn’t how theater works. Guilty people sit though shows that depict their crimes all the time without being prompted to public confession. Why did Shakespeare—a remarkably observant student of theater—write this demonstrably false theory of drama into his protagonist? And why did Shakespeare then write the plot of the play to affirm that obviously inaccurate vision of theater? For Claudius is indeed stirred to confession by the play-within-the-play. Perhaps Hamlet’s theory of people proclaiming malefactions upon seeing their crimes represented onstage is not as outlandish as it first appears. Perhaps four centuries of obsession with Hamlet is the English-speaking world proclaiming its malefactions upon seeing them represented dramatically.

Chapter Thirteen “To be, or not to be”: Shakespeare Against Philosophy

This chapter hazards a new reading of the most famous passage in Western literature: “To be, or not to be” from William Shakespeare’s Hamlet . With this line, Hamlet poses his personal struggle, a question of life and death, as a metaphysical problem, as a question of existence and nothingness. However, “To be, or not to be” is not what it seems to be. It seems to be a representation of tragic angst, yet a consideration of the context of the speech reveals that “To be, or not to be” is actually a satire of philosophy and Shakespeare’s representation of the theatricality of everyday life. In this chapter, a close reading of the context and meaning of this passage leads into an attempt to formulate a Shakespearean image of philosophy.

Chapter Fourteen Contagious Suicide in and Around Hamlet

As in society today, suicide is contagious in Hamlet , at least in the example of Ophelia, the only death by suicide in the play, because she only becomes suicidal after hearing Hamlet talk about his own suicidal thoughts in “To be, or not to be.” Just as there are media guidelines for reporting on suicide, there are better and worse ways of handling Hamlet . Careful suicide coverage can change public misperceptions and reduce suicide contagion. Is the same true for careful literary criticism and classroom discussion of suicide texts? How can teachers and literary critics reduce suicide contagion and increase help-seeking behavior?

Chapter Fifteen Is Hamlet a Sexist Text? Overt Misogyny vs. Unconscious Bias

Students and fans of Shakespeare’s Hamlet persistently ask a question scholars and critics of the play have not yet definitively answered: is it a sexist text? The author of this text has been described as everything from a male chauvinist pig to a trailblazing proto-feminist, but recent work on the science behind discrimination and prejudice offers a new, better vocabulary in the notion of unconscious bias. More pervasive and slippery than explicit bigotry, unconscious bias involves the subtle, often unintentional words and actions which indicate the presence of biases we may not be aware of, ones we may even fight against. The Shakespeare who wrote Hamlet exhibited an unconscious bias against women, I argue, even as he sought to critique the mistreatment of women in a patriarchal society. The evidence for this unconscious bias is not to be found in the misogynistic statements made by the characters in the play. It exists, instead, in the demonstrable preference Shakespeare showed for men over women when deciding where to deploy his literary talents. Thus, Shakespeare's Hamlet is a powerful literary example – one which speaks to, say, the modern corporation – showing that deliberate efforts for egalitarianism do not insulate one from the effects of structural inequalities that both stem from and create unconscious bias.

Chapter Sixteen Style and Purpose in Acting and Writing

Purpose and style are connected in academic writing. To answer the question of style ( How should we write academic papers? ) we must first answer the question of purpose ( Why do we write academic papers? ). We can answer these questions, I suggest, by turning to an unexpected style guide that’s more than 400 years old: the famous passage on “the purpose of playing” in William Shakespeare’s Hamlet . In both acting and writing, a high style often accompanies an expressive purpose attempting to impress an elite audience yet actually alienating intellectual people, while a low style and mimetic purpose effectively engage an intellectual audience.

Chapter Seventeen 13 Ways of Looking at a Ghost

Why doesn’t Gertrude see the Ghost of King Hamlet in Act III, even though Horatio, Bernardo, Francisco, Marcellus, and Prince Hamlet all saw it in Act I? It’s a bit embarrassing that Shakespeare scholars don’t have a widely agreed-upon consensus that explains this really basic question that puzzles a lot of people who read or see Hamlet .

Chapter Eighteen The Tragedy of Love in Hamlet

The word “love” appears 84 times in Shakespeare’s Hamlet . “Father” only appears 73 times, “play” 60, “think” 55, “mother” 46, “mad” 44, “soul” 40, “God" 39, “death” 38, “life” 34, “nothing” 28, “son” 26, “honor” 21, “spirit” 19, “kill” 18, “revenge” 14, and “action” 12. Love isn’t the first theme that comes to mind when we think of Hamlet , but is surprisingly prominent. But love is tragic in Hamlet . The bloody catastrophe at the end of that play is principally driven not by hatred or a longing for revenge, but by love.

Chapter Nineteen Ophelia’s Songs: Moral Agency, Manipulation, and the Metaphor of Music in Hamlet

This chapter reads Ophelia’s songs in Act IV of Shakespeare’s Hamlet in the context of the meaning of music established elsewhere in the play. While the songs are usually seen as a marker of Ophelia’s madness (as a result of the death of her father) or freedom (from the constraints of patriarchy), they come – when read in light of the metaphor of music as manipulation – to symbolize her role as a pawn in Hamlet’s efforts to deceive his family. Thus, music was Shakespeare’s platform for connecting Ophelia’s story to one of the central questions in Hamlet : Do we have control over our own actions (like the musician), or are we controlled by others (like the instrument)?

Chapter Twenty A Quantitative Study of Prose and Verse in Hamlet

Why does Hamlet have so much prose? Did Shakespeare deliberately shift from verse to prose to signal something to his audiences? How would actors have handled the shifts from verse to prose? Would audiences have detected shifts from verse to prose? Is there an overarching principle that governs Shakespeare’s decision to use prose—a coherent principle that says, “If X, then use prose?”

Chapter Twenty-One The Fortunes of Fate in Hamlet : Divine Providence and Social Determinism

In Hamlet , fate is attacked from both sides: “fortune” presents a world of random happenstance, “will” a theory of efficacious human action. On this backdrop, this essay considers—irrespective of what the characters say and believe—what the structure and imagery Shakespeare wrote into Hamlet say about the possibility that some version of fate is at work in the play. I contend the world of Hamlet is governed by neither fate nor fortune, nor even the Christianized version of fate called “providence.” Yet there is a modern, secular, disenchanted form of fate at work in Hamlet—what is sometimes called “social determinism”—which calls into question the freedom of the individual will. As such, Shakespeare’s Hamlet both commented on the transformation of pagan fate into Christian providence that happened in the centuries leading up to the play, and anticipated the further transformation of fate from a theological to a sociological idea, which occurred in the centuries following Hamlet .

Chapter Twenty-Two The Working Class in Hamlet

There’s a lot for working-class folks to hate about Hamlet —not just because it’s old, dusty, difficult to understand, crammed down our throats in school, and filled with frills, tights, and those weird lace neck thingies that are just socially awkward to think about. Peak Renaissance weirdness. Claustrophobicly cloistered inside the castle of Elsinore, quaintly angsty over royal family problems, Hamlet feels like the literary epitome of elitism. “Lawless resolutes” is how the Wittenberg scholar Horatio describes the soldiers who join Fortinbras’s army in exchange “for food.” The Prince Hamlet who has never worked a day in his life denigrates Polonius as a “fishmonger”: quite the insult for a royal advisor to be called a working man. And King Claudius complains of the simplicity of "the distracted multitude.” But, in Hamlet , Shakespeare juxtaposed the nobles’ denigrations of the working class as readily available metaphors for all-things-awful with the rather valuable behavior of working-class characters themselves. When allowed to represent themselves, the working class in Hamlet are characterized as makers of things—of material goods and services like ships, graves, and plays, but also of ethical and political virtues like security, education, justice, and democracy. Meanwhile, Elsinore has a bad case of affluenza, the make-believe disease invented by an American lawyer who argued that his client's social privilege was so great that it created an obliviousness to law. While social elites rot society through the twin corrosives of political corruption and scholarly detachment, the working class keeps the machine running. They build the ships, plays, and graves society needs to function, and monitor the nuts-and-bolts of the ideals—like education and justice—that we aspire to uphold.

Chapter Twenty-Three The Honor Code at Harvard and in Hamlet

Students at Harvard College are asked, when they first join the school and several times during their years there, to affirm their awareness of and commitment to the school’s honor code. But instead of “the foundation of our community” that it is at Harvard, honor is tragic in Hamlet —a source of anxiety, blunder, and catastrophe. As this chapter shows, looking at Hamlet from our place at Harvard can bring us to see what a tangled knot honor can be, and we can start to theorize the difference between heroic and tragic honor.

Chapter Twenty-Four The Meaning of Death in Shakespeare’s Hamlet

By connecting the ways characters live their lives in Hamlet to the ways they die – on-stage or off, poisoned or stabbed, etc. – Shakespeare symbolized hamartia in catastrophe. In advancing this argument, this chapter develops two supporting ideas. First, the dissemination of tragic necessity: Shakespeare distributed the Aristotelian notion of tragic necessity – a causal relationship between a character’s hamartia (fault or error) and the catastrophe at the end of the play – from the protagonist to the other characters, such that, in Hamlet , those who are guilty must die, and those who die are guilty. Second, the spectacularity of death: there exists in Hamlet a positive correlation between the severity of a character’s hamartia (error or flaw) and the “spectacularity” of his or her death – that is, the extent to which it is presented as a visible and visceral spectacle on-stage.

Chapter Twenty-Five Tragic Excess in Hamlet

In Hamlet , Shakespeare paralleled the situations of Hamlet, Laertes, and Fortinbras (the father of each is killed, and each then seeks revenge) to promote the virtue of moderation: Hamlet moves too slowly, Laertes too swiftly – and they both die at the end of the play – but Fortinbras represents a golden mean which marries the slowness of Hamlet with the swiftness of Laertes. As argued in this essay, Shakespeare endorsed the virtue of balance by allowing Fortinbras to be one of the very few survivors of the play. In other words, excess is tragic in Hamlet .

Bibliography

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Make your work count for points with our free to read Leaving Cert “Hamlet” essays and full notes.

What do I actually need to know?

For any single text, you should know :

style/techniques/imagery
plot (after you’ve read the play once, you can watch a 10 minute Youtube video to refresh your memory)
quotations (a minimal list that should get you through)
practice sample essays

Here is our video on “Hamlet” for Leaving Cert to get you started.

What’s at stake?

The Single text question offers 60 marks. Compare this to: Comparative 70, Prescribed Poetry 50, Unseen Poetry 20. That’s 15% of your English grade.

How much to write?

Suggested length 4-5 A4 pages. Suggested time 50 minutes.

Hamlet: Corruption, Deception, Dramatic Techniques

Post author: Martina
Post published: May 16, 2017
Post category: English / Hamlet

“Throughout the play "Hamlet", Shakespeare makes effective use of a variety of dramatic techniques to evoke a world full of deception and corruption.” Discuss this statement, supporting your answer with…

Hamlet: List of Essential Quotations for Leaving Cert

Post published: January 21, 2017

You may also like: Complete Guide: H1 Leaving Cert English Notes and Sample Answers I am too much in the sun (Hamlet to Claudius) the funeral baked meats did coldly furnish…

Paper II Single Text Question Tips

Post published: November 2, 2016
Post category: English / Hamlet / King Lear / Video

How to agree and disagree with statements in Paper 2 questions (with examples from King Lear or Hamlet)How to stay relevantThe importance of quotationAvoiding common pitfallsLeaving Cert Sample Answers and…

Hamlet Sample Answer: Claudius

Post published: April 23, 2016
Post category: Hamlet

2011 HL Paper II Based on a student essay “Claudius can be seen as both a heartless villain and a character with some redeeming qualities in the play, Hamlet”. Discuss…

Hamlet: Full Guide for Leaving Cert English 2024

Post published: April 22, 2016

Contents: Introduction to Leaving Cert single texts Themes Style How to approach the text from the angle of the essay title Sample answer and detailed approach breakdown: a. 2011: “Revenge…

Hamlet Plot Summary

Post published: August 29, 2015

In order for you to be able to answer a question on Hamlet it is a must to know the plot. You may also like: Hamlet Sample Answer and Notes:…

How to make your Hamlet essay stand out?

Post published: August 28, 2015

This is part of our ongoing Q&A. Send you question in via [email protected], @625points (Twitter and IG) or sc: six25points Hamlet occupies a special place in Shakespeare's work. Talk about the…

Hamlet Sample Answer: Madness

Post published: June 18, 2015

2012 HL Paper II Based on a student's essay “Hamlet’s madness, whether genuine or not, adds to the fascination of his character for the audience.” Discuss this statement, supporting your…

Hamlet Sample Answer: Society

Post published: February 1, 2015

Based on a student's essayThe portrayal of Hamlet as an outsider allows Shakespeare to critique the values of society.I know not “seems.”Shakespeare succeeds in highlighting the shortcomings in society’s morals…

How To Improve Your Grade If Your Teacher Isn’t Giving You Feedback

Post published: November 3, 2014
Post category: Durcan / English / Hamlet / Personal essay / Short Story / T.S. Eliot / Video

- How to write a strong introduction- How to craft impactful sentences- Common grammar, syntax and style problems- How to stay relevant to the question- Examples from Hamlet, Personal Essays,…

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PDF Grade 12 Literature Setwork
Grade 12 Literature Setwork NSC and SC Examination Question Papers and Memoranda (Marking Guidelines) English Home Language: Drama - Hamlet ... QUESTION 10: HAMLET - ESSAY QUESTION Below is the basis for answering this essay. Use the following as a guideline only.
Hamlet Essays Questions and Answers Grade 12 pdf
Hamlet Essays Questions and Answers Grade 12 pdf Downloads. Download questions and answer guides for Hamlet below: Gr12-Exams-Setwork-Drama-Hamlet-X1a-1 Download. ... Download English FAL First Additional Language Grade 12 September 2020 Past Papers and Memos. Published. 3 years ago. on. 8 Sep 2021. By.
Hamlet essays
past essay questions gertrude and passivity makes them vulnerable to exploitation and manipulation. critically discuss to what extent you agree with this. ... Grade 12 English Hamlet Study Guide. 99% (70) 8. Sonnet-130- Final (2) - for exams ... Paper 2 Limpopo; Worksheet 2.10- writing dialogue answers; EHLgr 10 ugu poetry resource final-1; Gr ...
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This Mind the Gap study guide helps gr 12 learners to prepare for the end-of-year Grade 12 English Home Language (EHL) Literature exam. ... English FAL Hamlet . Free . By. Department of Basic Education. Download. ... NSC Past Papers & Memos Rainbow Workbooks Telematics Booklets Textbooks ...
PDF Essay Questions On Hamlet
Consider aspects of Hamlet, Prince of Denmark that make this play a tragedy. (Besides the structure of the play, think of Hamlet's isolation - he also rises far above the other characters in the play - his betrayal, his wasted potential, his being a "victim of circumstances", et al.) 30 In many ways Hamlet is an anachronism in the play ...
Hamlet Essay Questions
Somehow, the effect of such "metatheatrical" gestures is to show not how different acting is from life, but how similar life is to acting. 6. In terms of the usual categorizations, Shakespeare's tragedies end in death, his comedies in marriage. By this measure, Hamlet is a tragedy. But Shakespeare's best plays are a tragicomic mix.
Hamlet: Mini Essays
Hamlet's father killed Fortinbras's father, and Hamlet killed Laertes' father, meaning that Hamlet occupies the same role for Laertes as Claudius does for Hamlet. Many critics take a deterministic view of Hamlet 's plot, arguing that the prince's inability to act and tendency toward melancholy reflection is a "tragic flaw" that ...
Hamlet Essays
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Hamlet Essay
The Tragic Story of Hamlet. Essay grade: Satisfactory. 2 pages / 1016 words. Hamlet is a tragic story where there is a hero and criminals. Everyone has an imperfection that leads to something tragic or r emotional in all of the history. The main evil in this story is Hamlet, Prince of Denmark.
Hamlet Essay Topics and Outlines
Excerpt. Suggested Essay Topics: Act 1 - 1. Contrast the attitudes towards the death of the old king as expressed by Claudius and Hamlet. 2. Compare the advice given to Ophelia by Laertes and that ...
Hamlet: Suggested Essay Topics
5. Suicide is an important theme in Hamlet. Discuss how the play treats the idea of suicide morally, religiously, and aesthetically, with particular attention to Hamlet's two important statements about suicide: the "O, that this too too solid flesh would melt" soliloquy (I.ii.129-158) and the "To be, or not to be" soliloquy (III.i ...
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and resource for grade 12 published and edited by: the english experience isbn: 978-0-9921947-2-7. ... hamlet | the complete guide and resource for grade 12 foreword introduction to shakespeare shakespearean language background to the play summaries and analyses the mini essay perforated rubrics the play acknowledge- ments
Hamlet Study Guide
Essays for Hamlet. Hamlet essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Hamlet by William Shakespeare. Through Rose Colored Glasses: How the Victorian Age Shifted the Focus of Hamlet; Q to F7: Mate; Hamlet's Emotions, Actions, and Importance in the Nunnery Scene; Before ...
PDF UNIT: Hamlet
understand the weaknesses in Hamlet's character. Finally, students consider Hamlet's point of view and evaluate whether Hamlet is feigning madness. This unit studies the characteristics of a tragedy and how multiple meanings of words affect the interpretation of Shakespeare's writing.
Hamlet Essay Grade 12 Eng
hamlet essay grade 12 eng - Free download as Word Doc (.doc / .docx), PDF File (.pdf), Text File (.txt) or read online for free. Scribd is the world's largest social reading and publishing site.
Hamlet Research Paper & Essay Examples
Role of Women in Twelfth Night and Hamlet by Shakespeare. Genre: Research Paper. Words: 2527. Focused on: Women in Shakespeare's Twelfth Night and Hamlet. Characters mentioned: Ophelia, Gertrude, Hamlet, Claudius, Laertes, Polonius. William Shakespeare's Hamlet, Prince of Denmark.
Hamlet Essays Questions and Answers Grade 12 pdf » My Courses
Hamlet Essays Questions and Answers Grade 12 pdf Downloads. Download questions and answer guides for Hamlet below: Gr12-Exams-Setwork-Drama-Hamlet-X1a-1 Download. Grade-12-English-Hamlet-Study-Guide Download.
English Grade 12
english grade 12- hamlet essay - Free download as Word Doc (.doc / .docx), PDF File (.pdf), Text File (.txt) or read online for free. Scribd is the world's largest social reading and publishing site.
English Grade 12 Past Exam Papers and Memos
Here, you'll find a comprehensive range of grade 12 past year exam papers and memos, ranging from 2024 to as far back as 2009. Our collection will help you prepare for your upcoming exams by familiarizing yourself with the exam format and identifying areas for improvement. We have a vast collection of NSC and Common Test Papers from National ...
Gr. 12 ENGLISH HL T1 W3 Introduction to the drama: Hamlet
Gr. 12 ENGLISH HL T1 W3 Introduction to the drama: Hamlet. Free. Download. Type: pdf. Size: 0.18MB. Share this content. Introduction to the drama: Hamlet • Understanding Shakespeare - The Chain of Being • Introduction to Hamlet - plot, characters, character traits and themes.
Essays on Hamlet
Essays on Hamlet. Written as the author taught Hamlet every semester for a decade, these lightning essays ask big conceptual questions about the play with the urgency of a Shakespeare lover, and answer them with the rigor of a Shakespeare scholar. In doing so, Hamlet becomes a lens for life today, generating insights on everything from ...
Grade 12 English Hamlet Study Guide
Grade-12-English-Hamlet-Study-Guide - Free download as PDF File (.pdf), Text File (.txt) or read online for free. Please gumana kaaaaaa
Hamlet Archives
For any single text, you should know: themes. style/techniques/imagery. plot (after you've read the play once, you can watch a 10 minute Youtube video to refresh your memory) quotations (a minimal list that should get you through) practice sample essays. Here is our video on "Hamlet" for Leaving Cert to get you started.

English Home Language Grade 12

Quick FACTS about Hamlet

Contextual question

Literary Essay Question

Characters in Hamlet

The nobility

The commoners

Hamlet Essay Question 1

How to answer the above essay question: Answer Guide

Hamlet Essay Question 2

Hamlet Essays Questions and Answers Grade 12 pdf Downloads

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Essays on Hamlet

Essay Title 2: "Hamlet" as a Reflection of Political Intrigue: Power, Corruption, and the Tragedy of Denmark

Essay Title 3: "Hamlet" in a Contemporary Context: Adaptations, Interpretations, and the Play's Enduring Relevance

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by William Shakespeare

Hamlet Questions and Answers

Study Guide for Hamlet

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✍ Hamlet: Essay Samples

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Hamlet Essays Questions and Answers Grade 12 pdf

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Characters in Hamlet

The nobility

The commoners

Hamlet Essay Question 1

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Gr. 12 ENGLISH HL T1 W3 Introduction to the drama: Hamlet

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