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How to Develop a Personalized Metaphor for Your Applications

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Developing a Theme for Your Application

When you’re applying to competitive colleges, you need something that sets you apart from other applicants. This might be a special skill, an interesting characteristic, a unique experience, or even a circumstance beyond your control. One way to express this is through a personal metaphor in your essay. If you can come up with a defining metaphor that manifests throughout your application, you’ll be able to express your character more clearly and give colleges a better sense of who you are. This can tie your personal qualities and accomplishments together in a way that is more likely to resonate with admissions committees. Read on to learn how you can come up with a personalized metaphor for your essays that will set you apart.

How Can You Use a Metaphor in Your Essays

A metaphor is a comparison between two unlike things, tying something—an experience, a person, a thing, a place—to something else. At first glance, the comparison might seem unrelated but when the two ideas are juxtaposed, a new meaning emerges. Unlike a simile, your description doesn’t use “like” or “as,” so the comparison is more implicit. You might also use an analogy, which is similar to a metaphor in some respects. An analogy is another type of comparison, but instead of demonstrating how two things are completely similar, it highlights how two particular characteristics of those things are comparable, and often does use “like” or “as”. “I’m as tired as the day is long” is an example of an analogy, because rather than totally comparing oneself to the day, the speaker is focusing on one particular characteristic in each thing being compared—being tired and the length of the day.

In a metaphor, the comparison becomes a symbol to represent a larger experience or circumstance. Metaphors are commonly used as literary devices. For instance, Shakespeare wrote in As You Like It : “All the world’s a stage / And all the men and women merely players.” This is a quintessential example of a double metaphor, in which the stage represents the world, and players represent all the people—the implicit idea being that life is really a performance.

A metaphor can be a strong device to use in your college essays, but you’ll need to keep a few important considerations in mind. You’ll need to choose something unique to stand out, and describe it well. Use imagery and other rhetorical devices to frame your metaphor. Be descriptive. Also remember that admissions committees read many, many essays. While your experience doesn’t have to be completely unique, the way you describe it does. And you certainly don’t want to write an essay with overused clichés. Colleges have seen hundreds of essays describe how winning a sports game is like conquering life obstacles. Don’t be that person!

Consistency and cohesiveness are also important here. Choose something and stick to it. Don’t try to pack too much into a single thought, because then the metaphor might become too much of a leap. “I’m like bird, because I’m quick on my feet, adventurous, and like to sing” has too many elements. Try to focus on a particular thing—such as an adventurous spirit—and draw it out with examples, anecdotes, and imagery.

Thinking About our Pre-College Experiences Through the Lens of a Metaphor

You don’t have to climb Mount Everest to develop a meaningful metaphor. Colleges care more about how you describe and frame your experiences than the experiences themselves. However, you’re probably not going to find much inspiration from the Sunday you spent watching TV on the couch, so you should make an effort to seek out experiences that inspire you. To start, try pursuing something off the beaten path that interests you over the summer. For example, you might volunteer in another country, take on a unique internship, or gain experience in a profession you plan on pursuing. You might, then, use an aspect of the experience—say, animals you encountered in the wilderness—to highlight the new experiences and adventures you seek out in life: “Seeing a lion on a safari in Africa made me nervous at first, but I soon realized the fear came more from the unknown than the threat the lion posed to me.”

Or, on the flip side of this example, if you’ve had a particular struggle, is there a way to paint a metaphorical picture about it?

Making Your College Application Cohesive

Don’t stretch to hard to fit everything into the metaphor you choose, and don’t try to pack too much into it. You don’t want to make admissions committees have to work to understand what you’re trying to convey. For example, “Working with my teammates to defeat the rival school in football taught me collaboration conquers all” is a bit of a reach, not to mention cliché.

To help you come up with something that defines you and your experiences, make a list of your best qualities and what defines you as a student. Additionally, ask friends, family members, and teachers what they think of when they think about you. Then, make a list of extracurricular activities or other interests you’ve pursued, and try to determine the qualities from the first list each activity brings out. Select one that best exemplifies your personal experiences to write about in your essay. It’s also a good idea to think about particular experiences and anecdotes to illustrate the activity. Also think about imagery you associate with the activity. Does playing piano make you feel peaceful? What other images are associated with peace? Perhaps it transports you to a beach or some other calm setting. Is there a particular time when this feeling was exemplified during a performance or recital?

If you have a particular passion, describe why you love it and what you’ve done to hone and pursue it. Show colleges why it’s meaningful to you. Maybe you’re a writer and have participated in writing programs, contest, and clubs like the school newspaper. Is there an image that comes to mind that illustrates how you’ve made writing your focus?

If you can think of a literal object that works well with your talents and experiences, then great. You could also use a single event or activity to show who you are more generally. For example, you might use debate club to show how you feel like a small-time version of a Supreme Court judge. “One time, when I argued the merits of the public-school system, I pictured myself in a real courtroom, presiding over a trial that would determine the fate of Americans.”

Remember that consistency is key. In Well-Rounded or Specialized? , we explain how it is important to demonstrate passion for a particular specialty or area. Having that passion will help you develop your metaphor, because you will naturally have a theme to exemplify.

Final Thoughts on the Admissions Metaphor

A metaphor is an impressive way to capture the attention of the admissions committee. Remember, you want them to sit up and take notice, so you need to draw them in right away.

Also keep in mind that it’s not just about what you say, but how you say it. While having a solid academic record is important, you need to demonstrate that you are unique. That doesn’t mean you have to have had a unique experience. You might have a particularly insightful or interesting way of describing or looking at something—and that makes you unique! Plus, being able to describe the events of your life or your goals for the future through the frame of a metaphor is one way of showing that you are capable of thinking of general trends and patterns in life in a creative way.

Want help with your college essays to improve your admissions chances? Sign up for your free CollegeVine account and get access to our essay guides and courses. You can also get your essay peer-reviewed and improve your own writing skills by reviewing other students’ essays.

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College Nut

College Essays with Metaphors: A Guide to Crafting Powerful Personal Statements

What are college essays.

College essays are a crucial part of the application process, which can be the deciding factor in determining whether you get into your dream school. They are an opportunity for you to showcase your writing skills, creativity, and personality, all while convincing admissions officers that you are a good fit for their institution.

Why are Metaphors Important in College Essays?

Metaphors are a type of figure of speech that compares two things that may seem unrelated, but share common characteristics or traits. They add depth and meaning to your writing and allow you to express abstract or complex ideas in a more relatable and engaging way.

Using metaphors in your college essays can help you stand out from other applicants, as they demonstrate your ability to think critically, use language creatively, and connect seemingly disparate ideas. They can also make your essay more memorable and impactful, as they provide a unique perspective and show your personality and values.

An Example of a Metaphor in a College Essay

Imagine you are writing an essay about your passion for environmental activism. You could write: “I’ve always been drawn to the ocean like a moth to a flame. Its vastness and mystery have always fascinated me, but with every beach cleanup and marine life rescue, I feel like I’m slowly putting out the fire that threatens to consume it.” This metaphor compares the ocean to a flame and implies that the author is working to protect it from destruction.

How to Use Metaphors in College Essays

Using metaphors effectively in your college essays requires careful thought and planning. Here are some tips to help you incorporate metaphors into your writing:

Start with a brainstorming session: Think about the qualities, experiences, and emotions that define you and your story. Consider different objects or concepts that could represent these ideas, such as a rollercoaster, a puzzle, or a tree.

Choose a metaphor that fits your story: Once you have a list of potential metaphors, choose one that best represents your story and message. Make sure it is appropriate to the tone and topic of your essay.

Use the metaphor throughout your essay: Once you have chosen a metaphor, use it consistently throughout your essay to reinforce your message and create a cohesive narrative.

Don’t force it: While metaphors can be powerful tools, don’t force them into your essay if they don’t fit naturally. Use them sparingly and only where they add value to your writing.

Common Mistakes to Avoid When Using Metaphors in College Essays

While metaphors can add depth and meaning to your writing, they can also backfire if not used correctly. Here are some common mistakes to avoid when using metaphors in your college essays:

Overusing clichés: While some metaphors are universally understood, using clichéd or overused metaphors can make your writing seem unoriginal and uninspired.

Being too abstract: While metaphors can be used to express abstract ideas, if they are too obscure or disconnected from your message, they can confuse readers and detract from your point.

Stretching the metaphor too far: While it’s important to use metaphors consistently throughout your essay, stretching them too far or using them inappropriately can undermine your credibility and make your writing seem contrived.

In conclusion, metaphors are powerful tools that can help you express complex ideas and create a more engaging and memorable college essay. By following the tips outlined above and avoiding common mistakes, you can use metaphors to showcase your unique perspective and stand out from other applicants.

25 Metaphors for Essays

Metaphors are a powerful tool in writing and can add depth and richness to your essay.  

A metaphor is a figure of speech that compares two unlike things, using “like” or “as” to make the comparison. 

By using metaphors in your writing, you can paint a vivid picture in the reader’s mind and help them better understand and relate to your ideas. 

In this blog post, we will explore some common metaphors for essays and the different ways they can be used to enhance your writing. 

Whether you are just starting out with essay writing or are an experienced writer looking for new ways to engage your readers, this post will provide you with some helpful tips and ideas for using metaphors effectively. 

So, let’s dive in and explore the world of metaphors for essays!

Metaphors for Essays

• “The world is a stage.” This metaphor suggests that life is a performance and we are all actors on the stage of the world.
• “Time is money.” This metaphor equates the value of time with the value of money, implying that time is a valuable resource that should not be wasted.
• “He is a snake in the grass.” This metaphor describes someone who is sneaky and untrustworthy, likening them to a snake hiding in the grass.
• “She has a heart of gold.” This metaphor describes someone who is kind and generous, likening their heart to the precious metal gold.
• “He is a bear in the market.” This metaphor describes someone who is aggressive and successful in business, likening them to a bear in the stock market.
• “She is a ray of sunshine.” This metaphor describes someone who brings joy and light to a situation, likening them to a ray of sunshine.
• “He is a lion in the courtroom.” This metaphor describes someone who is confident and fierce in a legal setting, likening them to a lion.
• “She is a diamond in the rough.” This metaphor describes someone who has untapped potential or hidden qualities, likening them to a diamond that has yet to be polished.
• “He is a butterfly in the wind.” This metaphor describes someone who is unpredictable or fleeting, likening them to a butterfly being blown by the wind.
• “She is a rose among thorns.” This metaphor describes someone who stands out or is exceptional in a negative or difficult situation, likening them to a rose among thorns.
• “He is a fish out of water.” This metaphor describes someone who is uncomfortable or out of place in a particular situation, likening them to a fish out of water.
• “She is a bird in a gilded cage.” This metaphor describes someone who is trapped or unable to fully experience life, likening them to a bird in a gilded cage.
• “He is a wolf in sheep’s clothing.” This metaphor describes someone who appears kind or harmless, but is actually dangerous or deceitful, likening them to a wolf disguised as a harmless sheep.
• “She is a butterfly emerging from a cocoon.” This metaphor describes someone who is going through a transformation or transition, likening them to a butterfly emerging from its cocoon.
• “He is a snake oil salesman.” This metaphor describes someone who is dishonest or fraudulent in their sales tactics, likening them to a 19th century salesman who sold fake cures in the form of snake oil.
• “She is a feather in the wind.” This metaphor describes someone who is easily swayed or influenced, likening them to a feather being blown by the wind.
• “He is a monkey on his back.” This metaphor describes someone who is struggling with an addiction or problem that they cannot shake, likening it to a monkey clinging to their back.
• “He is a tiger in the jungle.” This metaphor describes someone who is strong and fierce in a particular environment, likening them to a tiger in the jungle.
• “She is a flower in bloom.” This metaphor describes someone who is flourishing or thriving, likening them to a flower in bloom.
• “He is a dragon hoarding treasure.” This metaphor describes someone who is greedy or possessive, likening them to a dragon hoarding treasure.

In conclusion, metaphors are a valuable and effective tool for writers looking to add depth and clarity to their essays. 

By comparing two unlike things and using “like” or “as” to make the comparison, metaphors can help readers better understand and relate to your ideas. 

Whether you are just starting out with essay writing or are an experienced writer looking for new ways to engage your readers, incorporating metaphors into your writing can be a powerful technique.

We hope that this blog post has provided you with some helpful tips and ideas for using metaphors effectively in your own essays. 

Remember to always consider your audience and the purpose of your writing when choosing and using metaphors, and don’t be afraid to get creative and try out different approaches. 

With a little practice and experimentation, you can master the art of using metaphors to add depth and impact to your writing.

Related Posts

25 metaphors for poetry, 25 metaphors for kids.

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Metaphor – Definition & Examples In Academic Writing

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In the realm of academic writing , clarity and precision are key, but occasionally a straightforward sentence just isn’t enough. This is where metaphors come in, serving as powerful tools to illuminate complex ideas. Far from mere decorative flourishes, they simplify, clarify, and deepen academic arguments, as demonstrated in this article with examples. Furthermore, we will explore the utility and appropriateness of employing these figures of speech in various academic disciplines.

Inhaltsverzeichnis

• 1 Metaphor in a nutshell
• 2 Definition: Metaphor
• 3 Metaphor examples
• 5 Metaphor synonyms
• 6 Simile and analogy
• 7 Metaphors in academic writing
• 8 How to come up with a metaphor
• 9 What does “metaphorically” mean?

Metaphor in a nutshell

What is a metaphor? It’s a way of describing something by saying it is something else.  You can consider it to be a comparison with an image. For example, when you say, “Life is a roller coaster”, you’re using a metaphor. This is because a roller coaster visualizes the ups and downs and turns of life physically. You don’t mean that life is literally a roller coaster, but you’re suggesting that life has ups and downs, twists and turns, just like a roller coaster ride. So, it helps us understand one thing by comparing it to another thing that we’re already familiar with. It’s like a shortcut for explaining what something is like, making it easier to understand or more interesting to think about.

Definition: Metaphor

The definitions of metaphor often describe it as a figure of speech where one thing is elaborated on as if it were something else, helping to create more vivid imagery in our minds. In simpler terms, the meaning of a metaphor is to explain one thing by directly comparing it to something else, even though the two things are not usually alike. For the comparison, you choose a picture that you use to explain and illustrate the characteristics of the issue you are explaining. Using figurative language, we can convey complex ideas in an easy-to-understand manner by illuminating the characteristics of one thing through the familiar aspects of another. They are found in folk or field songs, films, popular songs, and even presidential speeches.

• Eyes are the windows to the soul.
• This is the icing on the cake.
• She’s going through a rollercoaster of emotions.
• He’s got the stench of failure.
• The world is a stage.

The term “metaphor” has its roots in the Greek language, originating from the word “metaphora”, which itself is derived from the verb ”metapherein”.

• “meta-“ means “across” or “beyond”
• “pherein” means “to carry”

When putting these parts together, “metapherein” literally translates to “carry across” or “transfer”. This etymological background provides insight into the core function: to carry the qualities or meaning of one concept or object across to another. In essence, it serves as a linguistic bridge that links two unrelated things, allowing us to understand one in terms of the other.

Metaphor examples

They are pervasive in both everyday speech and specialized fields, illustrating concepts with clarity and nuance. Understanding a few examples can illuminate their utility and versatility.

Everyday examples

Time is money.

• It suggests that time, like money, is a valuable resource that should not be wasted.
• Love is a battlefield.
• Popularized by the Pat Benatar song, here it is implied that love involves struggle, conflict, and occasional casualties.

He is a couch potato.

• A couch potato refers to a person who constantly sits on the sofa and never leaves the house. Essentially, a very lazy person.

Literary examples

The road not taken.

• Robert Frost’s poem uses a diverging road to symbolize the choices we make in life.

Moby Dick as nature’s fury.

• In Herman Melville’s novel, the white whale serves as a figure of speech for uncontrollable natural forces against which humans struggle.

Pup culture examples

The Force in Star Wars.

• The Force serves various forms of energy, power, and morality, blending spiritual and physical concepts.

The Matrix.

• In the film, the Matrix serves as confining illusions or societal norms that people live by but may not be aware of.

Academic examples

The mind is a computer.

• In cognitive science, this helps explain the complex mental processes using the familiar framework of computer operations.

Economic landscape.

• Economists describe the state of an economy as a “landscape” to imply its diverse and multifaceted nature.

Cells as factories.

• Cells are frequently compared to factories to help explain how they produce proteins and other essential molecules.

There are many types of metaphors, each serving a unique purpose in communication and understanding. Here are some common types, explained succinctly.

Simple or direct metaphor

In a simple or direct metaphor, one thing is directly equated with another.

• Time is a thief.
• His eyes were icy pools.

Extended metaphor

An extended metaphor is also called a sustained metaphor. It is not just used once but is extended across a passage, a poem, or even an entire work. Here, the initial comparison between two unlike things is stretched and elaborated upon, allowing for multiple attributes or facets of the metaphorical concept to be explored. In the following, there will be two examples of sustained metaphors from famous works.

Roald Dahl’s “Matilda”:

The parents looked upon Matilda in particular as nothing more than a scab. A scab is something you have to put up with until the time comes when you can pick it off and flick it away.

William Shakespeare’s “Romeo and Juliet”:

But, soft! What light through yonder window breaks? It is the east, and Juliet is the sun. Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief…

These famous metaphor examples illustrate how a figure of speech can be extended throughout more verses and sentences, but also across a whole book.

Implied metaphor

Rather than stating the figure of speech directly, an implied metaphor suggests the comparison.

• She blossomed in college.
• The CEO navigated through the meeting.
• John bolted from the room.

Mixed metaphor

A mixed metaphor combines elements of multiple, unrelated metaphors, often creating a confusing or humorous effect. However, without wanting to be funny, using a mixed metaphor may appear awkward or even sabotage your argument.

The test is easy, it’s not rocket surgery.

• “It’s not rocket science” + “It’s not brain surgery”

We’ll burn that bridge when we get to it.

• “We’ll cross that bridge when we get to it” + “Don’t burn your bridges”

You’re sailing close to thin ice.

• “You’re sailing too close to the wind” + “You’re on thin ice”

Dead metaphor

These have been used so much that their original impact has been lost, and they are understood as literal expressions. Using these may bore your reader. You should rather take a familiar metaphor and change it unconventionally to create something new and funny.

• Body of an essay.
• Heart of gold.
• Falling in love.

Metaphor synonyms

While it’s a specific term in literary and rhetorical analysis with few exact synonyms , several terms capture aspects of metaphorical language or operate in similar ways. Some of these include:

• Figure of speech

Note: While these terms are related and may overlap in some contexts, they are not strictly synonymous with “metaphor”, which has its distinct definition and usage.

Simile and analogy

While figures of speech are powerful tools for conveying abstract ideas through comparison, not all comparisons or symbolic expressions qualify as metaphors. Understanding what doesn’t count as one can clarify their unique role in language and thought.

Metaphor vs. simile

Both are figures of speech used to make comparisons. They both serve to elucidate ideas, evoke emotions, and provide new perspectives on subjects.

To understand the difference between metaphors and similes, we will list them. The primary difference lies in the way the comparison is made. A metaphor is an explicit comparison without using “like” or “as” and equates two unlike things for rhetorical effect. A simile uses “like” or “as” to make obvious comparisons and acknowledges their inherent differences even as it highlights certain similarities. The comparisons in similes make them easier to differentiate.

• Her smile is like sunshine.
• He’s as busy as a bee.
• The night sky was as dark as coal.

Metaphor vs. analogy

Both metaphors and analogies aim to clarify or explain one thing by comparing it to another. They are both used to shed light on complex or abstract concepts by relating them to something more concrete or familiar.

An analogy is generally more elaborated, often using a set structure to make the comparison more explicit (e.g., “A is to B as C is to D”). Analogies don’t need to imply that the two compared things are identical in all aspects. They rather highlight a specific relationship or aspect that the things share. Metaphors , on the other hand, make a more sweeping, implicit assertion that one thing is another, engaging the imagination more deeply to fill in the gaps.

• Just as a sword is the weapon of a warrior, a pen is the weapon of a writer.
• Life is like a game of chess.
• The heart is to the body as the engine is to a car.

Metaphors in academic writing

The use of metaphors in academic writing is a topic that warrants careful consideration. While they are commonly associated with creative or literary expression, they also find a home in academic essays . However, their appropriateness can vary depending on the context, the subject, and the academic discipline in question.

Is it appropriate to use them?

The appropriateness of metaphors in academic writing largely depends on the context:

• Clarity and precision: If it serves to clarify a complex idea or concept, then it can be a valuable tool. However, if it introduces ambiguity or misinterpretation, it’s best avoided.
• Audience: Understanding the expectations of your academic audience is crucial. Some disciplines are more accepting of metaphorical language than others.
• Purpose: They can be persuasive, but should not sensationalize or replace rigorous analysis.
• Balance: A well-placed figure of speech can illuminate an idea, but overuse can lead to a lack of clarity or can make the work seem less rigorous.

In summary, while figures of speech can be employed effectively in various academic papers, like dissertations , their use should be carefully considered. Always aim for clarity and ensure that it enhances, not clouds, the primary message of your work.

Are they used in academic writing?

Yes, they are indeed used in academic writing, but their frequency and application can differ significantly across disciplines. In fields like literature, philosophy, and some social sciences, metaphors can be instrumental in conveying complex ideas succinctly and vividly. They can add nuance to analyses and can make the material more engaging for the reader.

In contrast, scientific and technical fields tend to prioritize direct, unambiguous language to convey data and findings in their research papers . Here, the use of figures of speech is generally less common and can sometimes be viewed as imprecise or subjective.

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How to come up with a metaphor

Creating a figure of speech involves both a keen sense of observation and a bit of creative thinking. Here’s a step-by-step guide on how to create a well-crafted metaphor.

• Identify the subject Begin by determining the idea, emotion, or object you want to describe. This will be used for comparison. For instance, if you’re trying to describe love’s complexities, “love” is your subject.
• Understand the characteristics List out the properties, attributes, or feelings associated with your subject. If your subject is “love”, you might think about attributes like “complicated”, “intense”, “unpredictable”, or “comforting”.
• Find a comparison Think of another object or situation that shares some of those characteristics but is different in essence. For “love”, you might choose “a maze”, which is also complicated and unpredictable.
• Eliminate “like” or “as” Remember, this kind of figure of speech makes a direct comparison without using “like” or “as” (those would make it a simile). So instead of saying “Love is like a maze”, you say “Love is a maze”.
• Test for clarity and resonance Ask yourself if it effectively highlights the attributes you want to focus on. Does it add depth to the reader’s understanding of the subject? If the answer is yes, you’ve probably got a strong metaphor.
• Refine and expand (optional) You can further enhance it by adding details or extending it. In the example, you might say, “Love is a maze, full of twists and turns where you can find both treasure and trapdoors.”
• Contextualize Make sure it fits perfectly within the context you’re using it.
• Get feedback Every so often, what is clear to you may not be so for others. It can be helpful to ask a friend or colleague for their opinion.
• Revise as needed Based on feedback and further reflection, make any necessary adjustments.

What does “metaphorically” mean?

The term “metaphorically” refers to the figurative, rather than the literal, interpretation of a word, phrase, or situation. When something is described as happening “metaphorically”, it means that the description is symbolic and not to be understood as actually taking place in a physical or factual manner.

If someone says, “My heart broke when I heard the news”, they are speaking metaphorically. Their heart did not literally break into pieces. This simply says that they felt deep emotional pain or disappointment, which is conveyed more vividly through the metaphor.

Using “metaphorically” allows the speaker or writer to emphasize a point or emotion through imaginative or symbolic language. It offers a nuanced way to express feelings, ideas, or conditions that might be too subtle or complex to describe directly.

What is an example of a metaphor?

An example of a metaphor is: “Time is a thief”.

This suggests that time takes away moments and opportunities, much like a thief would, even though time doesn’t actually “steal” anything.

What is the simple meaning of a metaphor?

A metaphor is a figure of speech that describes one thing as being something else, to highlight a similarity between the two. For example, saying “Life is a journey” means that life, like a journey, has ups and downs, destinations, and challenges. It helps us understand one thing by comparing it directly to another.

What are ten examples of metaphors?

Here are ten commonly used metaphors:

• She is a rock.
• His words were a dagger to my heart.
• Life is a roller coaster.
• The classroom was a zoo.
• My mind is a prison.
• The company is a well-oiled machine.
• Her eyes are stars.

What makes a good metaphor?

It should be clear, insightful, and evocative. It should create an immediate understanding of a complex idea by comparing it to something more familiar or tangible. They add depth and emotional resonance without causing confusion, and they should be relevant to the context in which they are used.

What is an example of a simile and metaphor in a poem?

Simile example: “My love is like a red, red rose” from Robert Burns’ poem “A Red, Red Rose”. This simile compares love to a red rose, using the word “like”.

Metaphor example: “Hope is the thing with feathers” from Emily Dickinson’s poem. This describes hope as a bird to symbolize its uplifting and enduring qualities.

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How To Write A College Essay by Chris Peterson SM '13

and other things too

July 30, 2012

• in Admissions ,
• Process & Statistics

Listen: writing well is hard.

It is hard for a lot of different reasons. Sometimes it is hard because you don’t know your audience and have to guess. Sometimes it is hard because you have a lot of stories tripping over each other to get onto the page. Sometimes it is hard because, no matter how smoothly you try to form your sentences, they invariably tumble out of you, all stiff and angular like a box of bent pipes.

But being able to write well is important. You will never encounter a situation in which obfuscation is to your advantage. You will frequently encounter situations where crisp, compelling writing can express your feelings, make your case, even save lives: Edward Tufte argues that the Challenger disaster could have been prevented if only the case against launching had been made more clearly.

While (hopefully) no lives are riding on your college application essays, this is a great time to revisit some of the rules of writing well.

George Orwell’s Politics and the English Language  is my personal guide to thinking about writing. The theoretical foundation he lays in this piece – about the importance of language, including writing, in shaping how we are capable of thinking – he later built upon in 1984 .

Read this essay. Read it closely, read it carefully. It will change the way you think about writing. I keep Orwell’s rules for writing next to my desk always:

Never use a metaphor, simile, or other figure of speech which you are used to seeing in print. Never use a long word where a short one will do. If it is possible to cut a word out, always cut it out. Never use the passive where you can use the active. Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent. Break any of these rules sooner than say anything outright barbarous.

Now, in this essay Orwell took issue primarily with contemporary political propaganda. As he wrote:

In our time it is broadly true that political writing is bad writing. Where it is not true, it will generally be found that the writer is some kind of rebel, expressing his private opinions and not a “party line.” Orthodoxy, of whatever color, seems to demand a lifeless, imitative style.

But the same is true for college essays, as Orwell doubtlessly would have realized if he were reanimated and handed him a sheaf of Common Applications. The sad truth is that most college application essays are not very good. When I say they are “not very good”, I mean they are either boring, impenetrable, melodramatic, or all of the above.

The single greatest scourge of college application essays is the advice dispensed by books with names like “ 50 Winning College Essays from Ivy League Students. ” Everything about these books, from the titles on down, is so suffused with self-congratulation that it should be no surprise the essays themselves stink like bad perfume. Hint: These books exist because people at name-brand schools realized they could sell aspiring applicants drafts of their essays. They do not, as a rule, provide actual good advice. If anything, they simply reproduce the “lifeless, imitative style” of orthodoxy against which Orwell railed.

Orthodoxy runs deep. Last year I was traveling with a colleague from Yale. He had recently spent a week on a reservation helping Native American students navigate the college process, and he had been shocked by the degree to which the cliches and tropes of college essays had penetrated into their world. As he told me, the essays his students – who had lived vastly different lives than most mainstream applicants – were writing were indistinguishable from those written by applicants in southeastern Connecticut. They were composed of billowing clouds of “my global perspective” and “future potential as a leader” and “desire to leverage my education” to bllllllaurhfhasklafsafdghfalkasf.

Do not do this. Do not allow your essays to descend into an impenetrable bulk of buzzwords and banality. You are an interesting person. Your essays should be yours . This is best described in How to Write a Great Statement of Purpose , by Vince Gotera of the University of Northern Iowa, which was my guide to writing my essays when I applied to graduate school.

Consider, for example, Gotera’s comparison of two hypothetical introductory paragraphs for a master’s program in library science:

I am honored to apply for the Master of Library Science program at the University of Okoboji because as long as I can remember I have had a love affair with books. Since I was eleven I have known I wanted to be a librarian.

When I was eleven, my great-aunt Gretchen passed away and left me something that changed my life: a library of about five thousand books. Some of my best days were spent arranging and reading her books. Since then, I have wanted to be a librarian.

As Gotera says: each graf was 45 words long and contained substantively the same information (applicant has wanted to be a librarian since she was a young girl). But they are extraordinarily different essays, most strikingly because the former is generic where the latter is specific. It was a real thing, which happened to a real person, told simply. There is nothing better than that.

So let me save you the trouble of buying any of those books and close by quoting Kurt Vonnegut’s seven rules for writing well, which are as applicable to college applications as they are to writing everything else:

Find a subject you care about. Do not ramble, though. Keep it simple. Have the guts to cut. Sound like yourself. Say what you mean to say. Pity the readers.

Specificity, clarity, and brevity are your keys. Use them to unlock the writer inside you.

edit 8/21/23

I’m coming back to edit this blog post, rather than start a new one, because I figure this one has the SEO.

I still think most of this post is correct, although in retrospect the Gotera piece may have put more pressure on writers to be Writerly than I intended.

I have a shorter way of explaining this now, though, that I sent to my high school prom date who is a math teacher in rural Washington now and trying to get advice on how to write an essay for one of her students. here is what I wrote:

[my advice] boils down to: don’t try to write an essay to impress what you think the admissions officer wants to hear or what you think they’re looking for, because that tends to generate herding behavior. my rule of thumb is: imagine that someone at a family reunion — a cousin’s uncle you saw once a decade — nonchalantly asked you the prompt while in line for the casserole. how would you respond to them —  introspectively, but in a way they could understand what you were thinking through —  without fear of judgment or needing to impress them? and what would you learn about yourself from doing so?

I hope this is shorter, and more usable, advice for those finding this post today, many years later.

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Metaphors and Analogies: How to Use Them in Your Academic Life

Certain Experiences in life can't be captured in simple words. Especially if you are a writer trying to connect with your audience, you will need special threads to evoke exact feelings.

There are many literary devices to spark the readers' imagination, and analogies and metaphors are one of that magical arsenal. They enrich your text and give it the exact depth it will need to increase your readers' heartbeat.

Taking a particular characteristic and associating it with the other not only enriches your text's linguistic quality but gives the reader a correct pathway to deeper layers of a writer's psyche.

In this article, we are going to take a good look at the difference between analogy and metaphor and how to use them in your academic writing, and you will find some of the most powerful examples for each. Learn more about this and other vital linguistic tools on our essay writer service website.

What are Metaphors: Understanding the Concept

Let's discuss the metaphors definition. Metaphors are a figure of speech that compares two unrelated concepts or ideas to create a deeper and more profound meaning. They are a powerful tool in academic writing to express abstract concepts using different analogies, which can improve the reader's understanding of complex topics. Metaphors enable writers to paint vivid pictures in the reader's mind by comparing something familiar with an abstract concept that is harder to grasp.

The following are some of the most famous metaphors and their meanings:

• The world is your oyster - the world is full of opportunities just waiting for you to grab them
• Time is money - time is a valuable commodity that must be spent wisely
• A heart of stone - someone who is emotionally cold and unfeeling

Analogies Meaning: Mastering the Essence

Analogies, on the other hand, are a comparison of two concepts or ideas that have some similarity in their features. They are used to clarify complex ideas or to make a new concept more relatable by comparing it to something that is already familiar.

Analogies are often followed by an explanation of how the two concepts are similar, which helps the reader to understand and make connections between seemingly disparate ideas. For example, in academic writing, if you were explaining the function of a cell membrane, you might use an analogy, such as comparing it to a security gate that regulates what enters and exits a building.

Check out these famous analogies examples:

• Knowledge is like a garden: if it is not cultivated, it cannot be harvested.
• Teaching a child without education is like building a house without a foundation.
• A good friend is like a four-leaf clover; hard to find and lucky to have.

Benefits of Metaphors and Analogies in Writing

Chances are you are wondering why we use analogies and metaphors in academic writing anyway?

The reason why metaphors are beneficial to writers, especially in the academic field, is that they offer an effective approach to clarifying intricate concepts and enriching comprehension by linking them to more familiar ideas. Through the use of relatable frames of reference, these figures of speech help authors communicate complicated notions in an appealing and comprehensible way.

Additionally, analogies and metaphors are a way of artistic expression. They bring creativity and imagination to your writing, making it engaging and memorable for your readers. Beautiful words connect with readers on a deeper emotional level, allowing them to better retain and appreciate the information being presented. Such linguistic devices allow readers to open doors for imagination and create visual images in their minds, creating a more individualized experience.

However, one must be mindful not to plagiarize famous analogies and always use original ideas or appropriately cite sources when necessary. Overall, metaphors and analogies add depth and beauty to write-ups, making them memorable for years to come.

Understanding the Difference Between Analogy and Metaphor

While metaphors and analogies serve the similar purpose of clarifying otherwise complex ideas, they are not quite the same. Follow the article and learn how they differ from each other.

One way to differentiate between analogies and metaphors is through the use of 'as' and 'like.' Analogies make an explicit comparison using these words, while metaphors imply a comparison without any overt indication.

There is an obvious difference between their structure. An analogy has two parts; the primary subject, which is unfamiliar, and a secondary subject which is familiar to the reader. For example, 'Life is like a box of chocolates.' The two subjects are compared, highlighting their similarities in order to explain an entire concept.

On the other hand, a metaphor describes an object or idea by referring to something else that is not literally applicable but shares some common features. For example, 'He drowned in a sea of grief.'

The structural difference also defines the difference in their usage. Analogies are often used in academic writing where hard concepts need to be aligned with an easier and more familiar concept. This assists the reader in comprehending complex ideas more effortlessly. Metaphors, on the other hand, are more often used in creative writing or literature. They bring depth and nuance to language, allowing for abstract ideas to be communicated in a more engaging and imaginative way.

Keep reading and discover examples of metaphors and analogies in both academic and creative writing. While you are at it, our expert writers are ready to provide custom essays and papers which incorporate these literary devices in a seamless and effective way.

Using Famous Analogies Can Raise Plagiarism Concerns!

To avoid the trouble, use our online plagiarism checker and be sure that your work is original before submitting it.

Analogies and Metaphors Examples

There were a few analogies and metaphors examples mentioned along the way, but let's explore a few more to truly understand their power. Below you will find the list of metaphors and analogies, and you will never mistake one for the other again.

• Love is like a rose, beautiful but with thorns.
• The human body is like a machine, with many intricate parts working together in harmony.
• The structure of an atom is similar to a miniature solar system, with electrons orbiting around the nucleus.
• A computer's motherboard is like a city's central system, coordinating and communicating all functions.
• The brain is like a muscle that needs constant exercise to function at its best.
• Studying for exams is like training for a marathon; it requires endurance and preparation.
• Explaining a complex scientific concept is like explaining a foreign language to someone who doesn't speak it.
• A successful team is like a well-oiled machine, with each member playing a crucial role.
• Learning a new skill is like planting a seed; it requires nurturing and patience to see growth.
• Navigating through life is like sailing a ship with unpredictable currents and changing winds.
• Life is a journey with many twists and turns along the way
• The world's a stage, and we are all mere players.
• Her eyes were pools of sorrow, reflecting the pain she felt.
• Time is a thief, stealing away moments we can never recapture.
• Love is a flame, burning brightly but at risk of being extinguished.
• His words were daggers piercing through my heart.
• She had a heart of stone, unable to feel empathy or compassion.
• The city was a jungle, teeming with life and activity.
• Hope is a beacon, guiding us through the darkest of times.
• His anger was a volcano, ready to erupt at any moment.

How to Use Metaphors and Analogies in Writing: Helpful Tips

If you want your readers to have a memorable and engaging experience, you should give them some level of autonomy within your own text. Metaphors and analogies are powerful tools to let your audience do their personal interpretation and logical conclusion while still guiding them in the right direction.

First, learn about your audience and their level of familiarity with the topic you're writing about. Incorporate metaphors and analogies with familiar references. Remember, literary devices should cleverly explain complex concepts. To achieve the goal, remain coherent with the theme of the paper. But be careful not to overuse metaphors or analogies, as too much of a good thing can make your writing feel overloaded.

Use figurative language to evoke visual imagery and breathe life into your paper. Multiple metaphors can turn your paper into a movie. Visualizing ideas will help readers better understand and retain the information.

In conclusion, anytime is a great time to extend your text's impact by adding a well-chosen metaphor or analogy. But perfection is on the border of good and bad, so keep in mind to remain coherent with the theme and not overuse any literary device.

Metaphors: Unveiling Their Cultural Significance

Metaphors are not limited to just academic writing but can also be found in various forms of culture, such as art, music, film, and television. Metaphors have been a popular element in creative expression for centuries and continue to play a significant role in modern-day culture. For instance, metaphors can help artists convey complex emotions through their music or paintings.

Metaphors are often like time capsules, reflecting the cultural and societal values of a particular era. They shelter the prevailing beliefs, ideals, and philosophies of their time - from the pharaohs of ancient Egypt to modern-day pop culture.

Metaphors often frame our perception of the world and can shape our understanding of our surroundings. Certain words can take on new meanings when used metaphorically in certain cultural contexts and can assimilate to the phenomenon it is often compared to.

Here you can find a list of literature and poems with metaphors:

• William Shakespeare loved using metaphors, and here's one from his infamous Macbeth: 'It is a tale told by an idiot, full of sound and fury, signifying nothing.'
• Victor Hugo offers a timeless metaphor in Les Misérables: 'She is a rose, delicate and beautiful, but with thorns to protect her.'
• Robert Frost reminds us of his genius in the poem The Road Not Traveled: 'The road less traveled.'

Movies also contain a wide range of English metaphors:

• A famous metaphor from Toy Story: 'There's a snake in my boot!'
• A metaphor from the famous movie Silver Lining Playbook: 'Life is a game, and true love is a trophy.'
• An all-encompassing and iconic metaphor from the movie Star Wars: 'Fear is the path to the dark side.'

Don't forget about famous songs with beautiful metaphors!

• Bob Dylan's Blowin' in the Wind uses a powerful metaphor when he asks: 'How many roads must a man walk down?'
• A metaphor from Johnny Cash's song Ring of Fire: 'Love is a burning thing, and it makes a fiery ring.'
• Bonnie Tyler's famous lyrics from Total Eclipse of the Heart make a great metaphor: 'Love is a mystery, everyone must stand alone.'

Keep reading the article to find out how to write an essay with the effective use of metaphors in academic writing.

Exploring Types of Metaphors

There is a wide variety of metaphors used in academic writing, literature, music, and film. Different types of metaphors can be used to convey different meanings and create a specific impact or evoke a vivid image.

Some common types of metaphors include similes / simple metaphors, implicit metaphors, explicit metaphors, extended metaphors, mixed metaphors, and dead metaphors. Let's take a closer look at some of these types.

Simple metaphors or similes highlight the similarity between two things using 'like' or 'as.' For example, 'Her eyes were as bright as the stars.'

Implicit metaphors do not make a direct comparison. Instead, they imply the similarity between the two concepts. An example of an implicit metaphor is 'Her words cut deep,' where the similarity between words and a knife is implied. Good metaphors are often implicit since they require the reader to use their own understanding and imagination to understand the comparison being made.

Explicit metaphors are straightforward, making a clear comparison between two things. For instance, 'He is a shining star.'

An extended metaphor, on the other hand, stretches the comparison throughout an entire literary work or section of a text. This type of metaphor allows the writer to create a more complex and elaborate comparison, enhancing the reader's understanding of the subject.

Mixed metaphors combine two or more unrelated metaphors, often leading to confusion and lack of clarity. If you are not an expert on the subject, try to avoid using confusing literary devices.

Dead metaphors are another danger. These are metaphors that have been overused to the extent that they have lost their original impact, becoming clichés and not being able to evoke original visual images.

In academic writing, metaphors create a powerful impact on the reader, adding color and depth to everyday language. However, they need to be well-placed and intentional. Using an inappropriate or irrelevant metaphor may confuse readers and distract them from the main message. If you want to avoid trouble, pay for essay writing service that can help you use metaphors effectively in your academic writing.

Exploring Types of Analogies

Like metaphors, analogies are divided into several categories. Some of the common types include literal analogies, figurative analogies, descriptive analogies, causal analogies, and false/dubious analogies. In academic writing, analogies are useful for explaining complex ideas or phenomena in a way that is easy to understand.

Literal analogies are direct comparisons of two things with similar characteristics or features. For instance, 'The brain is like a computer.'

Figurative analogies, on the other hand, compare two unrelated things to highlight a particular characteristic. For example, 'The mind is a garden that needs to be tended.'

Descriptive analogies focus on the detailed similarities between two things, even if they are not immediately apparent. For example, 'The relationship between a supervisor and an employee is like that of a coach and a player, where the coach guides the player to perform at their best.'

Causal analogies are used to explain the relationship between a cause and an effect. For instance, 'The increase in global temperatures is like a fever caused by environmental pollution.'

Finally, false/dubious analogies are comparisons that suggest a similarity between two things that actually have little in common. For example, 'Getting a college degree is like winning the lottery.'

If you are trying to explain a foreign concept to an audience that may not be familiar with it, analogies can help create a bridge and make the concept more relatable. However, coming up with a perfect analogy takes a lot of time. If you are looking for ways on how to write an essay fast , explore our blog and learn even more.

If you want your academic papers to stand out and be engaging for the reader, using metaphors and analogies can be a powerful tool. Now that you know the difference between analogy and metaphor, you can use them wisely to create a bridge between complex ideas and your audience.

Explore our blog for more information on different writing techniques, and check out our essay writing service for more help on crafting the perfect papers.

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Related Articles

• Literary Terms

When & How to Write a Metaphor

• Definition & Examples
• When & How to Write a Metaphor

How to Write a Metaphor

A. avoid clichés.

Very often, you’ll write metaphors without realizing it. Since certain metaphors are very common, many of them have become  clichéd , or overused.

Normal Sentence:

My day was emotionally jolting.

With Cliché Metaphor:

My day was an emotional roller-coaster .

Here and there, clichés are harmless, but they can start to add up and become repetitive and unoriginal if you use too many of them. Don’t worry about this as long as you use the clichés sparingly.

Here are a few more examples of metaphors that have become clichés:

• Ticking time bomb
• Tip of the iceberg
• Slippery slope
• Going the extra mile
• Icy personality
• Turning in one’s grave
• About to explode (from anger)

B. Tips on Forming Creative Metaphors

The real trick, though, is to write original metaphors that really stick in the reader’s mind, and there’s no hard-and-fast rule for accomplishing this. It takes a lot of creativity to write a good metaphor!

One way to practice is to start with the phrase “life is…and I am…” By starting with one metaphor (for life) and extending it to yourself, you can practice thinking systematically about the meanings of your metaphors, while at the same time working on your creative skills.

Life is a canvas, and I am a painter.

Life is a canvas, and I am the paint.

Life is an hourglass, and I am a single grain of sand.

Life is an hourglass, and I am about to turn it over once more.

Life is a classroom, and I am sitting in the front row.

Life is a classroom, and I am sitting in the back row.

Notice how different these statements are, and how different they all are from a cliché.

C. Avoid mixed metaphors

This is an important point for using metaphors in your writing – once you’ve decided on a metaphor, you have to see it through  for it to have the strongest effect. Don’t just forget about it and pick up a new metaphor immediately! Too many different metaphors in your writing can make it confusing or too over the top.

A mixed metaphor combines one or more metaphors in a sentence in a way that doesn’t really make sense. For example, imagine if you tried to encourage your staff to excel with a project by saying “let’s get back out on the court and hit this one out of the park!” You’d be combining a basketball metaphor with a baseball metaphor—really, you should say “let’s get back out on the field and hit this one out of the park!”

Here’s an example of a triple mixed metaphor:

Mr. Speaker, I smell a rat. I see him floating in the air. But mark me, sir, I will nip him in the bud.   ( Garner’s Modern American Usage , Bryan A. Garner)

First, we have the common metaphor “I smell a rat,” to describe a person committing a betrayal. But then Garner uses an unrelated metaphor to describe him as “floating,” finally concluding with a metaphor that refers to plants.

When to Use Metaphor

Strictly speaking, metaphors should be used only in creative writing since they rely on figurative language (not literal meaning) and are therefore untrue statements. Metaphors are also often vague and may sound too colloquial for formal work. Sometimes a subtle metaphor will slip into  formal work(especially in the form of common phrases and clichés). This is OK now and then, but it’s best to avoid it if possible.

For example, if you were writing a paper on Abraham Lincoln, it would sound pretty strange to say he had a “heart of gold.” First of all, it’s a cliché. Second, it’s not literally true. And third, it doesn’t really tell you much about Lincoln. So, it’s better to say something more specific and concrete, like “For Lincoln, compassion was one of the most important moral virtues.”

There is a rhetorical device though (that people often confuse with metaphor), that you’ll see in formal writing all the time. This is simile . Similes explicitly state that two things are alike, rather than simply equating them as a metaphor does. This can be a very useful way to explain complex ideas:

With Simile:

“The magnetosphere works like a big tinted window, protecting the earth from the sun’s harmful rays while still letting some light and heat pass through.”

With Metaphor:

“The magnetosphere is a big tinted window…”

Using metaphor, in this case, makes the sentence untrue. But the simile is a helpful tool for clarifying the writer’s point.

None of this, of course, applies to creative writing. In creative writing, metaphors are extremely effective – as long as you don’t mix them!

List of Terms

• Alliteration
• Amplification
• Anachronism
• Anthropomorphism
• Antonomasia
• APA Citation
• Aposiopesis
• Autobiography
• Bildungsroman
• Characterization
• Circumlocution
• Cliffhanger
• Comic Relief
• Connotation
• Deus ex machina
• Deuteragonist
• Doppelganger
• Double Entendre
• Dramatic irony
• Equivocation
• Extended Metaphor
• Figures of Speech
• Flash-forward
• Foreshadowing
• Intertextuality
• Juxtaposition
• Literary Device
• Malapropism
• Onomatopoeia
• Parallelism
• Pathetic Fallacy
• Personification
• Point of View
• Polysyndeton
• Protagonist
• Red Herring
• Rhetorical Device
• Rhetorical Question
• Science Fiction
• Self-Fulfilling Prophecy
• Synesthesia
• Turning Point
• Understatement
• Urban Legend
• Verisimilitude
• Essay Guide
• Cite This Website

How to Write College Application Essays

Use the links below to jump directly to any section of this guide:

College Application Essay Fundamentals 

How to prepare to write your essay , how to approach different essay types, how to structure your essay , how to revise your essay, how to find essay writing help , resources for teaching students how to write a college essay, additional resources (further reading).

Of all the materials in a college application, the essay provides the greatest opportunity for you to set yourself apart. Unlike the transcript or resume, the essay is creative and expressive; in it, you can show the admissions counselors who you are and what you can do (that is, how well you can write!). A good application essay should have a memorable main idea, a cohesive structure, and a strong introduction and conclusion. Although essay topics can vary by college, the most common prompts deal with personal experiences and aspirations for the future. This guide   contains a diverse set of resources to help you orient yourself to the college application essay and, ultimately, to write the most competitive essay possible. 

The college application essay is a requirement for admission to almost all institutions of higher learning. Though in some ways it resembles essays you've written in class or on standardized tests, in other ways it's a unique writing exercises with its own particular requirements. Use the resources below to help you understand how the essay should be structured and what kind of content to include. 

"How Long Should College Application Essays Be?" (Learn.org)

This webpage guides you through some basic tips on writing the college essay—including essay length, sticking to the prompt, and maintaining an original tone. 

"College Application Essay" (College Board)

This webpage from the College Board discusses the different types of application essays, what length you should aim for, and most importantly, why colleges value this aspect of the application so much. 

"College Essays, College Applications" (College Board) 

The College Board's website is a great resource for any student looking to apply to college. This webpage contains several links to helpful resources, including sample essays and genuine student interviews. 

"Timeline for College Applications" (College Essay Guy)

This colorful, one-page guide from a college application specialist offers an illustrated timeline for high school students looking to apply for college. 

Before putting your ideas down on paper, it's important to conceptualize your essay, to craft strategically your tone and style, and,  crucially, to choose a topic that suits you and the school to which you're applying. The resources in this section include writing tips, lists of common mistakes you should avoid, and guides dedicated to the college application essay.

How to Plan Your Essay

"3 Common College Essay Mistakes to Avoid" (CNBC)  

This article from CNBC broadly outlines the most common mistakes students make when writing their college application essays. Although these mistakes may seem obvious, even the most experienced writers can fall into these common traps.

"7 Effective Application Tips" (Peterson's)

This article from Peterson's (a company providing academic materials for test prep, application help, and more) lists seven pieces of advice designed to make your writing pop. 

"The Secret to Show, Don't Tell" ( The Write Practice Blog)  

You've heard it before: show, don't tell. This is a great writing tip, but how do you pull it off? Here, the writing blog  The Write Practice  outlines how you can make your writing more descriptive and effective. 

"Passive Voice" (University of North Carolina)  

Avoiding passive construction is a subtle yet effective way to upgrade any piece of writing. Check out this webpage from a university writing center for some tips on recognizing and avoiding passive voice. 

"Using Appropriate Words in an Academic Essay" (National University of Singapore)

There are many ways to upgrade your vocabulary. Often, words can be replaced with more impressive substitutes, phrases can be shortened or lengthened depending on context, and transitions can be used for a smoother flow. The link above expands on these strategies and offers several others. 

How to Brainstorm Topic Ideas

"Bad College Essays: 10 Mistakes to Avoid" (PrepScholar)

This article from a well-known tutoring service and test prep program describes what to avoid when writing your essay. Essays that are too graphic, too personal, or too overconfident are all problematic, and this article explains why. 

"5 Tricks for Choosing Your College Essay Topic" (CollegeXpress)

Lost on how to choose a topic? This webpage from CollegeXpress outlines five sources of inspiration you can mine for ideas as you're getting started.

"The College Admission Essay: Finding a Topic" (The Choice Blog)

This article from New York Times  blog The Choice  breaks down three essential questions to ask yourself when choosing a topic for your college essay. 

"COLLEGE ESSAY GUIDE: Choosing a Prompt for the Common Application" (YouTube)

In this five-minute video, a Yale student discusses how to choose a college essay prompt and how to approach the essay writing process. His channel is filled with original videos on the college application process. 

"Where to Begin? 3 Personal Essay Brainstorming Exercises" ( CollegeVine Blog)

Approaching the Common App essay prompts can be difficult. This blog post explains several tactics you can use to narrow down your options, such as writing down a list of your greatest convictions.

"Using First Person in an Academic Essay: When Is It Okay?" (WritingCommons.org)

Most high school students are told to avoid using the first person point of view; this can be confusing when writing college essays, which typically ask what  you  think. This article breaks down when (and why) it's acceptable to write in the first person. 

Although all college essays serve the same purpose - articulating why you should get into a college - they come in different kinds. While topics on the Common Application are relatively consistent from year to year, personal statements and so-called "supplemental essays" vary by institution. Each of these essays requires a slightly different approach. The resources in this section will prepare you to answer the various types of essay prompts you're likely to encounter. 

Common Application Essays

CommonApp.org

The Common Application's official website is the best place to start getting acquainted with the service to which the majority of US colleges and universities now subscribe - a service which allows you to streamline your application process and minimize duplication of materials.

"What's App-enning" Blog (Common App)  

The Common App runs a blog with a wealth of information on common application-related news, including periodic updates on common application essay prompts for each application cycle. You can practice brainstorming with old prompts, or even start preparing your application by looking at this year's prompts.

125 College Essay Examples (PrepScholar Blog)

Here, PrepScholar provides a variety of Common App essays that got their respective applicants into their desired schools. Along with the body text of the essays, the website provides analysis on  what  makes the essays so great. 

A Few Essays That Worked (And a Few That Didn't) (NYTimes Blog)

This article analyzes unsuccessful essays, illuminating the ways in which they fell short. Although you should exercise caution and adjust your approach to your specific school, it's always good to pick up on general things to avoid. 

Personal Statements

What Is a Personal Statement? (PrepScholar Blog)

Although personal statements and Common App essays are similar, not all personal statement essays are administered through the Common App. This article from PrepScholar's blog will provide you with everything you need to know about writing a personal statement.

Examples of Successful Statements (Purdue OWL)

The Purdue OWL online writing lab collate links on this page to several successful personal statement. It can be useful to read successful statements and to consider how and why the statements made an impact on their readers. 

Past Threads on Advice for Writing Your College Essay (Reddit Post)

Although not about the personal statement  per se , this Reddit post has links to several past threads that may be of use to any prospective college applicant. 

What 10 Things Should Your Personal Statement Include? (Which University UK)  

This site outlines ten things to consider when writing a personal statement, including outlining what you will bring to the course, not what the course will bring to you. 

Supplemental Essays

How to Write Great Supplemental College Essays (IvyWise Newsletter)

Supplemental essays can often be challenging, asking a range of questions from the mundane to the oddly specific. This article from college application site IvyWise will break down example prompts to make them more approachable. 

Write Your Supplemental Essays (College Essay Guy)

Looking for a comprehensive guide to supplemental essays? Look no further than this page provided by the "College Essay Guy," who breaks down how to write supplemental essays that ask different kinds of questions. 

An Awesome Guide to the UChicago Supplement (Dyad)

Dyad, a college mentoring service, walks you through how to approach UChicago's supplemental essay question. Although the article is specific to UChicago, it contains general tips that are helpful to any college applicant. 

Reading My Yale Supplement Essay (YouTube)

Josh Beasley is back in this short YouTube video, where he reads the supplemental essay that got him into Yale and extrapolates advice for current and prospective applicants. 

A college application essay (like any academic essay) should have an introduction, a conclusion, and body paragraphs. Additionally, it should have overall coherence (that is, it should make a point) and cohesion (that is, it should flow well from paragraph to paragraph). We've collected the most relevant resources here to help you structure your college essay correctly and efficiently. 

How to Make Your Essay Stand Out 

College Essays That Stand Out From the Crowd (NYTimes)

This NYTimes article includes links to several recent essays that caught the eyes of the admissions readers by taking risks. You can even listen to an essay being read aloud by a current Princeton student.

50 Successful Ivy League Application Essays (Gen / Kelly Tanabe)  

If you have some time on your hands, this hefty PDF document contains 50 essays from successful Ivy League applicants. After reading these essays, consider what they have in common and how they might be a model for your own essay.

Make Your Application Essay Stand Out (CampusExplorer.com)

In this article from CampusExplorer, you'll find general tips on how to make your essay more appealing to the admissions readers. The writers include general writing tips as well as more targeted advice for the tone and audience of the application essay.

How to Write a College Application Essay that Stands Out (Boston University)

This short video from BU's own admissions department touches briefly on what impresses their admissions readers, including risk-taking, memorable stories, and honesty. 

Essay Structure (Monash University)

This chart from Monash University visually demonstrates how your content should be organized in order to keep your argument or story on track. 

How to Write an Introduction

How to Start a Personal Statement: The Killer Opening (Which University UK)  

Any good introduction both forecasts what your essay will be about and catches the reader's attention. This page will give you some helpful advice on starting your essay with a bang. 

How to Start a College Essay Perfectly (PrepScholar Blog)

This article from PrepScholar shows you how to "hook" your reader at the start of your application essay with colorful language, a vivid story, and an "insightful pivot" to your main point.

Let Me Introduce Myself (Stanford University)

This article from Stanford U's alumni page details the first-line openings of the essays for some current Stanford undergrads. 

Five Ways to NOT Start Your College Application Essays (PowerScore)

In this article, you'll learn five techniques to avoid, as they typically land a college application essay in the "reject" pile; these include beginning with dictionary definitions or famous quotations. 

How to Write a Conclusion 

Ending the Essay: Conclusions (Harvard University)

Harvard's writing center suggests bringing closure to your essay (that is, wrapping up your argument) while still expanding outward to broader applications or insights in your final paragraph.

Concluding Paragraph (Easybib)  

Although you may have used Easybib to make a bibliography before, did you know they have many resources on how to write a good essay? Check out this page for succinct advice on what your conclusion should entail. 

5 Ways to Powerfully End Your College Essay (College Greenlight)

This blog post instructs you to end with action (that is, a story or anecdote) rather than summary, giving you five ways to do this effectively, including addressing the college directly.

How to Write the Best Conclusion for a College Application Essay and Supplement (Koppelman Group)

The Koppelman Group, a college application consulting firm, warns you, above all, not to end "in conclusion" or "to conclude." They also provide targeted advice for the Common App and Supplement essays, respectively. 

No essay is perfect in its first-draft form; college application essays in particular are limited by word counts that can be difficult to meet. Once you've communicated your ideas, you'll want to edit your essay in order to make sure it's the best it can be. You'll also need to cut or add words to make sure it's within the specifications set by the institution. The resources in this section include tips and tricks for revising your college application essay. 

3 Ways to Increase Word Count (WikiHow)

Complete with illustrations, this WikiHow page outlines several ways you might go about substantively expanding your essay. These tips include clarifying points, reworking your introduction and conclusion, adding new viewpoints and examples, and connecting loose threads. 

Admissions 101: What an Essay Word Limit Really Means (Veritas Prep) 

In this blog post, Veritas Prep's college preparation tutors assure you that being a little over or under the limit is acceptable, recommending ways you can think about the word limit's purpose.

College Essay Word Limit - Going Under? (College Confidential) 

In this College Confidential discussion forum, students discuss the possible ramifications of writing under the word limit for a college essay. 

How to Increase Your Essay Word Count (WordCounter)

This article from WordCounter outlines different ways you might go about meeting word count, including addressing different viewpoints, adding examples, and clarifying statements. 

Hitting the Target Word Count in Your College Admissions Essay (Dummies.com)

This article details how to hit the target word count. Scroll down to the middle of the article for advice on where you should cut words from to meet word count. 

Some Tricks to Reduce Word Count (EastAsiaStudent.net)

This article recommends simplifying your style, deleting adverbs, deleting prepositions, and revisiting connectives and adjectives to reduce word count. 

Advice on Whittling Your Admissions Essay (NYTimes) 

In this New York Times article, Andrew Gelb discusses how to go about cutting down your admissions essay in order to meet the requisite word limit.

How to Shorten an Essay Without Ruining the Content (Quora) 

This Quora post from a concerned student yielded useful community responses on how to effectively shorten an essay without losing the original message. 

Feel like you've hit a wall revising your essay on your own? You're not alone, and there are plentiful resources on the web through which you can connect with fellow college applicants and/or professional tutors. The links in this section will take you to free services for improving your college application essay, as well as two of the top paid writing tutor services.

College Confidential Forums 

College Confidential is a free, public forum in which you can post your essay and receive feedback from current college students, current college applicants, and even teachers or other experienced users. 

/r/CollegeEssays (Reddit)

This subreddit is a great place to look for crowdsourced help on your essay, ask questions about college essays, or even find a private tutor. 

Essayforum.com

Essayforum.com provides another platform for students to share their application essays. Although this link takes you to the site's forum for applicants to undergraduate degree programs, you can submit and review essays in other categories as well.  Varsity Tutors

Varisty Tutors offers tutoring services from freelance tutors based on location. Prices and services vary, but their site is easy to use and there are many tutors available to choose from.

Princeton Review

Princeton Review, one of the largest providers of college preparation tutoring (ranging from standardized test preparation to essay help) offers online essay tutoring services with a free trial period. 

Using in-class time to prepare your students to write college application essays is, of course, rewarding, but can also be challenging. If you're a teacher looking to incorporate the college essay into your curriculum but you're not sure where to start, take a look at the useful resources below.

TeachersPayTeachers

College Essay Writing

This product includes material for more than one full lesson plan, including powerpoint presentations, assessments, and homework on the topic of college essays. 

Narrative Writing Ideas and Prompts

Appealing to students 9th grade and up, this product includes lesson plans, handouts, and homework for developing narrative writing for the college essay process. 

College Essay: Comprehensive 7-Session Workshop Series

This PDF includes entire courses, manuals, and handouts designed to teach students the ins and outs of the college essay process, either in an individual or group setting. 

College Essay Revision Forms & Rubrics

These PDFs provide students with visual organizers and rubrics to assess their own writing and learn how to become better college essay writers. 

Free Resources

Teaching the College Essay (Edutopia) 

Teaching your students about writing the college essay can be incredibly intimidating -- as a teacher, how should you approach the process? This article from Edutopia outlines how to go about introducing the college essay to your students. 

Essay Lesson Plan Ideas for College Applications (EssayHell)

If you're a teacher looking for a concrete lesson plan on college essays, this guide recommends using the first day to discuss the importance of the essay, the second day for brainstorming, and so on. Click on the link above to examine their full guide. 

Help Your Students Write a Killer College Essay (EdWeek Blog)

This blog post goes over various techniques designed to help your students choose an appropriate topic and write their essay with passion. 

The Biggest College Essay Mistakes & How to Fix Them (Talks With Teachers)

Looking to help your students avoid the minefield of mistakes in the college essay field? Check out this post from Talks With Teachers, a journal that shares "inspiring ideas for English teachers." 

Curious to read more about college application essays, or to see fun and unusual examples of what students have written? The articles, blog posts, and books in this section are a good place to start surveying the field.

One Over-the-Top Admissions Essay (Huffington Post)

This piece from the Huffington Post talks about a humorous response to a Stanford supplemental essay topic, the so-called "letter to my future roommate."

College & University - Statistics and Facts (Statista.com) 

In the process of writing your college essay, you may find yourself wondering who exactly goes to college, how many colleges there are in the United States, etc. This site gives the up-to-date statistics for various US demographics, both in aggregate and by university, as well as other information.

Who Made That College Application? (NYTimes)

This piece from the NYTimes outlines the history of the college essay from its origins in the 1800s, to the first "modern" college application, produced by Columbia University in 1919, to the present.  

How They Got Into Harvard (Staff of the Harvard Crimson)

This highly-rated collection of successful Harvard application essays, available on Amazon, is both an entertaining read and an instructive resource for anyone looking for exemplary essays to use as models. 

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Using Metaphors in Academic Writing

Have you ever wanted to translate formidable, and sometimes tedious, academic content into one that is easily comprehensible and captivating? Academics are often told that the language of science is formal, precise and descriptive with no space for the abstract. However, using metaphors in your academic writing could be helpful if used to explain complex scientific concepts. Just remember not to be cautious and exercise restraint when using different types of metaphors or it could make your academic writing seem unprofessional.

What is a metaphor?

A metaphor is defined as a figure of speech in which a word or phrase denoting one kind of object or idea is used in place of another to suggest a likeness or analogy between them. (Merriam-Webster, 2022). Derived from the Greek word ‘metapherein,’ which means ‘to transfer,’ metaphors transfer the meaning of one word to another to encourage a feeling. For example, by writing ‘ All the world’s a stage,’ Shakespeare creates a powerful imagery of ideas through transference. By bringing life to words, metaphors add value to writing and are a great addition to a writer’s toolkit.

Difference between similes and metaphors and analogies

When you’re writing in English, you should know the difference between similes and metaphors and analogies. While these are similar in terms of purpose, i.e., comparing two things, they are different in how they are used. A simile is explicit about the comparison, while a metaphor simply points to the similarities between two things, and an analogy seeks to use comparisons to explain a concept.

This could be confusing, however, there are simple ways to detect the differences between similes and metaphors and analogies. You can identify a simile by looking for the use of words ‘like’ , ‘as’, for example, ‘Life is like a box of chocolates.’ On the other hand, metaphors are more rhetorical and not so literal, for example, ‘The news was music to her ears.’ An analogy is more complex and seeks to point out the similarity in two things to explain a point, for example, ‘Finding the right dress is like finding a needle in a haystack.’

Types of metaphors

There are several different types of metaphors in the English language, here are some of the most common variations.

• Standard metaphor: A standard metaphor directly compares two unrelated items. For instance, by drawing a link between things and feelings, we’ve been able to convey the importance of laughter in this example of a metaphor: Laughter is the best medicine.
• Implied metaphor: This type of metaphor implies comparison without mentioning one of the things being compared. Take this example, where the coach’s voice is implied to be as loud as thunder: “Don’t give up!” thundered the coach from the side lines.
• Visual metaphor: This type of metaphor compares abstract objects or ideas that are difficult to imagine to a visual image that is easily identifiable; providing the former with a pictorial identity. This type of metaphor is most widely used in advertisements. For example, for the phrase ‘ The Earth is melting’ , the visual metaphor used to signal global warming is a melting ice cream.
• Extended metaphor: This type of metaphor extends the comparison throughout an article, document, or stanza. For example, when poet Emily Dickinson wrote “Hope” is the thing with feathers, she used feathers as a metaphor to compare hope to a bird with wings.
• Grammatical metaphors : Also known as nominalization, this type of metaphor rewrites verbs or adjectives as nouns. It’s most commonly used in academic and scientific texts as a way to separate spoken and written language, remove personal pronouns, and write in a concise manner. For instance, ‘ Millions of men, women and children starved to death in the 1943 Bengal Famine as a direct result of Churchill’s policies.’ This can be rephrased as ‘British policies led to the 1943 Bengal Famine, impacting the country’s people and politics for decades.’

Using metaphors in academic writing

Scholars pride themselves on creating research papers that are factually correct and precise, and metaphors may be perceived to detract from this. However, using metaphors may be a great way to explain scientific and technical concepts to readers, who may not know as much about the subject. While metaphors can add to formal academic writing and make it more engaging, it’s important to find a balance. Here are some tips to keep in mind when using metaphors in academic writing:

• Don’t use metaphors as the foundation of your academic content, use them instead to support your argument and drive home a point.
• Choose your metaphors carefully taking into account your primary audience; using figures of speech specific to any one region can introduce confusion instead of clarity.
• Use metaphors wisely and only when needed so not to distract the reader. They should flow naturally and enhance the content rather than detract from the point.

Metaphors are a nifty way to create engaging content even for academic writers. Greek philosopher Aristotle once wrote, “The greatest thing by far is to be a master of metaphor; it is the one thing that cannot be learnt from others.” So get ready to wield that pen and reach for the stars!

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Using Metaphors in Creative Writing

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What is a metaphor?

The term metaphor meant in Greek "carry something across" or "transfer," which suggests many of the more elaborate definitions below:

Related terms

Why use metaphors.

People get so accustomed to using the same words and phrases over and over, and always in the same ways, that they no longer know what they mean. Creative writers have the power to make the ordinary strange and the strange ordinary, making life interesting again.

When readers or listeners encounter a phrase or word that cannot be interpreted literally, they have to think—or rather, they are given the pleasure of interpretation. If you write "I am frustrated" or "The air was cold" you give your readers nothing to do—they say "so what?" On the other hand, if you say, "My ambition was Hiroshima, after the bombing," your readers can think about and choose from many possible meanings.

By writing "my dorm is a prison," you suggest to your readers that you feel as though you were placed in solitary, you are fed lousy food, you are deprived of all of life's great pleasures, your room is poorly lit and cramped—and a hundred other things, that, if you tried to say them all, would probably take several pages.

There are many gaps in language. When a child looks at the sky and sees a star but does not know the word "star," she is forced to say, "Mommy, look at the lamp in the sky!" Similarly, when computer software developers created boxes on the screen as a user interface, they needed a new language; the result was windows. In your poems, you will often be trying to write about subjects, feelings, etc., so complex that you have no choice but to use metaphors.

Or so says Aristotle in Poetics: "[T]he greatest thing by far is to be a master of metaphor." It is "a sign of genius, since a good metaphor implies an intuitive perception of the similarity in dissimilars."

Creative ways to use metaphors

Most books give rather boring examples of metaphors such as my father is a bear or the librarian was a beast. However, in your poetry (and fiction for that matter) you can do much more than say X is Y, like an algebraic formula. Definitely play with extended metaphors (see above) and experiment with some of the following, using metaphors...

Cassandra Hsiao: College Essay Coaching

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• Oct 12, 2022

The Spiderweb Metaphor: How To Approach College Essays Holistically

Updated: Dec 29, 2022

Imagine your life and your personhood as a spiderweb. At the center of this beautiful intricate web—the strongest part of the web, the part that is the most interconnected to the outside layers—is who you are. What makes you tick? What fuels you to get out of bed in the morning? What are the values you hold near and dear to your heart? That’s at the heart of the spiderweb of you. And in the world of college applications, the center and foundation of your spiderweb is the common app essay.

The common app isn’t a place to tell your officer what you do or your many achievements in high school (that’s what your resume and supplements are for). It also isn’t a place to tell the officer how others see you (that’s what your teacher recs are for). Rather, it’s an opportunity for you to present what you believe lies at your core. It’s not about what you do, but about why you do it. In fact, it doesn’t even have to address what you do in any explicit way; the goal is for your reader to understand your driving forces and how those fuel the rest of your application (the many things on your extracurriculars list).

So now that you have established the heart of your spiderweb, imagine the rest of you encapsulated in the outer circles of the web. All that you do is thematically connected by your common app. The rest of your spiderweb reflects the various activities that you consider important in your life. For me, there were a few different categories: volunteering (door-to-door food drives and Sunday school teaching), writing (playwriting and poetry events), and journalism.

So, I made sure that for every college I applied to, I managed to hit all of these aspects of myself, no matter how many or how few supplement questions there were—I’d manage to fit it in somehow. Each college app ended up looking like a slightly different spiderweb of Cassandra, with my topics broken up in different ways based on the questions. I’d find creative ways to tackle the same topic but from different lenses so I could best adapt the same essay to different schools and their needs.

In addition to the activities I did outside of school, I wanted to highlight various sides of my personality. Tenacity, compassion, creativity, and courage are all naturally displayed through my essays about my extracurriculars, but I also wanted to show that I have a sense of humor and am a very passionate fangirl. Those sides of me emerged in the way I approached some of my extracurricular-centered essays, like when I described myself as a secret spy (journalism) or wrote about couch potatoes (my first ever play). I also demonstrated those aspects of myself through less formal essay questions like Stanford’s roommate essay (I talked about my love for Marvel) and Yale’s “What course would you teach?” essay(you guessed it—a class about how the MCU reflects the post 9/11-world).

Oftentimes, students get too caught up in the nitty gritty of formulating their essays in response to the question. Of course it is important to answer the question, but what’s more important is that you capture the most important parts of yourself throughout your common app primarily, and then the myriad of supplemental questions. Don’t let the question grip you so tightly that your answer is manufactured; rather, bring your passions to the page and see how you can answer the question through the lens of your passion.

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How to Write a Metaphor

Last Updated: March 19, 2024 Fact Checked

This article was co-authored by Megan Morgan, PhD . Megan Morgan is a Graduate Program Academic Advisor in the School of Public & International Affairs at the University of Georgia. She earned her PhD in English from the University of Georgia in 2015. There are 14 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 728,186 times.

Metaphors are the cold knife in your side, the speed bumps that keep you from picking up writing momentum, the hidden monster lurking in the closet of ... of ... oh, darn it. Metaphors are tough -- no doubt about it -- but if you follow these instructions, they can become the spice in the cuisine that is your written work!

Quick Steps

• Define your topic or object, then brainstorm other things with similar qualities.
• Decide what tone you’d like to set to weed out ideas that don’t fit the mood.
• Write a few sentences comparing the topic to your brainstormed associations.
• Read your sentences aloud and revise them to further refine your comparison.
• Condense your idea into one original, metaphorical sentence.

Understanding Metaphors

• The last line of The Great Gatsby contains a very famous metaphor: “So we beat on, boats against the current, borne back ceaselessly into the past.”
• The poet Khalil Gibran used many metaphors in his poetry, including this one: “All our words are but crumbs that fall down from the feast of the mind.” [2] X Research source
• William Gibson’s cyberpunk novel Neuromancer opens with the line: “The sky above the port was the color of television, turned to a dead channel.”
• Sylvia Plath’s poem “Cut” uses metaphor to convey a painful experience in a curious tone: What a thrill— My thumb instead of an onion. The top quite gone Except for a sort of hinge Of skin.... A celebration this is. Out of a gap A million soldiers run, Redcoats every one. [3] X Research source

• A simile has two parts: the “tenor” (the thing being described) and the “vehicle” (the thing/s used to describe it). In the simile “the brownie was so overcooked that it tasted like charcoal,” the brownie is the tenor and the charcoal is the vehicle. Unlike metaphors, similes use “as” or “like” to signal their comparisons, and thus they’re usually considered a little weaker in effect.
• A metonymy substitutes the name of one thing for the idea of another that is closely related to it. For example, in many countries the system of royal power invested in a monarch is simply called “the crown,” and in the United States the presidential administration and its authority are often just called “the White House.”
• A synecdoche refers to a larger concept by using a part of that concept, as in the use of the phrase “hired hands” for “laborers” or referring to one’s car as “my wheels.”

• Sustained , or extended/telescoping metaphors span across several phrases or sentences. Their accumulative nature makes them very forceful and vivid. The narrator of Dean Koontz’s novel Seize the Night uses a sustained metaphor to describe his wild imagination: “Bobby Halloway says my imagination is a three-hundred-ring circus. Currently, I was in ring two hundred and ninety-nine, with elephants dancing and clowns cartwheeling and tigers leaping through rings of fire. The time had come to step back, leave the main tent, go buy some popcorn and a Coke, bliss out, cool down.” [6] X Research source
• Implied metaphors are more subtle than simple metaphors. Whereas a simple metaphor might say that a person seems mean, but is really “a cupcake,” an implied metaphor would attribute cupcake-like characteristics to the person: “He can seem mean until you get to know him, and then you find out he’s all gooey and fluffy inside.”
• Dead metaphors are metaphors that have become so common in everyday speech that they’ve lost the power they once had because they’re too familiar to us: “raining cats and dogs,” “heart of stone,” “tie up loose ends,” “red tape.” Clichés, on the other hand, are phrases often used to convey significant meanings. In the case of “red tape,” legal documents used to be bundled with red tape (or ribbon) before being sent away to various offices, so a process getting caught up in “red tape” referred to a document that was still waiting to be examined.

• Catachresis is the formal term for mixed metaphors, and some writers use them intentionally to create confusion, impart a sense of the absurd, or express a powerful or inexpressible emotion. The poem somewhere i have never travelled,gladly beyond by e.e. cummings uses catachresis to express how it’s impossible to put his love for his beloved into words that make sense: “The voice of your eyes is deeper than all roses -- / nobody, not even the rain, has such small hands….” [9] X Research source
• Catachresis can also be used to demonstrate a character’s confused or contradictory state of mind, as in the famous “To be or not to be” soliloquy from William Shakespeare’s Hamlet : Hamlet wonders “Whether ‘tis nobler in the mind to suffer / The slings and arrows of outrageous fortune, / Or to take arms against a sea of troubles, / And by opposing end them?” Obviously, you can’t really take up arms to fight against a sea, but the mixed-up metaphor helps communicate how troubled Hamlet feels.

• Metaphors can communicate emotion behind actions. For example, the phrase “Julio’s eyes blazed” is more vivid and intense than “Julio’s eyes looked angry.”
• Metaphors can convey immense, complex ideas in a few words. In one version of his long poem Leaves of Grass, Walt Whitman tells his readers that they are actually the greatest poetry: “your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face.” [10] X Research source
• Metaphors can encourage originality. It’s easy to rely on everyday language to convey ideas: a body is a body, an ocean is an ocean. But metaphors allow you to convey a simple idea with creativity and expressiveness, something that the ancient Germanic people known as Anglo-Saxons were very fond of: “body” becomes “bone-house” and “ocean” becomes “whale-road”.
• Metaphors show off your genius. Or at least, Aristotle says so (and who are we to argue?) in his Poetics : “But the greatest thing by far is to be a master of metaphor. It is the one thing that cannot be learnt from others; and it is also a sign of genius, since a good metaphor implies an intuitive perception of the similarity in dissimilars.”

• If you don’t mind difficult reading, very few writers in English used metaphor as well as the 16th-century poet John Donne: poems like “The Flea” and his Holy Sonnets employ intricate metaphors to describe experiences like love, religious faith, and death. [11] X Research source
• The speeches of Martin Luther King, Jr., are also famous for their skillful use of metaphor and other rhetorical devices. King’s “I have a dream” speech uses metaphor extensively, such as the idea of Black Americans living on “a lonely island of poverty in the midst of a vast ocean of material prosperity.” [12] X Research source

Writing Your Own Metaphors

• For example, if you want to write a metaphor about "time," try writing down as many characteristics as possible: slow, fast, dark, space, relativity, heavy, elastic, progress, change, man-made, evolution, time-out, timer, race, run.
• Don't self-edit too heavily in this step; your goal is to generate a bunch of information for yourself to use. You can always scrap ideas that don't work later.

• Avoid clichés. As Salvador Dalí said, “The first man to compare the cheeks of a young woman to a rose was obviously a poet; the first to repeat it was possibly an idiot.” [15] X Research source The goal of metaphors should be to convey your meaning with impact and originality in a compact package: the single intense bite of sea-salted caramel chocolate gelato vs. a whole bowl of bland vanilla froyo.
• This is a brainstorming activity, so let your imagination run wild! For the "time" example, free-associations could be ideas like: rubber band, space, 2001, abyss, enemy, ticking clock, weight, wait, loss, adaptation, changes, stretching, returning.

• For the "time" example, let's go with "celestial/spiritual" for the mood. Eliminate ideas that don't fit with that mood as you develop your ideas: for the "time" example, you might scratch out enemy, 2001, weight, and ticking clock, as these are all fairly "earthly" ideas.
• Try to keep the nuances of your chosen topic in mind. For example, if you’re comparing the concept of justice to an animal, a “prowling leopard” conveys a very different idea of what you mean by “justice” than an image like a “weary elephant.” Both of these are probably still more apt than using a “newborn kitten,” though.

• For the "time" example, this step could generate a sentence like the following: "Time is the rubber band, shooting me out into the unknown then bringing me back to center." This sentence has taken one of the ideas from Step 2 and has started attributing concrete actions and characteristics to it -- the starting-place of a metaphor.

• In the example sentence generated in Step 4, the basic idea is there, but the words don't have much power behind them. For example, there's very little alliteration, which might be useful to employ if you want to convey a sense of repetition. The idea of the "rubber band" also suggests something or someone firing the rubber band, which detracts from the metaphor's focus on Time performing the action.

• For example, adding in alliteration and providing an action for Time that is more independent could result in a sentence like this: "Time is an endless rollercoaster ride; it stops for no one." Now, the focus is entirely on time, and the alliteration of the repeated r sound adds to the sense of repetition that the metaphor's getting at.

• Using metaphors as verbs can give actions more punch (sometimes literally!): “The news clutched her throat in its iron fist” expresses a more intense feeling than “She felt like she couldn’t breathe.”
• Using metaphors as adjectives and adverbs can vividly characterize objects, people, and concepts in just a few words: “The teacher’s carnivorous pen devoured the student essays and belched up the occasional bloodstained comment” conveys the idea that the teacher’s pen (itself a metonym for the teacher) is tearing these essays apart and eating them, leaving only a mess of blood and guts once it’s finished.
• Using metaphors as prepositional phrases can describe the feel of actions as well the thoughts behind them: “Emily examined her sister’s outfit with a surgeon’s eye” suggests that Emily believes she’s a trained expert in fashion, that she has a meticulous eye for detail, and that she sees her sister’s outfit as a potential disease to be cut off if necessary (perhaps not something that makes her sister happy).
• Using metaphors as appositives (nouns or noun phrases that rename a nearby noun) or modifiers can add literary polish and creativity to your work: “Homer Simpson sidled onward, a yellow-domed pear wearing pants.”

Sample Metaphors

Community Q&A

• personification : association of a non-human (usually inanimate) object with a human characteristic. This is a way of giving depth to a description by bringing in all the lyrical baggage of a term we normally associate with a person. "The intrepid spelunkers entered the mountain's open maw." As you can see, the human characteristic need not be uniquely human, but it often is. "The old familiar chair welcomed her back, as if she had never gone."
• analogy : comparison of two pairs of things, a:b::c:d (e.g. hot is to cold as fire is to ice). Analogy can be used to make a satirical point, as in "My brother says he's trustworthy, but given his track record, my brother is trustworthy like Machiavelli was humanitarian." While not linear, Spenser's 16th century analogy is subtly sublime, "My love is like to ice and I to fire ..."
• allegory : an extended story in which people, things or ideas represent other things, giving the story two meanings, one literal and one symbolic. In an allegory, nearly every figure and object has a meaning. Just think of Animal Farm, an allegory about the Soviet Union wherein farm animals revolt against their masters, form their own egalitarian society, and gradually recreate the very hierarchy that they fought to escape from.
• parable : a story that demonstrates the teller's point or lesson. Famous examples include Aesop's Fables (ex. a mighty lion spares a puny mouse who later frees the lion from a hunter's trap – i.e. even the weak have their strengths).
• Writing is a skill. The more you practice it, the better you get. Thanks Helpful 0 Not Helpful 0
• Remember that stuff called "grammar"? Well, turns out it has a purpose. Be sure you write correctly so your audience clearly understands you. Thanks Helpful 0 Not Helpful 0

You Might Also Like

• ↑ https://www.merriam-webster.com/dictionary/metaphor
• ↑ https://www.macmillandictionaryblog.com/famous-metaphors
• ↑ https://www.internal.org/Sylvia_Plath/Cut
• ↑ https://www.english.cam.ac.uk/classroom/terms.htm
• ↑ https://examples.yourdictionary.com/types-of-metaphors.html
• ↑ https://literarydevices.net/extended-metaphor/
• ↑ https://dictionary.cambridge.org/dictionary/english/mixed-metaphor
• ↑ https://literarydevices.net/catachresis/
• ↑ https://www.whitmanarchive.org/published/LG/1855/whole.html
• ↑ https://www.poetryfoundation.org/bio/john-donne#about
• ↑ https://users.wfu.edu/zulick/341/king.html
• ↑ https://www.grammarly.com/blog/metaphor/
• ↑ https://www.powerpoetry.org/actions/7-tips-creating-poignant-poetic-metaphors
• ↑ https://www.google.com/books/edition/Dialogues_With_Marcel_Duchamp/yPDKXnzgGGcC?hl=en&gbpv=1

About This Article

To write a metaphor, think about what you're trying to describe and the tone you want to create. Next, spend a few minutes brainstorming and write down whatever imaginative descriptions and associations come to mind. Then, write a few sentences comparing your original topic to some of your brainstormed descriptions. Focus on the ideas and imagery that stand out to you, then transform your comparisons into metaphors. Play around with the language and see where your creativity leads you! For tips on understanding what metaphors can and can't do, read on! Did this summary help you? Yes No

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Last updated on Feb 11, 2022

90+ Must-Know Metaphor Examples to Improve Your Prose

What figure of speech is so meta that it forms the very basis of riddles? The answer: a metaphor.

As Milan Kundera wrote in The Unbearable Lightness of Being : “Metaphors are dangerous. Metaphors are not to be trifled with.” Yet, paradoxically, they are an inescapable part of our daily lives — which is why it’s all the more important to understand exactly how they function.

To help, this article has a list of 97 metaphor examples to show you what they look like in the wild. But if you have a moment to spare, let's learn a bit more about what a metaphor is.

What is a metaphor?

A metaphor is a literary device that imaginatively draws a comparison between two unlike things. It does this by stating that Thing A is Thing B. Through this method of equation, metaphors can help explain concepts and ideas by colorfully linking the unknown to the known; the abstract to the concrete; the incomprehensible to the comprehensible. It can also be a rhetorical device that specifically appeals to our sensibilities as readers.

To give you a starting point, here are some examples of common metaphors:

• “Bill is an early bird.”
• “Life is a highway.”
• “Her eyes were diamonds.”

Note that metaphors are always non-literal. As much as you might like to greet your significant other with a warhammer in hand (“love is a battlefield”) or bring 50 tanks of gasoline every time you go on a date (“love is a journey”), that’s not likely to happen in reality. Another spoiler alert: no, Katy Perry doesn't literally think that you're a firework. Rather, these are all instances of metaphors in action.

How does a metaphor differ from a simile?

Simile and metaphor are both figures of speech that draw resemblances between two things. However, the devil’s in the details. Unlike metaphors, similes use like and as to directly create the comparison. “Life is like a box of chocolates,” for instance, is a simile. But if you say, “Life is a highway,” you’re putting a metaphor in motion.

The best way to understand how a metaphor can be used is to see it in practice — luckily, we’ve got a bucket-load of metaphor examples handy for you to peruse.

The Ultimate List of 90+ Metaphor Examples

Metaphors penetrate the entire spectrum of our existence — so we turned to many mediums to dig them up, from William Shakespeare’s Romeo and Juliet to the Backstreet Boys’ ancient discography. Feel free to skip to your section of interest below for metaphor examples.

Literature Poetry Daily Expressions Songs Films Famous Quotations

Metaphors in literature are drops of water: as essential as they are ubiquitous. Writers use literary metaphors to evoke an emotional response or paint a vivid picture. Other times, a metaphor might explain a phenomenon. Given the amount of nuance that goes into it, a metaphor example in a text can sometimes deserve as much interpretation as the text itself.

Metaphors can make prose more muscular or imagery more vivid:

1. “Exhaustion is a thin blanket tattered with bullet holes.” ― If Then , Matthew De Abaitua

2. “But it is just two lovers, holding hands and in a hurry to reach their car, their locked hands a starfish leaping through the dark.” ― Rabbit, Run , John Updike

3. “The sun in the west was a drop of burning gold that slid near and nearer the sill of the world.” — Lord of the Flies , William Golding

4. “Bobby Holloway says my imagination is a three-hundred-ring circus. Currently I was in ring two hundred and ninety-nine, with elephants dancing and clowns cart wheeling and tigers leaping through rings of fire. The time had come to step back, leave the main tent, go buy some popcorn and a Coke, bliss out, cool down.” — Seize the Night ,   Dean Koontz

Writers frequently turn to metaphors to describe people in unexpected ways:

5. “But soft, what light through yonder window breaks? It is the east, and Juliet is the sun!” — Romeo & Juliet , William Shakespeare

6. “Who had they been, all these mothers and sisters and wives? What were they now? Moons, blank and faceless, gleaming with borrowed light, each spinning loyally around a bigger sphere.  ‘Invisible,’ said Faith under her breath. Women and girls were so often unseen, forgotten, afterthoughts. Faith herself had used it to good effect, hiding in plain sight and living a double life. But she had been blinded by exactly the same invisibility-of-the-mind, and was only just realizing it.” ― The Lie Tree , Frances Hardinge

7. “’I am a shark, Cassie,’ he says slowly, drawing the words out, as if he might be speaking to me for the last time. Looking into my eyes with tears in his, as if he's seeing me for the last time. "A shark who dreamed he was a man.’” ― The Last Star , Rick Yancey

8. “Her mouth was a fountain of delight.” — The Storm , Kate Chopin

9. “The parents looked upon Matilda in particular as nothing more than a scab. A scab is something you have to put up with until the time comes when you can pick it off and flick it away.” — Matilda , Roald Dahl

10. “Mr. Neck storms into class, a bull chasing thirty-three red flags." — Speak , Laurie Anderson

11. “’Well, you keep away from her, cause she’s a rattrap if I ever seen one.’” — Of Mice and Men , John Steinbeck

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Metaphors can help “visualize” a situation or put an event in context:

12. “But now, O Lord, You are our Father, We are the clay, and You our potter; And all of us are the work of Your hand.” —Isaiah 64:8

13. “He could hear Beatty's voice. ‘Sit down, Montag. Watch. Delicately, like the petals of a flower. Light the first page, light the second page. Each becomes a black butterfly. Beautiful, eh? Light the third page from the second and so on, chainsmoking, chapter by chapter, all the silly things the words mean, all the false promises, all the second-hand notions and time-worn philosophies.’” — Fahrenheit 451 , Ray Bradbury

To entertain and tickle the brain, metaphor examples sometimes compare two extremely unlike things:

14. “Delia was an overbearing cake with condescending frosting, and frankly, I was on a diet.” ― Lament: The Faerie Queen's Deception , Maggie Stiefvater

15. "The sun was a toddler insistently refusing to go to bed: It was past eight thirty and still light.” — Fault in Our Stars , John Green

16. “If wits were pins, the man would be a veritable hedgehog.” ― Fly by Night , Frances Hardinge

17. “What's this?" he inquired, none too pleasantly. "A circus?" "No, Julius. It's the end of the circus." "I see. And these are the clowns?" Foaly's head poked through the doorway. "Pardon me for interrupting your extended circus metaphor, but what the hell is that?” ― Artemis Fowl , Eoin Colfer

18. “Using a metaphor in front of a man as unimaginative as Ridcully was the same as putting a red flag to a bu — the same as putting something very annoying in front of someone who was annoyed by it.” ― Lords and Ladies , Terry Pratchett

Metaphors can help frame abstract concepts in ways that readers can easily grasp:

19. “My thoughts are stars I cannot fathom into constellations.” — Fault In Our Stars , John Green

20. “If you can look into the seeds of time, and say which grain will grow and which will not, speak then to me.” — Macbeth , William Shakespeare

21. “Memories are bullets. Some whiz by and only spook you. Others tear you open and leave you in pieces.” ― Kill the Dead , Richard Kadrey

22. “Wishes are thorns, he told himself sharply. They do us no good, just stick into our skin and hurt us.” ― A Face Like Glass , Frances Hardinge

23. “’Life' wrote a friend of mine, 'is a public performance on the violin, in which you must learn the instrument as you go along.” ― A Room with a View , E.M. Forster

24. “There was an invisible necklace of nows, stretching out in front of her along the crazy, twisting road, each bead a golden second.” ― Cuckoo Song , Frances Hardinge

25. “All the world’s a stage, and all the men and women merely players.” — As You Like It , William Shakespeare

Particularly prominent in the realm of poetry is the extended metaphor: a single metaphor that extends throughout all or part of a piece of work . Also known as a conceit , it is used by poets to develop an idea or concept in great detail over the length of a poem. (And we have some metaphor examples for you below.)

If you’d like to get a sense of the indispensable role that metaphors play in poetry, look no further than what Robert Frost once said: “They are having night schools now, you know, for college graduates. Why? Because they don’t know when they are being fooled by a metaphor. Education by poetry is education by metaphor.”

Poets use metaphors directly in the text to explain emotions and opinions:

26. She must make him happy. She must be his favorite place in Minneapolis. You are a souvenir shop, where he goes to remember how much people miss him when he is gone. —“ Unrequited Love Poem ,” Sierra DeMulder

27. She is all states, and all princes, I. Nothing else is. Princes do but play us; compared to this, All honour's mimic, all wealth alchemy. —“ The Sun Rising ,” John Donne

28. I watched a girl in a sundress kiss another girl on a park bench, and just as the sunlight spilled perfectly onto both of their hair, I thought to myself: How bravely beautiful it is, that sometimes, the sea wants the city, even when it has been told its entire life it was meant for the shore. —“I Watched A Girl In A Sundress,” Christopher Poindexter

Extended metaphors in particular explore and advance major themes in poems:

29. All our words are but crumbs that fall down from the feast of the mind. Thinking is always the stumbling stone to poetry. A great singer is he who sings our silences. How can you sing if your mouth be filled with food? How shall your hand be raised in blessing if it is filled with gold? They say the nightingale pierces his bosom with a thorn when he sings his love song. —“ Sand and Foam ,” Khalil Gibran

30. But a BIRD that stalks down his narrow cage / Can seldom see through his bars of rage / His wings are clipped and his feet are tied So he opens his throat to sing. —“ Caged Bird ,” Maya Angelou

31. Two roads diverged in a wood, and I— I took the one less traveled by / And that has made all the difference. —“ The Road Not Taken ,” Robert Frost

32. Marriage is not a house or even a tent it is before that, and colder: the edge of the forest, the edge of the desert the edge of the receding glacier where painfully and with wonder at having survived even this far we are learning to make fire —“ Habitation ,” Margaret Atwood

33. These poems do not live: it's a sad diagnosis. They grew their toes and fingers well enough, Their little foreheads bulged with concentration. If they missed out on walking about like people It wasn't for any lack of mother-love. —“ Stillborn ,” Sylvia Plath

34. Hope is the thing with feathers / That perches in the soul / And sings the tune without the words / And never stops at all. —“ Hope Is The Thing With Feathers ,” Emily Dickinson

Daily Expressions

Here’s some food for thought (35): you’ve probably already used a metaphor (or more) in your daily speech today without even realizing it. Metaphorical expressions pepper the English language by helping us illustrate and pinpoint exactly what we want to say. As a result, metaphors are everywhere in our common vocabulary: you may even be drowning in a sea (36) of them as we speak. But let’s cut to our list of metaphor examples before we jump the shark (37).

38. Love is a battlefield.

39. You’ve given me something to chew on.

40. He’s just blowing off steam.

41. That is music to my ears.

42. Love is a fine wine.

43. She’s a thorn in my side.

44. You are the light in my life.

45. He has the heart of a lion.

46. Am I talking to a brick wall?

47. He has ants in his pants.

48. Beauty is a fading flower.

49. She has a heart of stone.

50. Fear is a beast that feeds on attention.

51. Life is a journey.

52. He’s a late bloomer.

53. He is a lame duck now.

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Metaphors are a must-have tool in every lyricist’s toolkit. From Elvis to Beyonce, songwriters use them to instinctively connect listeners to imagery and paint a visual for them. Most of the time, they find new ways to describe people, love — and, of course, break-ups. So if you’re thinking, “This is so sad Alexa play Titanium,” right now, you’re in the right place: here’s a look at some metaphor examples in songs.

54. You ain't nothin' but a hound dog / Cryin' all the time —“Hound Dog,” Elvis Presley

55. You're a fallen star / You're the getaway car / You're the line in the sand / When I go too far / You're the swimming pool / On an August day / And you're the perfect thing to say — “Everything,” Michael Buble

56. 'Cause baby you're a firework / Come on show 'em what your worth / Make 'em go "Oh, oh, oh!" / As you shoot across the sky-y-y — “Firework,” Katy Perry

57. I'm bulletproof nothing to lose / Fire away, fire away / Ricochet, you take your aim / Fire away, fire away / You shoot me down but I won't fall, I am titanium —“Titanium,” David Guetta

58. Life is a highway / I wanna ride it all night long / If you're going my way / I wanna drive it all night long —“Life Is A Highway,” Rascal Flatts

59. She's a Saturn with a sunroof / With her brown hair a-blowing / She's a soft place to land / And a good feeling knowing / She's a warm conversation —“She’s Everything,” Brad Paisley

60. I'm a marquise diamond / Could even make that Tiffany jealous / You say I give it to you hard / So bad, so bad / Make you never wanna leave / I won't, I won't —“Good For You,’ Selena Gomez

61. Remember those walls I built / Well, baby, they're tumbling down / And they didn't even put up a fight / They didn't even make a sound —“Halo,” Beyonce

62. Did I ever tell you you're my hero? / You're everything, everything I wish I could be / Oh, and I, I could fly higher than an eagle / For you are the wind beneath my wings / 'Cause you are the wind beneath my wings —“Wind Beneath My Wings,” Bette Midler

63. You are my fire / The one desire / Believe when I say I want it that way —“I Want It That Way,” Backstreet Boys

64. Your body is a wonderland / Your body is a wonder (I'll use my hands) / Your body is a wonderland —“Your Body Is A Wonderland,” John Mayer

65. I'm walking on sunshine (Wow!) / I'm walking on sunshine (Wow!) / I'm walking on sunshine (Wow!) / And don't it feel good —“I’m Walking On Sunshine,” Katrina and the Waves

66. If you wanna be with me / Baby there's a price to pay / I'm a genie in a bottle / You gotta rub me the right way —“Genie in a Bottle,” Christina Aguilera

67. If God is a DJ, life is a dance floor / Love is the rhythm, you are the music / If God is a DJ, life is a dance floor / You get what you're given it's all how you use it —“God Is A DJ,” P!nk

68. If this town / Is just an apple / Then let me take a bite —“Human Nature,” Michael Jackson

69. I just wanna be part of your symphony / Will you hold me tight and not let go? —“Symphony,” Clean Bandit

70. My heart's a stereo / It beats for you, so listen close / Hear my thoughts in every note —“Stereo Hearts,” Gym Class Heroes

71. I'm the sunshine in your hair / I'm the shadow on the ground / I'm the whisper in the wind / I'm your imaginary friend —“I’m Already There,” Lonestar

Films can add a different angle to the concept of a metaphor: because it’s a visual medium, certain objects on-screen will actually represent whatever the filmmaker intends it to represent. The same principle applies, of course — there’s still a direct comparison being made. It’s just that we can see the metaphor examples with our own eyes now.

Films can visually make clear comparisons between two elements on the screen:

72. “What beautiful blossoms we have this year. But look, this one’s late. I’ll bet that when it blooms it will be the most beautiful of all.” —from  Mulan

73. “Love is an open door Can I say something crazy? Will you marry me? Can I say something even crazier? Yes!” —from  Frozen

Metaphors are used in dialogue for characters to express themselves:

74. “You're television incarnate, Diana. Indifferent to suffering, insensitive to joy.” — Network

75. “Life's a climb. But the view is great.” — Hannah Montana: the Movie

Famous Quotations

Did you know that Plato was using metaphors to express his thoughts all the way back in 427 BC? Since then, some of our greatest minds have continued to turn to metaphors when illuminating ideas in front of the general public — a practice that’s become particularly prominent in political speeches and pithy witticisms. Here’s a sample of some of the ways that famous quotes have incorporated metaphor examples in the past.

76. “All religions, arts and sciences are branches of the same tree.” —Albert Einstein

77. “A good conscience is a continual Christmas.” —Benjamin Franklin

78. “America has tossed its cap over the wall of space.” —John F. Kennedy

79. “I don't approve of political jokes; I have seen too many of them get elected.” —Jon Stewart

80. “Conscience is a man’s compass.” —Vincent Van Gogh

81. “In the depths of winter, I finally learned that within me there lay an invincible summer.” —Albert Camus

82. “Time is the moving image of eternity.” ―Plato

83. “Every human is a school subject. This is rather a metaphorical way of saying it, to put it straight, those you love are few, and the ones you detest are many.” ―Michael Bassey Johnson

84. “Even if you're on the right track, you'll get run over if you just sit there.” —Will Rogers

85. “Life is little more than a loan shark: it exacts a very high rate of interest for the few pleasures it concedes.” —Luigi Pirandello

86. “America: in the face of our common dangers, in this winter of our hardship, let us remember these timeless words.  With hope and virtue, let us brave once more the icy currents, and endure what storms may come.” —Barack Obama

87. “Bolshevism is a ghoul descending from a pile of skulls. It is not a policy; it is a disease. It is not a creed; it is a pestilence.” —Winston Churchill

88. “Books are mirrors of the soul.” —Virginia Woolf

89. “My life has a superb cast, but I can't figure out the plot.” —Ashleigh Brilliant

90. “I feel like we’re all in a super shitty Escape Room with really obvious clues like, ‘vote’ and ‘believe women’ and ‘don’t put children in cages.’” — Natasha Rothwell

91. “I travel the world, and I'm happy to say that America is still the great melting pot — maybe a chunky stew rather than a melting pot at this point, but you know what I mean.” —Philip Glass

92. “Life is a long road on a short journey.” —James Lendall Basford

93. “What therefore is truth? A mobile army of metaphors, metonymies, anthropomorphisms: in short a sum of human relations which become poetically and rhetorically intensified, metamorphosed, adorned, and after long usage seem to a nation fixed, canonic and binding.” —Nietzsche

94. “Life is a foreign language: all men mispronounce it.” —Christopher Morley

95. “Dying is a wild night and a new road.” —Emily Dickinson

96. “And your very flesh shall be a great poem.” —Walt Whitman

And as a bonus gift, here’s one last metaphor for the road, from one of our brightest philosophers. We’ll let Calvin have the last word:

Did we miss any of your favorite metaphors? Have more metaphor examples for us? Leave them in the (non-metaphorical) box below and we'll add them right in.

6 responses

James Hubbs says:

21/10/2018 – 23:44

Very useful article. Thank you. However, Fahrenheit 451 was written by Ray Bradbury, not George Orwell.

↪️ Reedsy replied:

22/10/2018 – 00:42

Great spot, James! That's now been fixed. Glad that the article was useful :)

Jonboy says:

21/05/2019 – 19:11

That Sylvia Plath quote nailed me. Ouch! Haven't read it but have to now...

21/06/2019 – 17:02

Another metaphor I love is “I’m just like them— an ordinary drone dressed in secrets and lies.” It’s from Speak by Laurie Halse Anderson

DAVID COWART says:

18/11/2019 – 01:59

life is a highway is Tom Cochrane, not Rascal Flats

↪️ Martin Cavannagh replied:

22/11/2019 – 12:54

Rascal Flatts did a cover of the song. We were deciding between the two and decided that "Rascal Flatts" sounded funnier :D

Comments are currently closed.

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Your chance of acceptance, your chancing factors, extracurriculars, using metaphors in college essays.

What's up, guys? I'm currently working on my college essays and I was wondering if using metaphors would be a good idea. I've got some pretty creative metaphors that I feel could help my essay stand out. Has anyone tried this before? Is it too risky or does it add that extra pizzazz? Let me know your thoughts!

Hello! Using metaphors in college essays can definitely be a creative way to make your essay stand out and showcase your unique perspective. However, it's important to strike a balance between creativity and clarity. While metaphors can enhance your writing and catch the attention of the admissions officers, you also want them to easily understand the point you are trying to convey.

So, as you work on your essay, feel free to incorporate your metaphors, but be mindful to not overuse them or make them too complex. You want to use them to enrich your essay but not overpower the main narrative. Remember that your goal is to tell an engaging story about yourself and your experiences, so if your metaphors contribute to that goal, then they can certainly be an asset in your essay.

Also, if you have time, consider having someone else read your essay—this can help you evaluate whether your metaphors might be unclear, too confusing or actually add value to your essay. Good luck with your college essays and feel free to experiment with your writing style to make your essay truly memorable!

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Using Metaphors When Writing A College Essay

There are many tools that writers can use to improve their essays and to make them more intriguing and engaging for the reader. One of these tools is metaphor. Metaphor allows the writer to describe a concept as if it were something else, drawing a comparison between these two ideas to deepen the reader’s understanding of the original concept.

Difference between metaphor and simile

Metaphors and similes are similar, but there is an important distinction between them. While they may be used to draw comparisons between the same two concepts, they do so in different ways.

“Her eyes were as deep as the ocean.”

The above quote is a simile.

“Her eyes were deep oceans.”

This one is a metaphor. Note that when using a simile, terms like “like” and “as” are used, while in a metaphor, the two concepts are equated. Her eyes are not like oceans, they are oceans.

Reasons to Use Metaphors

Metaphors are primarily used for three reasons:

In the above quote, equating the woman’s eyes to oceans explains to the reader that that the narrator finds them almost unbelievably deep and mysterious; the ocean imagery does the best possible job of portraying this.

• To increase interest

Metaphors paint vivid pictures that pique the reader’s interest and heighten their sense of creativity and imagination.

Metaphors are a strong way to use imagery. Similes are somewhat softer. For this reason, many writers limit their use of metaphors so that when they do use them, they have the maximum impact.

Metaphors: Tips

When using metaphors, it’s a good idea to try and avoid being trite. Trite metaphors are those which are used too frequently, so they lose their impact. The above example, comparing eyes and oceans, could be considered trite. Instead, try to think of a concept for comparison which your reader will be surprised by, despite how applicable it is.

Also, be careful not to mix metaphors. When you compare something tangible in your story to a concept, fulfill that comparison before equating it to something else. If, for example, you are using a metaphor to equate an argument and a boxing match, do not change it to a hockey game midway through. This may or may not actually confuse the reader, but even if it doesn’t, it comes across as sloppy and ineffectual, and is best avoided.

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In the campus protests over the war in Gaza, language and rhetoric are—as they have always been when it comes to Israel and Palestine—weapons of mass destruction.

By Zadie Smith

A philosophy without a politics is common enough. Aesthetes, ethicists, novelists—all may be easily critiqued and found wanting on this basis. But there is also the danger of a politics without a philosophy. A politics unmoored, unprincipled, which holds as its most fundamental commitment its own perpetuation. A Realpolitik that believes itself too subtle—or too pragmatic—to deal with such ethical platitudes as thou shalt not kill. Or: rape is a crime, everywhere and always. But sometimes ethical philosophy reënters the arena, as is happening right now on college campuses all over America. I understand the ethics underpinning the protests to be based on two widely recognized principles:

There is an ethical duty to express solidarity with the weak in any situation that involves oppressive power.

If the machinery of oppressive power is to be trained on the weak, then there is a duty to stop the gears by any means necessary.

The first principle sometimes takes the “weak” to mean “whoever has the least power,” and sometimes “whoever suffers most,” but most often a combination of both. The second principle, meanwhile, may be used to defend revolutionary violence, although this interpretation has just as often been repudiated by pacifistic radicals, among whom two of the most famous are, of course, Mahatma Gandhi and Martin Luther King, Jr . In the pacifist’s interpretation, the body that we must place between the gears is not that of our enemy but our own. In doing this, we may pay the ultimate price with our actual bodies, in the non-metaphorical sense. More usually, the risk is to our livelihoods, our reputations, our futures. Before these most recent campus protests began, we had an example of this kind of action in the climate movement. For several years now, many people have been protesting the economic and political machinery that perpetuates climate change, by blocking roads, throwing paint, interrupting plays, and committing many other arrestable offenses that can appear ridiculous to skeptics (or, at the very least, performative), but which in truth represent a level of personal sacrifice unimaginable to many of us.

I experienced this not long ago while participating in an XR climate rally in London. When it came to the point in the proceedings where I was asked by my fellow-protesters whether I’d be willing to commit an arrestable offense—one that would likely lead to a conviction and thus make travelling to the United States difficult or even impossible—I’m ashamed to say that I declined that offer. Turns out, I could not give up my relationship with New York City for the future of the planet. I’d just about managed to stop buying plastic bottles (except when very thirsty) and was trying to fly less. But never to see New York again? What pitiful ethical creatures we are (I am)! Falling at the first hurdle! Anyone who finds themselves rolling their eyes at any young person willing to put their own future into jeopardy for an ethical principle should ask themselves where the limits of their own commitments lie—also whether they’ve bought a plastic bottle or booked a flight recently. A humbling inquiry.

It is difficult to look at the recent Columbia University protests in particular without being reminded of the campus protests of the nineteen-sixties and seventies, some of which happened on the very same lawns. At that time, a cynical political class was forced to observe the spectacle of its own privileged youth standing in solidarity with the weakest historical actors of the moment, a group that included, but was not restricted to, African Americans and the Vietnamese. By placing such people within their ethical zone of interest, young Americans risked both their own academic and personal futures and—in the infamous case of Kent State—their lives. I imagine that the students at Columbia—and protesters on other campuses—fully intend this echo, and, in their unequivocal demand for both a ceasefire and financial divestment from this terrible war, to a certain extent they have achieved it.

But, when I open newspapers and see students dismissing the idea that some of their fellow-students feel, at this particular moment, unsafe on campus, or arguing that such a feeling is simply not worth attending to, given the magnitude of what is occurring in Gaza, I find such sentiments cynical and unworthy of this movement. For it may well be—within the ethical zone of interest that is a campus, which was not so long ago defined as a safe space, delineated by the boundary of a generation’s ethical ideas— it may well be that a Jewish student walking past the tents, who finds herself referred to as a Zionist, and then is warned to keep her distance, is, in that moment, the weakest participant in the zone. If the concept of safety is foundational to these students’ ethical philosophy (as I take it to be), and, if the protests are committed to reinserting ethical principles into a cynical and corrupt politics, it is not right to divest from these same ethics at the very moment they come into conflict with other imperatives. The point of a foundational ethics is that it is not contingent but foundational. That is precisely its challenge to a corrupt politics.

Practicing our ethics in the real world involves a constant testing of them, a recognition that our zones of ethical interest have no fixed boundaries and may need to widen and shrink moment by moment as the situation demands. (Those brave students who—in supporting the ethical necessity of a ceasefire—find themselves at painful odds with family, friends, faith, or community have already made this calculation.) This flexibility can also have the positive long-term political effect of allowing us to comprehend that, although our duty to the weakest is permanent, the role of “the weakest” is not an existential matter independent of time and space but, rather, a contingent situation, continually subject to change. By contrast, there is a dangerous rigidity to be found in the idea that concern for the dreadful situation of the hostages is somehow in opposition to, or incompatible with, the demand for a ceasefire. Surely a ceasefire—as well as being an ethical necessity—is also in the immediate absolute interest of the hostages, a fact that cannot be erased by tearing their posters off walls.

Part of the significance of a student protest is the ways in which it gives young people the opportunity to insist upon an ethical principle while still being, comparatively speaking, a more rational force than the supposed adults in the room, against whose crazed magical thinking they have been forced to define themselves. The equality of all human life was never a self-evident truth in racially segregated America. There was no way to “win” in Vietnam. Hamas will not be “eliminated.” The more than seven million Jewish human beings who live in the gap between the river and the sea will not simply vanish because you think that they should. All of that is just rhetoric. Words. Cathartic to chant, perhaps, but essentially meaningless. A ceasefire, meanwhile, is both a potential reality and an ethical necessity. The monstrous and brutal mass murder of more than eleven hundred people, the majority of them civilians, dozens of them children, on October 7th, has been followed by the monstrous and brutal mass murder (at the time of writing) of a reported fourteen thousand five hundred children. And many more human beings besides, but it’s impossible not to notice that the sort of people who take at face value phrases like “surgical strikes” and “controlled military operation” sometimes need to look at and/or think about dead children specifically in order to refocus their minds on reality.

To send the police in to arrest young people peacefully insisting upon a ceasefire represents a moral injury to us all. To do it with violence is a scandal. How could they do less than protest, in this moment? They are putting their own bodies into the machine. They deserve our support and praise. As to which postwar political arrangement any of these students may favor, and on what basis they favor it—that is all an argument for the day after a ceasefire. One state, two states, river to the sea—in my view, their views have no real weight in this particular moment, or very little weight next to the significance of their collective action, which (if I understand it correctly) is focussed on stopping the flow of money that is funding bloody murder, and calling for a ceasefire, the political euphemism that we use to mark the end of bloody murder. After a ceasefire, the criminal events of the past seven months should be tried and judged, and the infinitely difficult business of creating just, humane, and habitable political structures in the region must begin anew. Right now: ceasefire. And, as we make this demand, we might remind ourselves that a ceasefire is not, primarily, a political demand. Primarily, it is an ethical one.

But it is in the nature of the political that we cannot even attend to such ethical imperatives unless we first know the political position of whoever is speaking. (“Where do you stand on Israel/Palestine?”) In these constructed narratives, there are always a series of shibboleths, that is, phrases that can’t be said, or, conversely, phrases that must be said. Once these words or phrases have been spoken ( river to the sea, existential threat, right to defend, one state, two states, Zionist, colonialist, imperialist, terrorist ) and one’s positionality established, then and only then will the ethics of the question be attended to (or absolutely ignored). The objection may be raised at this point that I am behaving like a novelist, expressing a philosophy without a politics, or making some rarefied point about language and rhetoric while people commit bloody murder. This would normally be my own view, but, in the case of Israel/Palestine, language and rhetoric are and always have been weapons of mass destruction.

It is in fact perhaps the most acute example in the world of the use of words to justify bloody murder, to flatten and erase unbelievably labyrinthine histories, and to deliver the atavistic pleasure of violent simplicity to the many people who seem to believe that merely by saying something they make it so. It is no doubt a great relief to say the word “Hamas” as if it purely and solely described a terrorist entity. A great relief to say “There is no such thing as the Palestinian people” as they stand in front of you. A great relief to say “Zionist colonialist state” and accept those three words as a full and unimpeachable definition of the state of Israel, not only under the disastrous leadership of Benjamin Netanyahu but at every stage of its long and complex history, and also to hear them as a perfectly sufficient description of every man, woman, and child who has ever lived in Israel or happened to find themselves born within it. It is perhaps because we know these simplifications to be impossible that we insist upon them so passionately. They are shibboleths; they describe a people, by defining them against other people—but the people being described are ourselves. The person who says “We must eliminate Hamas” says this not necessarily because she thinks this is a possible outcome on this earth but because this sentence is the shibboleth that marks her membership in the community that says that. The person who uses the word “Zionist” as if that word were an unchanged and unchangeable monolith, meaning exactly the same thing in 2024 and 1948 as it meant in 1890 or 1901 or 1920—that person does not so much bring definitive clarity to the entangled history of Jews and Palestinians as they successfully and soothingly draw a line to mark their own zone of interest and where it ends. And while we all talk, carefully curating our shibboleths, presenting them to others and waiting for them to reveal themselves as with us or against us—while we do all that, bloody murder.

And now here we are, almost at the end of this little stream of words. We’ve arrived at the point at which I must state clearly “where I stand on the issue,” that is, which particular political settlement should, in my own, personal view, occur on the other side of a ceasefire. This is the point wherein—by my stating of a position—you are at once liberated into the simple pleasure of placing me firmly on one side or the other, putting me over there with those who lisp or those who don’t, with the Ephraimites, or with the people of Gilead. Yes, this is the point at which I stake my rhetorical flag in that fantastical, linguistical, conceptual, unreal place—built with words—where rapes are minimized as needs be, and the definition of genocide quibbled over, where the killing of babies is denied, and the precision of drones glorified, where histories are reconsidered or rewritten or analogized or simply ignored, and “Jew” and “colonialist” are synonymous, and “Palestinian” and “terrorist” are synonymous, and language is your accomplice and alibi in all of it. Language euphemized, instrumentalized, and abused, put to work for your cause and only for your cause, so that it does exactly and only what you want it to do. Let me make it easy for you. Put me wherever you want: misguided socialist, toothless humanist, naïve novelist, useful idiot, apologist, denier, ally, contrarian, collaborator, traitor, inexcusable coward. It is my view that my personal views have no more weight than an ear of corn in this particular essay. The only thing that has any weight in this particular essay is the dead. ♦

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