how to quote poetry in an essay mla

• PRO Courses Guides New Tech Help Pro Expert Videos About wikiHow Pro Upgrade Sign In
• EDIT Edit this Article
• EXPLORE Tech Help Pro About Us Random Article Quizzes Request a New Article Community Dashboard This Or That Game Popular Categories Arts and Entertainment Artwork Books Movies Computers and Electronics Computers Phone Skills Technology Hacks Health Men's Health Mental Health Women's Health Relationships Dating Love Relationship Issues Hobbies and Crafts Crafts Drawing Games Education & Communication Communication Skills Personal Development Studying Personal Care and Style Fashion Hair Care Personal Hygiene Youth Personal Care School Stuff Dating All Categories Arts and Entertainment Finance and Business Home and Garden Relationship Quizzes Cars & Other Vehicles Food and Entertaining Personal Care and Style Sports and Fitness Computers and Electronics Health Pets and Animals Travel Education & Communication Hobbies and Crafts Philosophy and Religion Work World Family Life Holidays and Traditions Relationships Youth
• Browse Articles
• Learn Something New
• Quizzes Hot
• This Or That Game
• Train Your Brain
• Explore More
• Support wikiHow
• About wikiHow
• Log in / Sign up
• Education and Communications

How to Quote and Cite a Poem in an Essay Using MLA Format

Last Updated: August 3, 2023 Fact Checked

Template and Examples

Quoting in essays, citing in essays, citing in a works cited.

This article was co-authored by Jamie Korsmo, PhD . Jamie Korsmo is a Ph.D. candidate in English at Georgia State University. There are 8 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 1,323,270 times.

Navigating the MLA Handbook can be pretty overwhelming; there are so many rules that regulate the way we can quote and cite poetry in MLA format in our own writing. Improper quoting and citing can even be considered a form of plagiarism. Here is a comprehensive look at the most important things you need to know to make your English teacher happy with how you quote from and cite poetry in your papers.

• Example sentence: Robert Frost’s poem, “Stopping by Woods on a Snowy Evening,” discusses the idea of solitude versus living in a world of other people and obligations.

• Here is an example of several lines of poetry from Robert Frost’s “Stopping by Woods on a Snowy Evening”: The woods are lovely, dark, and deep, But I have promises to keep, And miles to go before I sleep.
• Here is an example of how to insert several lines of poetry into an essay: In "Stopping by Woods on a Snowy Evening," Frost writes, “The woods are lovely, dark, and deep, / But I have promises to keep, / And miles to go before I sleep."

• Example: Robert Frost writes about solitude and man’s relationship with nature:                     Whose woods these are I think I know.                     His house is in the village, though;                     He will not see me stopping here                     To watch his woods fill up with snow. (1-4)

• Example: Robert Frost discusses solitude and a desire to forget obligations when he writes, "The woods are lovely...but I have promises to keep, / And miles to go before I sleep" (13-15).

Tip: If an ellipsis covers a line break, do not worry about including a backslash inside the ellipsis, as in the above example. But if you continue on without an ellipsis, include the backslashes that indicate line breaks.

• Example: Robert Frost discusses solitude when he writes,                     Whose woods these are I think I know.                     ………………………………………….                     He will not see me stopping here                     To watch his woods fill up with snow. (1-4)

• If you don't take these steps correctly, then you aren't giving credit where it's due to the original author and your teacher may consider this plagiarism.

• Example: In "Stopping by Woods on a Snowy Evening," Frost writes, “The woods are lovely, dark, and deep / But I have promises to keep / And miles to go before I sleep” (13-15).
• Example: The notion of solitude appears in many notable poems including the famous lines, "The woods are lovely, dark, and deep, / But I have promises to keep, / And miles to go before I sleep" (Frost 13-15).

• Example of one quoted word: Robert Frost uses the word “sleep” to imply fantasies about solitude and perhaps death (15).
• Example of multiple words: Robert Frost uses a variety of words and phrases such as “frozen” (7), “darkest evening” (8), and “before I sleep” (15) to imply thoughts of solitude and the desire to not return to his obligations.

Tip: Just make sure that you include the proper line numbers, whatever the form. If you are citing a longer section of the poem, you will include more line numbers (12-32). If you cite two separate sections using an ellipsis, indicate the range of the sections with a comma separating them (11-15, 18-21).

• Example of citing a short quote: In "Stopping by Woods on a Snowy Evening," Frost writes, “The woods are lovely, dark, and deep, / But I have promises to keep, / And miles to go before I sleep” (13-15).
• Example of citing a long quote: Robert Frost writes about solitude and man’s relationship with nature:                     Whose woods these are I think I know.                     His house is in the village, though;                     He will not see me stopping here                     To watch his woods fill up with snow. (1-4)

• Example: The notion of solitude appears in many notable poems including the famous lines, "The woods are lovely, dark, and deep, / But I have promises to keep, / And miles to go before I sleep" (Frost, "Stopping by the Woods" 13-15). This idea is mirrored in the lines "And both that morning equally lay / In leaves no step had trodden black" (Frost, "The Road Not Taken" 11-12).

• Example: Frost, Robert. “Stopping by Woods on a Snowy Evening.” The Poetry of Robert Frost. New York: Holt, Rinehart and Winston Inc., 1969. 224-225. Print.

• Example: Frost, Robert. “Stopping by Woods on a Snowy Evening.” The Poetry Foundation. n.d. Web. 6 January 2014.

Tip: You do not need to add the URL of the website as they change often and are generally long and confusing, and URLs are not required in MLA format. [10] X Trustworthy Source Purdue Online Writing Lab Trusted resource for writing and citation guidelines Go to source

• Example (note this is a made up anthology): Frost, Robert. “Stopping by Woods on a Snowy Evening.” The Little Anthology of American Literature. Ed. Marie Shier. 3rd ed. San Francisco: Some Publisher, 2010. 21-22. Print.

• Frost, Robert. “Stopping by Woods on a Snowy Evening.” The Poetry of Robert Frost. New York: Holt, Rinehart and Winston Inc., 1969. 224-225. Print.
• ---. “The Road Not Taken.” The Poetry of Robert Frost. New York: Holt, Rinehart and Winston Inc., 1969. 227-228. Print.

Community Q&A

• When writing about poetry in your essay, use the present tense. Thanks Helpful 0 Not Helpful 0
• Brackets are not needed around ellipses. Thanks Helpful 0 Not Helpful 0

You Might Also Like

• ↑ https://owl.purdue.edu/owl/research_and_citation/mla_style/mla_formatting_and_style_guide/mla_formatting_quotations.html
• ↑ https://stlcc.edu/student-support/academic-success-and-tutoring/writing-center/writing-resources/mla-in-text-citation-sample-essay-8th-edition.aspx
• ↑ https://style.mla.org/line-numbers-in-text-citation/
• ↑ https://otis.libguides.com/mla_citations/in-text
• ↑ https://www.monmouth.edu/resources-for-writers/documents/mla-citing-poetry.pdf/
• ↑ https://owl.purdue.edu/owl/research_and_citation/mla_style/mla_formatting_and_style_guide/mla_works_cited_electronic_sources.html
• ↑ https://libguides.uww.edu/mla/poem
• ↑ https://uwcchina.libguides.com/c.php?g=830919&p=6639313

About This Article

If you use a quote from a poem in an MLA-format essay, place the line numbers of the poem in parentheses right after the closing quotation marks, with the closing punctuation right behind the parentheses. If you mention the name of the author when you are introducing the text, you do not have to include the author’s name in the parenthesis, but you do if you have not already stated the name of the author. If the quote is more than 3 lines long, indent 10 spaces from the left margin when you type the poem. To learn about how to include a citation for a poem on the Works Cited page of your essay, continue reading the article! Did this summary help you? Yes No

• Send fan mail to authors

Reader Success Stories

Ellie Wilson

Apr 10, 2018

Did this article help you?

Oct 13, 2017

Feb 23, 2017

Sep 21, 2016

Valeria Acosta

Oct 3, 2016

Featured Articles

Trending Articles

Watch Articles

• Terms of Use
• Privacy Policy
• Do Not Sell or Share My Info
• Not Selling Info

wikiHow Tech Help Pro:

Develop the tech skills you need for work and life

Table of Contents

Ai, ethics & human agency, collaboration, information literacy, writing process, quoting plays and poetry in mla.

• © 2023 by Angela Eward-Mangione - Hillsborough Community College

The rules for quoting drama and/or poetry in Modern Language Association (MLA) Style differ from those for quoting the genre of prose. This article discusses rules for using MLA style to format quotes from drama and poetry. Consult the MLA Handbook to learn more.

Quoting Poetry

The MLA Handbook offers specific guidelines for quoting poetry.

In addition to the amount quoted and line breaks, other factors that matter include stanza breaks, and unusual layouts.

Special Issues: Stanza Breaks, Unusual Layouts

Stanza Breaks: Mark stanza breaks that occur in a quotation with two forward slashes, with a space before and after them ( / / ) (78).

William Carlos Williams depicts a vivid image in “The Red Wheelbarrow”: “so much depends / / upon / / a red wheel / / barrow / / glazed with rain / / water / / beside the white / / chickens” (“Williams”).

Unusual Layouts: If the layout of the lines in the original text is unusual, reproduce it as accurately as you can (79).

The English metaphysical John Donne uses indentation in some of his poems to create unusual layouts, as the first stanza of including “A Valediction: of Weeping” demonstrates:

Let me pour forth My tears before they face, whilst I stay here, For thy face coins them, and thy stamp they bear, And by this mintage they are something worth, For thus they be Pregnant of thee; Fruits of much grief they are, emblems of more, When a tear falls, that thou falls which it bore, So thou and I are nothing then, when on a divers shore. (lines 1-9)

Quoting Plays

When you must quote dialogue from a play, adhere to these rules:

• Set the quotation off from your text.
• Indent each name half an inch from the left margin and write it in all capital letters.
• Follow the name with a period and then start the quotation.
• Indent all other lines in the character’s speech an additional amount.
• When the dialogue shifts to another character, start a new line indented half an inch.
• Maintain this pattern throughout the quotation (80).

Example: One of the flashbacks in Margaret Edson’s Wit suggests Vivian Bearing’s illness causes her to question some of her previous interactions with students:

STUDENT 1. Professor Bearing? Can I talk to you for a minute?

VIVIAN: You may.

STUDENT 1: I need to ask for an extension on my paper. I’m really sorry, and I know your policy, but see—

VIVIAN: Don’t tell me. Your grandmother died.

STUDENT 1: You knew.

VIVIAN: It was a guess.

STUDENT 1: I have to go home.

VIVIAN: Do what you will, but the paper is due when it is due. (63)

Special Issues

Omissions: Follow the rules for omissions in quotations of prose (83).

Although some of the rules for quoting plays and poetry in MLA differ than those for quoting prose, understanding the guidelines will help you apply them in any scenario.

Donne, John. “The Bait.” The Complete English Poems . Penguin Books, 1971, pp. 43-4.

—. “The Break of Day.” The Complete English Poems . Penguin Books, 1971, pp. 45-6. Edson, Margaret. Wit. Faber and Faber, 1993.

Shakespeare, William. Sonnet 39. The Pelican Shakespeare: The Sonnets . Penguin Books, 1970, p. 59.

Williams, William Carlos: “The Red Wheelbarrow.” Poetry Foundation. Poetry Foundation, www.poetryfoundation.org/resources/learning/core-poems/detail/45502 .

Yeats, William. “A Prayer for My Daughter.” The Collected Poems . Ed. Richard Finneran. Scribner, 1983, pp. 188-190.

Brevity - Say More with Less

Clarity (in Speech and Writing)

Coherence - How to Achieve Coherence in Writing

Flow - How to Create Flow in Writing

Inclusivity - Inclusive Language

The Elements of Style - The DNA of Powerful Writing

Suggested Edits

• Please select the purpose of your message. * - Corrections, Typos, or Edits Technical Support/Problems using the site Advertising with Writing Commons Copyright Issues I am contacting you about something else
• Your full name
• Your email address *
• Page URL needing edits *
• Email This field is for validation purposes and should be left unchanged.

Other Topics:

Citation - Definition - Introduction to Citation in Academic & Professional Writing

• Joseph M. Moxley

Explore the different ways to cite sources in academic and professional writing, including in-text (Parenthetical), numerical, and note citations.

Collaboration - What is the Role of Collaboration in Academic & Professional Writing?

Collaboration refers to the act of working with others or AI to solve problems, coauthor texts, and develop products and services. Collaboration is a highly prized workplace competency in academic...

Genre may reference a type of writing, art, or musical composition; socially-agreed upon expectations about how writers and speakers should respond to particular rhetorical situations; the cultural values; the epistemological assumptions...

Grammar refers to the rules that inform how people and discourse communities use language (e.g., written or spoken English, body language, or visual language) to communicate. Learn about the rhetorical...

Information Literacy - Discerning Quality Information from Noise

Information Literacy refers to the competencies associated with locating, evaluating, using, and archiving information. In order to thrive, much less survive in a global information economy — an economy where information functions as a...

Mindset refers to a person or community’s way of feeling, thinking, and acting about a topic. The mindsets you hold, consciously or subconsciously, shape how you feel, think, and act–and...

Rhetoric: Exploring Its Definition and Impact on Modern Communication

Learn about rhetoric and rhetorical practices (e.g., rhetorical analysis, rhetorical reasoning,  rhetorical situation, and rhetorical stance) so that you can strategically manage how you compose and subsequently produce a text...

Style, most simply, refers to how you say something as opposed to what you say. The style of your writing matters because audiences are unlikely to read your work or...

The Writing Process - Research on Composing

The writing process refers to everything you do in order to complete a writing project. Over the last six decades, researchers have studied and theorized about how writers go about...

Writing Studies

Writing studies refers to an interdisciplinary community of scholars and researchers who study writing. Writing studies also refers to an academic, interdisciplinary discipline – a subject of study. Students in...

Featured Articles

Academic Writing – How to Write for the Academic Community

Professional Writing – How to Write for the Professional World

Credibility & Authority – How to Be Credible & Authoritative in Speech & Writing

Home / Guides / Citation Guides / How to Cite Sources / How to Cite a Poem in MLA

How to Cite a Poem in MLA

When writing a research essay, you may want to include poetry. It can be difficult to know how to cite a poem properly since it’s a particular type of resource that can be found online, in a book, or in an anthology.

This page contains everything you need to know to cite a poem in MLA style within your paper and on your reference page, as well as how to properly quote poems of different lengths within your paper. This page also contains information on creating your citations, formatting examples, and what details you need to compile before you can begin.

This guide follows rules established in the MLA Handbook , 9th edition, but is not officially associated with the Modern Language Association.

What You Need

Before you can create your poem citation, you will need to gather information on your source. If available, find:

• Poet’s first and last name
• Line, page number, or page range
• Title of the poem
• Year of the original and/or source publication
• Title of the book of poetry it’s in
• Title of the website it’s on
• Title of the anthology it’s in
• Name of the publishing company or website publisher
• URL (if applicable – online sources only)
• Editor(s) first and last name(s) (if applicable – anthologies only)

Citing a Poem Found Online 

Since poems can come from multiple sources, there are a few basic formats you can follow to create a citation. The formatting guidelines are different depending on where you found the poem. This section contains the basic format for any poetry you found online, including if it’s a PDF from another source.

Basic format:

Poet’s Last Name, First Name. “Title of the Poem.” Year of poem’s original publication (if available). Title of the Website, Name of Website Publisher, URL. Accessed day month year.

Frost, Robert. “Birches.” 1969. Poetry Foundation, Poetry Foundation, www.poetryfoundation.org/poems/44260/birches. Accessed 1 Mar. 2020.

Step-by-Step Instructions:

• Begin the citation with the poet’s last name, with the first letter capitalized. Follow the last name with a comma and then the poet’s first name, also with a capitalized first letter. Follow the first name with a period.
• Put the title of the poem in quotation marks. Place a period after the title of the poem within the quotation marks. The title of the poem should be capitalized in title case (using capital letters only at the beginning of principal words).
• Put the numerical year of the poem’s original publication. You may have to do research beyond your online source for the poem to find this information. Follow the numerical year with a period.
• Put the title of the website in italics. Be sure to use title case capitalization here again. Follow the website title with a comma.
• Put the name of the website publisher in normal text (not italicized), using title case capitalization. Follow with a comma.
• Put the URL for your web source, without including https:// at the beginning. Follow the URL with a period.
• Write the word “Accessed” (with a capital A, without the quotation marks) followed by the date you looked up the web resource. The format for the date should be: the numerical day, capitalized and spelled-out month, and full numerical year. Be sure to place a period after the year to end your citation. The date should not include commas. So, for example, if the date you accessed your web source was March 12, 2020, you would finish your citation with “Accessed 12 Mar. 2020.” The access date is supplemental and may not always need to be included.

Citing a Poem from a Book

The formatting guidelines for citing a poem from a book are different from the guidelines for citing a poem found online. Note that anthologies have their own citation format. An anthology is a collection of works from different authors. This section contains the basic guidelines for citing a poem from a book. The format for anthologies is provided in the next section.

Basic Format: 

Poet’s Last Name, First Name. “Title of the Poem.” Title of the Book, Name of Publishing Company, Year of publication, page number or page range.

Frost, Robert. “The Road Not Taken.” Robert Frost Selected Poems, Fall River Press, 2011, p. 25.

• Put the title of the book where you read the poem in italics and title case, followed by a comma.
• Put the name of the publishing company in normal text (not italicized) as it is capitalized in the book, followed by a comma. This should be in title case since it is a proper noun. You do not need to include the location of the publisher.
• Put the numerical year of the book’s publication (which may be different from the year of the poem’s original publication), followed by a comma.
• Provide the page number(s) for the poem you are citing using “p.” or “pp.” and the page number or page range. For example, if the poem is on page 26, put p. 26. If the poem spreads across two or more pages, use “pp.” For example, if the poem is from page 26-29, put pp. 26-29. Follow the page number with a period to end your citation.

Citing a Poem from an Anthology

The guidelines for citing a poem from an anthology are different from the guidelines for citing a poem found online or even in a poetry book. An anthology is a compilation of different works from different authors or artists. The following format is for poems from an anthology.

Basic Format for a poem in an anthology: 

Poet’s Last Name, First Name. “Title of the Poem.” Title of Anthology, edited by Editor’s First and Last Name, edition (if applicable), volume (if applicable), Publisher, year of anthology publication, page number or page range.

Drummond, William. “Life.” The Giant Book of Poetry , edited by William Roetzheim, Level4Press Inc, 2006, p. 55.

• Put the title of the anthology where you found the poem in italics and title case, followed by a comma.
• For two editors, separate the names with the word “and” rather than an ampersand.
• For three or more editors, use commas to separate each editor’s name, using “and” only between the last two editors.
• If applicable to the anthology, include the book’s edition (e.g., 4th ed.) followed by a comma.
• If applicable to the anthology, include the book’s volume number (e.g., vol. 2) followed by a comma.
• Put the name of the publishing company in normal text (not italicized) as it is capitalized in the anthology, followed by a comma. You do not need to include the location of the publisher.

In-Text Citations

Unlike the reference page citations, MLA in-text citations for poems are generally the same regardless of the source. The examples below follow Sections 6.22 and 6.36 from the Handbook.

For in an-text citation, all you need to provide is:

• The poet’s last name
• The line number(s) or page number of the poem you are referencing

(Poet’s Last Name, line(s) #-#)

(Chaucer, lines 6-10)

If you state the author’s name within the sentence, you may just include the line numbers in parentheses instead of repeating the author’s name in the in-text citation. If no line numbers for the poem exist, do not count the lines yourself. Instead, include a page number.

As stated by Chaucer, “Thoght ye to me ne do no daliance” (line 8).

Quoting Up to Three Lines of Poetry

Using a direct quote from a poem is different from making a reference to a poem within your paper. To use a direct quote, you must put it in quotation marks.

To quote anything from a partial line of poetry up to three lines of poetry, you can simply use quotations and a “/” symbol to separate the lines, with a space on either side of the slash. Following the in-text citation guidelines in the section above, place your in-text citation at the end of your quote in parentheses, after the closing quotation marks and before the period.

“Two roads diverged in a wood, and I – / I took the one less traveled by / And that has made all the difference” (Frost, lines 18-20).

In Robert Frost’s poem, he states, “Two roads diverged in a wood, and I – / I took the one less traveled by / And that has made all the difference” (lines 18-20).

Quoting Four or More Lines of Poetry

If you’d like to directly quote four or more lines of poetry within your paper, you will need to follow different guidelines than the ones above for three or fewer lines of poetry. When quoting four or more lines of poetry, you will not use quotation marks. Here are more formatting guidelines:

• In most cases, you will use a colon (:) at the end of the sentence before you begin your direct quote from the poem.
• After the sentence introducing the quote, leave an empty line before beginning the quote.
• You must separate a long quote from the rest of your paper by using a half-inch indent from the left throughout the quote.
• Instead of using a “ / ” to separate the lines of poetry, try to follow the original format of the poem as closely as possible.
• If a line is too long to fit across the page, use a hanging indent, so that the remainder of the line is more indented than the rest of the block quote.
• Place your in-text citation in parentheses at the end of the quote, following the last period (or other punctuation) of the quote and without punctuation after the closing parentheses. If the citation will not fit on the line, add it to the following line on the right-hand side of the page.

The poem describes choices in life by using the metaphor of a fork in the road:

Two roads diverged in a yellow wood

And sorry I could not travel both

And be one traveler, long I stood

And looked down one as far as I could

To where it bent in the undergrowth; (Frost, lines 1-5)

MLA Handbook . 9th ed., Modern Language Association of America, 2021.

Published October 21, 2013. Updated May 18, 2021.

Written by Grace Turney. Grace is a former librarian and has a Master’s degree in Library Science and Information Technology. She is a freelance author and artist.

Citation Guides

• Annotated Bibliography
• Block Quotes
• Citation Examples
• et al Usage
• In-text Citations
• Page Numbers
• Reference Page
• Sample Paper
• APA 7 Updates
• View APA Guide
• Bibliography
• Works Cited
• MLA 8 Updates
• View MLA Guide

How useful was this post?

Click on a star to rate it!

We are sorry that this post was not useful for you!

Let us improve this post!

Tell us how we can improve this post?

In-text citation for a poem can be in the following format:

• If you are quoting two or three lines of a poem, the quote should be placed within double quotation marks with a slash as a line separator, with one space on either side. (Stanzas should be separated with a double slash.) The quote should be followed by the author’s last name and the line numbers within parentheses.
• If the author’s name is already mentioned in text, only the line number should be inserted within parentheses next to the quotation.
• If there is no line number available for the poem, page numbers can be used.

William Wordsworth wrote, “The storm came on before its time: / She wandered up and down” (lines 11-12).

• If you are quoting four or more lines of a poem, your quote should be an indented block quote rather than enclosed within quotation marks.
• A colon should be placed at the end of the introductory text with a blank line following it.
• The full block quote should be indented a half inch throughout and match its original formatting as closely as possible.
• The author’s last name and line numbers should be placed at the end of the quotation within parentheses. The end period should be placed before the source.

The author was inspired by the lines of a poem: Not blither is the mountain roe: With many a wanton stroke Her feet disperse the powdery snow, That rises up like smoke. (Wordsworth, lines 13–16)

To cite a poem or short story, include the following details: the author’s name, year published, title of the poem/story, title of the book where you located or read the poem (if applicable), book editor’s first and last name (if applicable), publisher name, and page numbers.

Citation Basics

Harvard Referencing

Plagiarism Basics

Plagiarism Checker

Upload a paper to check for plagiarism against billions of sources and get advanced writing suggestions for clarity and style.

Get Started

• Link to facebook
• Link to linkedin
• Link to twitter
• Link to youtube
• Writing Tips

How to Quote Poetry in MLA Referencing

4-minute read

• 10th December 2019

Writing about Robert Frost? Scribbling about Shakespeare? Then make sure you know how to quote poetry . This is not quite the same as quoting prose, but the rules are easy to understand once you know them. Here, for example, is how to quote and reference a poem in MLA referencing .

How to Quote Poetry in the Text

The format for quoting poetry in MLA depends on how much you are quoting. If it is three lines or fewer, you can quote it in line with the rest of your text. However, you will need to include a forward slash to indicate a line break (or a double slash for a stanza break). For example:

In “For E.J.P.,” he writes “I once believed a single line / in a Chinese poem could change / forever how blossoms fell” (Cohen 1-3).

As you can see, we also cite the poem after we have quoted it. The citation format here follows standard MLA conventions , but you should typically use line numbers rather than page numbers.

For quotes of more than three lines, set it on a new line, without quote marks, and indented from the left margin (like a block quote). For instance:

The poem ends as follows:

I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I, I took the one less traveled by, And that has made all the difference. (Frost 15-20)

Try to make the layout of the poem as close as possible to the original.

Poem Titles: Italics or Quote Marks?

Another question is how to present poem titles on the page. This depends on the poem’s length. The MLA system suggests:

• For shorter poems published as part of a longer work, use quote marks.
• For longer poems published as a standalone book, use italics.

This applies when you name a poem in your writing, when listing poems in the Works Cited list, and when using titles within citations (e.g., if you are citing two sources by the same person ). So make sure to be consistent!

Poems in a Works Cited List

Finally, we’ll look at how to list poems in your Works Cited list. For single poems published as a standalone book, this is simple: just list it as you would any other book . The same is true when citing a poetry anthology with a single author (though you may need to name the editor, too).

Find this useful?

Subscribe to our newsletter and get writing tips from our editors straight to your inbox.

But for a poem from a mixed anthology (i.e., one containing poems by several authors), the format is like referencing a chapter from an edited book :

Surname, First Name. “Title of Poem.” Title of Anthology , edited by Editor Name(s), Publisher, Year, Page number(s).

Note that we use the actual page numbers for the poem within the container volume here, not line numbers. We would therefore list a print poem in a Works Cited list along the following lines:

Cohen, Leonard. “For E.J.P.” 20 th -Century Poets: An Anthology , edited by G. Edwards, Victor Gollancz Ltd, 2012, pp. 59-60.

For a poem found online, you can reference it as if it were a web page:

Surname, First Name. “Title of Poem.” Title of Site/Publishing Organization , date of publication (if available), URL. Date accessed (if required).

Remember that the date here should be when the poem was published online, not when it was originally written. In practice, then, the Works Cited list entry for a poem found online would look like this:

Frost, Robert. “The Road Not Taken.” PoemHunter , 20 Oct. 2016, www.poemhunter.com/poem/the-road-not-taken. (Accessed Oct. 19, 2018).

If you are unsure whether to include a date of access, check your style guide or ask your supervisor/professor. And if you’d like someone to check the clarity and consistency of your referencing, our expert editors can help .

Share this article:

Post A New Comment

Got content that needs a quick turnaround? Let us polish your work. Explore our editorial business services.

3-minute read

How to Insert a Text Box in a Google Doc

Google Docs is a powerful collaborative tool, and mastering its features can significantly enhance your...

2-minute read

How to Cite the CDC in APA

If you’re writing about health issues, you might need to reference the Centers for Disease...

5-minute read

Six Product Description Generator Tools for Your Product Copy

Introduction If you’re involved with ecommerce, you’re likely familiar with the often painstaking process of...

What Is a Content Editor?

Are you interested in learning more about the role of a content editor and the...

The Benefits of Using an Online Proofreading Service

Proofreading is important to ensure your writing is clear and concise for your readers. Whether...

6 Online AI Presentation Maker Tools

Creating presentations can be time-consuming and frustrating. Trying to construct a visually appealing and informative...

Make sure your writing is the best it can be with our expert English proofreading and editing.

MLA Style Guide, 8th & 9th Editions: Citing Poetry

• Works Cited entries: What to Include
• Title of source
• Title of container
• Contributors
• Publication date
• Supplemental Elements
• Book with Personal Author(s)
• Book with Organization as Author
• Book with Editor(s)
• Parts of Books
• Government Publication
• Journal Article
• Magazine Article
• Multivolume Works
• Newspaper Article
• Other Formats
• Websites, Social Media, and Email
• About In-text Citations
• In-text Examples
• How to Paraphrase and Quote
• Citing Poetry
• Formatting Your MLA Paper
• Formatting Your Works Cited List
• MLA Annotated Bibliography
• MLA 9th Edition Quick Guide
• Submit Your Paper for MLA Style Review

MLA Poetry Citations

• << Previous: How to Paraphrase and Quote
• Next: Formatting Your MLA Paper >>
• Last Updated: Jan 23, 2024 11:37 AM
• URL: https://irsc.libguides.com/mla

MLA Citation Guide (9th Edition): Poetry

• What Kind of Source Is This?
• Advertisements
• Books, eBooks & Pamphlets
• Book Reviews
• Class Handouts, Presentations, and Readings
• Encyclopedias & Dictionaries
• Government Documents
• Images, Artwork, Charts, Graphs & Tables
• Interviews and Emails (Personal Communications)
• Journal Articles
• Magazine Articles
• Newspaper Articles
• Primary Sources
• Religious Texts
• Social Media
• Videos & DVDs
• In-Text Citation
• Works Quoted in Another Source
• No Author, No Date etc.
• Works Cited List & Sample Paper
• Annotated Bibliography
• Powerpoint Presentations

On This Page: Poetry

Poetry taken from an edited collection.

• Poetry Taken From a Website

In-Text Citation Rules for Poetry

Abbreviating months.

In your works cited list, abbreviate months as follows: 

January = Jan. February = Feb. March = Mar. April = Apr. May = May June = June July = July August = Aug. September = Sept. October = Oct. November = Nov. December = Dec.

Spell out months fully in the body of your paper. 

Note : For your Works Cited list, all citations should be double spaced and have a hanging indent.

A "hanging indent" means that each subsequent line after the first line of your citation should be indented by 0.5 inches.

Author of Poem's Last Name, First Name. "Title of Poem."  Title of Book: Subtitle if Any , edited by Editor's First Name Last Name, Edition if given and is not first, Publisher Name often shortened, Year of Publication, pp. Page Numbers of the Poem.

Learn more: See the  MLA Handbook , pp. 78-79, 121-122

Poetry Taken from a Website

Author's Last Name, First Name. "Title of Poem." Title of Website, Name of Organization Affiliated with the Website, Date of copyright or date last modified/updated, URL. Accessed Day Month Year site was visited .

Learn more: See the  MLA Handbook,  pp. 121-122

• << Previous: Newspaper Articles
• Next: Primary Sources >>
• Last Updated: Apr 15, 2024 11:24 AM
• URL: https://columbiacollege-ca.libguides.com/MLA9

• Spartanburg Community College Library
• SCC Research Guides
• Citing a Poem

Like other sources, poem citations begin with the poet's last name. However, there are some different MLA rules when it comes to citing lines of poetry.

• In-Text Citation Rules
• In-text, Quoting 1 Line
• In-text, Quoting 2-3 Lines
• In-text, Quoting 4+ Lines
• Works Cited
• Use "line" or "lines" in your in-text if the source lists line numbers rather than page numbers.
• For the first citation include the word  "line" or "lines" before the numbers
• After the first in-text citation establishing that you will be using lines for that partacular source, you no longer need to use the word line or lines.
• (Frost, lines 145-48)
• (Frost 145-48).
• Note: If you are citing only one source for your entire paper/project, then you do not need to repeat the author's last name/title in the in-text citations as long as it's clear that you're referencing the outside source. This means your first in-text citation could look like (Frost, lines 145-48), but later in that paragraph if your next citation could just be the line number, like this (152). 

Quoting a single line of poetry

In-Text Format:  (Poet Last Name, line number)

Example:  "So better by far for me if you were stone" (Duffy, line 17).

Note:  Only include the line numbers if they are already included in the poem you are citing. You do not need to count line numbers if they are not already included. If you find the poem in a book, you can use the page number(s) for the poem. If you found the poem online and there are no page numbers or line numbers, you only need to include the poet's last name.

Quoting 2-3 lines of poetry

When quoting 2-3 lines of poetry, use a forward slash ( / ) to mark the line breaks. If there is a stanza break between the lines you are quoting, use a double slash ( // ). Be sure to put a space before and after the slash. 

Use the exact punctuation, capitalization, and styling as used in the original text.

Format:  (Poet Last Name, line number(s))

Example:  "Wasn't I beautiful? / Wasn't I fragrant and young? // Look at me now" (Duffy, lines 40-42).

Quoting 4+ lines of poetry

When quoting 4 or more lines of poetry, use a block quote. Be sure to keep the spacing, punctuation, and capitalization the same as it is in the poem.

Example:  In the poem "Medusa," Medusa discusses why she wants to turn the man she loves into stone: Be terrified. It's you I love, perfect man, Greek God, my own; but I know you'll go, betray me, stray from home. So better by far for me if you were stone. (Duffy, lines 12-17)

Citing a Poem: Works Cited

Poem in a book.

Format:  Author(s). "Title of Part."  Title of Book in Italics , edited by Editor, edition, vol. #, Publisher, Year,  page number(s).  Database Name  in Italics  (if electronic),  URL.

Example:  Lazarus, Emma. "The New Colossus."  The Norton Introduction to Literature,  edited by Kelly J. Mays, shorter 14th ed., W.W. Norton, 2022, p. 752. 

Poem from a Website

Format:  Author(s). “Poem Title.” Original publication year.  Title of Website in Italics , Website Publisher (if different than title), Date of publication, URL. Access Date.

Example:  Angelou, Maya. "Still I Rise." 1978.  Poetry Foundation , www.poetryfoundation.org/poems/46446/still-i-rise. Accessed 21 Sep. 2022.

• << Previous: Citing a Play
• Next: In-text Citations >>
• Online MLA Handbook This link opens in a new window
• Formatting the Author and Title
• Container Punctuation
• Citing a Book or Ebook
• Citing Part of a Book or Ebook
• Citing an Encyclopedia
• Citing a Journal Article
• Citing an Article Written for a Database
• Citing a Magazine or Newspaper Article
• Citing an Interview/Podcast
• Citing a Website
• Citing a Video
• Citing Social Media
• Citing Images in a Project
• Citing Artistic Works/Performances
• Citing a Play
• In-text Citations
• Formatting Your Word Document
• MLA Handouts
• MLA Workshop (video, Feb. 2022)
• MLA - Getting Started (Basic Tutorial)
• Annotated Bibliography
• Last Updated: May 8, 2024 9:31 AM
• URL: https://libguides.sccsc.edu/MLA

Giles Campus | 864.592.4764 | Toll Free 866.542.2779 | Contact Us

Copyright © 2024 Spartanburg Community College. All rights reserved.

Info for Library Staff | Guide Search

Return to SCC Website

MLA Citation Guide (9th Edition): Poetry

• Advertisements
• Artificial Intelligence (AI)
• Books and eBooks
• Book Reviews
• Class Notes and Presentations
• Encyclopedias and Dictionaries
• Government Documents
• Images, Artwork, Charts, Graphs and Tables
• Journal Articles
• Magazine Articles
• Newspaper Articles
• Personal Communication (Interviews, Emails)
• Primary Sources
• Religious Texts
• Social Media
• Videos and DVDs
• When Creating Digital Assignments
• When Information Is Missing
• Works Quoted in Another Source
• Paraphrasing
• Works Cited List & Sample Paper
• Annotated Bibliography

On This Page

Poetry taken from an edited collection.

• Poetry Taken From a Website

In-Text Citation Rules for Poetry

Note : For your Works Cited list, all citations should be double spaced and have a hanging indent.

A "hanging indent" means that each subsequent line after the first line of your citation should be indented by 0.5 inches.

Author of Poem's Last Name, First Name. "Title of Poem." Title of Book: Subtitle if Any , edited by Editor's First Name Last Name, Edition if given and is not first, Publisher Name often shortened, Year of Publication, pp. Page Numbers of the Poem.

Donne, John. "A Valediction: Forbidding Mourning." The Broadview Introduction to Literature: Poetry , edited by Lisa Chalykoff, Neta Gordon, and Paul Lumsden, Broadview Press, 2013, pp. 48-49.

(Author of Poem's Last Name, line(s) Line Number(s))

Example: (Donne, lines 26-28)

  Note: If your quotation contains more than one line from the poem use forward slashes (/) between each line of the poem. For line breaks that occur between stanzas, use a double forward slash (//).

Using scientific imagery, Donne describes his connection to his wife, "As stiff compasses are two: /Thy soul, the fixed foot, makes no show / To move, but both, if th' other do" (lines 26-28).

Note: If citing more than 3 lines, follow the rules for a long quotation .

Learn more: See the  MLA Handbook , pp. 78-79, 121-122

Poetry Taken from a Website

Author's Last Name, First Name. "Title of Poem." Title of Website, Name of Organization Affiliated with the Website, Date of copyright or date last modified/updated, URL. Accessed Day Month Year site was visited.

Keats, John. "On the Grasshopper and Cricket." Poetry Foundation , 2020, https://www.poetryfoundation.org/poems/53210/ on-the-grasshopper-and-cricket. Accessed 24 March 2020.

Example: (Keats, lines 10-12)

Note: If your quotation contains more than one line from the poem use forward slashes (/) between each line of the poem. For line breaks that occur between stanzas, use a double forward slash (//).

Keats uses insects to represent the everlasting vitality of nature, "On a lone winter evening, when the frost / Has wrought a silence, from the stove there shrills / The Cricket’s song, in warmth increasing ever" (lines 10-12).

Example: (Blake, lines 6-9)

(Author of Poem's Last Name)

Example: (Chaucer)

(Author of Poem's Last Name Division Number. Line Number(s))

Example: (Pope 5.645-646)

Note : 5.645-646 refers to canto 5, lines 645-646.

MLA Handbook

Abbreviating Months

In your works cited list, abbreviate months as follows: 

January = Jan. February = Feb. March = Mar. April = Apr. May = May June = June July = July August = Aug. September = Sept. October = Oct. November = Nov. December = Dec.

Spell out months fully in the body of your paper. 

• << Previous: Personal Communication (Interviews, Emails)
• Next: Primary Sources >>
• Last Updated: Jul 4, 2023 12:01 PM
• URL: https://lcc-ca.libguides.com/mla-citation-guide-9th-ed

Using the Library

• Library Catalogue

Subject Guides

Project guides, digital resources, reading lists, quick access.

• Junior School Catalog
• Senior School Catalog
• Sora Tutorials
• Sora Web Application
• Citation Guides

Lower Canada College Libraries

514-482-9916 ext. 473

LCC is an English coeducational K-11 school leading to the MEES Secondary Leaving Diploma / LCC est une école anglophone mixte de la maternelle à la 5e secondaire menant au DES du MEES.

Poetry & Poets

Explore the beauty of poetry – discover the poet within

How To Cite Lines Of Poetry In Mla

In-Text Citations for MLA Poetry

When citing a single line of poetry, as well as any other quoted material shorter than four lines, you must use quotation marks around the line(s). When citing more than four lines, use what is known as a block quotation, which is formatted as follows:

Start the quotation on a new line, indent one inch from the left margin, do not use quotation marks, and form a double-space between the lines.

At the end of the line which you are citing, indicate the line break with a slash mark ( / ) and begin the next line with the next part of the poem. If the line of poetry was split up in the original source, you can use a double slash mark (//) to indicate the original formatting (MLA, n.d.). Here is an example of a longer poem cited using the block format:

“I must go down to the seas again, to the lonely sea and the sky— And all I ask is a tall ship and a star to steer her by; And the wheel’s kick and the wind’s song and the white sail’s shaking, And a grey mist on the sea’s face, and a grey dawn breaking” (Masefield/1-4).

Word-for-Word Citations for Poetry MLA

When citing line-for-line or word-for-word from a poem, present the line(s) as you see them in the poem. Here are a few examples:

In the poem “Stopping by Woods on a Snowy Evening,” the speaker says, “The woods are lovely, dark and deep” (Frost/5-6).

In the poem “We Grow Accustomed to the Dark” the narrator says, “We learn to bear the lights we cannot see” (Dickinson/13).

When an author’s name is not mentioned in the sentence alongside the quote, use parentheses to indicate the author’s name, followed by the line and page numbers of the poem (MLA, n.d.).

Works Cited Page for Lines of Poetry in MLA Format

In the Works Cited page, the format for a line of poetry depends on the number of lines it is and whether or not it is being quoted from a specific collection of a poet’s works. Here are a few examples of lines of poetry that would appear in the Works Cited page:

“The woods are lovely, dark and deep.” Frost, Robert. “Stopping by Woods on a Snowy Evening.” The Complete Poems of Robert Frost. Holt, Rinehart, and Winston, 1969.

“We learn to bear the lights we cannot see.” Dickinson, Emily. “We Grow Accustomed to the Dark.” The Poems of Emily Dickinson. Harvard, University Press, 1998.

When citing a collection of a certain poet’s work, the title and publication information for each should be listed separately in the Works Cited page.

Tips for Poetry Citation In MLA Format

When quoting a poem, think carefully about where you are quoting. Is the poem in a book, magazine, or on an online platform? Is the poet one of the many influential poets of the 21st century, or are they an unknown poet? Knowing the answers to these questions can make citing lines of poetry much easier.

Additionally, make sure you pay attention to the source’s formatting. Did it include poetic line numbers, or was it an exact replication of the original source? Did the source provide the titles of the poems, or were the poems anonymous? Different sources will require different formats for citation, and this needs to be accounted for as well.

MLA Poetry Citation from Online Sources

When citing lines of poetry from an online source, refer to the works cited page for the original source of the poem. Often, online sources will be an online version of the original source. Be sure to cite the original source in your works cited page and not the online version or any other secondary sources.

Moreover, when citing lines of poetry from an online source, keep in mind that the formatting may change between sources. With that being said, make sure to use quotation marks when citing lines of poetry regardless of the format. For example, when citing a single line of poetry from an online source, the format should look like this:

“The woods are lovely, dark and deep.” (Frost)

The difference between an in-text citation and a Works Cited citation lies in the format of the poem. In-text citations will use the original format, while the Works Cited citation would include information about the author and the original source of the quote.

APA Format for Poetry Lines

The American Psychological Association (APA) style is used for citations in many humanities classes, such as English and literature. APA style alters how you cite lines of poetry from other sources, as well as how you format the Works Cited page. The in-text citation for a single line of poetry should read like this:

(Frost, line 5)

The Works Cited page, similarly, should be laid out as follows:

Frost, R. (n.d.). “Stopping by Woods on a Snowy Evening.” Poetry Foundation. Retrieved from https://www.poetryfoundation.org/poems/43997/stopping-by-woods-on-a-snowy-evening.

It is important to note that APA style does not include author and page numbers in the citations. Instead, it provides the source and the line numbers. Additionally, all sources for a poetry line should appear in alphabetical order on the Works Cited page.

MLA vs APA Format for Poetry

MLA and APA are two popular formats for citing lines of poetry, though they vary significantly in how they should be laid out. Similar to MLA, APA does not require quotation marks when citing multiple lines. But the main difference is that APA does not require the author and page numbers to be included in the citations. Furthermore, APA requires the line and verse numbers of the poem to be included in the in-text citation as well as the Works Cited page. When citing a single line of poetry in APA, the format should look like this:

It is important to note that both formats require the author’s name to be in the parentheses. It should be noted that the format used for the Works Cited page should be consistent throughout the paper. Therefore, if MLA format is used for in-text citations, then the Works Cited page should also use MLA.

Tools for MLA Poetry Citation

The Modern Language Association (MLA) provides several tools to generate accurate citations for quoting lines of poetry. The MLA style website provides a guide for citing multiple poems as well as a list of frequently asked questions about citing poetry in MLA style. Moreover, the MLA Handbook (8th edition) contains a list of essential elements for both in-text citations and the works cited page. The handbook also provides specific information about citing poems found in collections or anthologies published in print and online.

Additionally, the Purdue OWL provides several citation guides and examples of how to cite poetry in MLA format. The site is especially helpful for citing poetry lines found in books or journals, as well as online poetry. It also contains detailed guidelines for each type of work, such as novels, magazines, and digital sources.

When quoting lines of poetry, it is important to use the formatting style that matches the class or assignment. The MLA and APA styles are two of the most commonly used formats for Poe’s poetry. In-text citations should include the author’s name and the line numbers of the poem. The works cited page should include the citation of the original source of the poem, as well as the author and publication details. The MLA and APA websites are good resources for generating accurate citations and understanding the correct format for quoting lines of poetry.

Minnie Walters

Minnie Walters is a passionate writer and lover of poetry. She has a deep knowledge and appreciation for the work of famous poets such as William Wordsworth, Emily Dickinson, Robert Frost, and many more. She hopes you will also fall in love with poetry!

Leave a Comment Cancel reply

• Communities
• Toggle navigation
• Search Search Search …
• Search Search …

I-Search Project Instructions

Here is a slide show with instructions and an optional template: I-Search Slideshow

You can use slides 9-17 as a template for your project. You must include the reflection essay (250 words) to earn an A for this assignment. Here is an optional outline for the reflection: I-Search Outline .

Proposal: April 16th

First Draft: May 2nd

Final Draft May 13th

• Slide show (9 slides and 3-4 minutes) and reflection (250 words).
• This is a more personal version of a research paper, and your reflection will include your process. Your slide show will be posted on the BMCC OpenLab.
• A total of 3 sources including 2 sources from the BMCC Library with one quote from each. One source from OneSearch and one from Opposing Viewpoints in Context Database.
• An MLA format list of Works Cited.

The theme is technology and connection. Here are some suggested questions. You can create your own.

• Does technology bring people closer together or drive them further apart? Why?
• Does social media improve or diminish the self-esteem of users? Why?
• Is gaming self-care or avoidance of reality? What is the proof?
• Does the immediate availability of knowledge make us more intelligent or more lazy?
• Does A.I. enhance or inhibit human creativity?

Here are some readings we will look at together:

“Phaedrus” by Plato

“Is Google Making Us Stupid” by Nicholas Carr

“Connected but Alone” by Sherry Turkle

You can use one of these readings and you will choose two more readings by yourself using the BMCC Library

You may also like

How To Post Your Final Project

To submit your Final Project post, follow the steps below. 1. Save your slides as a pdf file. 2. To create your […]

Leave a comment Cancel reply

You must be logged in to post a comment.

Welcome to the BMCC OpenLab!

BMCC’s OpenLab is an online platform where the College’s students, faculty and staff can come together to learn, work, play and share ideas.

Powered by:

How do I format a quotation of song lyrics?

Format a quotation of song lyrics the same way you would format a quotation of poetry. If the quotation consists of fewer than four lines, run it into the text, placing quotation marks around the lines and separating the lines from each other with a forward slash with a space on either side of it. 

Bob Dylan famously sang that “[t]he answer, my friend, is blowin’ in the wind / The answer is blowin’ in the wind.” Work Cited Dylan, Bob. “Blowin’ in the Wind.” Bob Dylan , 2018, www.bobdylan.com/songs/blowin-wind/.

If the quotation consists of four or more lines, set the quoted lines apart from the text as an extract.

In “Blowin’ in the Wind,” Bob Dylan asks: How many roads must a man walk down Before you call him a man? Yes, ’n’ how many seas must a white dove sail Before she sleeps in the sand?

Dylan, Bob. “Blowin’ in the Wind.” Bob Dylan , 2018, www.bobdylan.com/songs/blowin-wind/.

Poetry Is an Act of Hope

Through verse, we can perhaps come closest to capturing events that exist beyond our capacity to describe.

This is an edition of the Books Briefing, our editors’ weekly guide to the best in books. Sign up for it here.

Poetry is the art form that most expands my sense of what language can do. Today, so much daily English feels flat or distracted—politicians speak in clichés; friends are distracted in conversation by the tempting dinging of smartphones; TV dialogue and the sentences in books are frequently inelegant. This isn’t a disaster: Clichés endure because they convey ideas efficiently; not all small talk can be scintillating; a bad sentence here or there in a novel won’t necessarily condemn the whole work.

First, here are four new stories from The Atlantic ’s Books section:

• When your every decision feels torturous
• “Noon”: a poem by Li-Young Lee
• A prominent free-speech group is fighting for its life.
• The complicated ethics of rare-book collecting

Poetry is different, however. We expect more from it. Not a single word should be misused, not a single syllable misplaced—and, as a result, studying language within the poetic form can be particularly rewarding. In March and April of this year, two of America’s great poetry critics, Helen Vendler and Marjorie Perloff, died. In reading Adam Kirsch’s tribute to both, I was struck by how different their respective approaches to language were. Vendler was a “traditionalist,” per Kirsch; she liked poets who “communicated intimate thoughts and emotions in beautiful, complex language.” She was a famous close reader, carefully picking over poems to draw out every sense of meaning. For Vendler, Kirsch writes, poetry made language “more meaningful.”

Perloff wasn’t as interested in communicating meaning. Her favorite avant-garde poets used words in surprising and odd ways. As Kirsch writes, “At a time when television and advertising were making words smooth and empty, she argued that poets had a moral duty to resist by using language disruptively, forcing readers to sit up and pay attention.”

I’d reckon that neither Perloff nor Vendler relished lines that were smooth and empty, even though their preferred artists and attitudes toward reading might have differed. Ben Lerner has said that poetry represents a desire to “do something with words that we can’t actually do.” In that sense, poems are a declaration of hope in language: Even if we can’t pull off something magnificent, we can at least try.

Through poetry, we can perhaps come closest to capturing the events that feel so extreme as to exist beyond our capacity to describe them. In the February 8 issue of The New York Review of Books , Ann Lauterbach published a poem called “ War Zone ,” dedicated to Paul Auster, another literary great who died recently. The poem depicts not scenes of violence and gore but the hollow wordlessness many of us feel in the face of war or suffering—then it uses images of silence, blankness, and absence to fight against that unspeakability. The last line, which I won’t spoil here, points to this paradox: Words may not be able to capture everything—especially the worst things—but they can, and must, try.

When Poetry Could Define a Life

By Adam Kirsch

The close passing of the poetry critics Marjorie Perloff and Helen Vendler is a moment to recognize the end of an era.

Read the full article.

What to Read

The Taste of Country Cooking , by Edna Lewis

Lewis’s exemplary Southern cookbook is interspersed with essays on growing up in a farming community in Virginia; many of the recipes in the book unspool from these memories. Lewis, who worked as a chef in New York City as well as in North and South Carolina, writes with great sensual and emotional detail about growing up close to the land. Of springtime, she writes, “The quiet beauty in rebirth there was so enchanting it caused us to stand still in silence and absorb all we heard and saw. The palest liverwort, the elegant pink lady’s-slipper displayed against the velvety green path of moss leading endlessly through the woods.” Her book was ahead of its time in so many ways: It is a farm-to-table manifesto, a food memoir published decades before Ruth Reichl popularized the form, and an early, refined version of the cookbook-with-essays we’re now seeing from contemporary authors such as Eric Kim and Reem Assil. The recipes—ham biscuits, new cabbage with scallions, potted stuffed squab—are as alluring as the prose.  — Marian Bull

From our list: eight cookbooks worth reading cover to cover

Out Next Week

📚 First Love , by Lilly Dancyger

📚 América del Norte , by Nicolás Medina Mora

📚 The Lady Waiting , by Magdalena Zyzak

Your Weekend Read

The Diminishing Returns of Having Good Taste

By W. David Marx

There are obvious, concrete advantages to a world with information equality, such as expanding global access to health and educational materials—with a stable internet connection, anyone can learn basic computer programming from online tutorials and lectures on YouTube. Finding the optimal place to eat at any moment is certainly easier than it used to be. And, in the case of Google, to “organize the world’s information and make it universally accessible and useful” even serves as the company’s mission. The most commonly cited disadvantage to this extraordinary societal change, and for good reason, is that disinformation and misinformation can use the same easy pathways to spread unchecked. But after three decades of living with the internet, it’s clear that there are other, more subtle losses that come with instant access to knowledge, and we’ve yet to wrestle—interpersonally and culturally—with the implications.

When you buy a book using a link in this newsletter, we receive a commission. Thank you for supporting The Atlantic .

Explore all of our newsletters .

Purdue Online Writing Lab Purdue OWL® College of Liberal Arts

Welcome to the Purdue Online Writing Lab

Welcome to the Purdue OWL

This page is brought to you by the OWL at Purdue University. When printing this page, you must include the entire legal notice.

Copyright ©1995-2018 by The Writing Lab & The OWL at Purdue and Purdue University. All rights reserved. This material may not be published, reproduced, broadcast, rewritten, or redistributed without permission. Use of this site constitutes acceptance of our terms and conditions of fair use.

The Online Writing Lab at Purdue University houses writing resources and instructional material, and we provide these as a free service of the Writing Lab at Purdue. Students, members of the community, and users worldwide will find information to assist with many writing projects. Teachers and trainers may use this material for in-class and out-of-class instruction.

The Purdue On-Campus Writing Lab and Purdue Online Writing Lab assist clients in their development as writers—no matter what their skill level—with on-campus consultations, online participation, and community engagement. The Purdue Writing Lab serves the Purdue, West Lafayette, campus and coordinates with local literacy initiatives. The Purdue OWL offers global support through online reference materials and services.

A Message From the Assistant Director of Content Development 

The Purdue OWL® is committed to supporting  students, instructors, and writers by offering a wide range of resources that are developed and revised with them in mind. To do this, the OWL team is always exploring possibilties for a better design, allowing accessibility and user experience to guide our process. As the OWL undergoes some changes, we welcome your feedback and suggestions by email at any time.

Please don't hesitate to contact us via our contact page  if you have any questions or comments.

All the best,

Social Media

Facebook twitter.

Advertisement

Supported by

In a Poem, Just Who Is ‘the Speaker,’ Anyway?

Critics and readers love the term, but it can be awfully slippery to pin down. That’s what makes it so fun to try.

• Share full article

By Elisa Gabbert

Elisa Gabbert’s collections of poetry and essays include, most recently, “Normal Distance” and the forthcoming “Any Person Is the Only Self.” Her On Poetry columns appear four times a year.

The pages of “A Little White Shadow,” by Mary Ruefle, house a lyric “I” — the ghost voice that emerges so often from what we call a poem. Yet the I belonged first to another book, a Christian text of the same name published in 1890, by Emily Malbone Morgan.

Ruefle “erased” most words of Morgan’s text with white paint, leaving what look like lines of verse on the yellowed pages: “my brain/grows weary/just thinking how to make/thought.” (My virgules are approximate — should I read all white gaps as line breaks, even if the words are in the same line of prose? Are larger gaps meant to form stanzas?)

On another page, we read (can I say Ruefle writes ?): “I was brought in contact/with the phenomenon/peculiar to/’A/shadow.’” It would be difficult to read Ruefle’s book without attributing that I to the author, to Ruefle, one way or another, although the book’s I existed long before she did.

This method of finding an I out there, already typed, to identify with, seems to me not much different from typing an I . An I on the page is abstract, symbolic, and not the same I as in speech, which in itself is not the same I as the I in the mind.

When an old friend asked me recently if I didn’t find the idea of “the speaker” to be somewhat underexamined, I was surprised by the force of the YES that rose up in me. I too had been following the critical convention of referring to whatever point of view a poem seems to generate as “the speaker” — a useful convention in that it (supposedly) prevents us from ascribing the views of the poem to its author. But in that moment I realized I feel a little fraudulent doing so. Why is that?

Perhaps because I never think of a “speaker” when writing a poem. I don’t posit some paper-doll self that I can make say things. It’s more true to say that the poem always gives my own I, my mind’s I, the magic ability to say things I wouldn’t in speech or in prose.

It’s not just that the poem, like a play or a novel, is fictive — that these genres offer plausible deniability, though they do. It’s also that formal constraints have the power to give us new thoughts. Sometimes, in order to make a line sound good, to fit the shape of the poem, I’m forced to cut a word or choose a different word, and what I thought I wanted to say gets more interesting. The poem has more surprising thoughts than I do.

“The speaker,” as a concept, makes two strong suggestions. One is that the voice of a poem is a kind of persona. In fact, when I looked for an entry on the subject in our New Princeton Encyclopedia of Poetry and Poetics (a tome if there ever was one, at 1,383 pages), I found only: “Speaker: See PERSONA.” This latter term is an “ancient distinction,” writes the scholar Fabian Gudas, between poems in the poet’s “own voice” and those in which “characters” are speaking.

But, as the entry goes on to note, 20th-century critics have questioned whether we can ever look at a poem as “the direct utterance of its author.” While persona seems too strong to apply to some first-person lyrics, the speaker implies all lyrics wear a veil of persona, at least, if not a full mask.

The second implication is that the voice is a voice — that a poem has spokenness , even just lying there silent on the page.

The question here, the one I think my friend was asking, is this: Does our use of “the speaker” as shorthand — for responsible readership, respectful acknowledgment of distance between poet and text — sort of let us off the hook? Does it give us an excuse to think less deeply than we might about degrees of persona and spokenness in any given poem?

Take Louise Glück’s “The Wild Iris,” “a book in which flowers speak,” as Glück herself described it. One flower speaks this, in “Trillium”: “I woke up ignorant in a forest;/only a moment ago, I didn’t know my voice/if one were given me/would be so full of grief.” (I find a note that I’ve stuck on this page, at some point: The flowers give permission to express .)

“Flowers don’t have voices,” James Longenbach writes, in his essay “The Spokenness of Poetry” — “but it takes a flower to remind us that poems don’t really have voices either.”

They’re more like scores for voices, maybe. A score isn’t music — it’s paper, not sound — and, as Jos Charles writes in an essay in “Personal Best: Makers on Their Poems That Matter Most,” “the written poem is often mistaken for the poem itself.” A poem, like a piece of music, she writes, “is neither its score nor any one performance,” but what is repeatable across all performances. Any reader reading a poem performs it — we channel the ghost voice.

There are poems that have almost no spokenness — such as Aram Saroyan’s “minimal poems,” which might consist of a single nonword on the page (“lighght,” most famously, but see also “morni,ng” or “Blod”). Or consider Paul Violi’s “Index,” whose first line is “Hudney, Sutej IX, X, XI, 7, 9, 25, 58, 60, 61, 64.” Is anyone speaking the page numbers?

And there are poems that have almost no persona, as in the microgenre whose speaker is a poetry instructor (see “Introduction to Poetry,” by Billy Collins).

Yet I’m not interested only in edge cases. There are so many subtle gradations of “speaker” in the middle, so much room for permission. A speaker may seem threatening, as in June Jordan’s “Poem About My Rights”: “from now on my resistance … may very well cost you your life.” A speaker may seem dishonest — Tove Ditlevsen’s first published poem was called “To My Dead Child,” addressing a stillborn infant who had in fact never existed.

Auden would say it’s hard not to “tell lies” in a poem, where “all facts and all beliefs cease to be true or false and become interesting possibilities.” So, we might say, the “speaker” is the vessel for the full range of lies that the poet is willing to tell.

“Poetry is not for personal confessions,” George Seferis wrote in a journal; “it expresses another personality that belongs to everyone.” This suggests poetry comes from some underlying self. If, by invoking “the speaker,” I avoid a conflation of the I and its author, I may also crowd the page with more figures than I need: a speaker and an author, both outside the poem. I wonder sometimes if there’s anyone there, when I’m reading. Does the speaker speak the poem? Or does the poem just speak?

Explore More in Books

Want to know about the best books to read and the latest news start here..

The complicated, generous life  of Paul Auster, who died on April 30 , yielded a body of work of staggering scope and variety .

“Real Americans,” a new novel by Rachel Khong , follows three generations of Chinese Americans as they all fight for self-determination in their own way .

“The Chocolate War,” published 50 years ago, became one of the most challenged books in the United States. Its author, Robert Cormier, spent years fighting attempts to ban it .

Joan Didion’s distinctive prose and sharp eye were tuned to an outsider’s frequency, telling us about ourselves in essays that are almost reflexively skeptical. Here are her essential works .

Each week, top authors and critics join the Book Review’s podcast to talk about the latest news in the literary world. Listen here .