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Home — Essay Samples — Literature — Books — The Strange Case of Dr. Jekyll and Mr. Hyde

Essays on The Strange Case of Dr. Jekyll and Mr. Hyde

What makes a good the strange case of dr. jekyll and mr. hyde essay topics.

When it comes to writing an essay on The Strange Case of Dr. Jekyll and Mr. Hyde , choosing the right topic is crucial. A good essay topic should be thought-provoking, unique, and analytical. It should also allow for in-depth exploration of the themes, characters, and symbolism in the novel. To brainstorm and choose an essay topic, start by considering the themes and motifs present in the book. Think about the duality of human nature, the concept of good and evil, and the consequences of scientific experimentation. Consider the characters and their motivations, as well as the setting and its significance. A good essay topic should also allow for critical analysis and interpretation, so look for topics that are open to interpretation and analysis.

When choosing a topic, consider What Makes a Good essay topic. A good topic should be specific and focused, allowing for a deep exploration of the subject matter. It should also be relevant and timely, addressing current issues and concerns. Additionally, a good essay topic should be original and unique, offering a fresh perspective on the novel. Finally, a good topic should be interesting and engaging, both for the writer and the reader. By considering these factors, you can brainstorm and choose an essay topic that is both compelling and intellectually stimulating.

Best The Strange Case of Dr. Jekyll and Mr. Hyde Essay Topics

• The duality of human nature in The Strange Case of Dr. Jekyll and Mr. Hyde
• The motif of secrecy and concealment in the novel
• The consequences of scientific experimentation in the Victorian era
• The significance of the setting in The Strange Case of Dr. Jekyll and Mr. Hyde
• The representation of good and evil in the novel
• The theme of addiction and self-destruction in the novel
• The role of women in The Strange Case of Dr. Jekyll and Mr. Hyde
• The symbolism of the potion in the novel
• The theme of transformation and identity in the novel
• The portrayal of mental illness in The Strange Case of Dr. Jekyll and Mr. Hyde
• The impact of social class on the characters in the novel
• The motif of repression and liberation in the novel
• The concept of morality and ethics in The Strange Case of Dr. Jekyll and Mr. Hyde
• The theme of control and power in the novel
• The significance of the title in The Strange Case of Dr. Jekyll and Mr. Hyde
• The representation of masculinity in the novel
• The motif of duality in the character of Mr. Hyde
• The theme of guilt and remorse in the novel
• The portrayal of violence and aggression in The Strange Case of Dr. Jekyll and Mr. Hyde
• The significance of the ending in the novel

The Strange Case of Dr. Jekyll and Mr. Hyde essay topics Prompts

• Imagine you are Dr. Jekyll and write a journal entry detailing the moments before you first transform into Mr. Hyde.
• Write a character analysis of Mr. Hyde, exploring his motivations and actions throughout the novel.
• Compare and contrast the characters of Dr. Jekyll and Mr. Hyde, examining their similarities and differences.
• Analyze the role of the setting in The Strange Case of Dr. Jekyll and Mr. Hyde , focusing on its significance to the plot and themes of the novel.
• Create an alternate ending for the novel, exploring how the story would have unfolded if certain events had transpired differently.

When it comes to choosing The Strange Case of Dr. Jekyll and Mr. Hyde essay topics, it's important to consider the themes, characters, and symbolism present in the novel. By brainstorming and selecting a topic that is specific, relevant, and original, you can create an essay that is engaging and thought-provoking. Whether you choose to explore the duality of human nature, analyze the characters, or examine the role of the setting, there are plenty of creative and compelling topics to choose from when writing about The Strange Case of Dr. Jekyll and Mr. Hyde .

Jekyll and Mr Hyde Moral

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How Utterson is Presented in Jekyll and Hyde

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Dr. Jekyll and Mr. Hyde: Through The Lens of Sigmund Freud

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Presence of Silence and Language Limitations in Robert Louis Stevenson's Novel

A review of the strange case of dr jekyll and mr hyde, the wall between the superior and inferior in dr. jekyll and mr. hyde, dr. jekyll and victor frankenstein: creating the monstrocities, the problem of evil in mary shelley’s frankenstein and robert stevenson’s the strange case of dr. jekyll and mr. hyde, hope and tragedy: ideas of evolution in the imagination of two popular fiction writers, language liberation in the picture of dorian gray and the strange case of dr. jekyll and mr. hyde, the fiction of stevenson and mccullers: stylistic peculiarities, r. l. stevenson: the analysis of eternal issues, appearance and personality: duality of human nature in 'dr jekyll and mr. hyde'.

5 January 1886, Robert Louis Stevenson

Novella; Psychological Thriller, Drama, Horror, Mystery, Gothic, Science Fiction

Gabriel John Utterson, Dr. Henry Jekyll/Mr. Edward Hyde, Richard Enfield, Dr. Hastie Lanyon, Mr. Poole, Inspector Newcomen, Sir Danvers Carew, MP, Maid

1. Stevenson, R. L. (2012). The strange case of Dr. Jekyll and Mr. Hyde-with other short stories by Robert Louis Stevenson (Fantasy and Horror Classics). https://www.scribd.com/book/377905117/Strange-Case-of-Dr-Jekyll-and-Mr-Hyde-Other-Stories Read Books Ltd. 2. Clunas, A. (1994). Comely External Utterance: Reading Space in" The Strange Case of Dr. Jekyll and Mr. Hyde". The Journal of Narrative Technique, 24(3), 173-189. (https://www.jstor.org/stable/30225414) 3. Mills, K. (2004). The Stain on the Mirror: Pauline Reflections in The Strange Case of Dr. Jekyll and Mr. Hyde. Christianity & Literature, 53(3), 337-348. (https://journals.sagepub.com/doi/pdf/10.1177/014833310405300303) 4. Goh, R. B. (1999). Textual Hyde and Seek:" Gentility," Narrative Play and Proscription in Stevenson's Dr Jekyll and Mr Hyde. Journal of Narrative Theory, 29(2), 158-183. (https://muse.jhu.edu/pub/38/article/375823/summary) 5. Buzwell, G. (2014). Man is not truly one, but truly two’: duality in Robert Louis Stevenson’s Strange Case of Dr Jekyll and Mr Hyde. The British Library. (https://www.bl.uk/romantics-and-victorians/articles/duality-in-robert-louis-stevensons-strange-case-of-dr-jekyll-and-mr-hyde) 6. Maynard, K. K. (2000). The Perils and Pleasures of Professionalism in Stevenson's Strange Case of Dr. Jekyll and Mr. Hyde and Doyle's A Study in Scarlet and Other Fictions. The European Legacy, 5(3), 365-384. (https://www.tandfonline.com/doi/abs/10.1080/713665493?journalCode=cele20) 7. Dury, R. (2005). Strange Language of Dr Jekyll and Mr Hyde. https://www.academia.edu/11373763/Strange_Language_of_Dr_Jekyll_and_Mr_Hyde_Journal_of_Stevenson_Studies_2_2005_33_50  Journal of Stevenson Studies, 2, 33-50. 8. Stevenson, R. L., & Glasser, B. (2018). Strange Case of Dr Jekyll and Mr Hyde. In Medicine and Literature (pp. 105-118). CRC Press. (https://www.taylorfrancis.com/chapters/edit/10.1201/9781315375670-8/strange-case-dr-jekyll-mr-hyde-robert-louis-stevenson-brian-glasser)

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Article Contents

Cocaine, ergot and morphine, john hunter and the body snatchers.

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Dr Jekyll and Mr Hyde: a tale of mystery, morality and medicine

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John Launer, Dr Jekyll and Mr Hyde: a tale of mystery, morality and medicine, Postgraduate Medical Journal , Volume 95, Issue 1121, March 2019, Pages 178–180, https://doi.org/10.1136/postgradmedj-2019-136613

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How many characters can you name from fiction who have become bywords for wickedness? One pair of names will almost certainly come to mind: Dr Jekyll and My Hyde. Even if you have never read the book, or seen one of the many movies based on it, you will immediately recognise what these two names signify: how some people can change in an instant between two apparently quite different personalities – kind and thoughtful at one moment but then suddenly possessed by cold rage or becoming violent. The ‘Strange case of Dr Jekyll and Mr Hyde’ by Robert Louis Stevenson tells the tale of a respectable London physician who is mysteriously beholden to a repulsive and ruthless individual living nearby, called Mr Hyde. 1 The doctor has written an extraordinary will in Hyde’s favour, specifying that Hyde should be his heir if he should ever disappear. Jekyll allows Hyde the key to the back door of his premises, and free rein within, to the disgust of his own servants. Jekyll’s lawyer Mr Utterson suspects that Hyde is blackmailing the doctor for some shameful acts in his past. Utterson doggedly tries to piece the mystery together, against Jekyll’s express request not to pry.

The horrific truth only becomes evident after Jekyll’s death. Jekyll has attempted to discover the chemical formula for separating his good nature from his evil impulses, but the experiment has gone horribly wrong. Each time he takes the drug, it turns him into the vicious Mr Hyde, but when he drinks the antidote, he only returns to his mundane self and not the saintly person he had hoped to become. Worse than that, he feels an increasing compulsion to take the potion that divests him of all his virtues, while the antidote lessens in its duration each time, leaving him helplessly trapped in the person of Hyde, and committing escalating acts of depravity and eventually murder. At the climax of the novel, when the supply of the antidote fails altogether, and when Utterson is on the very point of solving the mystery, Jekyll takes his own life.

A mixture of horror story, science fiction, detective novel, psychological thriller and moral fable, ‘Jekyll and Hyde’ is a masterpiece of all these genres, and outclasses most later books written in any of them. Writing in the late nineteenth century, before explicit pornography was legal, Stevenson could do no more than hint at some of the vices that the doctor attempts to suppress, and his evil counterpart enacts, but in some ways the hints are even more suggestive than if everything was spelled out. The book acts as a parable about what it means to be a good doctor, or attempt vainly to become a perfect one, and it presents a deeply critical portrait of medicine, with its power and potential harms.

Stevenson (See figure 1 ) knew from personal experience how drugs could be both life-saving and terrifying as well as habit-forming. He suffered all his life from a respiratory disease that may have been tuberculosis. Around the time when he conceived Jekyll and Hyde, he was taking cocaine and ergot to control pulmonary bleeding, and morphine for pain. He experienced hallucinations, and the story in the novel came to him in an instant during a dream that may well have been fuelled by drugs. 2 Although he was a Scot, Stevenson chose to locate his novel in central London. This allowed him to depict how the wealthy parts of the city, where society physicians like Jekyll practised, lay cheek by jowl with poor districts rife with poverty, alcoholism, prostitution, rent boys and criminality. He could also surround the action of his novel with evocative thick brown fog, to heighten the impression of moral fog, as Dickens had done. However, he almost certainly had a far more specific reason for choosing London: it connects the plot with one of the most famous figures in the history of British medicine.

Robert Louis Stevenson

The novel describes how Jekyll bought his house from ‘the heirs of a celebrated surgeon.’ It fronts a square of ancient and handsome houses. The household quarters lead on to a yard, and then to the deceased surgeon’s dissecting theatre, now converted into Dr Jekyll’s chemical laboratory. A flight of stairs goes up to the doctor’s office, where he swallows his potions. The back of the house is windowless, with a ‘blind forehead of discoloured wall.’ It contains a dilapidated door, opening on to a by-street. It is through this doorway that Mr Hyde leaves and enters. It is only gradually that readers are led to realise that the door leads to Jekyll’s residence, and to understand that the doctor’s grand and welcoming front door connects with a back door resonant with sinister associations. As the novelist Ian Rankin has shown, 3   4 Stevenson was almost certainly describing a real house, not a fictional one. The description fits the house in Leicester Square once occupied by John Hunter, the most celebrated British surgeon and anatomist of all time (see figure 2 ).

Plan of John Hunter’s house in Leicester Square © Wellcome Images

Hunter, another Scot, had been the most successful doctor in London in the eighteenth century, and surgeon to the King. In the days before anaesthetics, when surgery was still a barbaric and agonising procedure, Hunter made the specialty respectable and a subject of research. He created the vast anatomical collections that are now in the Hunterian museums at the Royal College of Surgeons of London, and in Glasgow. He depended for his work on a profuse and continual supply of cadavers, illicitly acquired. Although the front of his house was in a suitably fashionable area, he linked it to another that backed onto the less reputable Castle Street (now Charing Cross Road). Between the two parts of the house he built a private museum for his specimens, and his dissection room. It was at the rear entrance that Hunter would have received the gruesome deliveries of the ‘resurrection men’ also known as ‘body snatchers’ or grave robbers. These deliveries notoriously included the body of the ‘Irish Giant’ Charles Byrne. Hunter had thwarted Byrne’s wishes to be buried at sea in a lead coffin, by bribing the body-snatchers to intercept the corpse and bring it to him. John Hunter’s character, not just his house, had resembled Jekyll and Hyde.

As Rankin points out, Hunter’s house was ‘purpose-built for a surgeon’s double life.’ It was the kind of double life that Stevenson was fascinated by, and featured in a number of his stories and plays. Two years earlier, for example, he had published a ghost story called ‘The Body Snatcher’, that prefigured ‘Jekyll and Hyde’. 5 It centred around an elegant, charming and wealthy London physician called Wolfe Macfarlane who had managed to conceal his past as a ruthless anatomy demonstrator. In that role, Macfarlane had not only been a body-snatcher himself but, like the notorious Edinburgh murderers Burke and Hare, had on occasion killed for dissection material or to pre-empt blackmail.

It is impossible to draw any single moral from such a multi-layered novel, but there is no doubt that the most important part of the book is Jekyll’s final written confession, read posthumously by his lawyer Mr Utterson. In it, the doctor describes his discovery of “the thorough and primitive duality of man” and his own tragically unsuccessful attempts to separate this duality. In the confession, Jekyll also anticipates the future direction of human understanding. “Others will follow, others will outstrip me on the same lines”, he predicts, and hazards the guess that man will be ultimately known to be a collection of “multifarious, incongruous, and independent” personalities, all residing within a single individual.

It is an extraordinarily prescient idea, which fits with recent advances in our psychological and neurological understanding of human nature. As individuals, we are not divisible into identifiably good and bad parts as Dr Jekyll hoped, let alone capable of distilling ourselves into one or other aspect as he tried to do. Rather, we are each constituted from multiple identities – neither good, bad nor indifferent, but constituted from many conflicting desires, drives, needs and identities. Somehow, we have to find a way of living with all of these and accepting their contradictions, however uncomfortable this may make us. As Stevenson suggested, that goes for us as doctors too.

The authors have not declared a specific grant for this research from any funding agency in the public, commercial or not-for-profit sectors.

None declared.

Not required.

Not commissioned; internally peer reviewed.

Stevenson   RL . Strange case of Dr Jekyll and Mr Hyde, and other tales [1886] . Oxford : Oxford University Press , 2006 .

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Harman   C . Robert Louis Stevenson: a biography . New York : Harper Collins , 2005 .

Ian Rankin investigates: Dr Jekyll and Mr Hyde . Available: https://www.bbc.co.uk/iplayer/episode/b007qyzv/ian-rankin-investigates-dr-jekyll-and-mr-hyde [Accessed February 28 2019].

10 (more) fictional character addresses in London. 8. A square in SoHo . Available: https://exploring-london.com/2017/03/22/10-more-fictional-character-addresses-in-london-8-a-square-in-soho/ [Accessed February 28 2019].

Stevenson   RL . The body snatcher. In: Stevenson   RL , ed. Strange case of Dr Jekyll and MR Hyde, and other tales [1886] . Oxford : Oxford University Press , 2006 : 66 – 84 .

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Literary Theory and Criticism

Home › British Literature › Analysis of Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde

Analysis of Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde

By NASRULLAH MAMBROL on October 7, 2022

Longman, Green, and Company published Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde in 1886 as a “shilling shocker.” Stevenson reputedly developed the storyline from a dream he had about a man forced into a cabinet after ingesting a potion that would convert him into a brutal monster. The composition of Dr. Jekyll and Mr. Hyde began in September 1885, and the final draft was submitted for publication later that same year. Unlike most 19th century literary works, Stevenson’s manuscript was released in book form instead of being serialized in a popular magazine. The publishers withheld its release until January 1886 because booksellers had already placed their Christmas stock. Within six months, Stevenson’s novella sold more than 40,000 copies in England and America.

Dr. Jekyll (right) and Mr. Hyde, both as portrayed by Fredric March in Rouben Mamoulian’s film Dr. Jekyll and Mr. Hyde (1931).

Dr. Jekyll and Mr. Hyde debates the conflict between good and evil and the correlation among bourgeois values, urban violence, and class structure. Dr. Jekyll is a seemingly placid character whose often-debated scientific research has nonetheless gained him respect amid his peers. The potion that Jekyll develops causes an unexplainable transformation into the violent Mr. Hyde. The Mr. Hyde alter-ego may represent an uncontrollable subconscious desire driven by anger and frustration toward an oppressive English class structure. Hyde’s numerous rampages include trampling a young girl and murdering the prominent English politician Sir Danvers. Although Jekyll prefers living the life of “the elderly and discontent doctor” (84), he cannot control his urge for “the liberty, the comparative youth, the light steps, leaping impulses, and secret pleasures” that the Hyde persona offers him. Dr. Jekyll’s desired liberty is perhaps caused by the restricted lifestyle that bourgeois cultural codes imposed on English society. Several Victorian social critics maintained that inner-city London dwellers were a debased life form living in junglelike conditions analogous to those in Africa. In 1890, William Booth, the founder of the Salvation Army, claimed that England needed rescuing from its continually degenerating condition since its citizens were gradually turning into “[a] population trodden with drink, steeped in vice, [and] eaten up by every social and physical malady” (quoted in Stevenson, 183). Stevenson’s text describes how hidden desires have always existed in a seemingly perverted civilization.

Literary critics have stressed that Stevenson’s success in the “shilling shocker” market both helped and hindered his career. The rapid success of Dr. Jekyll and Mr. Hyde led Henry James to remark that Stevenson’s novella was at first too popular a work to be comfortably called a masterpiece. Henry James was not questioning Stevenson’s talent as a writer but rather was noting that the book’s quick popularity defined it as a story that was easily accessible to the mass public.

Playwright Richard Mansfield produced a stage version of Dr. Jekyll and Mr. Hyde in 1888. Shortly after Mansfield’s play opened, several East End London prostitutes were murdered by a serial killer nicknamed Jack the Ripper. English newspapers initially termed the slayer the “Whitechapel murderer” and “Leather Apron” before settling on “Jack the Ripper.” Reporters based their stories on the possible correlation between the killings and Mansfield’s theatrical representation of violence. Mansfield’s play was eventually closed because such parallels made it seem as though Jack the Ripper was mimicking the violence depicted in Mansfield’s play, marking the first time that the concept of Mr. Hyde was used in reference to sequential crime sprees. Reports from the Daily Telegraph further damaged the profits for Mansfield’s play by stating that “there is no taste for horror” (17) on the London stage. Dr. Jekyll and Mr. Hyde remains a significant canonical text that uses its patchwork narrative to explore the conflation of reality and fictional representation that most postmodern writers still examine.

BIBLIOGRAPHY Caler, Jenni. The Robert Louis Stevenson Companion. Edinburgh: P. Harris, 1980. James, Henry. “Robert Louis Stevenson.” Reprinted in The Strange Case of Dr. Jekyll and Mr. Hyde, edited by Martin A. Danahay, 140–141. Orchard Park, N.Y.: Broadview Literary Texts, 1999. Rose, Brian A. Jekyll and Hyde Adapted: Dramatizations of Cultural Anxiety. Westport, Conn.: Greenwood, 1996. Saposnik, Irving S. “The Anatomy of Dr. Jekyll and Mr. Hyde.” In The Definitive Dr. Jekyll and Mr. Hyde Companion, edited by Harry M. Geduld, 108–117. New York: Garland Publishing, 1983. Stevenson, Robert Louis. The Strange Case of Dr. Jekyll and Mr. Hyde. Edited by Martin A. Danahay, 29–91. Orchard Park, N.Y.: Broadview Literary Texts, 1999.

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Dr Jekyll and Mr Hyde: Full Analysis and Themes

By Dr Oliver Tearle (Loughborough University)

The story for Jekyll and Hyde famously came to Robert Louis Stevenson in a dream, and according to Stevenson’s stepson, Lloyd Osbourne, Stevenson wrote the first draft of the novella in just three days, before promptly throwing it onto the fire when his wife criticised it. Stevenson then rewrote it from scratch, taking ten days this time, and the novella was promptly published in January 1886.

The story is part detective-story or mystery, part Gothic horror, and part science fiction, so it’s worth analysing how Stevenson fuses these different elements.

Strange Case of Dr Jekyll and Mr Hyde: analysis

Now it’s time for some words of analysis about Robert Louis Stevenson’s classic 1886 novella. However, perhaps ‘analyses’ (plural) would be more accurate, since there never could be one monolithic meaning of a story so ripe with allegory and suggestive symbolism.

Like another novella that was near-contemporary with Strange Case of Dr Jekyll and Mr Hyde , and possibly influenced by it ( H. G. Wells’s The Time Machine ), the symbols often point in several different directions at once.

Any attempt to reduce Stevenson’s story of doubling to a moral fable about drugs or drink, or a tale about homosexuality, is destined to lose sight of the very thing which makes the novella so relevant to so many people: its multifaceted quality. So here are some (and they are only some) of the many interpretations of Strange Case of Dr Jekyll and Mr Hyde which have been put forward in the last 120 years or so.

A psychoanalytic or proto-psychoanalytic analysis

In this interpretation, Jekyll is the ego and Hyde the id (in Freud’s later terminology). The ego is the self in Freud’s psychoanalytic theory, while the id is the set of primal drives found in our unconscious: the urge to kill, or do inappropriate sexual things, for instance.

Several of Robert Louis Stevenson’s essays, such as ‘A Chapter on Dreams’ (1888), prefigure some of Freud’s later ideas; and there was increasing interest in the workings of the human mind towards the end of the nineteenth century (two leading journals in the field, Brain and Mind , had both been founded in the 1870s).

The psychoanalytic interpretation is a popular one with many readers of Jekyll and Hyde , and since the novella is clearly about repression of some sort, one can make a psychoanalytic interpretation – an analysis grounded in psychoanalysis, if you like – quite convincingly.

It might be significant, reading the story from a post-Freudian perspective, that Hyde is described as childlike at several points: does he embody Jekyll’s – and, indeed, man’s – deep desire to return to a time before responsibility and full maturity, when one was freer to act on impulse? Early infancy is the formative period for much Freudian psychoanalysis.

Recall the empty middle-class scenes at the beginning of the book: Utterson and Enfield on their joyless Sunday walks, for instance. Hyde attacks father-figures (Sir Danvers Carew, the MP whom he murders, is a white-haired old gentleman), which would fall in line with Freud’s concept of the Oedipus complex and Jekyll’s desire to return to a time before adult life with its responsibilities and disappointments.

However, one fly in the Oedipal ointment is that Hyde also attacks a young girl – almost the complete opposite of the ‘old man’ or father figure embodied by Danvers Carew.

Nevertheless, psychoanalytic readings of the novella have been popular for some time, and it’s worth remembering that the idea for the book came to Stevenson in a dream. Observe, also, the presence of dreams and dreamlike scenes in the novel itself, such as when Jekyll remarks that he ‘received Lanyon’s condemnation partly in a dream; it was partly in a dream that I came home to my own house and got into bed’.

An anti-alcohol morality tale?

Alternatively, a different interpretation: we might analyse these dreamlike aspects of the novel in another way and see the novel as being about alcoholism and temperance , subjects which were being fiercely debated at the time Stevenson was writing.

Here, then, the ‘transforming draught’ which Jekyll concocts represents alcohol, and Jekyll, upon imbibing the draught, becomes a violent, unpredictable person unknown even to himself. (This reading has been most thoroughly explored in Thomas L. Reed’s 2006 study The Transforming Draught .)

Note how often wine crops up in this short book: it turns up first of all in the second sentence of the novella, when Utterson is found sipping it, and Hyde, we learn, has a closet ‘filled with wine’. Might the continual presence of wine be a clue that we are all Hydes waiting to happen? Note how the opening paragraph informs us that Utterson drinks gin when he is alone.

This thesis – that the novella is about alcohol and temperance – is intriguing, but has been contested by critics such as Julia Reid for being too speculative and reductionist: see her review of The Transforming Draught in The Review of English Studies , 2007.

The ‘drugs’ interpretation

Similarly, the idea that the ‘draught’ is a metaphor for some other drug, whether opium or cocaine . Scholars are unsure as to whether Stevenson was on drugs when he wrote the book: some accounts say Stevenson used cocaine to finish the manuscript; others say he took ergot, which is the substance from which LSD was later synthesised. Some say he was too sick to be taking anything.

You could purchase cocaine and opium from your local chemist in 1880s London (indeed, another invention of 1886, Coca-Cola, originally contained cocaine, as the drink’s name still testifies: don’t worry, it doesn’t any more).

This is essentially a development of the previous interpretation concerning alcohol, and arguably has similar limitations in being too restrictive an interpretation. However, note the way that Jekyll, in his ‘full statement’ becomes reliant on the ‘draught’ or ‘salt’ towards the end.

A religious analysis

As such, the story has immediate links with the story Stevenson would write sixty years later. Stevenson was an atheist who managed to escape the constrictive religion of his parents, but he remained haunted by Calvinistic doctrines for the rest of his life, and much of his work can be seen as an attempt to grapple with these issues which had affected and afflicted him so much as a child.

The sexuality interpretation

Some critics have interpreted Jekyll and Hyde in light of late nineteenth-century attitudes to sexuality : note the almost total absence of women from the story, barring the odd maid and ‘old hag’, and that hapless girl trampled underfoot by Hyde.

Some critics have suggested that the idea of blackmail for homosexual acts lurks behind the story, and the novella itself mentions this when Enfield tells Utterson that he refers to the house of Mr Hyde as ‘Black Mail House’ as a consequence of the girl-trampling scene in the street.

As such, the novella becomes an allegory for the double life lived by many homosexual Victorian men, who had to hide (or Hyde ) their illicit liaisons from their friends and families. The poet Gerard Manley Hopkins wrote to his friend Robert Bridges that the girl-trampling incident early on in the narrative was ‘perhaps a convention: he was thinking of something unsuitable for fiction’.

Some have interpreted this statement – by Hopkins, himself a repressed homosexual – as a reference to homosexual activity in late Victorian London.

Consider in this connection the fact that Hyde enters Jekyll’s house through the ‘back way’ – even, at one point ‘the back passage’. 1885, the year Stevenson wrote the book, was the year of the Criminal Law Amendment Act (commonly known as the Labouchere Amendment ), which criminalised acts of ‘gross indecency’ between men (this was the act which, ten years later, would put Oscar Wilde in gaol).

However, we should be wary of reading the text as about ‘homosexual panic’, since, as Harry Cocks points out, homosexuality was frequently ‘named openly, publicly and repeatedly’ in nineteenth-century criminal courts. But then could fiction for a mass audience as readily name such things?

A Darwinian analysis

Charles Darwin’s book On the Origin of Species , which laid out the theory of evolution by natural selection, had been published in 1859, when Stevenson was still a child. In this reading, Hyde represents the primal, animal origin of modern, civilised man.

Consider here the repeated uses of the word ‘apelike’ in relation to Hyde, suggesting he is an atavistic throwback to an earlier, more primitive species of man than Homo sapiens . This reading incorporates theories of something called ‘devolution’, an idea (now discredited) which suggested that life forms could actually evolve backwards into more primitive forms.

This is also linked with late Victorian fears concerning degeneration and decadence among the human race. Is Jekyll’s statement that he ‘bore the stamp, of lower elements in my soul’ an allusion to Charles Darwin’s famous phrase from the end of The Descent of Man (1871), ‘man […] bears […] the indelible stamp of his lowly origin’?

In his story ‘Olalla’, another tale of the double which Stevenson published in 1885, he writes: ‘Man has risen; if he has sprung from the brutes he can descend to the same level again’.

This Darwinian analysis of Jekyll and Hyde could incorporate elements of the sexual which the previous interpretation also touches upon, but would view the novel as a portrayal of man’s – and we mean specifically man ’s here – repression of the darker, violent, primitive side of his nature associated with rape, pillage, conquest, and murder.

This looks back to a psychoanalytic reading, with the ‘id’ being the home of primal sexual desire and lust. The girl-tramping scene may take on another significance here: it’s a ‘girl’ rather than a boy because it symbolises Hyde’s animalistic desire to conquer and brutalise someone of the opposite, not the same, sex.

There have been many critical readings of the novella in relation to sex and sexuality, but it’s important to point out that Stevenson denied that the novella was about sexuality (see below).

A study in hypocrisy?

Or perhaps not: perhaps there is something in the idea that hypocrisy is the novella’s theme , as Stevenson himself suggested in a letter of November 1887 to John Paul Bocock, editor of the New York Sun : ‘The harm was in Jekyll,’ Stevenson wrote, ‘because he was a hypocrite – not because he was fond of women; he says so himself; but people are so filled full of folly and inverted lust, that they can think of nothing but sexuality. The Hypocrite let out the beast’.

This analysis of Jekyll and Hyde sees the two sides to Jekyll’s personality as a portrayal of the dualistic nature of Victorian society, where you must be respectable and civilised on the outside, while all the time harbouring an inward lust, violence, and desire which you have to bring under control.

This was a popular theme for many late nineteenth-century writers – witness not only Oscar Wilde’s 1891 novel The Picture of Dorian Gray but also the double lives of Jack and Algernon in Wilde’s comedy of manners, The Importance of Being Earnest (1895). This is a more open-ended interpretation, and the novella does appear to be about repression of some sort.

In this respect, this interpretation is similar to the psychoanalytic reading proposed above, but it also tallies with Stevenson’s own assertion that the story is about hypocrisy. Everyone in this book is masking their private thoughts or desires from others.

Note how even the police officer, Inspector Newcomen, when he learns of the murder of the MP, goes from being horrified one moment to excited the next, as ‘the next moment his eye lighted up with professional ambition’. He can barely contain his glee. The maid who answers the door at Hyde’s rooms has ‘an evil face, smoothed by hypocrisy; but her manners were excellent’.

From these clues, we can also posit a reading of the novel which sees it as about the class structure of late nineteenth-century Britain, where Jekyll represents the comfortable middle class and Hyde is the repressed – or, indeed, oppressed – working-class figure.

Note here, however, how Hyde is repeatedly described as a ‘gentleman’ by those who see him, and that he attacks Danvers Carew with a ‘cane’, rather than, say, a club (though it is reported, tellingly, that he ‘clubbed’ Carew to death with it).

A scientific interpretation

The reference to the evil maid with excellent manners places Jekyll’s own duality at the extreme end of a continuum, where everyone is putting on a respectable and acceptable mask which hides or conceals the evil truth lurking behind it. So we might see Jekyll’s scientific experiment as merely a physical embodiment of what everyone does.

This leads some critics to ask, then, whether the novella about the misuse of science . Or is the ‘tincture’ merely a scientific, chemical composition because a magical draught or elixir would be unbelievable to an 1880s reader? Arthur Machen, an author who was much influenced by Stevenson and especially by Jekyll and Hyde , made this point in a letter of 1894, when he grumbled:

In these days the supernatural per se is entirely incredible; to believe, we must link our wonders to some scientific or pseudo-scientific fact, or basis, or method. Thus we do not believe in ‘ghosts’ but in telepathy, not in ‘witch-craft’ but in hypnotism. If Mr Stevenson had written his great masterpiece about 1590-1650, Dr Jekyll would have made a compact with the devil. In 1886 Dr Jekyll sends to the Bond Street chemists for some rare drugs.

This is worth pondering: the use of the ‘draught’ lends the story an air of scientific authenticity, which makes the story a form of science fiction rather than fantasy: the tincture which Jekyll drinks is not magical, merely a chemical potion of some vaguely defined sort. But to say that the story is actually about the dangers of misusing science could be a leap too far.

We run the risk of confusing the numerous film adaptations of the book with the book itself: we immediately picture wild-haired soot-faced scientists causing explosions and mixing up potions in a dark laboratory, but in fact this is not really what the story is about , merely the means through which the real meat of the story – the transformation of Jekyll into Hyde – is effected.

It’s only once this split has been achieved that the real story, about the dark side of man’s nature which he represses, comes to light. (Compare Frankenstein here .)

All of these interpretations of Jekyll and Hyde can be – and have been – proposed, but it’s worth bearing in mind that the popularity of Stevenson’s tale may lie in the very polyvalent and ambiguous nature of the text, the fact that it exists as a symbol without a key, a riddle without a definitive answer.

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Dr. Jekyll and Mr. Hyde

By robert louis stevenson, dr. jekyll and mr. hyde essay questions.

Discuss Jekyll's progression throughout the novel and his fall from grace. What key moments and decisions determine Jekyll's fate? Identify these specific moments and analyze the aspects of Jekyll's character that force him to continue with his experiments.

Discuss the physical descriptions of Dr. Jekyll and Mr. Hyde and their respective homes (Jekyll's main house vs. Hyde's neglected laboratory cabinet) as they relate to major themes of the novel.

Stevenson creates a balance of realism and the supernatural. How does he integrate these concepts?

Discuss the concept of control in regard to Jekyll's relationship with Hyde. Is absolute control possible? Can one choose when to be completely good or evil? What does Stevenson's conclusion appear to be?

Discuss the novel's most violent events, including the trampled girl, Carew's murder, and Jekyll/Hyde's ultimate demise. What if any progression arises here and how does it parallel the progression of the novel?

Discuss the role of the city throughout the novel, both during the day and at night. How does the city contribute to the novel's progression? What role does it play?

Clearly, Dr. Jekyll and Mr. Hyde is an examination of the duality of human nature. Discuss the duality expressed in not only Dr. Jekyll and Mr. Hyde, but also Utterson, Poole, and the city of London.

How does the notion of loyalty contribute to the novel? Discuss this in reference to Utterson, Lanyon, and Dr. Jekyll. Upon close examination, does loyalty help prevent or expedite violence and tragedy?

Discuss the possible meanings and relevance on the names Utterson, Jekyll, and Hyde in the context of the novel.

Compare and contrast Dr. Lanyon and Dr. Jekyll's approaches to scientific pursuits and manipulation of natural laws.

Dr. Jekyll and Mr. Hyde Questions and Answers

The Question and Answer section for Dr. Jekyll and Mr. Hyde is a great resource to ask questions, find answers, and discuss the novel.

What is the story of Cain and Abel? What does it mean that Mr. Utterson says he inclines to Cain’s heresy in his dealings with others? Explain why you agree or disagree with this way of dealing with your acquaintances.

In the story of Cain and Abel, Cain murders his brother. In the above line, Utterson is citing his belief that one should stay out of other people's business.

3. Look back at chapter 3 (pg 26) – how has Jekyll changed since then?

Jekyll has become unsure of himself, sickly, faint, and desperate. He is not the self-assured, smooth faced man we met at the dinner party in the third chapter.

Sequence the events that happened in Chapter 8 “The Last Night” 1. 2. 3. 4. 5. 6. 7. 8.

You can check this out in chapter 8 summary below:

https://www.gradesaver.com/dr-jekyll-and-mr-hyde/study-guide/summary-chapters-7-8

Study Guide for Dr. Jekyll and Mr. Hyde

Dr. Jekyll and Mr. Hyde study guide contains a biography of Robert Louis Stevenson, literature essays, a complete e-text, quiz questions, major themes, characters, and a full summary and analysis.

• About Dr. Jekyll and Mr. Hyde
• Dr. Jekyll and Mr. Hyde Summary
• Character List

Essays for Dr. Jekyll and Mr. Hyde

Dr. Jekyll and Mr. Hyde literature essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Dr. Jekyll and Mr. Hyde.

• Dr. Jekyll and Mr. Frankenstein
• The Collective Mr. Hyde
• The Limitations of Language in The Strange Case of Dr. Jekyll and Mr. Hyde
• The Supernatural and Its Discontents in Frankenstein and The Strange Case of Dr Jekyll and Mr Hyde
• The Good Mr. Hyde

Lesson Plan for Dr. Jekyll and Mr. Hyde

• About the Author
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• Relationship to Other Books
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E-Text of Dr. Jekyll and Mr. Hyde

Dr. Jekyll and Mr. Hyde E-Text contains the full text of Dr. Jekyll and Mr. Hyde

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• Chapters 4-6
• Chapters 7-10

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The Issue of Nature VS Nurture in The Strange Case of Dr. Jekyll and Mr. Hyde

This paper examines the ways in which Stevenson's Dr. Jekyll is treated in the Strange Case of Dr. Jekyll and Mr. Hyde in relation to Cesare Lombroso's research on atavism and criminality.

Related Papers

International Journal of Scientific Research and Development

Aditi Chakraverty

In the 19th century, England witnessed innumerable changes around. From new medical inventions to literature soaring new heights, each day was marked with novel ideas. Gothic literature too had paved its way through the mists of the new world, but the question is, was gothic mere supernatural events or just unexplained and unexplored scientific or medical incidents? One such incident has been portrayed in the work of RL STEVENSON, The Strange Case of Dr. Jekyll and Mr. Hyde. Behind the garb of a gothic novel, Stevenson talked about a psychological illness. This paper is an attempt to bring forth the elements of the unexplored psyche of the novel.

VII Semana de Humanidades UFC/UECE. (CD-ROM)

Fabiano Seixas Fernandes

This article undertakes an analysis of Strange Case of Dr Jekyll and Mr Hyde (1886), by Scottish writer Robert Louis Stevenson, which advances the claim that his novella can be viewed as a philosophical study (more precisely, a thought experiment) on moral responsibility. A formal analysis of the novella’s last chapter—in which Dr Jekyll explains the circumstances which lead to his demise—centered on Jekyll’s explanations on his creation of Hyde, on his deictic choices when he speaks of Hyde (or of himself as Hyde), as well as on some recurring metaphors (i.e. the use of terms implying kinship, sheltering and garments) makes it plausible that, in a work interspersed with elements of the “penny dreadful” and the police novel, Stevenson might also have been carrying an ethico-cognitive study, and intentionally testing the limits of individual moral responsibility; his novella seems to have reached the conclusion that one cannot escape one’s own conscience. Jekyll’s death is not merely accidental, but a consequence of his initial misguided conclusions, the limitations of which his experience as Hyde would make evident.

Psychological Perspectives

Frazer Merritt

The publication of Robert Lewis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde in January of 1886 created a shock wave in the consciousness of its readers. It was an instant success in and beyond the literary world as people were confronted with the uneasy thought that evil originated within the individual and not from an external source like the Devil. This was nine years before Freud conducted his first psychoanalysis, and decades before Jung introduced the concept of the shadow. Stevenson was known as the author of Treasure Island and children’s poetry, but had long been looking for a vehicle to write about the strange “Other” he had been aware of since his childhood nightmares. The inspiration for Jekyll and Hyde came directly from a dream, and he attributed most of his literary success to help from the “Brownies,” the “little people,” in his interior world and dreamland. The novel can be viewed in relation to the love-hate relationship with his father, whom he depended upon for financial support during his lifelong struggles with severe respiratory illness, which led to drug addiction from his attempts to cope with the illness. For Stevenson, the Other was primarily the dark side of the strict Calvinistic religion of his father and proper late 19th century Scottish culture, yet the concept is even more relevant today as we face the evils of terrorism, racism, white-collar crime, Putin and rising authoritarianism, and intolerable levels of polarization in many modern societies.

SMART M O V E S J O U R N A L IJELLH

Abstract: Stevenson’s invitation to question the social ambivalence through his rhetoric in this novella, promptly establishes the essence of sexuality beyond body. ‘Hyde’, as the name itself suggests, hides within the disruptive parameters of a society, the definition of which is constructed by the grand narratives of the nineteenth century. This get reflected in Dr.Jekyll’s stages of abjectiontowards the endwhich dexterously illustrates Stevenson’s sense of the body becoming different from itself, flowing out towards a discourse delinked from the heteronormative mesh. Yet, the ambiguous transformation of this birth falls to the impossibility of verbalizing reality as language itself is self-subverting. Thus, the final scene often gets interpreted as a suicide. The queer element is given a blatant cultural spotlight, only to be exhumed by it later.Keywords

Richard Dury

An edition of Robert Louis Stevenson's Strange Case of Dr Jekyll and Mr Hyde, fully annotated (with special attention to the language) and with a long introduction and an appendix of derivative works

Polish Journal of Aesthetics

Virgil Brower

This essay experiments with Kant's writings on rational religion distilled through the Strange Case of Dr Jekyll and Mr Hyde as canonical confrontations with primal problems of evil. It suggests boundaries between Stevenson's characters and their occupations comparable to the those conflicted in the Kantian university, namely, law, medicine, theology, and philosophy (which makes a short anticipatory appearance in his earlier text on rational religion). With various faculties it investigates diffuse comprehensions-respectively , legal crime, biogenetic transmission, and original sin-of key ethical modes: will, inheritance, incorporation, freedom, duty, obligation, love, living, and killing to conclude on the possible logic of evil (or evils of logic) collateral and possibly innate to Kant's comprehension of radical evil.

Alicia Cosculluela Tris

Robert Louis Stevenson’s The Strange Case of Dr Jekyll and Mr Hyde is considered a Gothic novella. Robert Stevenson belonged to the Victorian era, which also took part in the development of this literary genre. The aim of this paper is to analyze the characters of Dr Jekyll and Mr Hyde from a psychological perspective, defending that both figures are a fair representation of the real human world. Firstly, I will introduce Stevenson’s novella in its cultural and thematic context, providing an explanation of the relationship that exists between both. Then, I will continue by analyzing the character of Dr Jekyll as the personalization of ‘social dramaturgy’. Next, an analysis of the character of Mr Hyde will follow, arguing that he is Dr Jekyll’s aftermath of his repressions and hidden feelings along with his original self rather than his mere ‘evil side’, as it is usually stated. After this, I will carrying on with a comparison between the characters Stanley Ipkiss (The Mask), Bruce B...

Proceedings of the 44th International Academic Conference, Vienna

Mouna KOHIL

Saptaparni Sadhu

conveniently categorized under the genre of gothic fiction or a mystery novella aimed at shocking his readers into stunned amazement. However, the strain of harbouring the conflicting ideals of two separate beings within one body, the crisis of identity arising out of separating identities by coercion-the tension that the coexistence of these binaries create; all come together to raise the novella above its branding of being a product of fiction rather than an exploration of emotions and experiences very real to human existence. This paper aims at prying out the story out of its location in the conglomerate of literature and explores the depths of the text. Herein, the aim is to link the Stevenson's narrative to the Victorian society in order to prove how intimately drenched it is within its contemporary society, so much so that the principal character(s) emerge as but an embodiment of the very conflicts that characterized the Victorian Age. The paper attempts to establish, through the exploration into the selves of Dr. Jekyll and Mr. Hyde, that the novella subtly microscopes Victorian sensibility with its ambiguities and contradictions that shall gradually broaden into the modernist trope of fragmentation.

Acta Iassyensia Comparationis

Mercedes Vernet

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Lesson Plan for 'Dr. Jekyll & Mr. Hyde': Writing Prompts & Essay Questions

• Donna Cosmato
• Categories : High school english lesson plans grades 9 12
• Tags : High school lesson plans & tips

Lesson Overview

Students discuss and develop essay topic ideas for Strange Case of Dr. Jekyll and Mr. Hyde.

Grade: High School, duration: 30 – 60 minutes

Objective: Students review basic writing process for essays and brainstorm ideas for essay topics. The emphasis for this lesson is writing compelling thesis statements, holding reader attention, and organizing and writing top-notch essays.

Prior Knowledge: This lesson builds on information gained during unit lesson plans on Dr. Jekyll and Mr. Hyde regarding vocabulary, character analysis, and group discussions of the short story.

Teaching Method

Procedure: Excellent essays contain key elements. Start the lesson by reviewing briefly the main elements of essay writing. Here are some suggested topics to cover:

• Selecting topics: topic ideas are specific rather than general with a main idea and two supporting ideas.
• Compelling headline: the thesis statement is like a movie trailer. It hooks the reader into the subject matter.
• Introduction: tells the reader what the essay is about, makes or breaks the essay depending on how interesting or how boring it is. Comparing it to sound bites of information on radio or television helps students visualize the importance of a provocative introduction.
• Outlining research materials: all the research in the world is useless if students cannot organize it and produce a finished essay. This part of the lesson plans shows students how to take notes, and organize materials to prepare for writing an outline format.
• Writing outlines and rough drafts: for this part of the lesson plan, review outlining and rough draft process. Remind students every essay must have a summary to tie information together for the reader.
• Creating the finished essay and proofreading: discuss the writing process and emphasis the importance of proofing essays prior to submitting them. A good tip is to suggest students read the essays out loud to catch grammatical errors.

Writing Prompts and Essay Questions

Try these writing prompts and essay questions in your classroom to help students get started on their essays. Copy the information on the board and brainstorm ideas for other creative essay topics for papers on Dr. Jekyll and Mr. Hyde.

• Describe the relationship between Dr. Jekyll and Mr. Hyde.
• How is the relationship between Dr. Jekyll and Mr. Hyde important in conveying the theme of duality?
• How does Stevenson portray the hypocrisy of Victorian society in the novella?
• Dr. Jekyll’s final fate is determined by what events?
• How does Stevenson use descriptive language and suspense to create a mood of terror?
• Why did Stevenson tell the story in third person rather than the first person? How effective is that?
• Analyze the progress of Dr. Jekyll experiments and transformations. How does his character change during the experiments?
• How does Jekyll view his relationship with Hyde? Is his analysis accurate or flawed? Why or why not?
• Analyze the role of the supporting characters. What is their importance and how do they impact the progress of the novel?

By the end of the lesson students should understand the writing process for completing interesting essays. They have selected their topics and started developing thought-provoking thesis statements. Results of the lesson are assessed based on the quality of the students’ essays.

Stevenson, R. L. Strange Case of Dr. Jekyll and Mr. Hyde

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Good Research Topics about The Strange Case of Dr. Jekyll and Mr. Hyde

• Mystery and Horror in The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
• Schizophrenia and The Strange Case of Dr. Jekyll and Mr. Hyde”
• Evil Will Prevail: The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
• The Intrigue and Characters in Novella The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
• Science and Religion in The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
• Fear and Suspense in the Novel The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
• Dr. Jekyll and Mr. Hyde: Is There Evil Inside All of Us?
• The Nature of Evil in The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
• Victorian Society and Culture in The Strange Case of Dr. Jekyll and Mr. Hyde”
• The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson: Portrait of the Culture of the Victorian Era
• Dr. Jekyll and Mr. Hyde: A Representation of the Duality of Human Nature
• The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson and Films Inspired by This Novel
• Society and Culture in The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
• Robert Lewis Stevenson: The Strange Case of Dr. Jekyll and Mr. Hyde– How Does Stevenson Establish Intrigue in the Novella
• Repression Regarding The Strange Case of Dr. Jekyll and Mr. Hyde”
• The Moral Versus the Immoral in Robert Louis Stevenson The Strange Case of Dr. Jekyll and Mr. Hyde”
• Can Dr. Jekyll and Mr. Hyde Be Viewed as a Tragic Hero
• Compare How the Monsters in Both The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson With “Frankenstein” by Marry Shelley Are Similar and Different
• Human Beings and The Strange Case of Dr. Jekyll and Mr. Hyde”
• How Does R.L. Stevenson Create Fear and Suspense in the Novel The Strange Case of Dr. Jekyll and Mr. Hyde”?

Simple & Easy The Strange Case of Dr. Jekyll and Mr. Hyde Essay Titles

• How Stevenson Explores the Nature of Good and Evil in The Strange Case of Dr. Jekyll and Mr. Hyde
• How Robert Louis Stevenson Has Used Story Telling, Setting and Characterization to Bring Out the Theme of Duality in the Novel The Strange Case of Dr. Jekyll and Mr. Hyde
• Dr. Jekyll and Mr. Hyde: Portrait of the Duality of Man
• The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson: Renunciation of a Deviant
• Symbols and Places in The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
• A Psychological Reading of the Novel The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
• Anxiety and Drug Use in The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
• Repressed Personality and Sexual Subtleties in The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
• Dr. Jekyll and Mr. Hyde: A View Into Societal Changes in the 19th Century
• Inner Evil and The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
• The Two-Faced Citizen in The Strange Case of Dr. Jekyll and Mr. Hyde”
• The Lessons From the Idea of Good Side and Evil Side in All of Us in The Strange Case of Dr. Jekyll and Mr. Hyde by R.L Stevenson
• Gothic Elements in The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
• Repression and the Control Over the Dark Desires in the Book The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
• The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson: Id, Ego, and Superego
• Macbeth and Dr. Jekyll and Mr. Hyde: The Theme of Psychological Deterioration and Terror
• Human Nature in The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
• Personality and Tragedy in The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
• The Conflict Between Good and Evil in The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson
• Personality and the Beast Within in The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson

The Strange Case of Dr. Jekyll and Mr. Hyde Essay Questions

• How Does Stevenson Create Fear and Suspense in the Strange Case of Dr. Jekyll and Mr. Hyde?
• How Does the Setting Enhance the Atmosphere in The Strange Case of Dr. Jekyll and Mr. Hyde?
• How Good and Evil Are Portrayed in The Strange Case of Dr. Jekyll and Mr. Hyde?
• How Victorian Society Is Imaged in The Strange Case of Dr. Jekyll and Mr. Hyde?
• What Are the Themes That Reflect Upon Gothic Elements in The Strange Case of Dr. Jekyll and Mr. Hyde?
• What Are the Theme and Art in The Strange Case of Dr. Jekyll and Mr. Hyde?
• What Role Does Addiction Play in The Strange Case of Dr. Jekyll and Mr. Hyde?
• What Are the Insanity and Responsibility in The Strange Case of Dr. Jekyll and Mr. Hyde”?
• What Are the Elements of Grotesque in The Strange Case of Dr. Jekyll and Mr. Hyde”?
• How Does Robert Louis Stevenson Create Tension in The Strange Case of Dr. Jekyll and Mr. Hyde”?
• What Are the Devolution Anxieties in The Strange Case of Dr. Jekyll and Mr. Hyde”?
• How Does Stevenson Portray the Duality of Man in The Strange Case of Dr. Jekyll and Mr. Hyde”?
• What Are the Homoerotic Architectures of The Strange Case of Dr. Jekyll and Mr. Hyde”?
• What Is the Coercive Contract In The Strange Case of Dr. Jekyll and Mr. Hyde”?
• How Mental Problems Are Depicted in The Strange Case of Dr. Jekyll and Mr. Hyde”?
• What Was the Inspiration for The Strange Case of Dr. Jekyll and Mr. Hyde”?
• Is The Strange Case of Dr. Jekyll and Mr. Hyde an Effective Representation of Evil in Fiction?
• What Is the Anxiety of the Unforeseen in The Strange Case of Dr. Jekyll and Mr. Hyde”?
• What Is the Changing Role of Science in The Strange Case of Dr. Jekyll and Mr. Hyde”?
• What Are the Jungian Archetypes of The Strange Case of Dr. Jekyll and Mr. Hyde”?
• How the Transformations of Terror Is Imaged in The Strange Case of Dr. Jekyll and Mr. Hyde”?
• What Is the Symbolism of The Strange Case of Dr. Jekyll and Mr. Hyde”?
• What Is the Doppelganger Motif in The Strange Case of Dr. Jekyll and Mr. Hyde?
• What Are the Elements of Mystery in The Strange Case of Dr. Jekyll and Mr. Hyde?
• What Is Theory of Mind and Metamorphoses in The Strange Case of Dr. Jekyll and Mr. Hyde?

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