Cinema & Media Studies (PhD)

phd film and television

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All Ph.D programs in Film, Television and Digital Media are full-time programs. The department admits new students only once each year for the Fall Quarter and the next application period is for Fall 2025. We will be publishing the Fall 2025 supplemental requirements by September 13, 2024. We Do Not Accept Films, DVDs or CDs Applicants must submit all required application materials to be considered for admission.

  • International Applicants

For more information

How to Apply

APPLICATION WORKSHEET AND INSTRUCTIONS ON HOW TO APPLY

By the time of entrance, Ph.D. applicants must:

  • Have at least a 3.0 GPA.
  • Satisfy the University of California’s Graduate Admissions Requirements .
  • Complete equivalent to a 4-year U.S. Bachelor’s Degree.
  • Complete equivalent to a U.S. Masters Degree.

Deadline: December 1, 2023

UCLA Graduate Application

Complete the UCLA Graduate Division Online Application .

  • Indicate Ph.D., Film and Television, Cinema and Media Studies as the program.
  • Submit a 1-2 page document.
  • Upload a Personal Statement.
  • Upload a Resume/CV.
  • Submit a 5,000-7,000 word document.
  • Upload Unofficial copies of all Transcripts.
  • Enter the Names and Emails of all recommenders into the UCLA Gradate Division Online Application.

Mail an Official copy of all Transcripts from each Undergraduate and Graduate institution attended.

  • Note: Community College transcripts are not necessary.

Request that all Test Scores be sent directly to UCLA.

  • Only test scores taken by December 31, 2023 will be accepted.
  • The GRE UCLA Code is 4837 and the Department Code is 2409.
  • Note: The GRE is optional for Ph.D. applicants.

Mailing Address

Graduate Film Admissions: Cinema and Media Studies UCLA Department of Film, Television, and Digital Media 103 East Melnitz Hall, Box 951622 Los Angeles, CA 90095-1622

Film and Media Studies Program

The graduate program in film and media studies.

Inaugurated in 2002, Yale’s doctoral Program in Film and Media Studies quickly achieved the international stature it enjoys today. Building on a core faculty that had long overseen an impressive undergraduate major, the graduate program attracted incoming faculty who were eager to help shape it. The quality of the students who have applied has been superior, and the large majority of those selected have chosen to study here. Fifty students have completed, or are in the midst of, their degrees. Our alumni hold positions at a range of institutions, including universities with major graduate programs, and several have already seen their revised dissertations published as books by important presses. 

Graduate students have been able to produce such significant research thanks not least to Yale’s unparalleled resources.  Specialized librarians and curators keep our students in mind as they collect and make available the massive amounts of material held by the Sterling Memorial Library, the Haas library in the History of Art, and especially the Beinecke rare book library that houses the archives of hundreds of filmmakers, writers, and artists.  Two of America’s great art museums, The Yale University Art Gallery and the British Art Center (with buildings designed by Louis Kahn), retain a continuing relation with our graduate students.  As for primary material in our field,  the Yale Film Archive is home to a growing collection of 35mm and 16mm film prints, and is a member of the International Federation of Film Archives (FIAF). The Archive also oversees a large circulating library of DVDs, Blu-rays, and VHS tapes.

A dedicated, expert projectionist oversees hundreds of screenings each year, mainly in two spaces (the auditorium of 250 in our building and a projection room holding 40 on York Street) that are equipped for 35mm, 16mm, and virtually all video formats. 4K and 2K projections are common.

Graduate students absorb and generate the energy and enthusiasm so important to dynamic film scholarship thanks to the bustling intellectual climate at the Humanities Quadrangle, where faculty and students meet continually—almost daily it seems—around screenings, lectures, conferences and workshops, some initiated by the graduate students themselves. 

By design the doctorate in Film and Media Studies at Yale is always undertaken in combination with one of ten other disciplines in the Humanities (African-American Studies, American Studies, Comparative Literature, East Asian Languages and Literatures, English, French, German, History of Art, Italian, Slavic Languages and Literatures).   It was thought, and has proven true, that upon completing their degrees, students who are prepared for positions in both Film and Media and in another discipline would hold a particular advantage, and not merely because of the wider range of openings available to them in the job market, but because the calculated interdisciplinarity of their research makes them stand out. Thoroughly grounded in Film and Media Studies, they become expert in certain of its issues by offering authoritative perspectives and methods that derive from systematic work with the outstanding faculty and graduate students in another Yale department or program. Our students are welcomed throughout the Humanities on campus as they enliven traditional disciplines with the images, sounds, and ideas they bring from Film and Media Studies.

The faculty and its curriculum represent a full range of topics that have been at the center of Film Studies from its outset: theory, criticism, and history, plus cultural approaches to American, European, Latin American and Japanese national cinemas.  Naturally, as the field and its discipline evolve, so too do we, though always keeping ourselves based in this tradition. Transnational and global approaches bring the national cinemas, and their specialists, into productive contact. Overarching concerns involving technological, aesthetic, social and cultural issues (especially race and gender), have developed to the point that in 2015 the Program added “Media” to its name and mission. FMS, as our Program is now called for short, officially embraces images and sounds from an array of sources and channels, especially as these coexist and intertwine with cinema, something that has occurred throughout its long history.  We study that history as well as the challenge and possibilities of “new media,” which we know to be on the minds of graduate students. This keeps Yale’s Program vigilant as it looks to the past for cues about ways to best approach the future. The faculty recognizes that graduate students must be in the lead of an evolving discipline, and so encourages them to take up the most current developments and debates. The goal of the Program’s pedagogy is to provide its current students with a steady anchor in what the discipline has been, so that they can confidently and creatively participate at the highest level in its discourse and institutions, leading it forward while passing continuing its legacy.

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Ph.d. in film & digital media.

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The Ph.D. program in Film and Digital Media challenges the traditionally conceived borders between creative and critical practice. The program enables potential dialogue between creative practice and theoretical knowledge as related forms of intellectual work and provides the conditions for students to realize a wide range of possible projects, including those that exist across the traditional divides of critical studies and production. Focusing on a diverse range of cultural production that includes cinema, television, video art, and Internet-based media, the Ph.D. program participants interrogate the historical, aesthetic, political, ideological, and technological aspects of these media forms across a range of international contexts, investigating their points of connection and convergence as well as their relationship to broader cultural and historical change. The program thus prepares students for intellectually informed creative practice as well as theoretical and critical production in a range of environments, not limited to traditional academic contexts. 

Integrating critical and creative practice:  

In our research and teaching, we explore the intersections of what have been, or have become, separated modes in our field of media studies: theory and practice. We seek to nurture dialogue between creative practice and scholarly inquiry as related forms of intellectual work.

Working across media: 

Our approach to media studies and media production incorporates a range of technologies and platforms, stressing their historical and intertextual relationships.

Pursuing new modes of social and political engagement: 

Media literacy, broadly defined, is an essential component of participation in our increasingly mediated lives. A new generation of media makers and media interpreters has the power to re-shape the world.

Fostering global cultural citizenship: 

Making and studying media today necessitates a global and historical perspective. By thinking and working across boundaries of nation, culture and identity, we are creating new forms of knowledge and new media forms that respect and investigate differences of race, class, gender, sexuality and nation.

Film and Digital Media Ph.D. Program Learning Outcomes

Students who earn a Ph.D. in Film and Digital Media will gain the skills, knowledge, and understanding that will enable them to:

1. Demonstrate that student’s critical study of media informs the student’s media-making practices 2. Demonstrate knowledge of video and/or digital media production 3. Demonstrate critical thinking and analytical skills appropriate doctoral work in to the discipline of film and digital media 4. Demonstrate research skills appropriate to doctoral work in the discipline of film and digital media 5. Demonstrate scholarly writing skills appropriate to doctoral work in the discipline of film and digital media

Prospective Applicants:

Candidates must have demonstrated skill in critical, theoretical and historical scholarship, and a demonstrated interest in film, television, video and new media studies. We are particularly interested in candidates with demonstrated experience in some form of artistic production, and an interest in combining creative work with critical and theoretical study. 

Candidates should also be aware that we will prioritize those who, in their application, outline a project or form of work that integrates critical and creative work together in a hybrid form that would be difficult or impossible to pursue in a either a conventional humanities program or a studio or production degree program. The Ph.D. program in Film & Digital Media is designed to provide a platform for the creation of hybrid work that would not be possible to accomplish elsewhere.

For program requirements, please review our  Program Statement

For more information about UCSC applications, consult the  Graduate Division  website and their  Admissions Pages.

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Welcome to the Film and Media Studies Ph.D. Program

UC Irvine’s PhD program in Film and Media Studies offers students the opportunity to study and develop original research on film, television, and digital media. Rooted in the Humanities, we focus on interpreting the histories and theories of media and their cultural contexts.

Our curriculum provides a broad foundation in Film and Media Studies while also centering questions of media and power. Our course offerings emphasize post-colonial and decolonial approaches to film and media, queer theory and histories of gender and sexuality, critical race studies, video game studies, and archival research. We seek students who are deeply invested in understanding the perspectives of those who have been pushed to the margins of media technology, industries, and texts and in exploring the relationships between culture, identity, history, and power.

Located near Los Angeles, UC Irvine offers access to the rich cultural offerings and research institutions of Southern California. Students may choose to supplement their Film and Media Studies degree with interdisciplinary graduate certificates in Asian American Studies , Chicano/Latino Studies , Critical Theory , Feminist Studies , Latin American Studies , and/or Visual Studies .

We admit all students, with BAs or MAs, directly into the PhD program in small cohorts with multi-year funding packages. We encourage prospective students to review our faculty profiles and contact the faculty members who work in their potential areas of interest before applying to learn more about their research, teaching, and advising.

Prospective students interested in the Ph.D. Program in Visual Studies, administered by the Department of Art History, can find more information here .

Meet the Film and Media Studies Faculty and learn about their research interests.

The annual admissions deadline is December 1 .

Complete applications will include:

• A Statement of Purpose (1200 words maximum) that describes your research interests and reasons for seeking a PhD. The Statement of Purpose should indicate how your proposed research correlates to our program's emphases and how you will benefit from working with specific core faculty. You can find information about faculty research interests here.  

• A Personal History Statement (1200 word maximum) that describes your educational accomplishments and goals. It is important to communicate whether you have experienced unique or significant opportunities, challenges, and/or obstacles in your pursuit of an education. Please also describe the career paths you plan to pursue after graduation.

• A sample of academic writing that demonstrates original thinking, clear writing and your preparedness to do graduate-level work in film and media studies.

  • Length: A minimum of ten pages to a maximum of thirty pages. Any submission longer than the maximum will not be reviewed past the maximum page limit.
  • You may submit two pieces of work as long as their combined length does not exceed the page limit.
  • In the event you have a longer piece of work to submit, such as a Master's thesis or Undergraduate research paper, please submit a chapter or section of the work within the page restriction.

• Three letters of recommendation, preferably from faculty with whom you have studied.

• Transcripts.

• Results of the TOEFL or IELTS exam for international applicants for whom English is not their primary language.

For academic questions (questions about program requirements, the application review process, funding opportunities, etc.) please contact the Graduate Director, Professor Kristen Hatch ([email protected]). 

For administrative questions (questions about how to apply, paying the application fee, application materials, etc.) please contact the Graduate Coordinator, Amy Fujitani ([email protected]). 

To apply, click here .

Course Requirements

Required Core Courses (6 courses)

FLM&MDA 285A: Film Studies: Theory and Methods.

FLM&MDA 285B: Television Studies: Theory and Methods.

FLM&MDA 285C: Digital Media and Game Studies: Theory and Methods.

FLM&MDA 286A: Film and Media Studies Historiography.

FLM&MDA 286B: Media/Power/Culture.

FLM&MDA 286C: Methods and Research Design.

Elective Courses (7 courses)

FLM&MDA 291: Graduate Seminar in Film and Media Studies. Repeatable as topics vary.

FLM&MDA 292: Graduate Seminar in Film & Media Critical Practice. Repeatable as topics vary.

FLM&MDA 295: Directed Reading. Repeatable as topics vary.

Required Practicums in Film and Media Studies (4 courses)

FLM&MDA 287: Practicum in Pedagogy.

FLM&MDA 288A: Practicum in Professionalization I.

FLM&MDA 288B: Practicum in Professionalization II.

FLM&MDA 288C: Practicum in Professionalization III.

Required Supporting Course (1 course)

FLM&MDA 298: Prospectus Writing Practicum.

Students must take three elective courses from within the Department of Film and Media Studies and two outside Film and Media Studies. The remaining two electives can be taken within or outside the department.

Students entering with a MA may petition to have up to three elective courses waived, subject to the approval of Graduate Division. Students who have had three courses waived must take two elective courses from within the Department of Film and Media Studies and one outside Film and Media Studies. The remaining elective can be taken within or outside the department.

During the third through sixth years in the program, students normally enroll in variable-unit courses as follows:

FLM&MDA 296: Reading for the Preliminary Examination.

FLM&MDA 297: Prospectus Research.

FLM&MDA 299: Dissertation Research.

First-Year Review

Students are required to select and confirm their Primary Advisor by the end of the first year.

At the end of the Spring quarter, the Film and Media Studies faculty will review the performance and progress of each first-year student and provide written evaluation of their work. This evaluation will include an assessment of the student’s ability to complete independent research.

A positive assessment indicates that the student is making good progress.

A cautionary assessment will be accompanied by a description of specific improvements that a student must make in order to advance to candidacy in the third year.

A negative overall assessment will place the student on Academic Conditional Status. Faculty will give written feedback with specific areas for improvement and a timeline for future expectations of academic progress. Students who fail to demonstrate improvement may be recommended for dismissal from the program without a degree.

MA Requirements

All students apply for and are accepted into the doctoral program.

Students who enter the PhD program with a prior graduate degree (MA or beyond) in Film and Media Studies or a related discipline may petition to waive up to three electives, subject to the approval of Graduate Division. These students may also petition to waive the MA exam requirement in recognition of their prior degree; normatively, this will be approved. In these cases, students will not complete the MA exam requirement nor earn a second MA en route to the PhD. Film and Media Studies faculty will determine what graduate degree fields qualify as related disciplines. Students entering with an MFA will typically be required to complete the MA exam unless the Graduate Committee determines that the degree is equivalent to an MA.

Students who have not earned an MA in a relevant field prior to matriculating in the Film and Media Studies PhD program must earn an MA degree as part of the PhD program. The program does not offer a stand-alone or terminal MA, except in instances when a student does not continue in the program toward earning the PhD.

In order to earn the MA degree, the student must

1. Satisfactorily complete six foundational courses (FLM&MDA 285A, FLM&MDA 285B, FLM&MDA 285C, FLM&MDA 286A, FLM&MDA 286B, and FLM&MDA 286C);

2. Satisfactorily compete FLM&MDA 287;

3. Satisfactorily complete seven electives, three of which must be within the Department of Film and Media Studies and two outside the Department of Film and Media Studies;

4. Pass the MA Exam; and

5. File the necessary paperwork for conferral of degree with Graduate Division.

For the MA exam, the student will revise one seminar paper written while in the program and submit the revised paper before the start of the Spring quarter in their second year of study. 

The requirements for passing the MA exam are as follows:

• The revised paper must present a substantial and original argument;

• It must reflect substantive revision from the original paper, demonstrating additional research and/or reconceptualization and responsiveness to feedback;

• It must demonstrate a command of the relevant literature;

• It must present adequate evidence to support its claims;

• It must be clearly written in an appropriate academic style; and

• It must be formatted according to MLA or Chicago Manual of Style guidelines with proper citation and bibliography.

Ideally, this revised paper will demonstrate promise toward publication and toward the ability to develop a dissertation; however this is not a requirement at the MA stage.

This paper will be evaluated by a 3-person MA committee, which consists of the student’s primary advisor as chair and two additional department faculty members appointed by the Program Director in consultation with the student and the advisor. The MA committee will evaluate the student’s ability to identify a suitable research project and methodology, develop an argument, respond to faculty feedback, and make revisions. The committee will respond with feedback within three weeks of receiving the paper and may ask for a second round of reasonable revisions, to be completed before the end of the term.

The committee will unanimously decide whether the student has passed the MA exam and if they are eligible to proceed toward the PhD, taking into holistic account the exam (revised paper) results, input from the core Film and Media Studies faculty during the First-Year Review, and the student’s progress during the second year of course work. There are four possible determinations:

Positive: The student will earn the MA degree and qualifies to continue toward the PhD exams. This should be the outcome in the majority of cases.

Cautionary: The student will earn the MA degree and qualifies to continue toward the PhD exams but with areas for improvement communicated in writing to the student and advisor. This occurs when the student’s holistic performance and promise outweigh a borderline exam or vice versa. This should be the outcome only in rare or extenuating circumstances.

MA Only: The student will earn the MA degree but is disqualified from continuing toward the PhD exams. This occurs when the student’s holistic performance and promise do not outweigh a borderline exam.

Negative: The exam is unacceptable. The student will not earn the MA degree and is disqualified from continuing toward the PhD exams.

Students may revise and resubmit the MA paper one additional time in case of a failure to pass.

By the end of their second year, students will work with their advisor to plan their Examination fields for the following year. No later than the end of Winter in the third year of study, students will establish a 5-person Qualifying Exam Committee, at least 51% of whose members, including the Dissertation Advisor, must be core faculty in the Department of Film and Media Studies. At least one committee member must be external to the department.

The student will receive one standardized bibliography and select two specialty field bibliographies on which they will be examined. In the Fall and Winter quarters of the third year, the student will enroll in FLM&MDA 296: Reading for the Preliminary Examination and complete reading the works on these three bibliographies. The three exam areas should serve to help the student define general areas of specialized competence that will aid them in establishing a broad base for the dissertation and in developing college-level courses. Students may not enroll in FLM&MDA 296 until all their other course requirements (with the exception of FLM&MDA 298: Prospectus Writing Practicum) have been completed.

The Qualifying Examination will be administered by the Qualifying Exam Committee and will include both a written and an oral component. The written component will consist of at least one question for each Exam bibliography for which the student has completed readings. Students will write at least one essay for each respective Exam. Faculty may offer a range of questions for each bibliography, giving the student a choice of which question(s) to answer. The written component will be offered as a series of three remote exams to be completed within three respective 24-hour periods; questions and responses will be delivered electronically. The oral component of the exam will take place in conjunction with the Prospectus Defense during the Spring quarter of the student’s third year.

Language Requirement 

Students will consult with the program Director and their principal advisor(s) to determine whether they must demonstrate or develop proficiency in a second language for their research. [1] If the program Director and principal advisor(s) determine that proficiency in a second language is required, the student must demonstrate this proficiency prior to advancing to candidacy. In the event a student does not need a second language to conduct doctoral research, they will not be required to demonstrate proficiency in a second language.

If determined to be required, the language requirement may be satisfied by one of the following means:

1. By passing the Film and Media Studies translation exam. A request must be made to the Film and Media Studies Staff within the first two weeks of the quarter the student wishes to take the exam.

2. By completing, with a grade of B or better, a language course at the 2C level or equivalent, with the exception of Arabic, Chinese, Japanese, and Korean, which must be completed at the 3C level or equivalent.

3. By attaining a proficiency level of 2C on the Russian Exemption Exam or a proficiency level of 3C on the Chinese Exemption Exam offered by UCI's Academic Testing Center.

4. By petitioning the program. Grounds for a petition might include the student’s being a native speaker in a language other than English or having completed an equivalent language requirement at a different institution. The granting of this petition will remain at the discretion of the Graduate Director, although students dissatisfied with this determination may request the petition be considered by the full faculty. Students who have completed the language requirement at a different institution will need to submit transcripts with the petition. Students will inquire with the Graduate Coordinator to complete a petition.

Dissertation Prospectus and Advancement to Ph.D. Candidacy

In the Spring of the student’s third year, the student will enroll in FLM&MDA 298: Prospectus Writing Practicum and complete a prospectus that identifies the scope, approach, and rationale for their proposed dissertation. The student will present an oral defense of the prospectus to the Qualifying Exam Committee. When the prospectus has been unanimously approved by the Qualifying Exam Committee, the student will be advanced to doctoral candidacy. Students should have taken their preliminary examination, defended their dissertation prospectus, and advanced to doctoral candidacy no later than the end of Spring quarter of their third year. If a student will exceed the 3-year normative time to candidacy, they must petition by Spring quarter of their third year for an exception, presenting an approved plan for timely progress to candidacy.

In the event that a student does not pass the qualifying examination, consistent with UCI policy (Academic Senate Regulation 467) the student will be allowed one repeat attempt of the examination. This repeat examination will occur during the quarter following the initial examination.

Dissertation

The dissertation shall be an original research project of substantial length approved by the Doctoral Committee. Members of the student’s Doctoral Committee are noted on the PhD Form I: Advancement to Candidacy PhD Degree. The committee shall typically consist of the Doctoral Advisor and two additional faculty. At least 51% of the Doctoral Committee, including the Doctoral Advisor, must be core faculty in the Department of Film and Media Studies. The remaining members of the Doctoral Committee must satisfy Academic Senate requirements.

Dissertation Defense 

A final examination in the form of an oral defense of the dissertation is required for the PhD. This examination will be supervised by the Doctoral Committee and will be given just prior to the completion of the dissertation. The defense will be open to all members of the academic community. Faculty and graduate students of Film and Media Studies and the Graduate Dean will be given written notice of the date, time, and place of the examination at least five days in advance of the examination.

Time to Degree

The normative time to degree is six years (18 quarters). The first nine quarters are spent in pre-candidacy, the last 9 quarters in candidacy. Normatively, students will complete their course work within the first two years and prepare for and pass the Qualifying Examination and advance to candidacy in the third year. The maximum time to degree is seven years.

[1] Examples of when a second language would likely be necessary include Spanish proficiency for the study of Spanish-language media, Mandarin proficiency for study of media in Mainland China, or the relevant language for a project on non-English language transnational/diasporic media.

All students receive a five-year funding guarantee at admissions. This typically includes a combination of at least one fellowship year and multiple years of Teaching Assistantships. Additional competitive scholarships, fellowships, and summer stipends may also be available.

Students also receive tuition and fee remission, including non-resident (out-of-state or international) tuition during this period. Domestic students coming from outside of California will be expected to establish state residency during their first year; otherwise, they will need to cover their non-resident tuition fees.

TAships may be in Film and Media Studies undergraduate courses or for courses in other Departments or Programs.

Funding beyond the fifth year is not guaranteed, but TAships or other opportunities are often available.

The graduate emphasis in Film and Media Studies prepares students in any M.A., Ph.D., or M.F.A. program to analyze film and media texts, contexts, and industries. The emphasis requires that students complete four seminars, two of which are in the Film and Media Studies PhD core series (FMS 285A-C, FMS 286A-C) and two of which may be Film and Media Studies core or elective seminars (FMS 291, FMS 292, FMS 295).

Students who are currently enrolled in any MA, Ph.D., or M.F.A. program at UCI are eligible for admission to the Graduate Emphasis in Film and Media Studies.

Students who are interested in pursuing the graduate emphasis should contact the Graduate Director to indicate their interest in applying for the emphasis. Application materials include:

  • an explanation of how their research and/or teaching will benefit from completing the Film and Media Studies Graduate Emphasis;
  • current CV;
  • brief letter of approval from the student’s primary advisor or program director;
  • names of Film and Media Studies core faculty with whom they have worked or plan to work. Applicants who are not yet acquainted with Film and Media Studies core faculty may name the Graduate Director.

Application

To be considered for the Film and Media Studies Graduate Emphasis, please submit an application . 

Questions? Please contact Amy Fujitani , Graduate Coordinator.

Contact Film and Media Studies

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UCLA Graduate Programs

George Takei, UCLA '60, M.A. '64, holds up the the Vulcan salute

Graduate Program: Film & Television

UCLA's Graduate Program in Film & Television offers the following degree(s):

Master of Arts (M.A.)

Master of Fine Arts (M.F.A.)

Doctor of Philosophy (Ph.D.)

With questions not answered here or on the program’s site (above), please contact the program directly.

Film & Television Graduate Program at UCLA 103E East Melnitz Box 951622 Los Angeles, CA 90095-1622

Visit the Film, Television, & Digital Media Department’s faculty roster

COURSE DESCRIPTIONS

Visit the registrar's site for the Film, Television, & Digital Media Department’s course descriptions

  • Admission Requirements
  • Program Statistics

(310) 206-8441

[email protected]

MAJOR CODE: FILM & TELEVISION

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