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PI Module 3 - Greyscale Test Setup

Thank you so much for this information! I have been struggling with this assignment and have searched online for input. I looked in Flickr and people commented how hard it was to get through this exercise but no one really put up any helpful information. I appreciate your additional information-it confirms what I have been doing right and wrong.Thank you:)!!

Hi and thank you for your kind comment. Please bear in mind that it is some time since I wrote that post as I stopped tutoring for PI over 2 years ago. You may want to check that the assignment has not been updated since then, or at least be sure, in your own mind, I am addressing the current question. If so, I hope you have success with your assignment, and please free free to share this page - and the blog. There are some free gifts on the home page! :)

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Diploma of Photography Course Outline

Module 1 Camera

Get to know the authors, before they introduce you to the world of professional photography as it exists today. This module is an extensive look at the equipment you will use, covering cameras, how they function and when to take advantage of the broad range of lenses available to you.

Units covered in this module:

Note: This list is not indicative of unit completion, as most of our units are taught (in parts) across most of our modules.

CUAACD522 – Work with photomedia in creative practice CUADIG415 – Produce innovative digital images CUAPHI312 – Capture photographic images CUAPHI403 – Enhance, manipulate and output photo images CUAPHI521 – Make illustrative photo images for publication and display CUAPHI531 – Apply visual communication theory to photo imaging practice CUAPHI535 – Produce commercial photo images CUAPHI536 – Provide photographic portrait services CUAPHI537 – Produce media photo images CUAPPR511 – Realise a body of creative work

Units Covered

Equipment Requirements

Module Exercises & Activities

Introduction

Additional Coursework

Self-Directed Study

Helpful Documents

Student Handbook

Introduction to the Professional Photography Course

About the Authors

George Seper

Yvette Worboys

Julian Watt

The Still Image

The Optical Process

The Digital Camera

Camera Overview

Amateur Cameras

Smartphone Cameras

Computational Photography & AI

Point-and-Shoot Cameras

Micro Four Thirds Cameras

Bridge and Superzoom Cameras

Enthusiast vs Pro Cameras

Mirrorless or CSC Cameras

Recent Camera Developments

Which Camera Should I Buy?

Camera Features

Service and Accessories

Parts of a Camera

Camera Body

Digital Sensor

Memory Card

Important Features of the Modern Camera

Sensor Size

Frames Per Second (FPS)

Colour Histograms

Recommendations Regarding Cameras

Some General Observations on Cameras

The Pro Camera

The Small Format Camera

The DSLR Camera

The Rangefinder Camera

A Friendly Caution

Recent Developments in Small Format Cameras

The Medium Format Camera

Small & Medium Format DSLR Features

Interchangeable Lenses

Adjustable ISO

Integrated Light Meters

Mirror Locking

Digital Image Capture

Digital Sensors

CCD & CMOS Compared

In-Camera Controls & What to do With Them

Adobe 1998 RGB

Saturation, Contrast & Sharpening

Uncovering the Lens

Lens Overview

The Science of Lenses

Focal Length

Angle of View

The Normal Lens

Telephoto Lenses

Wide-Angle Lenses

Speciality Lenses & Attachments

Macro Lenses

Extension Rings, Tubes & Bellows

Zoom Lenses

Reflex Lenses

Tilt-Shift Lenses

Lens Faults & Flaws

Spherical Aberration

Chromatic Aberration

Barrel & Pincushion Distortion

Flare & Vignetting

Advanced Features of Modern Lenses

Multi-Coating

Autofocus (AF)

Image Stabilisation (IS) or Vibration Reduction (VR)

Polarising Filters

Neutral Density (ND) Filters

Taking Care of Your Equipment

Safe Working Practices

Safe Work Australia

Sitting Correctly for Good Posture & Health

Practical Lens Choices

Food Photography

Fashion Photography

Portrait & Beauty Photography

Architecture & Interior Photography

Travel Photography

Sport & Wildlife Photography

Wedding Photography

Assignment 1

Module 2 Capture

Learn how to control your camera and capture the images you have always imagined. You will learn all aspects of correct camera handling including an in-depth understanding of the settings on your camera and how to control the exposure to achieve the results you want, when you want, every time.

CUAACD522 – Work with photomedia in creative practice CUAPHI312 – Capture photographic images CUAPHI403 – Enhance, manipulate and output photo images CUAPHI521 – Make illustrative photo images for publication and display CUAPHI531 – Apply visual communication theory to photo imaging practice CUAPHI535 – Produce commercial photo images CUAPHI536 – Provide photographic portrait services

Visual Diary

The Exposure Triangle

In-Camera Light Meters

Digital Histograms

Reading a Histogram

Average Reflective Metering

Scenario 1: Light Scenes

Scenario 2: Dark Scenes

Shutters & Aperture

Shutter Types

Focal Plane Shutters

Leaf Shutter

Exposure Stops

Shutter Speed Stops

Aperture Stops

F/Stop Values

The Advantage of Using F/Stops

Full & Third Stop Reference Table

Relationships & Depth of Field

What is Depth of Field?

Depth of Field (DOF) Overview

Circles of Confusion

Perceiving Sharpness

Depth of Field (DOF) Scale

Hyperfocal Distance

DOF Preview Button

DOF Preview & DSLR Cameras

DSLR Shooting Modes in Practice

Aperture Priority (AV) or (A)

Shutter Priority (TV) or (S)

Program Mode (P)

Exposure Compensation

Digital ISO

Understanding ISO

Increasing Light Sensitivity

Digital Noise

High ISO, Contrast & Colour Distortion

Putting it all Together

Previsualisation

Assignment 2

Module 3 Post-production

Quick and accurate post-production plays a very important role in the photography workflow. This module explores in depth the use of post-production programs focusing on Adobe Lightroom and Adobe Photoshop. This will give the student a comprehensive experience on how to use and apply these programs in a professional manner and as part of their workflow. This module also focuses on digital art and expanding the student’s knowledge of current industry practice.

CUAPHI523 – Employ colour management in a digital imaging workplace CUADIG518 – Refine digital art techniques CUAACD522 – Work with photomedia in creative practice CUADIG415 – Produce innovative digital images CUAIND411 – Extend expertise in specialist creative fields CUAPHI403 – Enhance, manipulate and output photo images CUAPHI521 – Make illustrative photo images for publication and display CUAPHI533 – Explore and apply photo lighting techniques CUAPHI535 – Produce commercial photo images CUAPHI536 – Provide photographic portrait services CUAPHI537 – Produce media photo images CUAPPR511 – Realise a body of creative work

Post-Production Introduction

Capture & Editing Software

Capture One Software

Adobe Photoshop (Ps)

Adobe Lightroom (Lr)

Exposure Software

Other Image Editing & Retouching Tools

The Interesting Issue of DPI & PPI

Image File Size: How Big is Big Enough?

Computers & Monitors

Data Storage

Digital Video Disc

External Hard Drives

Raid Arrays

Solid State Drives

The Future of File Storage

Future Proofing Your Files

Backing Up Your Photographs

The Graphics Tablet

Post-Production

Why Post-Production?

Why Lightroom?

Creative Cloud Overview

Quick Tip: Updates for Adobe Creative Clouds Apps

Lightroom Classic System Requirements

Lightroom Help

Adobe Lightroom

Lightroom Classic vs Lightroom CC

Lightroom Classic vs Photoshop CC

Lightroom Keyboard Shortcuts

Introduction to Lightroom

Setting Up Your File Structure

An Overview of the Lightroom Interface

Setting Up Your Catalog, Importing Images & Collections

Step 1: Creating a New Catalog

Step 2: Setting Up Your Catalog Settings

Step 3: Setting Up Your Preferences

Step 4: Store Presets With This Catalog

Step 5: Identity Plate Setup

Step 5: Importing Your Images

Setting Up Folders in Lightroom

Collections

Quick Collections

Creating a Collection

Creating a Target Collection

Smart Collection

Library Module & Viewing

Finding Your Way Around

Understanding the Panels

Compare Mode

Survey View

Lights Out Mode

Quick Develop

Virtual Copies

Before and After View

Library Module, Metadata & Intro To Tools And Adjustments

Metadata & Metadata Templates

Rating, Flag, & Label Options

Searchable Text Filter

Keyword Basics

Keyword Sets

Keyword List

Titles and Captions

Develop Module: Tools & Adjustments

Retouching Tool Strip

Crop & Straighten – How to Crop Images to Specified Size and Straighten Images

Spot Removal, Right Click & Edit in Photoshop Using the Same Tools

Red Eye Correction Tool

Gradient Adjustment

Radial Filter

Colour Controls

White Balance & Eyedropper Tool

Tone Control

Creating Your Own Preset In Lightroom

Develop Module: Advanced Adjustments

The Adjustment Brush Tool

Dodge & Burn

Portrait Retouching

Masking Tools

Advanced Greyscale

Colour Grading / Split Toning & Cross Processing

Noise Reduction

Lens Corrections

Lens Vignette & Grain

Transform Tool

Calibration

Batch Processing in Lightroom & Speeding Up Your Workflow

Copy & Paste

Match Total Exposures

Exporting Images (Output Files)

Exporting for Print

Exporting for Web Images & Watermarks for Use in Web Images

Slideshows, Web and Print Modules & Web and Print Output

Slideshow Module

Print Module

Proof Sheets

Printing Packages

Web Galleries

Transitioning Between Lightroom and Photoshop

Photo Merge

Working with Photoshop

Adobe Photoshop for Photographers

Photoshop Toolbox

Camera RAW Image Adjustment Basics

Camera Raw Tools

Photoshop’s Densitometer

Selections in Photoshop

Quick Masking

Adjustment Layers

Layer Masks

Unsharp Mask (USM)

Traps for Young Players

One Sharpening Methodology

Selective Sharpening

HDR for High Contrast Scenes

Interpolation

Digital Art

Assignment 3

Module 4 Lighting

In this module, we will be learning about light, the characteristics of light and how we, as photographers, harness the characteristics of light to good effect in our photographs. The ability to light our subjects well provides us with a unique selling proposition in our professional practice.

CUAACD522 – Work with photomedia in creative practice CUADIG415 – Produce innovative digital images CUAPHI312 – Capture photographic images CUAPHI521 – Make illustrative photo images for publication and display CUAPHI533 – Explore and apply photo lighting techniques

Light & Its Characteristics

About Light

The Properties of Light

Hard Versus Soft

Reflected Light

The Angle of Incidence

Specular or Direct Reflection

Diffuse Reflection

The Inverse Square Law

Natural Light

Love Daylight

Natural Light Phenomena

Moonlight and Starlight

Shooting Using Available Light Outdoors

High Noon Shootout

Fill-In Flash

Artificial Light

Studio Flash

Continuous Lights

Hot Lights – Tungsten Lighting

Cool Lights – Fluorescent & LED Lighting

Fluorescent Lights

The Safe Use of Lighting Equipment

How We Use Light

Lighting Techniques

Light Shapers

Light & Shape

Lighting Ratios

Balancing Flash & Ambient Light

Ambient Light

Whatever’s Available

Flash Duration

Lighting Glossary

Assignment 4

Module 5 Advanced Lighting

In this module, we will explore a range of historical and contemporary sources of light. You will examine the theories of light and how you can prepare to shoot for a range of lighting techniques and situations. You will explore lighting with a range of subjects in both interior and exterior locations. You will then produce a series of photo images using appropriate lighting techniques and technologies to create an emotional response to the viewer. You will learn how to identify future work directions in the contemporary industry and how to respond to the changes this creates.

CUAACD522 – Work with photomedia in creative practice CUAIND412 – Provide freelance services CUAPHI312 – Capture photographic images CUAIND411 – Extend expertise in specialist creative fields CUAPHI403 – Enhance, manipulate and output photo images CUAPHI521 – Make illustrative photo images for publication and display CUAPHI533 – Explore and apply photo lighting techniques CUAPHI537 – Produce media photo images CUAPPR511 – Realise a body of creative work

Lighting Equipment

Speedlights

Floor Packs

Monobloc Heads

Flash Accessories

Soft Light Shapers

Transmitters

Lighting People

Photographing People

Portraiture

Face Shapes

Lighting for Facial Features

Basic Lighting Positions

Split Lighting

Butterfly Lighting

High-Key Low-Key

Lighting Full-Length & Groups

Lighting a ¾ and Full-Length Portrait

Lighting a Group

Dramatic Lighting

Badger/Krupps Lighting

Lighting Products

Product Photography vs Still Life

Shiny Objects

Light Field

Lighting Locations

Working with Locations

Using Colour

Production Planning

Conceptualising

Shot Planning

The Wrap-Up

Assignment 5

Module 6 Colour Management

In this module, you will learn the advanced techniques of correct colour management. Colour management encompasses areas of capture, display and output in the imaging workflow and evaluates correct management of these spaces. We will identify and select appropriate calibration devices to create profiles for your system. You will then review this impact on your workflow and amend any areas that need consideration.

CUAPHI523 – Employ colour management in a digital imaging workplace CUAACD522 – Work with photomedia in a practice CUAIND412 – Provide freelance services CUAPHI403 – Enhance, manipulate and output photo images CUAPHI521 – Make illustrative photo images for publication and display CUAPHI536 – Provide photographic portrait services

Introducing Colour

The Colour Spectrum

Colour Temperature

Early Colour Theory Development

Maxwell’s Triangle & Modern Colour Theory

Colour Spaces

Additive & Subtractive Colour Systems

The CIE & LAB Colour

Managing Colour & Digital White Balance

Custom White Balance

A Colour Reality Check

Seeing Like a Camera

Colour Perception

How Do You See Colour?

Adobe Colour Wheel

Colour Management In-Camera

Adobe RGB (1998)

ProPhoto RGB

Grey Spaces

Dynamic Range

Calibrating Your Camera

Using Your Data Colour Checker or X-Rite Colour Checker

Colour Management Monitors

The Calibration Device

Calibrating Your Monitor

Your Workspace

Work In RGB

Gamut Warnings

The CMYK Colour Space

Colour Channels in Photoshop

Colour Management ICC Profiles & Rendering Intents

Output Devices & Resolution Requirements

Photo Quality Inkjet Printers

Offset Printing Press

Lines Per Inch & DPI Conversions

The Professional Print Lab

File Formats for Digital Imaging & Printing

Print-Bound Images

PSD Photoshop’s Default File Format

Other Random File Formats

Working With 16-Bit Files

Converting 8-Bit Images to 16-Bit

16-Bit Editing

Do Your Prints Look Like the Screen Image?

Soft Proofing

Professional Labs and File Preparation

Pixel Perfect – Soft Proofing

Printing on a Photo Printer

A Final Word

Assignment 6

Module 7 The Business of Photography

In this module, you will identify current trends that impact photo imaging and evaluate how these trends can influence your professional practice. You will identify business opportunities associated with these trends and develop entrepreneurial strategies to develop within the marketplace. You will then focus on relevant employment opportunities within industry and maintain industry contacts. You will produce material about the services you provide and promote your business across a range of media outlets and online platforms. You will establish a clear and concise agreement with a client and agree on fees, schedules and expenses.

CUADIG518 – Refine digital art techniques CUAACD522 – Work with photomedia in creative practice CUADIG415 – Produce innovative digital images CUAIND412 – Provide freelance services CUAPHI312 – Capture photographic images CUAIND411 – Extend expertise in specialist creative fields CUAPHI403 – Enhance, manipulate and output photo images CUAPHI521 – Make illustrative photo images for publication and display CUAPHI531 – Apply visual communication theory to photo imaging practice CUAPHI532 – Research and apply photo imaging trends and emerging technologies CUAPHI533 – Explore and apply photo lighting techniques CUAPHI535 – Produce commercial photo images CUAPHI536 – Provide photographic portrait services CUAPHI537 – Produce media photo images CUAPPR511 – Realise a body of creative work CUAPPR414 – Develop self as artist

Business Planning

Photography as a Business

Hobby or Business

Business Plans

5-Year Goal Plan

SWOT Analysis

Exploit Strengths

Reduce Weaknesses

Seize Opportunities

Diminish Threats

Profit vs Loss

Cost of Doing Business & Fees

Return on Equity

Rule of Thirds

Evaluating Opportunities

Will I Love It?

Do You Have the Capability?

Is There a Market?

Are There Existing Relationships?

What is the Financial Potential?

What are the Challenges?

Is the Answer No?

Evaluating Commercial Risk

External Risk

Internal Risk

Assessing Risk

Probability

Risk Mitigation

Cost Management

Return on Investment

Profit Margin

Buy vs Rent

Business Setup

Setting up a Business

Sole Trader

Partnerships

Business Names & ABN

Domain Names & Email

Finding & Retaining Customers

Industry Bodies

Identify New Business Opportunities

Target a New Client Base

Revenue Streams

Marketing Strategy

Direct Marketing

Social Media

Content Marketing

Email Campaigns

Terms of Trade

Location Permits, Model & Property Releases

Price Lists, Estimates & Invoices

Negotiating

Successful Negotiation

Blake Discher’s Negotiating Quick Tips

Debt Management

Professional Advisors

Financial Management

Tax and GST

Superannuation

Record-Keeping

Professional Development

Competitions

Assignment 7

Module 8 Visual Communication

Visual communication is part of our everyday lives – we see it online, on the TV and in our geographical locations. The effective use of communicating visually is complex and requires the creative to correctly interpret a brief, develop conceptual ideas around the brief, be able to critique the idea, and interpret the mode of delivery for the audience. In this module, you will learn how to determine your intent of visual communication specific to your target audience for photo images.

CUAPHI523 – Employ colour management in a digital imaging workplace CUADIG518 – Refine digital art techniques CUADIG415 – Produce innovative digital images CUAIND412 – Provide freelance services CUAPHI312 – Capture photographic images CUAIND411 – Extend expertise in specialist creative fields CUAPHI521 – Make illustrative photo images for publication and display CUAPHI531 – Apply visual communication theory to photo imaging practice CUAPHI532 – Research and apply photo imaging trends and emerging technologies CUAPHI533 – Explore and apply photo lighting techniques CUAPHI535 – Produce commercial photo images CUAPHI537 – Produce media photo images CUAPPR511 – Realise a body of creative work CUAPPR414 – Develop self as artist

What is Visual Communication?

Advantages of Visual Communication

Disadvantages of Visual Communication

Styles of Communication

Elements of Design

Line Character

Line Within Images

Shape and Form

Shape Within Images

Lighting for Shape

Implied Shape

Shape in Images

The Role of Tone in Composition

Controlling Tone Range

Tone in Images

Texture in Photographs

How to Create Volume in an Image

Ways of Representing Volume

Linear Perspective

Diminishing Perspective

Aerial Perspective

Tonal Perspective

Colour Perspective

Primary Colours

Secondary Colours

Complementary Colour

Analogous Colours

Monochrome Colours

Warm and Cool Colours

A Final Word on the Elements of Design

Principles of Composition

Centre of Interest & Dominance

Compound Centre of Interest

Isolating the Topic

Golden Ratio

Golden Mean & Rule of Thirds

Negative Space & Reverse Dominance

Formal Balance

Informal Balance

Contrast of Mood

Rhythm Through Repetition

Interval Repetition

Elements and Principles - A Final Word

Visual Communication Used by the Masters

Garry Winogrand

Dorothea Lange

Henry Peach Robinson

Yousuf Karsh

Media & Visual Communication

Printed Media

Magazines (Printed)

Magazines (Online)

Social Media Advertising

Meaning & Context in Visual Communication

What is Content & What is Context?

Erik Johansson

Bill Diodato

Irving Penn

Aleksandra Kingo

Uwe Duettmann

Visual Communication Used in Propaganda

Robert Capa

Eddie Adams

Kevin Carter

Malcolm Browne

Jeff Widener

Assignment 8

Module 9 Interpreting Creatively

In this module, you will examine traditional and contemporary ways that photomedia is used. You will identify appropriate digital, traditional and contemporary methods that can be applied to photomedia projects. You will develop a body of work using research as an underpinning requirement. You will achieve different effects and results within your photography practice and refine your ideas through a process of experimentation. You will review your work and finalise the images while applying safe work practices. Your final project for this module will be a body of work encompassing your research and experimentation that will inform your final images.

Think Creatively

Research Contemporary Photography Sources

Research Historical Creative Photography

Timeline of Photography

The Genius of Photography

Traditional Process in Modern Creative Practice

David Hockney

Craig Tuffin

Stephen McNally

Adrian Cook

Conceptualising the Potential of Photomedia in Your Own Work

Interview with George Byrne

Experimenting with Photomedia in Your Own Work

How a Body of Work Evolves

Experimenting Digitally

Tools of the Trade

New Technology: AI, CGI, Computational Photography

AI (Artificial Intelligence or Machine Learning)

CGI (Computer Generated Images)

Computational Photography

Developing Ideas From Experimentation

Experiment with Tools

Refine Ideas Through a Process of Experimentation

Double Exposure

Cinemagraphs

Timelapse Photography

New Editing Software Solutions

Review Work in Progress

Evaluate Finished Work for Intended Purpose

Plan & Organise the Production of Creative Work

Steps in a Process

Planning & Collaboration Tools

Set Up or Gain Access to an Appropriate Workspace

Develop a Realistic Timeframe for the Production of Work

Evaluate & Respond to Project Constraints

Monitor Project Workflow Against the Plan

Working with a Team

Intellectual Property Considerations

Principles & Rules of Copyright

Moral Rights

Copyright Resources

Create & Present a Body of Work

What is a Body of Work?

How to Create a Body of Work

Create & Present a Body of Work & a Portfolio

Soft Copy Portfolio

Hard Copy Portfolio

Website Portfolio

Develop Your Own Presentation Style

Document Your Work from Initial Ideas to Project Completion

Evaluate Your Work

Review Work in Progress Against Personal, Professional & Artistic Objectives

Responding to Constructive Feedback

Objectively Evaluate Your Own Work

Video Resources

Assignment 9

Module 10 Commercial Photographic Services

In this module, we will explore how to interpret a commercial photography brief. You will learn how to research styles and conceptualise aesthetic approaches to specific job requirements. You will learn how to prepare job estimates and how to apply a creative fee for your time and effort. You will prepare terms and conditions, budgets, quotes on shooting (against your initial estimate), make an agreement and complete your contract. We will investigate codes of practice, licensing and permit requirements for commercial shoots. Then, you will apply this knowledge to the stock photography industry and create a body of work for a stock agency.

CUAPHI523 – Employ colour management in a digital imaging workplace CUAACD522 – Work with photomedia in creative practice CUADIG415 – Produce innovative digital images CUAIND412 – Provide freelance services CUAPHI312 – Capture photographic images CUAIND411 – Extend expertise in specialist creative fields CUAPHI403 – Enhance, manipulate and output photo images CUAPHI521 – Make illustrative photo images for publication and display CUAPHI531 – Apply visual communication theory to photo imaging practice CUAPHI533 – Explore and apply photo lighting techniques CUAPHI535 – Produce commercial photo images CUAPHI536 – Provide photographic portrait services CUAPHI537 – Produce media photo images CUAPPR511 – Realise a body of creative work CUAPPR414 – Develop self as artist

Product Photography for Advertising

Annual Reports

Case Studies

Advertising

Architecture & Real Estate

Domestic Real Estate

Architectural

Domestic Portraiture

Specialist Genres

Portrait Workflow

Portrait styles

Copyright & Contracts

Working With Domestic Clients

Product Sales

Corporate Portraiture

Environmental Portraits

Advertising & Editorial Portraiture

Media Photographers

Celebrities

Pre-Production

Photographer’s Treatments

Mood Boards

Production Scheduling

Call Sheets

Equipment Lists

Shooting Tethered

WHS In the Digital Age

Time Management

File Processing

Batch Processing

Proof Delivery

File Delivery

Digital Asset Management

DAM What & Why

Hardware Failure

Human Error

Software Corruption

Computer Malware & Hacking

Natural Disasters

Backup Strategies

Backup Software

Recovery Software

Hardware Solutions

Assignment 10

Module 11 Develop Yourself Artistically

In this module, you will be developing your own ideas and studying the work of others to stimulate your own conceptual and technical skills and consider intellectual property implications. You will explore and use technology to expand your own practice, identify industry networks and events to generate work opportunities, and promote yourself as an artist. This will include considerations for an exhibition and all associated promotional material, artist statements and PR requirements. You will investigate and present a body of work using a range of visual communication modes and media to engage a target audience of your choosing and seek to evaluate how this theory impacts your own creative practice.

CUADIG518 – Refine digital art techniques CUADIG415 – Produce innovative digital images CUAIND412 – Provide freelance services CUAPHI312 – Capture photographic images CUAIND411 – Extend expertise in specialist creative fields CUAPHI403 – Enhance, manipulate and output photo images CUAPHI521 – Make illustrative photo images for publication and display CUAPHI531 – Apply visual communication theory to photo imaging practice CUAPHI532 – Research and apply photo imaging trends and emerging technologies CUAPHI533 – Explore and apply photo lighting techniques CUAPHI536 – Provide photographic portrait services CUAPHI537 – Produce media photo images CUAPPR511 – Realise a body of creative work CUAPPR414 – Develop self as artist

Selecting a Speciality Area

Fashion & Beauty

Weddings & Family

Nudes, Boudoir & Glamour

Photojournalism

Landscapes, Travel & Resort

Product & Still Life

Architecture & Interiors

Art Photography

Industrial & Corporate

Real Estate & Drones

The Photographer’s Assistant

Plan Strategies to Improve Your Practice

Continuing Education

Identify Opportunities for Growth

Finding a Mentor

Opportunities for Growth Through Networking

Trade Shows

Industry Conferences

Unforeseen Opportunities

Peer Groups

Volunteering

Develop Your Own Style

Pursue Work Opportunities

Artist Statement

Curriculum Vitae

The Freelance Resume

Resume Objective

Work Experience

Achievements

Promotional Material

Press Releases

Assignment 11

Module 12 Final Body of Work - Portfolio and Area of Specialisation

In this module, you will be building your final body of work as a portfolio in your area of interest. You will combine everything you have learned so far to create an industry standard series of images. You will consider your target audience for this body of work and a variety of means of displaying your images online. This will include a website and social media considerations. You will investigate how visual communication engages your target audience and how you will apply visual communication theories to your photo images. You will explore presentation layouts for your portfolio and consult with relevant people when developing these layout options. You will develop your presentation concept using critical thinking skills. You will refine how the presentation will work and explore the production budget, time frames and workflow plans while considering the objectives and copyright requirements. You may need to address technical challenges that arise during this process. You will then present your own creative work that stylistically suits your genre and seek feedback on your body of work. You will also develop systems to identify to future presentations and business opportunities.

CUAACD522 – Work with photomedia in creative practice CUADIG415 – Produce innovative digital images CUAIND412 – Provide freelance services CUAPHI312 – Capture photographic images CUAIND411 – Extend expertise in specialist creative fields CUAPHI521 – Make illustrative photo images for publication and display CUAPHI535 – Produce commercial photo images CUAPHI536 – Provide photographic portrait services CUAPPR511 – Realise a body of creative work CUAPPR414 – Develop self as artist

Where do you want to pitch your business?

What do you want to do?

Where and How to Pitch

Presentation Options

Portfolio boxes

Custom Portfolio Books

Printed Books

Online Options

The Importance of Design

Researching Competitors

Your Corporate Identity

Your Values

Your Target Market

Visual Style Guide

Outsourced Design

Bidding Sites

Contra-deals

Design Students

Budget Implications

Copyright Implications

Design Implementation

Image Selection

Image Layout

Industry Professionals

Experienced Clients

Copyright Protection & Clearances

Presentation

Create Presentations

Present Work

Wedding and Portrait Photographer

Advertising, Commercial and Editorial Photographer

Fine Art and Décor

Seek Feedback

Evaluate Presentation

Finalise Presentation

Assignment 12

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How this course will flow, it’s teaching process and mentoring, is the course a video tutorial or auto learning, what about benefits once i complete the course, what i will gain after completion of my course, would there be a certification after completing this course, what about fee for this course and who is the beneficiary, help us to reach maximum photography enthusiasts, total course fee :– 8000/-, pay amount :– 3950/-, payment options.

• ⦁   Can send a DD (Amt. Rs.3950/-) in favour of IIP Foundation. Payable at Sector 18, Noida.
• ⦁   Can write/send a cheque in the amount of Rs.3950/-

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photography institute assignment 3

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PI Module 3 - Greyscale Test Setup

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Diploma of Photography Course Outline

Module 1 Camera

Get to know the authors, before they introduce you to the world of professional photography as it exists today. This module is an extensive look at the equipment you will use, covering cameras, how they function and when to take advantage of the broad range of lenses available to you.

Units covered in this module:

Note: This list is not indicative of unit completion, as most of our units are taught (in parts) across most of our modules.

CUAACD522 – Work with photomedia in creative practice CUADIG415 – Produce innovative digital images CUAPHI312 – Capture photographic images CUAPHI403 – Enhance, manipulate and output photo images CUAPHI521 – Make illustrative photo images for publication and display CUAPHI531 – Apply visual communication theory to photo imaging practice CUAPHI535 – Produce commercial photo images CUAPHI536 – Provide photographic portrait services CUAPHI537 – Produce media photo images CUAPPR511 – Realise a body of creative work

Units Covered

Equipment Requirements

Module Exercises & Activities

Introduction

Additional Coursework

Self-Directed Study

Helpful Documents

Student Handbook

Introduction to the Professional Photography Course

About the Authors

George Seper

Yvette Worboys

Julian Watt

The Still Image

The Optical Process

The Digital Camera

Camera Overview

Amateur Cameras

Smartphone Cameras

Computational Photography & AI

Point-and-Shoot Cameras

Micro Four Thirds Cameras

Bridge and Superzoom Cameras

Enthusiast vs Pro Cameras

Mirrorless or CSC Cameras

Recent Camera Developments

Which Camera Should I Buy?

Camera Features

Service and Accessories

Parts of a Camera

Camera Body

Digital Sensor

Memory Card

Important Features of the Modern Camera

Sensor Size

Frames Per Second (FPS)

Colour Histograms

Recommendations Regarding Cameras

Some General Observations on Cameras

The Pro Camera

The Small Format Camera

The DSLR Camera

The Rangefinder Camera

A Friendly Caution

Recent Developments in Small Format Cameras

The Medium Format Camera

Small & Medium Format DSLR Features

Interchangeable Lenses

Adjustable ISO

Integrated Light Meters

Mirror Locking

Digital Image Capture

Digital Sensors

CCD & CMOS Compared

In-Camera Controls & What to do With Them

Adobe 1998 RGB

Saturation, Contrast & Sharpening

Uncovering the Lens

Lens Overview

The Science of Lenses

Focal Length

Angle of View

The Normal Lens

Telephoto Lenses

Wide-Angle Lenses

Speciality Lenses & Attachments

Macro Lenses

Extension Rings, Tubes & Bellows

Zoom Lenses

Reflex Lenses

Tilt-Shift Lenses

Lens Faults & Flaws

Spherical Aberration

Chromatic Aberration

Barrel & Pincushion Distortion

Flare & Vignetting

Advanced Features of Modern Lenses

Multi-Coating

Autofocus (AF)

Image Stabilisation (IS) or Vibration Reduction (VR)

Polarising Filters

Neutral Density (ND) Filters

Taking Care of Your Equipment

Safe Working Practices

Safe Work Australia

Sitting Correctly for Good Posture & Health

Practical Lens Choices

Food Photography

Fashion Photography

Portrait & Beauty Photography

Architecture & Interior Photography

Travel Photography

Sport & Wildlife Photography

Wedding Photography

Assignment 1

Module 2 Capture

Learn how to control your camera and capture the images you have always imagined. You will learn all aspects of correct camera handling including an in-depth understanding of the settings on your camera and how to control the exposure to achieve the results you want, when you want, every time.

CUAACD522 – Work with photomedia in creative practice CUAPHI312 – Capture photographic images CUAPHI403 – Enhance, manipulate and output photo images CUAPHI521 – Make illustrative photo images for publication and display CUAPHI531 – Apply visual communication theory to photo imaging practice CUAPHI535 – Produce commercial photo images CUAPHI536 – Provide photographic portrait services

Visual Diary

The Exposure Triangle

In-Camera Light Meters

Digital Histograms

Reading a Histogram

Average Reflective Metering

Scenario 1: Light Scenes

Scenario 2: Dark Scenes

Shutters & Aperture

Shutter Types

Focal Plane Shutters

Leaf Shutter

Exposure Stops

Shutter Speed Stops

Aperture Stops

F/Stop Values

The Advantage of Using F/Stops

Full & Third Stop Reference Table

Relationships & Depth of Field

What is Depth of Field?

Depth of Field (DOF) Overview

Circles of Confusion

Perceiving Sharpness

Depth of Field (DOF) Scale

Hyperfocal Distance

DOF Preview Button

DOF Preview & DSLR Cameras

DSLR Shooting Modes in Practice

Aperture Priority (AV) or (A)

Shutter Priority (TV) or (S)

Program Mode (P)

Exposure Compensation

Digital ISO

Understanding ISO

Increasing Light Sensitivity

Digital Noise

High ISO, Contrast & Colour Distortion

Putting it all Together

Previsualisation

Assignment 2

Module 3 Post-production

Quick and accurate post-production plays a very important role in the photography workflow. This module explores in depth the use of post-production programs focusing on Adobe Lightroom and Adobe Photoshop. This will give the student a comprehensive experience on how to use and apply these programs in a professional manner and as part of their workflow. This module also focuses on digital art and expanding the student’s knowledge of current industry practice.

CUAPHI523 – Employ colour management in a digital imaging workplace CUADIG518 – Refine digital art techniques CUAACD522 – Work with photomedia in creative practice CUADIG415 – Produce innovative digital images CUAIND411 – Extend expertise in specialist creative fields CUAPHI403 – Enhance, manipulate and output photo images CUAPHI521 – Make illustrative photo images for publication and display CUAPHI533 – Explore and apply photo lighting techniques CUAPHI535 – Produce commercial photo images CUAPHI536 – Provide photographic portrait services CUAPHI537 – Produce media photo images CUAPPR511 – Realise a body of creative work

Post-Production Introduction

Capture & Editing Software

Capture One Software

Adobe Photoshop (Ps)

Adobe Lightroom (Lr)

Exposure Software

Other Image Editing & Retouching Tools

The Interesting Issue of DPI & PPI

Image File Size: How Big is Big Enough?

Computers & Monitors

Data Storage

Digital Video Disc

External Hard Drives

Raid Arrays

Solid State Drives

The Future of File Storage

Future Proofing Your Files

Backing Up Your Photographs

The Graphics Tablet

Post-Production

Why Post-Production?

Why Lightroom?

Creative Cloud Overview

Quick Tip: Updates for Adobe Creative Clouds Apps

Lightroom Classic System Requirements

Lightroom Help

Adobe Lightroom

Lightroom Classic vs Lightroom CC

Lightroom Classic vs Photoshop CC

Lightroom Keyboard Shortcuts

Introduction to Lightroom

Setting Up Your File Structure

An Overview of the Lightroom Interface

Setting Up Your Catalog, Importing Images & Collections

Step 1: Creating a New Catalog

Step 2: Setting Up Your Catalog Settings

Step 3: Setting Up Your Preferences

Step 4: Store Presets With This Catalog

Step 5: Identity Plate Setup

Step 5: Importing Your Images

Setting Up Folders in Lightroom

Collections

Quick Collections

Creating a Collection

Creating a Target Collection

Smart Collection

Library Module & Viewing

Finding Your Way Around

Understanding the Panels

Compare Mode

Survey View

Lights Out Mode

Quick Develop

Virtual Copies

Before and After View

Library Module, Metadata & Intro To Tools And Adjustments

Metadata & Metadata Templates

Rating, Flag, & Label Options

Searchable Text Filter

Keyword Basics

Keyword Sets

Keyword List

Titles and Captions

Develop Module: Tools & Adjustments

Retouching Tool Strip

Crop & Straighten – How to Crop Images to Specified Size and Straighten Images

Spot Removal, Right Click & Edit in Photoshop Using the Same Tools

Red Eye Correction Tool

Gradient Adjustment

Radial Filter

Colour Controls

White Balance & Eyedropper Tool

Tone Control

Creating Your Own Preset In Lightroom

Develop Module: Advanced Adjustments

The Adjustment Brush Tool

Dodge & Burn

Portrait Retouching

Masking Tools

Advanced Greyscale

Colour Grading / Split Toning & Cross Processing

Noise Reduction

Lens Corrections

Lens Vignette & Grain

Transform Tool

Calibration

Batch Processing in Lightroom & Speeding Up Your Workflow

Copy & Paste

Match Total Exposures

Exporting Images (Output Files)

Exporting for Print

Exporting for Web Images & Watermarks for Use in Web Images

Slideshows, Web and Print Modules & Web and Print Output

Slideshow Module

Print Module

Proof Sheets

Printing Packages

Web Galleries

Transitioning Between Lightroom and Photoshop

Photo Merge

Working with Photoshop

Adobe Photoshop for Photographers

Photoshop Toolbox

Camera RAW Image Adjustment Basics

Camera Raw Tools

Photoshop’s Densitometer

Selections in Photoshop

Quick Masking

Adjustment Layers

Layer Masks

Unsharp Mask (USM)

Traps for Young Players

One Sharpening Methodology

Selective Sharpening

HDR for High Contrast Scenes

Interpolation

Digital Art

Assignment 3

Module 4 Lighting

In this module, we will be learning about light, the characteristics of light and how we, as photographers, harness the characteristics of light to good effect in our photographs. The ability to light our subjects well provides us with a unique selling proposition in our professional practice.

CUAACD522 – Work with photomedia in creative practice CUADIG415 – Produce innovative digital images CUAPHI312 – Capture photographic images CUAPHI521 – Make illustrative photo images for publication and display CUAPHI533 – Explore and apply photo lighting techniques

Light & Its Characteristics

About Light

The Properties of Light

Hard Versus Soft

Reflected Light

The Angle of Incidence

Specular or Direct Reflection

Diffuse Reflection

The Inverse Square Law

Natural Light

Love Daylight

Natural Light Phenomena

Moonlight and Starlight

Shooting Using Available Light Outdoors

High Noon Shootout

Fill-In Flash

Artificial Light

Studio Flash

Continuous Lights

Hot Lights – Tungsten Lighting

Cool Lights – Fluorescent & LED Lighting

Fluorescent Lights

The Safe Use of Lighting Equipment

How We Use Light

Lighting Techniques

Light Shapers

Light & Shape

Lighting Ratios

Balancing Flash & Ambient Light

Ambient Light

Whatever’s Available

Flash Duration

Lighting Glossary

Assignment 4

Module 5 Advanced Lighting

In this module, we will explore a range of historical and contemporary sources of light. You will examine the theories of light and how you can prepare to shoot for a range of lighting techniques and situations. You will explore lighting with a range of subjects in both interior and exterior locations. You will then produce a series of photo images using appropriate lighting techniques and technologies to create an emotional response to the viewer. You will learn how to identify future work directions in the contemporary industry and how to respond to the changes this creates.

CUAACD522 – Work with photomedia in creative practice CUAIND412 – Provide freelance services CUAPHI312 – Capture photographic images CUAIND411 – Extend expertise in specialist creative fields CUAPHI403 – Enhance, manipulate and output photo images CUAPHI521 – Make illustrative photo images for publication and display CUAPHI533 – Explore and apply photo lighting techniques CUAPHI537 – Produce media photo images CUAPPR511 – Realise a body of creative work

Lighting Equipment

Speedlights

Floor Packs

Monobloc Heads

Flash Accessories

Soft Light Shapers

Transmitters

Lighting People

Photographing People

Portraiture

Face Shapes

Lighting for Facial Features

Basic Lighting Positions

Split Lighting

Butterfly Lighting

High-Key Low-Key

Lighting Full-Length & Groups

Lighting a ¾ and Full-Length Portrait

Lighting a Group

Dramatic Lighting

Badger/Krupps Lighting

Lighting Products

Product Photography vs Still Life

Shiny Objects

Light Field

Lighting Locations

Working with Locations

Using Colour

Production Planning

Conceptualising

Shot Planning

The Wrap-Up

Assignment 5

Module 6 Colour Management

In this module, you will learn the advanced techniques of correct colour management. Colour management encompasses areas of capture, display and output in the imaging workflow and evaluates correct management of these spaces. We will identify and select appropriate calibration devices to create profiles for your system. You will then review this impact on your workflow and amend any areas that need consideration.

CUAPHI523 – Employ colour management in a digital imaging workplace CUAACD522 – Work with photomedia in a practice CUAIND412 – Provide freelance services CUAPHI403 – Enhance, manipulate and output photo images CUAPHI521 – Make illustrative photo images for publication and display CUAPHI536 – Provide photographic portrait services

Introducing Colour

The Colour Spectrum

Colour Temperature

Early Colour Theory Development

Maxwell’s Triangle & Modern Colour Theory

Colour Spaces

Additive & Subtractive Colour Systems

The CIE & LAB Colour

Managing Colour & Digital White Balance

Custom White Balance

A Colour Reality Check

Seeing Like a Camera

Colour Perception

How Do You See Colour?

Adobe Colour Wheel

Colour Management In-Camera

Adobe RGB (1998)

ProPhoto RGB

Grey Spaces

Dynamic Range

Calibrating Your Camera

Using Your Data Colour Checker or X-Rite Colour Checker

Colour Management Monitors

The Calibration Device

Calibrating Your Monitor

Your Workspace

Work In RGB

Gamut Warnings

The CMYK Colour Space

Colour Channels in Photoshop

Colour Management ICC Profiles & Rendering Intents

Output Devices & Resolution Requirements

Photo Quality Inkjet Printers

Offset Printing Press

Lines Per Inch & DPI Conversions

The Professional Print Lab

File Formats for Digital Imaging & Printing

Print-Bound Images

PSD Photoshop’s Default File Format

Other Random File Formats

Working With 16-Bit Files

Converting 8-Bit Images to 16-Bit

16-Bit Editing

Do Your Prints Look Like the Screen Image?

Soft Proofing

Professional Labs and File Preparation

Pixel Perfect – Soft Proofing

Printing on a Photo Printer

A Final Word

Assignment 6

Module 7 The Business of Photography

In this module, you will identify current trends that impact photo imaging and evaluate how these trends can influence your professional practice. You will identify business opportunities associated with these trends and develop entrepreneurial strategies to develop within the marketplace. You will then focus on relevant employment opportunities within industry and maintain industry contacts. You will produce material about the services you provide and promote your business across a range of media outlets and online platforms. You will establish a clear and concise agreement with a client and agree on fees, schedules and expenses.

CUADIG518 – Refine digital art techniques CUAACD522 – Work with photomedia in creative practice CUADIG415 – Produce innovative digital images CUAIND412 – Provide freelance services CUAPHI312 – Capture photographic images CUAIND411 – Extend expertise in specialist creative fields CUAPHI403 – Enhance, manipulate and output photo images CUAPHI521 – Make illustrative photo images for publication and display CUAPHI531 – Apply visual communication theory to photo imaging practice CUAPHI532 – Research and apply photo imaging trends and emerging technologies CUAPHI533 – Explore and apply photo lighting techniques CUAPHI535 – Produce commercial photo images CUAPHI536 – Provide photographic portrait services CUAPHI537 – Produce media photo images CUAPPR511 – Realise a body of creative work CUAPPR414 – Develop self as artist

Business Planning

Photography as a Business

Hobby or Business

Business Plans

5-Year Goal Plan

SWOT Analysis

Exploit Strengths

Reduce Weaknesses

Seize Opportunities

Diminish Threats

Profit vs Loss

Cost of Doing Business & Fees

Return on Equity

Rule of Thirds

Evaluating Opportunities

Will I Love It?

Do You Have the Capability?

Is There a Market?

Are There Existing Relationships?

What is the Financial Potential?

What are the Challenges?

Is the Answer No?

Evaluating Commercial Risk

External Risk

Internal Risk

Assessing Risk

Probability

Risk Mitigation

Cost Management

Return on Investment

Profit Margin

Buy vs Rent

Business Setup

Setting up a Business

Sole Trader

Partnerships

Business Names & ABN

Domain Names & Email

Finding & Retaining Customers

Industry Bodies

Identify New Business Opportunities

Target a New Client Base

Revenue Streams

Marketing Strategy

Direct Marketing

Social Media

Content Marketing

Email Campaigns

Terms of Trade

Location Permits, Model & Property Releases

Price Lists, Estimates & Invoices

Negotiating

Successful Negotiation

Blake Discher’s Negotiating Quick Tips

Debt Management

Professional Advisors

Financial Management

Tax and GST

Superannuation

Record-Keeping

Professional Development

Competitions

Assignment 7

Module 8 Visual Communication

Visual communication is part of our everyday lives – we see it online, on the TV and in our geographical locations. The effective use of communicating visually is complex and requires the creative to correctly interpret a brief, develop conceptual ideas around the brief, be able to critique the idea, and interpret the mode of delivery for the audience. In this module, you will learn how to determine your intent of visual communication specific to your target audience for photo images.

CUAPHI523 – Employ colour management in a digital imaging workplace CUADIG518 – Refine digital art techniques CUADIG415 – Produce innovative digital images CUAIND412 – Provide freelance services CUAPHI312 – Capture photographic images CUAIND411 – Extend expertise in specialist creative fields CUAPHI521 – Make illustrative photo images for publication and display CUAPHI531 – Apply visual communication theory to photo imaging practice CUAPHI532 – Research and apply photo imaging trends and emerging technologies CUAPHI533 – Explore and apply photo lighting techniques CUAPHI535 – Produce commercial photo images CUAPHI537 – Produce media photo images CUAPPR511 – Realise a body of creative work CUAPPR414 – Develop self as artist

What is Visual Communication?

Advantages of Visual Communication

Disadvantages of Visual Communication

Styles of Communication

Elements of Design

Line Character

Line Within Images

Shape and Form

Shape Within Images

Lighting for Shape

Implied Shape

Shape in Images

The Role of Tone in Composition

Controlling Tone Range

Tone in Images

Texture in Photographs

How to Create Volume in an Image

Ways of Representing Volume

Linear Perspective

Diminishing Perspective

Aerial Perspective

Tonal Perspective

Colour Perspective

Primary Colours

Secondary Colours

Complementary Colour

Analogous Colours

Monochrome Colours

Warm and Cool Colours

A Final Word on the Elements of Design

Principles of Composition

Centre of Interest & Dominance

Compound Centre of Interest

Isolating the Topic

Golden Ratio

Golden Mean & Rule of Thirds

Negative Space & Reverse Dominance

Formal Balance

Informal Balance

Contrast of Mood

Rhythm Through Repetition

Interval Repetition

Elements and Principles - A Final Word

Visual Communication Used by the Masters

Garry Winogrand

Dorothea Lange

Henry Peach Robinson

Yousuf Karsh

Media & Visual Communication

Printed Media

Magazines (Printed)

Magazines (Online)

Social Media Advertising

Meaning & Context in Visual Communication

What is Content & What is Context?

Erik Johansson

Bill Diodato

Irving Penn

Aleksandra Kingo

Uwe Duettmann

Visual Communication Used in Propaganda

Robert Capa

Eddie Adams

Kevin Carter

Malcolm Browne

Jeff Widener

Assignment 8

Module 9 Interpreting Creatively

In this module, you will examine traditional and contemporary ways that photomedia is used. You will identify appropriate digital, traditional and contemporary methods that can be applied to photomedia projects. You will develop a body of work using research as an underpinning requirement. You will achieve different effects and results within your photography practice and refine your ideas through a process of experimentation. You will review your work and finalise the images while applying safe work practices. Your final project for this module will be a body of work encompassing your research and experimentation that will inform your final images.

Think Creatively

Research Contemporary Photography Sources

Research Historical Creative Photography

Timeline of Photography

The Genius of Photography

Traditional Process in Modern Creative Practice

David Hockney

Craig Tuffin

Stephen McNally

Adrian Cook

Conceptualising the Potential of Photomedia in Your Own Work

Interview with George Byrne

Experimenting with Photomedia in Your Own Work

How a Body of Work Evolves

Experimenting Digitally

Tools of the Trade

New Technology: AI, CGI, Computational Photography

AI (Artificial Intelligence or Machine Learning)

CGI (Computer Generated Images)

Computational Photography

Developing Ideas From Experimentation

Experiment with Tools

Refine Ideas Through a Process of Experimentation

Double Exposure

Cinemagraphs

Timelapse Photography

New Editing Software Solutions

Review Work in Progress

Evaluate Finished Work for Intended Purpose

Plan & Organise the Production of Creative Work

Steps in a Process

Planning & Collaboration Tools

Set Up or Gain Access to an Appropriate Workspace

Develop a Realistic Timeframe for the Production of Work

Evaluate & Respond to Project Constraints

Monitor Project Workflow Against the Plan

Working with a Team

Intellectual Property Considerations

Principles & Rules of Copyright

Moral Rights

Copyright Resources

Create & Present a Body of Work

What is a Body of Work?

How to Create a Body of Work

Create & Present a Body of Work & a Portfolio

Soft Copy Portfolio

Hard Copy Portfolio

Website Portfolio

Develop Your Own Presentation Style

Document Your Work from Initial Ideas to Project Completion

Evaluate Your Work

Review Work in Progress Against Personal, Professional & Artistic Objectives

Responding to Constructive Feedback

Objectively Evaluate Your Own Work

Video Resources

Assignment 9

Module 10 Commercial Photographic Services

In this module, we will explore how to interpret a commercial photography brief. You will learn how to research styles and conceptualise aesthetic approaches to specific job requirements. You will learn how to prepare job estimates and how to apply a creative fee for your time and effort. You will prepare terms and conditions, budgets, quotes on shooting (against your initial estimate), make an agreement and complete your contract. We will investigate codes of practice, licensing and permit requirements for commercial shoots. Then, you will apply this knowledge to the stock photography industry and create a body of work for a stock agency.

CUAPHI523 – Employ colour management in a digital imaging workplace CUAACD522 – Work with photomedia in creative practice CUADIG415 – Produce innovative digital images CUAIND412 – Provide freelance services CUAPHI312 – Capture photographic images CUAIND411 – Extend expertise in specialist creative fields CUAPHI403 – Enhance, manipulate and output photo images CUAPHI521 – Make illustrative photo images for publication and display CUAPHI531 – Apply visual communication theory to photo imaging practice CUAPHI533 – Explore and apply photo lighting techniques CUAPHI535 – Produce commercial photo images CUAPHI536 – Provide photographic portrait services CUAPHI537 – Produce media photo images CUAPPR511 – Realise a body of creative work CUAPPR414 – Develop self as artist

Product Photography for Advertising

Annual Reports

Case Studies

Advertising

Architecture & Real Estate

Domestic Real Estate

Architectural

Domestic Portraiture

Specialist Genres

Portrait Workflow

Portrait styles

Copyright & Contracts

Working With Domestic Clients

Product Sales

Corporate Portraiture

Environmental Portraits

Advertising & Editorial Portraiture

Media Photographers

Celebrities

Pre-Production

Photographer’s Treatments

Mood Boards

Production Scheduling

Call Sheets

Equipment Lists

Shooting Tethered

WHS In the Digital Age

Time Management

File Processing

Batch Processing

Proof Delivery

File Delivery

Digital Asset Management

DAM What & Why

Hardware Failure

Human Error

Software Corruption

Computer Malware & Hacking

Natural Disasters

Backup Strategies

Backup Software

Recovery Software

Hardware Solutions

Assignment 10

Module 11 Develop Yourself Artistically

In this module, you will be developing your own ideas and studying the work of others to stimulate your own conceptual and technical skills and consider intellectual property implications. You will explore and use technology to expand your own practice, identify industry networks and events to generate work opportunities, and promote yourself as an artist. This will include considerations for an exhibition and all associated promotional material, artist statements and PR requirements. You will investigate and present a body of work using a range of visual communication modes and media to engage a target audience of your choosing and seek to evaluate how this theory impacts your own creative practice.

CUADIG518 – Refine digital art techniques CUADIG415 – Produce innovative digital images CUAIND412 – Provide freelance services CUAPHI312 – Capture photographic images CUAIND411 – Extend expertise in specialist creative fields CUAPHI403 – Enhance, manipulate and output photo images CUAPHI521 – Make illustrative photo images for publication and display CUAPHI531 – Apply visual communication theory to photo imaging practice CUAPHI532 – Research and apply photo imaging trends and emerging technologies CUAPHI533 – Explore and apply photo lighting techniques CUAPHI536 – Provide photographic portrait services CUAPHI537 – Produce media photo images CUAPPR511 – Realise a body of creative work CUAPPR414 – Develop self as artist

Selecting a Speciality Area

Fashion & Beauty

Weddings & Family

Nudes, Boudoir & Glamour

Photojournalism

Landscapes, Travel & Resort

Product & Still Life

Architecture & Interiors

Art Photography

Industrial & Corporate

Real Estate & Drones

The Photographer’s Assistant

Plan Strategies to Improve Your Practice

Continuing Education

Identify Opportunities for Growth

Finding a Mentor

Opportunities for Growth Through Networking

Trade Shows

Industry Conferences

Unforeseen Opportunities

Peer Groups

Volunteering

Develop Your Own Style

Pursue Work Opportunities

Artist Statement

Curriculum Vitae

The Freelance Resume

Resume Objective

Work Experience

Achievements

Promotional Material

Press Releases

Assignment 11

Module 12 Final Body of Work - Portfolio and Area of Specialisation

In this module, you will be building your final body of work as a portfolio in your area of interest. You will combine everything you have learned so far to create an industry standard series of images. You will consider your target audience for this body of work and a variety of means of displaying your images online. This will include a website and social media considerations. You will investigate how visual communication engages your target audience and how you will apply visual communication theories to your photo images. You will explore presentation layouts for your portfolio and consult with relevant people when developing these layout options. You will develop your presentation concept using critical thinking skills. You will refine how the presentation will work and explore the production budget, time frames and workflow plans while considering the objectives and copyright requirements. You may need to address technical challenges that arise during this process. You will then present your own creative work that stylistically suits your genre and seek feedback on your body of work. You will also develop systems to identify to future presentations and business opportunities.

CUAACD522 – Work with photomedia in creative practice CUADIG415 – Produce innovative digital images CUAIND412 – Provide freelance services CUAPHI312 – Capture photographic images CUAIND411 – Extend expertise in specialist creative fields CUAPHI521 – Make illustrative photo images for publication and display CUAPHI535 – Produce commercial photo images CUAPHI536 – Provide photographic portrait services CUAPPR511 – Realise a body of creative work CUAPPR414 – Develop self as artist

Where do you want to pitch your business?

What do you want to do?

Where and How to Pitch

Presentation Options

Portfolio boxes

Custom Portfolio Books

Printed Books

Online Options

The Importance of Design

Researching Competitors

Your Corporate Identity

Your Values

Your Target Market

Visual Style Guide

Outsourced Design

Bidding Sites

Contra-deals

Design Students

Budget Implications

Copyright Implications

Design Implementation

Image Selection

Image Layout

Industry Professionals

Experienced Clients

Copyright Protection & Clearances

Presentation

Create Presentations

Present Work

Wedding and Portrait Photographer

Advertising, Commercial and Editorial Photographer

Fine Art and Décor

Seek Feedback

Evaluate Presentation

Finalise Presentation

Assignment 12

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Course Structure

• ⦁   Basics of Photography
• ⦁   How to use Camera
• ⦁   How to care for your camera
• ⦁   Visual Literacy
• ⦁   Practical Assignments
• ⦁   Introduction to lighting
• ⦁   Travel photography in natural lighting
• ⦁   Equipment to carry
• ⦁   Professional Portfolio
• ⦁   Self-check quiz

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• ⦁   Structured learning system with modules containing specific number of lessons
• ⦁   24x7 availability of online course
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• ⦁   Evaluation based progress
• ⦁   Rapid learning method comprising of photo lesson study, practice and quiz
• ⦁   Lifelong mentors to offers tips and suggestions
• ⦁   Downloadable course content
• ⦁   IIP Certificate on Course Completion

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How this course will flow, it’s teaching process and mentoring, is the course a video tutorial or auto learning, what about benefits once i complete the course, what i will gain after completion of my course, would there be a certification after completing this course, what about fee for this course and who is the beneficiary, help us to reach maximum photography enthusiasts, total course fee :– 8000/-, pay amount :– 3950/-, payment options.

• ⦁   Can send a DD (Amt. Rs.3950/-) in favour of IIP Foundation. Payable at Sector 18, Noida.
• ⦁   Can write/send a cheque in the amount of Rs.3950/-

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Victor Mukhin

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Title : Active carbons as nanoporous materials for solving of environmental problems

However, up to now, the main carriers of catalytic additives have been mineral sorbents: silica gels, alumogels. This is obviously due to the fact that they consist of pure homogeneous components SiO2 and Al2O3, respectively. It is generally known that impurities, especially the ash elements, are catalytic poisons that reduce the effectiveness of the catalyst. Therefore, carbon sorbents with 5-15% by weight of ash elements in their composition are not used in the above mentioned technologies. However, in such an important field as a gas-mask technique, carbon sorbents (active carbons) are carriers of catalytic additives, providing effective protection of a person against any types of potent poisonous substances (PPS). In ESPE “JSC "Neorganika" there has been developed the technology of unique ashless spherical carbon carrier-catalysts by the method of liquid forming of furfural copolymers with subsequent gas-vapor activation, brand PAC. Active carbons PAC have 100% qualitative characteristics of the three main properties of carbon sorbents: strength - 100%, the proportion of sorbing pores in the pore space – 100%, purity - 100% (ash content is close to zero). A particularly outstanding feature of active PAC carbons is their uniquely high mechanical compressive strength of 740 ± 40 MPa, which is 3-7 times larger than that of  such materials as granite, quartzite, electric coal, and is comparable to the value for cast iron - 400-1000 MPa. This allows the PAC to operate under severe conditions in moving and fluidized beds.  Obviously, it is time to actively develop catalysts based on PAC sorbents for oil refining, petrochemicals, gas processing and various technologies of organic synthesis.

Victor M. Mukhin was born in 1946 in the town of Orsk, Russia. In 1970 he graduated the Technological Institute in Leningrad. Victor M. Mukhin was directed to work to the scientific-industrial organization "Neorganika" (Elektrostal, Moscow region) where he is working during 47 years, at present as the head of the laboratory of carbon sorbents.     Victor M. Mukhin defended a Ph. D. thesis and a doctoral thesis at the Mendeleev University of Chemical Technology of Russia (in 1979 and 1997 accordingly). Professor of Mendeleev University of Chemical Technology of Russia. Scientific interests: production, investigation and application of active carbons, technological and ecological carbon-adsorptive processes, environmental protection, production of ecologically clean food.   

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40 facts about elektrostal.

Written by Lanette Mayes

Modified & Updated: 02 Mar 2024

Reviewed by Jessica Corbett

Elektrostal is a vibrant city located in the Moscow Oblast region of Russia. With a rich history, stunning architecture, and a thriving community, Elektrostal is a city that has much to offer. Whether you are a history buff, nature enthusiast, or simply curious about different cultures, Elektrostal is sure to captivate you.

This article will provide you with 40 fascinating facts about Elektrostal, giving you a better understanding of why this city is worth exploring. From its origins as an industrial hub to its modern-day charm, we will delve into the various aspects that make Elektrostal a unique and must-visit destination.

So, join us as we uncover the hidden treasures of Elektrostal and discover what makes this city a true gem in the heart of Russia.

Key Takeaways:

• Elektrostal, known as the “Motor City of Russia,” is a vibrant and growing city with a rich industrial history, offering diverse cultural experiences and a strong commitment to environmental sustainability.
• With its convenient location near Moscow, Elektrostal provides a picturesque landscape, vibrant nightlife, and a range of recreational activities, making it an ideal destination for residents and visitors alike.

Known as the “Motor City of Russia.”

Elektrostal, a city located in the Moscow Oblast region of Russia, earned the nickname “Motor City” due to its significant involvement in the automotive industry.

Home to the Elektrostal Metallurgical Plant.

Elektrostal is renowned for its metallurgical plant, which has been producing high-quality steel and alloys since its establishment in 1916.

Boasts a rich industrial heritage.

Elektrostal has a long history of industrial development, contributing to the growth and progress of the region.

Founded in 1916.

The city of Elektrostal was founded in 1916 as a result of the construction of the Elektrostal Metallurgical Plant.

Located approximately 50 kilometers east of Moscow.

Elektrostal is situated in close proximity to the Russian capital, making it easily accessible for both residents and visitors.

Known for its vibrant cultural scene.

Elektrostal is home to several cultural institutions, including museums, theaters, and art galleries that showcase the city’s rich artistic heritage.

A popular destination for nature lovers.

Surrounded by picturesque landscapes and forests, Elektrostal offers ample opportunities for outdoor activities such as hiking, camping, and birdwatching.

Hosts the annual Elektrostal City Day celebrations.

Every year, Elektrostal organizes festive events and activities to celebrate its founding, bringing together residents and visitors in a spirit of unity and joy.

Has a population of approximately 160,000 people.

Elektrostal is home to a diverse and vibrant community of around 160,000 residents, contributing to its dynamic atmosphere.

Boasts excellent education facilities.

The city is known for its well-established educational institutions, providing quality education to students of all ages.

A center for scientific research and innovation.

Elektrostal serves as an important hub for scientific research, particularly in the fields of metallurgy, materials science, and engineering.

Surrounded by picturesque lakes.

The city is blessed with numerous beautiful lakes, offering scenic views and recreational opportunities for locals and visitors alike.

Well-connected transportation system.

Elektrostal benefits from an efficient transportation network, including highways, railways, and public transportation options, ensuring convenient travel within and beyond the city.

Famous for its traditional Russian cuisine.

Food enthusiasts can indulge in authentic Russian dishes at numerous restaurants and cafes scattered throughout Elektrostal.

Home to notable architectural landmarks.

Elektrostal boasts impressive architecture, including the Church of the Transfiguration of the Lord and the Elektrostal Palace of Culture.

Offers a wide range of recreational facilities.

Residents and visitors can enjoy various recreational activities, such as sports complexes, swimming pools, and fitness centers, enhancing the overall quality of life.

Provides a high standard of healthcare.

Elektrostal is equipped with modern medical facilities, ensuring residents have access to quality healthcare services.

Home to the Elektrostal History Museum.

The Elektrostal History Museum showcases the city’s fascinating past through exhibitions and displays.

A hub for sports enthusiasts.

Elektrostal is passionate about sports, with numerous stadiums, arenas, and sports clubs offering opportunities for athletes and spectators.

Celebrates diverse cultural festivals.

Throughout the year, Elektrostal hosts a variety of cultural festivals, celebrating different ethnicities, traditions, and art forms.

Electric power played a significant role in its early development.

Elektrostal owes its name and initial growth to the establishment of electric power stations and the utilization of electricity in the industrial sector.

Boasts a thriving economy.

The city’s strong industrial base, coupled with its strategic location near Moscow, has contributed to Elektrostal’s prosperous economic status.

Houses the Elektrostal Drama Theater.

The Elektrostal Drama Theater is a cultural centerpiece, attracting theater enthusiasts from far and wide.

Popular destination for winter sports.

Elektrostal’s proximity to ski resorts and winter sport facilities makes it a favorite destination for skiing, snowboarding, and other winter activities.

Promotes environmental sustainability.

Elektrostal prioritizes environmental protection and sustainability, implementing initiatives to reduce pollution and preserve natural resources.

Home to renowned educational institutions.

Elektrostal is known for its prestigious schools and universities, offering a wide range of academic programs to students.

Committed to cultural preservation.

The city values its cultural heritage and takes active steps to preserve and promote traditional customs, crafts, and arts.

Hosts an annual International Film Festival.

The Elektrostal International Film Festival attracts filmmakers and cinema enthusiasts from around the world, showcasing a diverse range of films.

Encourages entrepreneurship and innovation.

Elektrostal supports aspiring entrepreneurs and fosters a culture of innovation, providing opportunities for startups and business development.

Offers a range of housing options.

Elektrostal provides diverse housing options, including apartments, houses, and residential complexes, catering to different lifestyles and budgets.

Home to notable sports teams.

Elektrostal is proud of its sports legacy, with several successful sports teams competing at regional and national levels.

Boasts a vibrant nightlife scene.

Residents and visitors can enjoy a lively nightlife in Elektrostal, with numerous bars, clubs, and entertainment venues.

Promotes cultural exchange and international relations.

Elektrostal actively engages in international partnerships, cultural exchanges, and diplomatic collaborations to foster global connections.

Surrounded by beautiful nature reserves.

Nearby nature reserves, such as the Barybino Forest and Luchinskoye Lake, offer opportunities for nature enthusiasts to explore and appreciate the region’s biodiversity.

Commemorates historical events.

The city pays tribute to significant historical events through memorials, monuments, and exhibitions, ensuring the preservation of collective memory.

Promotes sports and youth development.

Elektrostal invests in sports infrastructure and programs to encourage youth participation, health, and physical fitness.

Hosts annual cultural and artistic festivals.

Throughout the year, Elektrostal celebrates its cultural diversity through festivals dedicated to music, dance, art, and theater.

Provides a picturesque landscape for photography enthusiasts.

The city’s scenic beauty, architectural landmarks, and natural surroundings make it a paradise for photographers.

Connects to Moscow via a direct train line.

The convenient train connection between Elektrostal and Moscow makes commuting between the two cities effortless.

A city with a bright future.

Elektrostal continues to grow and develop, aiming to become a model city in terms of infrastructure, sustainability, and quality of life for its residents.

In conclusion, Elektrostal is a fascinating city with a rich history and a vibrant present. From its origins as a center of steel production to its modern-day status as a hub for education and industry, Elektrostal has plenty to offer both residents and visitors. With its beautiful parks, cultural attractions, and proximity to Moscow, there is no shortage of things to see and do in this dynamic city. Whether you’re interested in exploring its historical landmarks, enjoying outdoor activities, or immersing yourself in the local culture, Elektrostal has something for everyone. So, next time you find yourself in the Moscow region, don’t miss the opportunity to discover the hidden gems of Elektrostal.

Q: What is the population of Elektrostal?

A: As of the latest data, the population of Elektrostal is approximately XXXX.

Q: How far is Elektrostal from Moscow?

A: Elektrostal is located approximately XX kilometers away from Moscow.

Q: Are there any famous landmarks in Elektrostal?

A: Yes, Elektrostal is home to several notable landmarks, including XXXX and XXXX.

Q: What industries are prominent in Elektrostal?

A: Elektrostal is known for its steel production industry and is also a center for engineering and manufacturing.

Q: Are there any universities or educational institutions in Elektrostal?

A: Yes, Elektrostal is home to XXXX University and several other educational institutions.

Q: What are some popular outdoor activities in Elektrostal?

A: Elektrostal offers several outdoor activities, such as hiking, cycling, and picnicking in its beautiful parks.

Q: Is Elektrostal well-connected in terms of transportation?

A: Yes, Elektrostal has good transportation links, including trains and buses, making it easily accessible from nearby cities.

Q: Are there any annual events or festivals in Elektrostal?

A: Yes, Elektrostal hosts various events and festivals throughout the year, including XXXX and XXXX.

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— Igor Volk, a Soviet-era cosmonaut whose only spaceflight in 1984 was intended to prepare him to fly Russia's space shuttle Buran before it was canceled, died on Tuesday (Jan. 3). He was 79. Volk's death was reported on the website for the Russian city of Zhukovsky, where the cosmonaut was an honorary citizen. "[Volk] was a representative of the legendary generation of cosmonauts," the city officials wrote on Zhukovskiy.ru . "He will remain in our memory as an outstanding personality, an extraordinary man and a highly skilled, courageous test cosmonaut, who made a contributions to the exploration of outer space and to the knowledge of the mysteries of the universe." Roscosmos, Russia's federal space corporation, confirmed Volk's death in a post to its Facebook page.

Selected in July 1977 among the first group of civilian test pilots for the Buran, the Soviet Union's answer to the U.S. space shuttle, Volk passed basic cosmonaut training and qualified for a spaceflight assignment in 1980. Volk might have then waited for a mission on board the winged orbiter — a flight that would ultimately never come — were it not for an aborted space station docking three years earlier. In the wake of a two-man, all-rookie Soyuz crew failing to dock to the Salyut 6 station, a new rule was instituted by the Soviet space program that every crew had to include at least one person who had previously flown into space. As such, Volk was initially named to fly with Leonid Kizim and Vladimir Solovyov to the Salyut 7 space station in 1983, to provide him the experience needed to lead the first flight of the Buran. Another failed docking mission however, resulted in Kizim and Solovyov being reassigned to a later launch and Volk being added to the Soyuz T-12 mission crew with Vladimir Dzhanibekov and Svetlana Savitskaya, the latter being the world's second woman to fly into space making her second spaceflight. Volk, Dzhanibekov and Savitskaya launched on July 17, 1984 from Russia's Baikonur Cosmodrome (now located in Kazakhstan). During the Soyuz T-12 mission, the seventh crewed flight to visit Salyut 7, Savitskaya became the first woman to go out on a spacewalk, beating NASA astronaut Kathy Sullivan by three months.

Volk returned to Earth with his two crewmates on July 29, 1984, logging a total of 11 days, 19 hours and 14 minutes in space. Soon after he landed, Volk boarded a Tu-154LL Buran training aircraft and flew an approach following the same flight path the orbiter would on its return from space, touching down at Zhukovsky Air Base near Moscow. The flight demonstrated that a cosmonaut still readjusting to gravity could safely fly the shuttle to a landing, though Volk, nor any other cosmonaut, would have the opportunity to conduct that real re-entry from space. Igor Petrovich Volk was born in Kharkiv, now the second- largest city in Ukraine, on April 12, 1937, 24 years to the day before cosmonaut Yuri Gagarin would become the first human to fly into space and 44 years to the day before the first launch of NASA's space shuttle. A pilot in the Soviet Air Force and graduate of Kirovograd Military Aviation School in 1956, Volk received his degree in engineering from the Moscow Aviation Institute in 1969. He then went to work as a civilian test pilot at the Gromov Flight Research Institute, flying jets, including the MiG-21, MiG-25 and Su-27, as well as a single flight in the "Lapot," an atmospheric test vehicle for the never-realized MiG-105 "Spiral" space plane. After his Soyuz T-12 mission, Volk continued to prepare for a Buran mission by piloting 13 flights of the analog version of the shuttle, the OK-GLI, between November 1985 and April 1988. His last approach and landing flight marked the 25th and last flight for the vehicle, which is now on display at the Technik Museum Speyer in Germany.

The Buran only launched to space once, without a crew, in 1988, before the program was canceled in 1993. "Energiya-Buran is the most powerful space vehicle the world has ever seen, and, had it been given the chance to fully develop, it would have been of great benefit to the people of the Soviet Union and, indeed, the world," Volk wrote in his foreword to the 2007 book "Energiya-Buran" by Bart Hendrickx and Bert Vis. "It didn't get that chance, but the political, and to some extent, economical situation, were not ideal." In 1995, Volk left the cosmonaut corps to become director of the flight test center at the MM Gromov Flight Research Institute in Zhukovsky, a position he held until he retired in 2002. For his service to the country's space program, Volk was awarded the title of Hero of the Soviet Union and the Order of Lenin in June 1984. Volk is survived by his wife, Valentina, and two daughters, Marina and Irina.

Suit Up: 50 Years of Spacewalks

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Elektrostal is a city in Moscow Oblast, Russia, located 58 kilometers east of Moscow. Elektrostal has about 158,000 residents. Mapcarta, the open map.

A particularly outstanding feature of active PAC carbons is their uniquely high mechanical compressive strength of 740 ± 40 MPa, which is 3-7 times larger than that of such materials as granite, quartzite, electric coal, and is comparable to the value for cast iron - 400-1000 MPa. This allows the PAC to operate under severe conditions in ...

40 Facts About Elektrostal. Elektrostal is a vibrant city located in the Moscow Oblast region of Russia. With a rich history, stunning architecture, and a thriving community, Elektrostal is a city that has much to offer. Whether you are a history buff, nature enthusiast, or simply curious about different cultures, Elektrostal is sure to ...

Cosmonaut Igor Volk, who died on Tuesday, Jan. 3, 2017 at the age of 79, launched to the Salyut 7 space station in 1984. (Roscosmos) Jan. 4, 2017. — Igor Volk, a Soviet-era cosmonaut whose only spaceflight in 1984 was intended to prepare him to fly Russia's space shuttle Buran before it was canceled, died on Tuesday (Jan. 3). He was 79.

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You are going to request writer Estevan Chikelu to work on your order. We will notify the writer and ask them to check your order details at their earliest convenience.

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Parents Are Welcome

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There are questions about essay writing services that students ask about pretty often. So we’ve decided to answer them in the form of an F.A.Q.

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Contact your currently assigned essay writer from your Customer area. If you already have a favorite writer, request their ID on the order page, and we’ll assign the expert to work on your order in case they are available at the moment. Requesting a favorite writer is a free service.

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We always had the trust of our customers, and this is due to the superior quality of our writing. No sign of plagiarism is to be found within any content of the entire draft that we write. The writings are thoroughly checked through anti-plagiarism software. Also, you can check some of the feedback stated by our customers and then ask us to write essay for me.

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PenMyPaper offers you with affordable ‘write me an essay service’

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You are always welcome to check some of our previously done projects given on our website and then judge it for yourself. Apart from that, we can give you 4 significant reasons to be a part of our customer base:

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