what are the types of drama in creative writing

ENG 125 & 126 - Creative Writing: Drama

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Drama Defined

Definition:  A prose or verse composition, especially one telling a serious story, that is intended for representation by actors impersonating the characters and performing the dialogue and action.

Elements:  

• Structure -- This deals with how to setup the beginning, middle and end of a play and is even more crucial in drama than any other genre of writing.
• Characters -- People will act out the story on stage. Characters should be well-developed and not appear as stereotypes.
• Dialogue -- This is crucial in plays because everything happens through the spoken word.
• Theme -- Plays often deal with universal themes which encourage discussion of ideas. 
• Production -- Costumes, props and lighting are some of the necessary items for putting on a play.

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8.2: Elements of Drama

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• Heather Ringo & Athena Kashyap
• City College of San Francisco via ASCCC Open Educational Resources Initiative

As discussed in the Creative Nonfiction and Fiction chapters, plot is the most important element in a narrative. Similarly, it comprises arguably the most important element of a play. Plot is the events in the play and the order in which the events are told. There is no one correct way to structure a drama! However, the structure of a drama is only as effective as it is intentionally formed to elicit the desired response from its audience. A play usually has a beginning, middle, and end. It almost always has a character grow and develop over the course of the play. Let's look closely at one type of plot structure in order to see what plot might look like.

Case Study: Tragic Plot

According to Aristotle, an effective plot of a tragedy follows this order:

• Example : two brothers murder each other. Their uncle, the King, refuses to bury one of the brothers and makes a law against burying him. This puts the sister of the brothers in a bad place, because her religion requires her to bury them so they go to heaven.
• Example : The sister defies her uncle the King and buries her brother against the king's orders and then refuses to apologize. The king then commands his soldiers to bury his niece alive for her defiance!
• Example : The King receives a warning from a wise elder that burying his niece is a terrible idea that has angered the gods. The king finally realizes he has been a stubborn bonehead (he has exhibited excessive pride, hubris) and has a serious character flaw (hamartia).
• Example : the King's recognition of his error comes too late: just as he sends his soldiers to free the niece from her cave, she dies in her cave and the King's son—his niece's betrothed—has killed himself in sorrow.
• Example : Not only did the King's niece and son die, but a messenger tells him that his wife killed herself in grief. The heartbroken King leaves the city in self-imposed exile. The audience feels pity and fear watching the King suffer, and this helps purge their feelings of pity and fear.

Not all plays or even tragedies follow this structure exactly. That being said, it can be helpful to analyze the ways in which a plot's structure is formed, as this can reveal deeper meanings. For example, what would have happened if the above mentioned King had recognized his tragic flaw (hamartia) in time to save his niece? This would have been a very different play: perhaps even a romance if the niece and king's son married and lived happily ever after. As in this example (based on Antigone by Sophocles), the structure of a play can have profound effects on its meaning or even genre!

Whether tragedy, comedy, history, or romance, all plays generally follow the structure of act, scene, and line.

A play can be anywhere from a few minutes to several hours. Usually a play will be divided into anywhere from one to five acts. These acts usually hinge upon a central plot point. Between each act, the curtain will fall; perhaps in the middle of the play there might be an intermission for audiences to use the restroom or buy drinks. A lot of literary production is driven by economics, after all: playwrights gotta eat, too!

The acts are further divided into scenes. The scene is usually set in a particular moment in time and setting.

When reading the play, actors reference lines . The lines are the dialogue that they speak to one another. A long time ago, poems and plays were often written in verse such as iambic pentameter, so poems and plays shared the concept of line structure. However, in contemporary plays, dialogue may be written in prose. Usually it will still have some kind of numbering system so that actors, directors, and readers can find their place.

When writing about a play, you should try to reference act, scene, and line number in your parenthetical in-text citation. For example (1.3.186) means Act 1, Scene 3, Line 186. However, not all plays have line numbers, or even scenes. So you may need to just reference act and scene (1.3) or just the act (Act 3).

To provide the story’s setting, a play requires sets. If you've ever been involved with a play, you know that the set can be made up of detailed backdrops, specifically designed props, strategic lighting, and sometimes even background noise. A set, along with the characters' subtle indications of the scene, can generate a full setting in the audience's imagination. For example, the play Hamlet starts its setting on a creepy, dark, foggy, cold night in the fictional Castle Elsinore on Denmark. The setting is often established on a stage , or the physical space upon which actors move. In order for a play to take place, there must be actors (people performing the play), an audience (people viewing the play), and action and/or dialogue as performed by the actors.

While in short stories or novels a reader must wait until a character appears to know who the important characters are, in a play they are often the first aspect of the text encountered by readers. The character list usually appears in the first pages of the play. This is because, as a play emphasizes action over narration, the actors must know their parts!

Usually, the most important characters are listed first. Think most spoken lines, protagonists, antagonists, etc. However, the order in which the characters appear on the character list does not necessarily dictate the order of appearance. Like in creative nonfiction or fiction, writers develop characters over the course of the play. Different characters serve different roles such as protagonist, antagonist, or foil. There are a few types of character archetypes unique to drama which are described below. Note that not all of them will be in every play!

• Protagonist : the hero of the play. Usually the main character or the character with the most spoken lines, or the character around whom all the other characters seem to orbit. Hamlet would be an example of a protagonist.
• Antagonist : the villain of the play, usually opposite the protagonist. Claudius would be an example of an antagonist.
• Foil : this is a character meant to define another character through juxtaposition or comparison. For example, in Hamlet , Old Hamlet and Old Fortinbras and Hamlet and Fortinbras are often considered foils of each other. Fortinbras and Hamlet are both on paths of vengeance, yet each goes about their vengeance in different ways. While Fortinbras uses military strength, Hamlet chooses to use his intellect. While Fortinbras is decisive, Hamlet seems paralyzed by indecision. By examining the ways in which these two characters are similar and different, we can learn a lot about each of them and their significance in the play.
• Wise elder : in most plays, there is a wise old man or figure of wisdom who guides the protagonist. In Hamlet, it might be the ghost of his father, or Polonius can be a silly inversion of this archetype. In Antigone, it is probably Tieresias.
• Love interest : again, in most plays, there is usually a love interest of the protagonist, though not always. For Hamlet, this is Ophelia (though some scholars have argued Horatio!)
• Messenger : a character who delivers news

Dialogue and Action

One of the main differences between fiction and drama is that usually a play's plot is primarily forwarded through dialogue and action . Dialogue is comprised of the words directly spoken by characters, while actions are the physical movements of the actors. In a novel, action is described in detail and dialogue is usually put in quotation marks. For example, consider the following example of action and dialogue from The Picture of Dorian Gray by Oscar Wilde:

Distinct from the novel form of dialogue evidenced above, in a play, any words which come after the character's name will be considered dialogue. Action is usually not described in great depth, and actors are to interpret what actions to take based on the dialogue. Consider this example from Hamlet by William Shakespeare:

MARCELLUS: Holla, Bernardo! BERNARDO: Say, What, is Horatio there? HORATIO: A piece of him. BERNARDO: Welcome, Horatio. Welcome, good Marcellus. MARCELLUS: What, has this thing appear'd again tonight? BERNARDO: I have seen nothing.

In the above excerpt from the beginning of the play (1.1), Marcellus, Bernardo, and Horatio (soldiers) greet each other as they patrol the castle. When Horatio says "a piece of him," we might imagine the fog is so thick or the night so dark that only pieces of each character can be seen. Horatio might be holding up his hand in the torchlight. We might imagine the characters wandering about in the dark speaking to each other, a bit rattled, worrying if the mysterious "thing" Marcellus references will reappear. We learn later in the dialogue that "thing" is an apparition (ghost). None of the characters' movements are described, so we must infer what their actions are through their dialogue.

Although a novel’s narrator can describe in detail the thoughts and impressions of its characters, a play's effects depend much more heavily on what the characters say and do. A play is a performance, a spectacle, rather than words on paper. That is, drama is a story performed by actors. Some plays do include a narrator or a chorus, to introduce the scene or set the tone of the play, but the bulk of the production's effect is generated through the dialogue and its visual devices, and since the play's script dictates what the characters will say and often, through stage direction, its production strategies as well, the script is crucial to a successful performance.

While in other literary works the audience takes a more passive role, in plays the audience often becomes part of the show. When a character goes on an extended soliloquy, or extended speech when they are by themselves on the stage, they will often address the audience directly; the audience gets the insider view of their thoughts. Sometimes actors join audience members or extend the stage into the seats! Audiences in the old days also would get rowdy and interact with the actors and actresses, sometimes in outright chaotic ways. For example, during the first act of a play in 1883, actor John Ritchie was allegedly pelted by rotten eggs and tomatoes and "demoralized" ("AN ACTOR DEMORALIZED"). So when analyzing drama it's important to analyze how audience members might experience the play!

Works Cited

"AN ACTOR DEMORALIZED BY TOMATOES" The New York Times, 1883 https://www.nytimes.com/1883/10/28/a...-tomatoes.html

Contributors

• Adapted from material originally published in "Drama as a Genre" from Writing and Literature: Composition as Inquiry, Learning, Thinking, and Communication by Dr. Tanya Long Bennett of the University of North Georgia, CC BY-SA 4.0

• Scriptwriting

What is Drama — Definition, Examples & Characteristics

rama, an intricately captivating facet of human expression, skillfully weaves together narratives through powerful performances, invoking a myriad of emotions and profound thoughts.  It forms an extraordinary intersection where the art of the written word harmoniously intertwines with the dynamic artistry of physical depiction, breathing life into stories that resonate on both the grand stages and the silver screen. But what is drama, actually? Where does it come from, and what makes a story dramatic? Let’s find out.

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What is Drama Defined By?

First, let’s define drama.

Let's first pin down a clear definition of drama to understand what exactly constitutes this powerful form of art.

DRAMA DEFINITION

What is drama.

Drama is a captivating literary genre that is brought to life through performance. With its roots tracing back to the Greek word 'dran,' meaning 'to do' or 'to act,' drama encompasses a wide range of artistic expressions. It delves into the complexities of human emotions, intertwining the lives of characters in a web of conflicts and resolutions. Through compelling narratives and vivid portrayals, drama not only entertains but also stimulates deep contemplation and introspection. 

It offers a unique platform for exploring the human condition and shedding light on the diverse facets of the human experience. Whether on stage or screen, the power of drama lies in its ability to transport audiences into different worlds, allowing them to witness the triumphs, tragedies, and intricacies of life unfold before their eyes.

Types of Drama

History of drama, drama — a rich and varied history.

The history of drama is woven with threads from many civilizations, cultures, and time periods. Its evolution is a fascinating journey that traces the path of human societal progression.

Ancient Origins

Thespis, Athens, and The Origins of Greek Drama  •  Crash Course Theater

Over time, this ancient art form evolved, giving birth to the theatrical traditions that continue to shape and inspire contemporary performances. From the grand amphitheatres of ancient Greece to the modern stages of today, drama has transcended time, leaving an indelible mark on the human experience.

Drama Across Cultures

Throughout the centuries, drama has transcended borders and permeated diverse cultures and continents. Each region offered its own distinctive and captivating interpretation of this timeless art form. 

Whether it's the grandiose tragedies of ancient Greece, the refined Noh theater of Japan, or the vibrant and energetic Broadway productions, the universal language of drama continues to evolve and captivate audiences worldwide, connecting people through the power of storytelling.

Renaissance Leap

During the Renaissance, a remarkable leap occurred in the realm of drama. Playwrights such as William Shakespeare and Christopher Marlowe emerged onto the scene. They made profound contributions that forever shaped and elevated the genre. Their works captivated audiences with their eloquent language, intricate plots, and profound exploration of human emotions.

History of Ideas  •  The Renaissance

Through their masterful storytelling, they transported audiences to worlds both familiar and fantastical, leaving an indelible mark on the history of theater. The Renaissance became a golden age for drama, thanks to the artistic brilliance and creative ingenuity of these celebrated playwrights.

Evolution and Movements

Throughout the 19th and 20th centuries, drama underwent an intriguing evolution, propelled by influential artistic movements that sought to capture the essence of societal changes and delve into the depths of human psychology. 

The emergence of Realism , with its emphasis on depicting life as it truly is, provided a stark contrast to the fantastical realm of Surrealism , which explored the subconscious and challenged conventional notions of reality.

These dramatic movements, in their distinct ways, pushed the boundaries of theatrical expression, leaving an indelible mark on the artistic landscape of their time.

WHAT IS DRAMA AND WHY IT’S IMPORTANT

The power of performance.

The power to bring the written word to life in a captivating and powerful manner lies at the heart of drama. Through physical embodiment, characters become more than mere words on a page. From expression to gesture to costume, performers bring nuance and depth to their characters that can often only be conveyed through performance. 

Through facial expressions, actors can convey a wide range of emotions, from joy to sorrow, anger to love. The subtle movements of the eyebrows, the curl of a lip, or the sparkle in the eyes can speak volumes and create a connection between the audience and the character. 

I, Tonya  •  Drama Examples

Physical gestures can communicate meaning and intention. A simple hand movement, a wave, or a pointing finger can convey a message, emphasize a point, or reveal a character's personality.

From the grand sweeping movements to the delicate subtleties, gestures add another layer of communication to the performance.

Drama Examples  •  Gestures and Performance

The choice of costume can instantly transport the audience to a specific time period or setting. It can reflect a character's status, personality, or even their hidden desires.

The colors, fabrics, and styles of the costumes enhance the visual storytelling and provide cues about the characters and the world they inhabit.

Costume Design — The Hidden Layer of Movie Magic

This transformation from text to living art is what makes drama so unique and powerful; it has the ability to transport an audience to a world of imaginative storytelling. The impact of expression, gesture, and costume on the stage brings the characters and their stories to life, creating a memorable and immersive experience for all.

Related Posts

• What is Comedy? →
• A Brief History of Motion Pictures →
• What is Theme in Literature and Film? →

Various Types of Drama

In exploring the captivating world of drama, it's essential to recognize its diverse forms. The drama genre comes in diverse types, each with its unique storytelling techniques and thematic explorations. 

Hamlet  •  Tragedy Drama Examples

Comedy offers light-hearted plots with humorous outcomes. It aims to entertain and bring joy to the audience. A classic example is Oscar Wilde's The Importance of Being Earnest , a witty and satirical play that explores mistaken identities and societal conventions.

Many wonder what is the difference in drama vs melodrama and how what distinguishes each. Melodrama exaggerates characters and emotions, creating intense and dramatic situations. It often includes exaggerated gestures and passionate dialogue. 

A famous melodramatic example is Gone with the Wind , a sweeping epic set during the American Civil War, filled with love, betrayal, and sacrifice.

Gone With the Wind  •  Drama Examples

Farce relies on slapstick humor and absurd situations to generate laughter. It often involves mistaken identities, misunderstandings, and chaotic events. One well-known farce is Michael Frayn's Noises Off , a play within a play that hilariously depicts the backstage antics of a dysfunctional theater troupe.

Historical Drama

Hamilton  •  Drama examples

Musical drama.

Musical dramas use singing and dancing to enhance the storytelling experience. They combine music, lyrics, and choreography to convey emotions and advance the plot. One iconic musical drama is Andrew Lloyd Webber's The Phantom of the Opera , a haunting love story set in the Paris Opera House.

Each type of drama offers a unique narrative style and provides audiences with diverse and captivating theatrical experiences.

What is Drama Evolving Toward?

Evolution of drama.

Throughout history, drama has evolved, skillfully adapting to societal changes, technological advancements, and shifting audience preferences. From ancient Greece to the digital performances of today, drama has transformed, remaining a dynamic medium of storytelling.

In the contemporary world, drama pushes boundaries, exploring complex themes and reflecting diverse realities. It sparks conversations and inspires change. 

Drama evolves, reflecting its environment and audience preferences. Looking ahead, the genre will adapt and innovate, maintaining its vital role as a conduit for storytelling and a catalyst for thought and conversation. 

Through its evolution, drama underscores the need for human connection, empathy, and understanding, reinforcing its enduring relevance and impact.

What is Comedy?

While the intensity and depth of drama allow us to dive into complex emotions and narratives, it's the lighter, more humorous side of storytelling that often provides a much-needed respite. This brings us to our next topic, comedy, an art form that uses humor as its central theme.

Up Next: Comedy Explained →

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When & How to Write Drama

• Definition & Examples
• When & How to Write Drama

How to Write Drama

• Start with characters . The best dramas are usually character- driven. They have a cast of main characters (usually fewer than 10), plus a handful of supporting characters. These characters should all be very distinct from one another, and the main characters should be authentic and life-like. This way, the audience can relate to them and cares what happens to them.
• Introduce conflict. All stories revolve around conflict, and this is especially true in drama. The conflict could be anything – the simplest example is political conflict or war, but you might also have competing love interests, clashes in personality, or simply a struggle against misfortune.
• Don’t forget about comic relief. Unless you’re writing a tragedy (see section 6), there should be at least some amount of humor in your drama. Otherwise, the negative emotions will get overwhelming and the experience will be too unpleasant for the reader. Give a few funny lines to your characters, or add an amusing situation somewhere to cut the tension – just make sure that this comic relief arises naturally from the story and it doesn’t feel like you’re cramming it in.

When to Use Drama

Drama is great for a creative writing project. It offers opportunities to work on character development, story structure, and a whole other set of writing skills. Every once in a while, you may also find a place for drama in formal essays , but you have to be careful.

For example, history essays are often more enjoyable to read if you craft them with a “dramatic” eye – focusing on a small set of main characters, contrasting these characters and their various desires, and fully describing the conflict at the center of the story. These techniques, in combination with good research and persuasive logic, can turn a good essay into a great one. However, you do have to be careful – too much drama in a formal essay can start to seem distracting, and you don’t want to give the impression that you’re more committed to the entertainment value than to the research and analysis.

List of Terms

• Alliteration
• Amplification
• Anachronism
• Anthropomorphism
• Antonomasia
• APA Citation
• Aposiopesis
• Autobiography
• Bildungsroman
• Characterization
• Circumlocution
• Cliffhanger
• Comic Relief
• Connotation
• Deus ex machina
• Deuteragonist
• Doppelganger
• Double Entendre
• Dramatic irony
• Equivocation
• Extended Metaphor
• Figures of Speech
• Flash-forward
• Foreshadowing
• Intertextuality
• Juxtaposition
• Literary Device
• Malapropism
• Onomatopoeia
• Parallelism
• Pathetic Fallacy
• Personification
• Point of View
• Polysyndeton
• Protagonist
• Red Herring
• Rhetorical Device
• Rhetorical Question
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• Synesthesia
• Turning Point
• Understatement
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10 Types of Creative Writing (with Examples You’ll Love)

A lot falls under the term ‘creative writing’: poetry, short fiction, plays, novels, personal essays, and songs, to name just a few. By virtue of the creativity that characterizes it, creative writing is an extremely versatile art. So instead of defining what creative writing is , it may be easier to understand what it does by looking at examples that demonstrate the sheer range of styles and genres under its vast umbrella.

To that end, we’ve collected a non-exhaustive list of works across multiple formats that have inspired the writers here at Reedsy. With 20 different works to explore, we hope they will inspire you, too. 

People have been writing creatively for almost as long as we have been able to hold pens. Just think of long-form epic poems like The Odyssey or, later, the Cantar de Mio Cid — some of the earliest recorded writings of their kind. 

Poetry is also a great place to start if you want to dip your own pen into the inkwell of creative writing. It can be as short or long as you want (you don’t have to write an epic of Homeric proportions), encourages you to build your observation skills, and often speaks from a single point of view . 

Here are a few examples:

“Ozymandias” by Percy Bysshe Shelley

Nothing beside remains. Round the decay Of that colossal Wreck, boundless and bare The lone and level sands stretch far away.

This classic poem by Romantic poet Percy Shelley (also known as Mary Shelley’s husband) is all about legacy. What do we leave behind? How will we be remembered? The great king Ozymandias built himself a massive statue, proclaiming his might, but the irony is that his statue doesn’t survive the ravages of time. By framing this poem as told to him by a “traveller from an antique land,” Shelley effectively turns this into a story. Along with the careful use of juxtaposition to create irony, this poem accomplishes a lot in just a few lines. 

“Trying to Raise the Dead” by Dorianne Laux

 A direction. An object. My love, it needs a place to rest. Say anything. I’m listening. I’m ready to believe. Even lies, I don’t care.

Poetry is cherished for its ability to evoke strong emotions from the reader using very few words which is exactly what Dorianne Laux does in “ Trying to Raise the Dead .” With vivid imagery that underscores the painful yearning of the narrator, she transports us to a private nighttime scene as the narrator sneaks away from a party to pray to someone they’ve lost. We ache for their loss and how badly they want their lost loved one to acknowledge them in some way. It’s truly a masterclass on how writing can be used to portray emotions. 

If you find yourself inspired to try out some poetry — and maybe even get it published — check out these poetry layouts that can elevate your verse!

Song Lyrics

Poetry’s closely related cousin, song lyrics are another great way to flex your creative writing muscles. You not only have to find the perfect rhyme scheme but also match it to the rhythm of the music. This can be a great challenge for an experienced poet or the musically inclined. 

To see how music can add something extra to your poetry, check out these two examples:

“Hallelujah” by Leonard Cohen

 You say I took the name in vain I don't even know the name But if I did, well, really, what's it to ya? There's a blaze of light in every word It doesn't matter which you heard The holy or the broken Hallelujah 

Metaphors are commonplace in almost every kind of creative writing, but will often take center stage in shorter works like poetry and songs. At the slightest mention, they invite the listener to bring their emotional or cultural experience to the piece, allowing the writer to express more with fewer words while also giving it a deeper meaning. If a whole song is couched in metaphor, you might even be able to find multiple meanings to it, like in Leonard Cohen’s “ Hallelujah .” While Cohen’s Biblical references create a song that, on the surface, seems like it’s about a struggle with religion, the ambiguity of the lyrics has allowed it to be seen as a song about a complicated romantic relationship. 

“I Will Follow You into the Dark” by Death Cab for Cutie

 ​​If Heaven and Hell decide that they both are satisfied Illuminate the no's on their vacancy signs If there's no one beside you when your soul embarks Then I'll follow you into the dark

You can think of song lyrics as poetry set to music. They manage to do many of the same things their literary counterparts do — including tugging on your heartstrings. Death Cab for Cutie’s incredibly popular indie rock ballad is about the singer’s deep devotion to his lover. While some might find the song a bit too dark and macabre, its melancholy tune and poignant lyrics remind us that love can endure beyond death.

Plays and Screenplays

From the short form of poetry, we move into the world of drama — also known as the play. This form is as old as the poem, stretching back to the works of ancient Greek playwrights like Sophocles, who adapted the myths of their day into dramatic form. The stage play (and the more modern screenplay) gives the words on the page a literal human voice, bringing life to a story and its characters entirely through dialogue. 

Interested to see what that looks like? Take a look at these examples:

All My Sons by Arthur Miller

“I know you're no worse than most men but I thought you were better. I never saw you as a man. I saw you as my father.” 

Arthur Miller acts as a bridge between the classic and the new, creating 20th century tragedies that take place in living rooms and backyard instead of royal courts, so we had to include his breakout hit on this list. Set in the backyard of an all-American family in the summer of 1946, this tragedy manages to communicate family tensions in an unimaginable scale, building up to an intense climax reminiscent of classical drama. 

💡 Read more about Arthur Miller and classical influences in our breakdown of Freytag’s pyramid . 

“Everything is Fine” by Michael Schur ( The Good Place )

“Well, then this system sucks. What...one in a million gets to live in paradise and everyone else is tortured for eternity? Come on! I mean, I wasn't freaking Gandhi, but I was okay. I was a medium person. I should get to spend eternity in a medium place! Like Cincinnati. Everyone who wasn't perfect but wasn't terrible should get to spend eternity in Cincinnati.” 

A screenplay, especially a TV pilot, is like a mini-play, but with the extra job of convincing an audience that they want to watch a hundred more episodes of the show. Blending moral philosophy with comedy, The Good Place is a fun hang-out show set in the afterlife that asks some big questions about what it means to be good. 

It follows Eleanor Shellstrop, an incredibly imperfect woman from Arizona who wakes up in ‘The Good Place’ and realizes that there’s been a cosmic mixup. Determined not to lose her place in paradise, she recruits her “soulmate,” a former ethics professor, to teach her philosophy with the hope that she can learn to be a good person and keep up her charade of being an upstanding citizen. The pilot does a superb job of setting up the stakes, the story, and the characters, while smuggling in deep philosophical ideas.

Personal essays

Our first foray into nonfiction on this list is the personal essay. As its name suggests, these stories are in some way autobiographical — concerned with the author’s life and experiences. But don’t be fooled by the realistic component. These essays can take any shape or form, from comics to diary entries to recipes and anything else you can imagine. Typically zeroing in on a single issue, they allow you to explore your life and prove that the personal can be universal.

Here are a couple of fantastic examples:

“On Selling Your First Novel After 11 Years” by Min Jin Lee (Literary Hub)

There was so much to learn and practice, but I began to see the prose in verse and the verse in prose. Patterns surfaced in poems, stories, and plays. There was music in sentences and paragraphs. I could hear the silences in a sentence. All this schooling was like getting x-ray vision and animal-like hearing. 

This deeply honest personal essay by Pachinko author Min Jin Lee is an account of her eleven-year struggle to publish her first novel . Like all good writing, it is intensely focused on personal emotional details. While grounded in the specifics of the author's personal journey, it embodies an experience that is absolutely universal: that of difficulty and adversity met by eventual success. 

“A Cyclist on the English Landscape” by Roff Smith (New York Times)

These images, though, aren’t meant to be about me. They’re meant to represent a cyclist on the landscape, anybody — you, perhaps. 

Roff Smith’s gorgeous photo essay for the NYT is a testament to the power of creatively combining visuals with text. Here, photographs of Smith atop a bike are far from simply ornamental. They’re integral to the ruminative mood of the essay, as essential as the writing. Though Smith places his work at the crosscurrents of various aesthetic influences (such as the painter Edward Hopper), what stands out the most in this taciturn, thoughtful piece of writing is his use of the second person to address the reader directly. Suddenly, the writer steps out of the body of the essay and makes eye contact with the reader. The reader is now part of the story as a second character, finally entering the picture.

Short Fiction

The short story is the happy medium of fiction writing. These bite-sized narratives can be devoured in a single sitting and still leave you reeling. Sometimes viewed as a stepping stone to novel writing, that couldn’t be further from the truth. Short story writing is an art all its own. The limited length means every word counts and there’s no better way to see that than with these two examples:

“An MFA Story” by Paul Dalla Rosa (Electric Literature)

At Starbucks, I remembered a reading Zhen had given, a reading organized by the program’s faculty. I had not wanted to go but did. In the bar, he read, "I wrote this in a Starbucks in Shanghai. On the bank of the Huangpu." It wasn’t an aside or introduction. It was two lines of the poem. I was in a Starbucks and I wasn’t writing any poems. I wasn’t writing anything. 

This short story is a delightfully metafictional tale about the struggles of being a writer in New York. From paying the bills to facing criticism in a writing workshop and envying more productive writers, Paul Dalla Rosa’s story is a clever satire of the tribulations involved in the writing profession, and all the contradictions embodied by systemic creativity (as famously laid out in Mark McGurl’s The Program Era ). What’s more, this story is an excellent example of something that often happens in creative writing: a writer casting light on the private thoughts or moments of doubt we don’t admit to or openly talk about. 

“Flowering Walrus” by Scott Skinner (Reedsy)

I tell him they’d been there a month at least, and he looks concerned. He has my tongue on a tissue paper and is gripping its sides with his pointer and thumb. My tongue has never spent much time outside of my mouth, and I imagine it as a walrus basking in the rays of the dental light. My walrus is not well. 

A winner of Reedsy’s weekly Prompts writing contest, ‘ Flowering Walrus ’ is a story that balances the trivial and the serious well. In the pauses between its excellent, natural dialogue , the story manages to scatter the fear and sadness of bad medical news, as the protagonist hides his worries from his wife and daughter. Rich in subtext, these silences grow and resonate with the readers.

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Perhaps the thing that first comes to mind when talking about creative writing, novels are a form of fiction that many people know and love but writers sometimes find intimidating. The good news is that novels are nothing but one word put after another, like any other piece of writing, but expanded and put into a flowing narrative. Piece of cake, right?

To get an idea of the format’s breadth of scope, take a look at these two (very different) satirical novels: 

Convenience Store Woman by Sayaka Murata

I wished I was back in the convenience store where I was valued as a working member of staff and things weren’t as complicated as this. Once we donned our uniforms, we were all equals regardless of gender, age, or nationality — all simply store workers. 

Keiko, a thirty-six-year-old convenience store employee, finds comfort and happiness in the strict, uneventful routine of the shop’s daily operations. A funny, satirical, but simultaneously unnerving examination of the social structures we take for granted, Sayaka Murata’s Convenience Store Woman is deeply original and lingers with the reader long after they’ve put it down.

Erasure by Percival Everett

The hard, gritty truth of the matter is that I hardly ever think about race. Those times when I did think about it a lot I did so because of my guilt for not thinking about it.  

Erasure is a truly accomplished satire of the publishing industry’s tendency to essentialize African American authors and their writing. Everett’s protagonist is a writer whose work doesn’t fit with what publishers expect from him — work that describes the “African American experience” — so he writes a parody novel about life in the ghetto. The publishers go crazy for it and, to the protagonist’s horror, it becomes the next big thing. This sophisticated novel is both ironic and tender, leaving its readers with much food for thought.

Creative Nonfiction

Creative nonfiction is pretty broad: it applies to anything that does not claim to be fictional (although the rise of autofiction has definitely blurred the boundaries between fiction and nonfiction). It encompasses everything from personal essays and memoirs to humor writing, and they range in length from blog posts to full-length books. The defining characteristic of this massive genre is that it takes the world or the author’s experience and turns it into a narrative that a reader can follow along with.

Here, we want to focus on novel-length works that dig deep into their respective topics. While very different, these two examples truly show the breadth and depth of possibility of creative nonfiction:

Men We Reaped by Jesmyn Ward

Men’s bodies litter my family history. The pain of the women they left behind pulls them from the beyond, makes them appear as ghosts. In death, they transcend the circumstances of this place that I love and hate all at once and become supernatural. 

Writer Jesmyn Ward recounts the deaths of five men from her rural Mississippi community in as many years. In her award-winning memoir , she delves into the lives of the friends and family she lost and tries to find some sense among the tragedy. Working backwards across five years, she questions why this had to happen over and over again, and slowly unveils the long history of racism and poverty that rules rural Black communities. Moving and emotionally raw, Men We Reaped is an indictment of a cruel system and the story of a woman's grief and rage as she tries to navigate it.

Cork Dork by Bianca Bosker

He believed that wine could reshape someone’s life. That’s why he preferred buying bottles to splurging on sweaters. Sweaters were things. Bottles of wine, said Morgan, “are ways that my humanity will be changed.” 

In this work of immersive journalism , Bianca Bosker leaves behind her life as a tech journalist to explore the world of wine. Becoming a “cork dork” takes her everywhere from New York’s most refined restaurants to science labs while she learns what it takes to be a sommelier and a true wine obsessive. This funny and entertaining trip through the past and present of wine-making and tasting is sure to leave you better informed and wishing you, too, could leave your life behind for one devoted to wine. 

Illustrated Narratives (Comics, graphic novels)

Once relegated to the “funny pages”, the past forty years of comics history have proven it to be a serious medium. Comics have transformed from the early days of Jack Kirby’s superheroes into a medium where almost every genre is represented. Humorous one-shots in the Sunday papers stand alongside illustrated memoirs, horror, fantasy, and just about anything else you can imagine. This type of visual storytelling lets the writer and artist get creative with perspective, tone, and so much more. For two very different, though equally entertaining, examples, check these out:

Calvin & Hobbes by Bill Watterson

"Life is like topography, Hobbes. There are summits of happiness and success, flat stretches of boring routine and valleys of frustration and failure." 

This beloved comic strip follows Calvin, a rambunctious six-year-old boy, and his stuffed tiger/imaginary friend, Hobbes. They get into all kinds of hijinks at school and at home, and muse on the world in the way only a six-year-old and an anthropomorphic tiger can. As laugh-out-loud funny as it is, Calvin & Hobbes ’ popularity persists as much for its whimsy as its use of humor to comment on life, childhood, adulthood, and everything in between. 

From Hell by Alan Moore and Eddie Campbell 

"I shall tell you where we are. We're in the most extreme and utter region of the human mind. A dim, subconscious underworld. A radiant abyss where men meet themselves. Hell, Netley. We're in Hell." 

Comics aren't just the realm of superheroes and one-joke strips, as Alan Moore proves in this serialized graphic novel released between 1989 and 1998. A meticulously researched alternative history of Victorian London’s Ripper killings, this macabre story pulls no punches. Fact and fiction blend into a world where the Royal Family is involved in a dark conspiracy and Freemasons lurk on the sidelines. It’s a surreal mad-cap adventure that’s unsettling in the best way possible. 

Video Games and RPGs

Probably the least expected entry on this list, we thought that video games and RPGs also deserved a mention — and some well-earned recognition for the intricate storytelling that goes into creating them. 

Essentially gamified adventure stories, without attention to plot, characters, and a narrative arc, these games would lose a lot of their charm, so let’s look at two examples where the creative writing really shines through: 

80 Days by inkle studios

"It was a triumph of invention over nature, and will almost certainly disappear into the dust once more in the next fifty years." 

Named Time Magazine ’s game of the year in 2014, this narrative adventure is based on Around the World in 80 Days by Jules Verne. The player is cast as the novel’s narrator, Passpartout, and tasked with circumnavigating the globe in service of their employer, Phileas Fogg. Set in an alternate steampunk Victorian era, the game uses its globe-trotting to comment on the colonialist fantasies inherent in the original novel and its time period. On a storytelling level, the choose-your-own-adventure style means no two players’ journeys will be the same. This innovative approach to a classic novel shows the potential of video games as a storytelling medium, truly making the player part of the story. 

What Remains of Edith Finch by Giant Sparrow

"If we lived forever, maybe we'd have time to understand things. But as it is, I think the best we can do is try to open our eyes, and appreciate how strange and brief all of this is." 

This video game casts the player as 17-year-old Edith Finch. Returning to her family’s home on an island in the Pacific northwest, Edith explores the vast house and tries to figure out why she’s the only one of her family left alive. The story of each family member is revealed as you make your way through the house, slowly unpacking the tragic fate of the Finches. Eerie and immersive, this first-person exploration game uses the medium to tell a series of truly unique tales. 

Fun and breezy on the surface, humor is often recognized as one of the trickiest forms of creative writing. After all, while you can see the artistic value in a piece of prose that you don’t necessarily enjoy, if a joke isn’t funny, you could say that it’s objectively failed.

With that said, it’s far from an impossible task, and many have succeeded in bringing smiles to their readers’ faces through their writing. Here are two examples:

‘How You Hope Your Extended Family Will React When You Explain Your Job to Them’ by Mike Lacher (McSweeney’s Internet Tendency)

“Is it true you don’t have desks?” your grandmother will ask. You will nod again and crack open a can of Country Time Lemonade. “My stars,” she will say, “it must be so wonderful to not have a traditional office and instead share a bistro-esque coworking space.” 

Satire and parody make up a whole subgenre of creative writing, and websites like McSweeney’s Internet Tendency and The Onion consistently hit the mark with their parodies of magazine publishing and news media. This particular example finds humor in the divide between traditional family expectations and contemporary, ‘trendy’ work cultures. Playing on the inherent silliness of today’s tech-forward middle-class jobs, this witty piece imagines a scenario where the writer’s family fully understands what they do — and are enthralled to hear more. “‘Now is it true,’ your uncle will whisper, ‘that you’ve got a potential investment from one of the founders of I Can Haz Cheezburger?’”

‘Not a Foodie’ by Hilary Fitzgerald Campbell (Electric Literature)

I’m not a foodie, I never have been, and I know, in my heart, I never will be. 

Highlighting what she sees as an unbearable social obsession with food , in this comic Hilary Fitzgerald Campbell takes a hilarious stand against the importance of food. From the writer’s courageous thesis (“I think there are more exciting things to talk about, and focus on in life, than what’s for dinner”) to the amusing appearance of family members and the narrator’s partner, ‘Not a Foodie’ demonstrates that even a seemingly mundane pet peeve can be approached creatively — and even reveal something profound about life.

We hope this list inspires you with your own writing. If there’s one thing you take away from this post, let it be that there is no limit to what you can write about or how you can write about it. 

In the next part of this guide, we'll drill down into the fascinating world of creative nonfiction.

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14 Types of Creative Writing

by Melissa Donovan | Apr 6, 2021 | Creative Writing | 20 comments

Which types of creative writing have you tried?

When we talk about creative writing, fiction and poetry often take the spotlight, but there are many other types of creative writing that we can explore.

Most writers develop a preference for one form (and genre) above all others. This can be a good thing, because you can specialize in your form and genre and become quite proficient. However, occasionally working with other types of writing is beneficial. It prevents your work from becoming stale and overladen with form- or genre-specific clichés, and it’s a good way to acquire a variety of techniques that are uncommon in your preferred form and genre but that can be used to enhance it.

Types of Creative Writing

Free writing: Open a notebook or an electronic document and just start writing. Allow strange words and images to find their way to the page. Anything goes! Also called stream-of-consciousness writing, free writing is the pinnacle of creative writing.

Journals: A journal is any written log. You could keep a gratitude journal, a memory journal, a dream journal, or a goals journal. Many writers keep idea journals or all-purpose omni-journals that can be used for everything from daily free writes to brainstorming and project planning.

Diaries: A diary is a type of journal in which you write about your daily life. Some diaries are written in letter format (“Dear Diary…”). If you ever want to write a memoir, then it’s a good idea to start keeping a diary.

Letters: Because the ability to communicate effectively is increasingly valuable, letter writing is a useful skill. There is a long tradition of publishing letters, so take extra care with those emails you’re shooting off to friends, family, and business associates. Hot tip: one way to get published if you don’t have a lot of clips and credits is to write letters to the editor of a news publication.

Memoir: A genre of creative nonfiction , memoirs are books that contain personal accounts (or stories) that focus on specific experiences. For example, one might write a travel memoir.

Essays. Essays are often associated with academic writing, but there are many types of essays, including personal essays, descriptive essays, and persuasive essays, all of which can be quite creative (and not especially academic).

Journalism: Some forms of journalism are more creative than others. Traditionally, journalism was objective reporting on facts, people, and events. Today, journalists often infuse their writing with opinion and storytelling to make their pieces more compelling or convincing.

Poetry: Poetry is a popular but under-appreciated type of writing, and it’s easily the most artistic form of writing. You can write form poetry, free-form poetry, and prose poetry.

Song Lyrics: Song lyrics combine the craft of writing with the artistry of music. Composing lyrics is similar to writing poetry, and this is an ideal type of writing for anyone who can play a musical instrument.

Scripts: Hit the screen or the stage by writing scripts for film, television, theater, or video games. Beware: film is a director’s medium, not a writer’s medium, but movies have the potential to reach a non-reading audience.

Storytelling: Storytelling is the most popular form of creative writing and is found in the realms of both fiction and nonfiction writing. Popular forms of fiction include flash fiction, short stories, novellas, and full-length novels; and there are tons of genres to choose from. True stories, which are usually firsthand or secondhand accounts of real people and events, can be found in essays, diaries, memoirs, speeches, and more. Storytelling is a tremendously valuable skill, as it can be found in all other forms of writing, from poetry to speech writing.

Speeches: Whether persuasive, inspirational, or informative, speech writing can lead to interesting career opportunities in almost any field or industry. Also, speech-writing skills will come in handy if you’re ever asked to write and deliver a speech at an important event, such as a graduation, wedding, or award ceremony.

Vignettes: A  vignette is defined as “a brief evocative description, account, or episode.” Vignettes can be poems, stories, descriptions, personal accounts…anything goes really. The key is that a vignette is extremely short — just a quick snippet.

Honorable Mention: Blogs. A blog is not a type of writing; it’s a publishing platform — a piece of technology that displays web-based content on an electronic device. A blog can be used to publish any type of writing. Most blogs feature articles and essays, but you can also find blogs that contain diaries or journals, poetry, fiction, journalism, and more.

Which of these types of creative writing have you tried? Are there any forms of writing on this list that you’d like to experiment with? Can you think of any other types of creative writing to add to this list? Share your thoughts by leaving a comment, and keep writing.

20 Comments

What is “flash” writing or stories.

Flash fiction refers to super short stories, a few hundred words or fewer.

its very helpful especially to those students like me who wasn’t capable or good in doing a creative writing

I’m glad you found this post helpful, Elena.

I also found this to be very helpful, especially because I don’t do very well at writing.

Thanks for letting me know you found this helpful. Like anything else, writing improves with practice.

Thank you Melissa. It’s very helpful!

You’re welcome!

Over all good list. Yes blogs can be publishing platforms but only if something is written first. I read what you wrote on a blog.

Thanks a lot Good job

Are these types of creaitve writing the same or different if I need to teach children’s creative writing? Can you recommend a website to teach these?

Hi Marie. Thanks for your question. I’ve come across many websites for teaching children’s creative writing. I recommend a search on Google, which will lead you to a ton of resources.

these are very helpful when it comes to getting in college or essays or just to improve my writing

Thanks, Donte. I’m glad you found this helpful.

Free writing really helps me get going. For some reason my prose are much better when I am not beholden to an overall plot or narrative with specific defined characters. I like to free writer “excerpts” on theprose.com. It allows me to practice writing and receive feedback at the same time. I am also trying to blog about writing my first novel, both for writing practice and to keep myself accountable. It really helps!

I feel the same way. Free writing is always a fun and creative experience for me.

Was trying to give an inservice on writing skills and the different types of writing.

Your wok here really helped. Thanks.

You’re welcome.

Hi, Melissa can you assist me ? I’m trying to improve my writing skills as quickly as possible. Plz send me some more tips and trick to improve my writing and communication skills.

You are welcome to peruse this website, which is packed with tips for improving your writing. I’d recommend focusing on the categories Better Writing and Writing Tips for writing improvement. You can also subscribe to get new articles send directly to your email. Thanks!

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Types of Creative Writing: A Detailed Explanantion

Read the blog and discover different Types of Creative Writing offering insights and examples to help you navigate the world of literary creativity. Explore various forms such as poetry, fiction, non-fiction, and scriptwriting. Discover how each style offers unique ways to express creativity, tell stories, and engage audiences.

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Creative Writing is a diverse and exciting art that demands Writers to look into their imagination and express their thoughts in unique ways. From short stories to poetry, different   Types of Creative Writing which cater to different styles and preferences. In this blog, we will delve into the different Types of Creative Writing, offering insights and examples to help you navigate the world of literary creativity.

Table of Contents

1) What are the various Types of Creative Writing?

     a) Fiction writing

     b) Poetry

     c) Song lyrics

     d) Journals and diaries

     e) Drama and playwriting

      f) Screenwriting

      g) Experimental writing

      h) Novels

2) Techniques used in Creative Writing

3) Conclusion

What are the various Types of Creative Writing?

 Let’s discuss the various Types of Creative Writing:

Fiction writing 

Fiction writing is one of the captivating Types of Creative Writing that transports readers into imaginary worlds, introduces them to memorable characters, and explores numerous emotions and themes. Within fiction, there are several distinct forms that Writers can explore to weave intricate tales. These forms include:

Fiction writing is a captivating part of Creative Writing that transports readers into imaginary worlds, introduces them to memorable characters, and explores an array of emotions and themes. Within fiction, there are several distinct forms that Writers can explore to weave intricate tales:

a) Short stories:

Short stories are concise yet potent narratives that distil the essence of a single plot, theme, or character arc. Writers craft short stories to deliver a powerful impact within a limited word count. The brevity of the format challenges Authors to make every word count, focusing on evoking emotions, building tension, and delivering a satisfying resolution in a short span of time.

Novels offer the canvas for Writers to embark on extended journeys of storytelling. With ample space to develop complex characters, intricate plotlines, and detailed settings, novels invite readers to immerse themselves in the fictional world fully. Writers can explore a myriad of themes, emotions, and conflicts, delving deep into the psyche of their characters and creating a lasting impact on the reader.

c) Flash fiction:

Flash fiction is the art of storytelling distilled into its most concise form. Writers embrace the challenge of telling a complete story within just a few hundred words. This form demands precision and creativity, forcing Writers to capture the essence of a narrative in a condensed space.

d) Fan fiction:

Fan fiction is a fascinating genre that allows Writers to extend and reimagine existing fictional universes. Writers create new stories, scenarios, and adventures featuring beloved characters from books, movies, TV shows, or video games. By building upon established foundations, Writers engage in a creative dialogue with the original creators and fellow fans.

d) Historical fiction:

Poetry 

Poetry is the language of emotions, a lyrical form of expression that transcends conventional prose. It's one of the most interesting and beautiful  Types  of Creative Writing that condenses thoughts, feelings, and imagery into evocative verses.

It invites readers to experience the world through a different lens. Within the realm of poetry, various forms and styles allow poets to experiment with rhythm, sound, and language, resulting in a rich tapestry of literary artistry that involves the following:

Haiku, originating from Japan, is a minimalist form of poetry that captures the essence of a moment in just three lines. With a syllable structure of 5-7-5, haikus distil nature's beauty and human experiences into concise verses. They often focus on capturing fleeting moments, seasons, and emotions, inviting readers to pause and reflect on the subtleties of life.

The sonnet is a structured and elegant poetic form dating  back to the Renaissance. Typically composed of 14 lines, sonnets follow specific rhyme schemes, such as the Shakespearean (ABABCDCDEFEFGG) or the Petrarchan (ABBAABBACDCDCD). Sonnets explore themes of love, beauty, mortality, and the complexities of human emotion.

c) Free verse:

Free verse poetry breaks away from traditional rhyme and meter patterns, allowing poets to experiment with line breaks, rhythm, and imagery. This form gives poets the freedom to let their thoughts flow naturally, creating unique and organic rhythms that reflect the pace of modern life.

d) Limerick:

Limericks are playful and humorous five-line poems with a distinct AABBA rhyme scheme. These witty verses often feature light-hearted language and unexpected twists, making them a favourite for conveying amusing anecdotes and quirky observations.

e) Epic poetry:

Epic poems tell grand narratives of heroes, gods, and legendary quests. With their lengthy verses and intricate storytelling, epic poems like Homer's "The Iliad" and "The Odyssey" have shaped cultures and inspired countless works of literature. These narratives delve into themes of heroism, fate, and the human condition, offering readers an immersive journey through time and imagination.

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Song lyrics

If you like writing poetry or you think that it can be your forte as a Creative Writer, then you can also try your hand at writing song lyrics. Song lyrics are another one of the most popular Types of Creative Writing. 

Practising writing song lyrics is one of the best ways to bring out your creativity, especially if you have a knack for music. Although it sounds interesting and fun, matching the lines in a song lyric can be a challenging task.

You need to think about maintaining not only the intent of the song but also the kind of audience you’ll be approaching. Your song lyrics need to be tangible and understandable, and most importantly, they need to carry out a story and song at the same time.

If you don’t have any proper knowledge of music, then you can try getting help from your friends or peers who have a good knowledge of music and see if your lyrics are going well with the music.

Journals and diaries

Practicing journaling is a good way of regulating someone’s emotions and understand their feelings. If you are unsure what Type of Creative Writing you want to pursue, you can simply start by jotting down the events of your day.

Understanding what you go through every day, not only helps you in your personal development, but also help you to become a good Creative Writer. You can even publish your works as we have seen so many famous people publishing their diary entries. If you want to know where to start, there are several journal entries by famous people, whose works can inspire you to start Writing.

Keeping a journal or diary, is crucial for your mental health, as it helps you to express your feelings in a constructive manner. This also gives you another boost to your writing skills, if you are a budding Writer

Drama and playwriting 

Drama and playwriting are artistic forms of Creative Writing that bring narratives to life through the dynamics of performance. These forms of creative expression explore the intricacies of human interaction, emotion, and conflict within the context of staged productions. Let's delve into the world of drama and playwriting, where characters come alive on the stage:  

a) Tragedy:

Tragedy is a dramatic genre that delves into the darker aspects of human nature and the inevitability of suffering. Tragic plays often revolve around protagonists who face moral dilemmas, internal struggles, and external forces that ultimately lead to their downfall. Tragedies offer audiences a cathartic experience, allowing them to confront and process complex emotions while reflecting on the human condition.

Comedy is the art of entertainment through humour and light-heartedness. Comedic plays explore the absurdities of human behaviour, social conventions, and misunderstandings. These works aim to amuse and uplift audiences, often featuring witty dialogue, situational comedy, and humorous characters. From slapstick to sattire, comedies provide a diverse range of comedic experiences.

c) Monologues:

Monologues are powerful soliloquies delivered by a single character on stage. They offer insight into the character's thoughts, emotions, and motivations, allowing the audience to connect deeply with their inner world. Monologues provide actors with opportunities to showcase their talent and capture the essence of a character's complexity.

d) Dialogues:

Dialogues are the heart of dramatic interaction. They reveal the relationships between characters, advance the plot, and convey emotions and conflicts. Well-crafted dialogues create tension, build connections, and propel the narrative forward, immersing the audience in the unfolding drama.

e) Experimental theatre:

Experimental theatre pushes the boundaries of traditional forms and conventions. This genre encourages innovative approaches to staging, narrative structure, and performance. Playwrights and directors experiment with non-linear narratives, multimedia elements, immersive environments, and audience interaction to challenge perceptions and evoke thought-provoking responses.

Screenwriting 

Screenwriting is the art of crafting stories specifically for the visual medium of film or television. It's a dynamic and collaborative form of writing that serves as the foundation for the creation of compelling on-screen narratives. Here are some key elements of screenwriting:

a) Writing for film:

Film screenwriting involves creating scripts that serve as blueprints for movies. ScreenWriters translate their ideas into a structured format that includes scenes, dialogues, actions, and descriptions. They must balance engaging storytelling with the technical aspects of filmmaking, considering camera angles, pacing, and visual cues.

b) Television scripts:

Television scripts are tailored to episodic formats, such as TV series or miniseries. Writers develop characters, story arcs, and dialogue that span multiple episodes, allowing for character development and plot progression over time. Each episode contributes to the overarching narrative while maintaining its own distinct identity.

c) Adaptation:

Adaptation involves transforming existing source material, such as books, plays, or real-life events, into screenplay format. Writers must distil the essence of the original work while making necessary changes to suit the visual medium and the constraints of time.

d) Dialogue and action:

Effective screenwriting places a strong emphasis on dialogue and action. Dialogue conveys characters' personalities, motivations, and conflicts, while action descriptions provide visual cues for directors, actors, and crew. Both elements work together to create a seamless and engaging on-screen experience.

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Experimental writing 

Experimental writing defies traditional conventions, pushing the boundaries of language and structure to create innovative literary works. It challenges readers to engage with unconventional formats, fragmented narratives, and abstract concepts. 

Through a stream of consciousness, collage writing, and visual poetry, experimental writing offers a fresh perspective, inviting readers to explore new realms of thought and emotion. It's a playground of creative freedom where Writers experiment with words as artists do with colours, producing compositions that evoke intrigue, reflection, and a deeper understanding of the limitless possibilities of language.

It is often said that good Writers are voracious readers. Well, if we take that into consideration, then there have many times where you might have loved reading novels. All the novels that you have read, or you know of, are one of the premium examples of Creative Writing.

They may vary in length, depending on the subject or genre that you choose to write on. If you are writing a long form novel, then they are divided into number of chapters. If you have a big idea waiting to be broken down into many chapters, then novels are for you.

Techniques used in Creative Writing

If you are wondering how to begin Creative Writing, you can start by following these techniques:

1) Narrative

Determining the narrative of your story is extremely important. If you control the narrative in your story, you can hold your audience’s attention for a long time, whether you are writing novels, novellas, or even short stories. In general, you should remember that whether you are doing Creative Writing or Non-fiction Writing, deciding on a narrative and then maintaining that throughout is crucial.

2) Characterisation

Characterisation is vital in building your story. If you don’t provide the details of your characters and describe their physical features, background, past, etc., you cannot help your reader imagine the situation. It is a crucial step in Creative Writing, enabling you to drive the plot forward and allow your story to build more layers.

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What this handout is about

This handout identifies common questions about drama, describes the elements of drama that are most often discussed in theater classes, provides a few strategies for planning and writing an effective drama paper, and identifies various resources for research in theater history and dramatic criticism. We’ll give special attention to writing about productions and performances of plays.

What is drama? And how do you write about it?

When we describe a situation or a person’s behavior as “dramatic,” we usually mean that it is intense, exciting (or excited), striking, or vivid. The works of drama that we study in a classroom share those elements. For example, if you are watching a play in a theatre, feelings of tension and anticipation often arise because you are wondering what will happen between the characters on stage. Will they shoot each other? Will they finally confess their undying love for one another? When you are reading a play, you may have similar questions. Will Oedipus figure out that he was the one who caused the plague by killing his father and sleeping with his mother? Will Hamlet successfully avenge his father’s murder?

For instructors in academic departments—whether their classes are about theatrical literature, theater history, performance studies, acting, or the technical aspects of a production—writing about drama often means explaining what makes the plays we watch or read so exciting. Of course, one particular production of a play may not be as exciting as it’s supposed to be. In fact, it may not be exciting at all. Writing about drama can also involve figuring out why and how a production went wrong.

What’s the difference between plays, productions, and performances?

Talking about plays, productions, and performances can be difficult, especially since there’s so much overlap in the uses of these terms. Although there are some exceptions, usually plays are what’s on the written page. A production of a play is a series of performances, each of which may have its own idiosyncratic features. For example, one production of Shakespeare’s Twelfth Night might set the play in 1940’s Manhattan, and another might set the play on an Alpaca farm in New Zealand. Furthermore, in a particular performance (say, Tuesday night) of that production, the actor playing Malvolio might get fed up with playing the role as an Alpaca herder, shout about the indignity of the whole thing, curse Shakespeare for ever writing the play, and stomp off the stage. See how that works?

Be aware that the above terms are sometimes used interchangeably—but the overlapping elements of each are often the most exciting things to talk about. For example, a series of particularly bad performances might distract from excellent production values: If the actor playing Falstaff repeatedly trips over a lance and falls off the stage, the audience may not notice the spectacular set design behind him. In the same way, a particularly dynamic and inventive script (play) may so bedazzle an audience that they never notice the inept lighting scheme.

A few analyzable elements of plays

Plays have many different elements or aspects, which means that you should have lots of different options for focusing your analysis. Playwrights—writers of plays—are called “wrights” because this word means “builder.” Just as shipwrights build ships, playwrights build plays. A playwright’s raw materials are words, but to create a successful play, they must also think about the performance—about what will be happening on stage with sets, sounds, actors, etc. To put it another way: the words of a play have their meanings within a larger context—the context of the production. When you watch or read a play, think about how all of the parts work (or could work) together.

For the play itself, some important contexts to consider are:

• The time period in which the play was written
• The playwright’s biography and their other writing
• Contemporaneous works of theater (plays written or produced by other artists at roughly the same time)
• The language of the play

Depending on your assignment, you may want to focus on one of these elements exclusively or compare and contrast two or more of them. Keep in mind that any one of these elements may be more than enough for a dissertation, let alone a short reaction paper. Also remember that in most cases, your assignment will ask you to provide some kind of analysis, not simply a plot summary—so don’t think that you can write a paper about A Doll’s House that simply describes the events leading up to Nora’s fateful decision.

Since a number of academic assignments ask you to pay attention to the language of the play and since it might be the most complicated thing to work with, it’s worth looking at a few of the ways you might be asked to deal with it in more detail.

There are countless ways that you can talk about how language works in a play, a production, or a particular performance. Given a choice, you should probably focus on words, phrases, lines, or scenes that really struck you, things that you still remember weeks after reading the play or seeing the performance. You’ll have a much easier time writing about a bit of language that you feel strongly about (love it or hate it).

That said, here are two common ways to talk about how language works in a play:

How characters are constructed by their language

If you have a strong impression of a character, especially if you haven’t seen that character depicted on stage, you probably remember one line or bit of dialogue that really captures who that character is. Playwrights often distinguish their characters with idiosyncratic or at least individualized manners of speaking. Take this example from Oscar Wilde’s The Importance of Being Earnest :

ALGERNON: Did you hear what I was playing, Lane? LANE: I didn’t think it polite to listen, sir. ALGERNON: I’m sorry for that, for your sake. I don’t play accurately—anyone can play accurately—but I play with wonderful expression. As far as the piano is concerned, sentiment is my forte. I keep science for Life. LANE: Yes, sir. ALGERNON: And, speaking of the science of Life, have you got the cucumber sandwiches cut for Lady Bracknell?

This early moment in the play contributes enormously to what the audience thinks about the aristocratic Algernon and his servant, Lane. If you were to talk about language in this scene, you could discuss Lane’s reserved replies: Are they funny? Do they indicate familiarity or sarcasm? How do you react to a servant who replies in that way? Or you could focus on Algernon’s witty responses. Does Algernon really care what Lane thinks? Is he talking more to hear himself? What does that say about how the audience is supposed to see Algernon? Algernon’s manner of speech is part of who his character is. If you are analyzing a particular performance, you might want to comment on the actor’s delivery of these lines: Was his vocal inflection appropriate? Did it show something about the character?

How language contributes to scene and mood

Ancient, medieval, and Renaissance plays often use verbal tricks and nuances to convey the setting and time of the play because performers during these periods didn’t have elaborate special-effects technology to create theatrical illusions. For example, most scenes from Shakespeare’s Macbeth take place at night. The play was originally performed in an open-air theatre in the bright and sunny afternoon. How did Shakespeare communicate the fact that it was night-time in the play? Mainly by starting scenes like this:

BANQUO: How goes the night, boy? FLEANCE: The moon is down; I have not heard the clock. BANQUO: And she goes down at twelve. FLEANCE: I take’t, ’tis later, sir. BANQUO: Hold, take my sword. There’s husbandry in heaven; Their candles are all out. Take thee that too. A heavy summons lies like lead upon me, And yet I would not sleep: merciful powers, Restrain in me the cursed thoughts that nature Gives way to in repose!

Enter MACBETH, and a Servant with a torch

Give me my sword. Who’s there?

Characters entering with torches is a pretty big clue, as is having a character say, “It’s night.” Later in the play, the question, “Who’s there?” recurs a number of times, establishing the illusion that the characters can’t see each other. The sense of encroaching darkness and the general mysteriousness of night contributes to a number of other themes and motifs in the play.

Productions and performances

Productions.

For productions as a whole, some important elements to consider are:

• Venue: How big is the theatre? Is this a professional or amateur acting company? What kind of resources do they have? How does this affect the show?
• Costumes: What is everyone wearing? Is it appropriate to the historical period? Modern? Trendy? Old-fashioned? Does it fit the character? What does their costume make you think about each character? How does this affect the show?
• Set design: What does the set look like? Does it try to create a sense of “realism”? Does it set the play in a particular historical period? What impressions does the set create? Does the set change, and if so, when and why? How does this affect the show?
• Lighting design: Are characters ever in the dark? Are there spotlights? Does light come through windows? From above? From below? Is any tinted or colored light projected? How does this affect the show?
• “Idea” or “concept”: Do the set and lighting designs seem to work together to produce a certain interpretation? Do costumes and other elements seem coordinated? How does this affect the show?

You’ve probably noticed that each of these ends with the question, “How does this affect the show?” That’s because you should be connecting every detail that you analyze back to this question. If a particularly weird costume (like King Henry in scuba gear) suggests something about the character (King Henry has gone off the deep end, literally and figuratively), then you can ask yourself, “Does this add or detract from the show?” (King Henry having an interest in aquatic mammals may not have been what Shakespeare had in mind.)

Performances

For individual performances, you can analyze all the items considered above in light of how they might have been different the night before. For example, some important elements to consider are:

• Individual acting performances: What did the actor playing the part bring to the performance? Was there anything particularly moving about the performance that night that surprised you, that you didn’t imagine from reading the play beforehand (if you did so)?
• Mishaps, flubs, and fire alarms: Did the actors mess up? Did the performance grind to a halt or did it continue?
• Audience reactions: Was there applause? At inappropriate points? Did someone fall asleep and snore loudly in the second act? Did anyone cry? Did anyone walk out in utter outrage?

Response papers

Instructors in drama classes often want to know what you really think. Sometimes they’ll give you very open-ended assignments, allowing you to choose your own topic; this freedom can have its advantages and disadvantages. On the one hand, you may find it easier to express yourself without the pressure of specific guidelines or restrictions. On the other hand, it can be challenging to decide what to write about. The elements and topics listed above may provide you with a jumping-off point for more open-ended assignments. Once you’ve identified a possible area of interest, you can ask yourself questions to further develop your ideas about it and decide whether it might make for a good paper topic. For example, if you were especially interested in the lighting, how did the lighting make you feel? Nervous? Bored? Distracted? It’s usually a good idea to be as specific as possible. You’ll have a much more difficult time if you start out writing about “imagery” or “language” in a play than if you start by writing about that ridiculous face Helena made when she found out Lysander didn’t love her anymore.

If you’re really having trouble getting started, here’s a three point plan for responding to a piece of theater—say, a performance you recently observed:

• Make a list of five or six specific words, images, or moments that caught your attention while you were sitting in your seat.
• Answer one of the following questions: Did any of the words, images, or moments you listed contribute to your enjoyment or loathing of the play? Did any of them seem to add to or detract from any overall theme that the play may have had? Did any of them make you think of something completely different and wholly irrelevant to the play? If so, what connection might there be?
• Write a few sentences about how each of the items you picked out for the second question affected you and/or the play.

This list of ideas can help you begin to develop an analysis of the performance and your own reactions to it.

If you need to do research in the specialized field of performance studies (a branch of communication studies) or want to focus especially closely on poetic or powerful language in a play, see our handout on communication studies and handout on poetry explications . For additional tips on writing about plays as a form of literature, see our handout on writing about fiction .

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Carter, Paul. 1994. The Backstage Handbook: An Illustrated Almanac of Technical Information , 3rd ed. Shelter Island, NY: Broadway Press.

Vandermeer, Philip. 2021. “A to Z Databases: Dramatic Art.” Subject Research Guides, University of North Carolina. Last updated March 3, 2021. https://guides.lib.unc.edu/az.php?a=d&s=1113 .

Worthen, William B. 2010. The Wadsworth Anthology of Drama , 6th ed. Boston: Cengage.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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7 Different Types of Drama in Literature!

Drama , popularly understood as a performing art, is one of the major modes of representation of  fiction . Alternatively, drama is also a genre of visual and written media, used for comparatively serious  narrative   fiction . However, drama in literature is characterized by a narrative with dialogues and performance. Whether enacted in theatres, radio shows or incorporated into written media, drama is all around us. In this article, let’s learn briefly about the  history , significance and different types of drama in literature!

What is Drama?

• History of Drama in Literature

Dramatic Expression

Drama of literature or closet drama.

• Drama Type – Comedy
• Drama Type – Tragedy

Tragi-Comedy

• Drama Type – Melodrama
• Drama Type – Musical

Interesting Facts About Greek Drama and Theater

Parting thoughts.

Etymologically, the word drama comes from the Greek word “ draō ” which means “to do/ to act”. Have you ever noticed two marks representing drama? These masks identified with drama illustrate the classic conventional distinction between  comedy  and tragedy.

Drama, to this day, remains a precious art of collaborative production and reception, performed at a  theatre  for an audience. You might have enjoyed one yourself. However, it wouldn’t be exaggerating to say that this art is slowly fading off. We have neglected the art too much but there’s still  time .  The importance of theatre art  should be inculcated in everyone, whether children or adult.

There are many different forms of drama, including mime, closet drama, improvisations, musicals, opera and others. Some of these forms have found their way into a dramatic literary corpus. For example, a closet drama refers exactly to what was written for reading, not performance. Others are specifically performative drama such as mime. It refers to a theatrical performance of gestures and suggestions of  emotions  and actions without the use of  dialogues .

In simple words, hence, drama in  literature  is a performance of a narrative with dialogues, performed sometimes with  dance  and music according to a script. This script in a written form is widely read and enjoyed.

History of Drama  in Literature

Ancient greeks.

As you can already guess, we can trace drama straight back to Ancient Greece, where Western drama originated. The cultural city of Athens mainly produced three  types of drama – tragedy, comedy and satyr play. The exact origin of drama, or plays is obscure, as is the custom for so many cultural traditions.

However, drama as a  mode  of celebration was institutionalised in Athens in the 5th century BC through competitions to honour the God Dionysus. From the ancient period, only the works of a few dramatists remain to this day.

Some of them are:

• Aristophanes

Ancient Romans

Next comes, yes, you guessed it right, Rome!

The Romans came across Greek drama when they captured several territories of the Ancient Greece in the 3rd century BC. By means of the Roman Empire, the art of drama spread far and wide. However, few works survive of the Roman dramatists.

Medieval Period

• In the medieval period, churches took it upon themselves to popularize drama by encouraging enactments of biblical events.
• These  types  of drama would require two groups to sing in Latin and by the 11th century, this type of drama spread through the whole of Europe and even Russia.
• In the middle ages, plays were generally religious in thematic contexts because they served as important means of disseminating religious codes and education. However, secular and morality plays were also popular.

Elizabethan Period

The 16th and 17th century England was perhaps the most important period for drama. At this time, most plays were written in verses in  iambic pentameter . It is a type of metric line used in  poetry  and verse drama. It specifies the  rhythm  or meter in a particular line. In addition to William  Shakespeare , Christopher Marlowe, Thomas Middleton and Ben Jonson are important playwrights of this period. The themes of such plays were largely drawn from the mythology of Ancient Greece or Roman mythology.

English  Restoration Comedies in the period of the 17th and 18th centuries were also popular, bringing on the  renaissance  of English drama in literature. Stealing from Greeks, Romans and other European counterparts, sexual explicitness, urbane, cosmopolitan wit, current topical literature, and dense, busy storylines marked English Restoration Comedies.

During the second wave of Restoration comedy in the 1690s, William Congreve and John Vanbrugh’s “softer” plays sought to appeal to a more socially diversified audience with a large middle-class element, as well as female viewers.

Modern and Post-Modern Period

Innovative branches of drama led by Norwegian Henrik Ibsen and German Bertolt Brecht marked the 19th and 20th centuries. These plays were marked by realist and modern, experimental themes, social critique. Some important playwrights of this period are George Bernard Shaw, Arthur Miller, Antonin Artaud and others.

Expression of drama, or the language of drama stems from the understanding and context of the text depicted. Different types of drama in literature have different expressions. It can be ritualistic and exaggerated or parallel the motion pictures.  Britannica  mentions the authors of ancient Greek ceremonial theatre who wrote in verses, and it is thought that their performers delivered this in an incantatory manner midway between  speech  and  song . The result of such rhythmic word delivery was to raise the tone of the entire theatre to that of religious adoration.

A poem accompaniment makes the performers’ highly stylized system of symbolic movements of head and eyes, arms and fingers a harmonic totality in  Indian  play. The tragic soliloquy in Shakespeare allowed the hero, alone on stage with the audience, to evaluate his thoughts aloud in the persuasive terms of poetry. 

What is  Drama in Literature ?

Drama is strongly linked to literature, so much so that the two are practically inseparable. For an instance, the play Hamlet has both dramatic and literary value.

Drama can reach an audience in two ways

• by way of hearing
• by way of sight.

Consequently, drama is broadly of two types:

• the drama of action
• the drama of literature.
• Dialogues and scenes are written particularly to appeal to the reader.
• In this, dramatists follow the narrative via written performance and build tension around the  plot .
• For an instance, let’s take Hamlet. We keep on wondering whether Prince Hamlet will ever revenge his father’s death and free himself of his bothersome ghosts and visions of floating daggers by slaying the play’s  antagonist  Claudius.

Types of Drama in Literature

There are 7 types of drama in literature to bring out the narrative. These are:

Let’s look at each of them!

Drama Type –  Comedy

Comedy is a type or genre of drama that is intended to make people laugh. However, humour is not the only quality that signifies a comedy. The main themes of a comedy are-

• The tone is lighthearted.
• Ingenious wordplay or twists of phrases.
• Serious issues are addressed in a lighthearted manner.
• Misunderstandings are amusing.
• A happy ending.
• Characters who are silly and out of the ordinary.
• Usually concludes with a wedding, especially in romantic comedies.

The sub- genres  of comedy include romantic comedies, sentimental comedies and others.  William Shakespeare ’s “Much Ado About Nothing” is one of the most famous instances of comedy. With smart banter and more  than  a few stupid misunderstandings, Beatrice and Benedick go from enemies to lovers. And, as is customary in Shakespearean comedies, it concludes with a wedding!

Another Shakespearean comedy is “A Midsummer Night’s Dream”. This romantic comedy addresses one of his favourite themes, “love conquers all,” with a funny twist. Young couples continually fall in and out of love as a result of a sequence of humorous and surprising events. Their equally humorous real-world problems are magically solved by a mischievous sprite named Puck as they tackle the flaws of love. Old enemies will soon become friends, and truly loved ones will meet again to live happily at Shakespeare’s happy ending.

Farce is another type of drama in literature which is, broadly humorous, however, there are significant differences between a comedy and a farce. The main themes of farce are-

• Exaggerated wit
• Jokes that are slapstick
• The plot is illogical.
• Unexpected occurrences
• Humor is frequently coarse and inappropriate.

The play “Waiting for Godot” by Samuel Beckett is a case on point. But, The plot revolves around two guys, Vladimir and Estragon. The men wait beneath a  tree  for Godot, a mystery figure. We do discover, though, that Godot continually sends word that he would arrive the next day, but this never happens. In other words, nothing happens with any surety in this drama.

Drama Type  – Tragedy

Therefore, tragedies are one of the most common and popular types of drama. As you can probably guess, tragedies tend to be sad. However, there is more to tragedies than that. The main themes are-

• A fatal fault in the  protagonist
• Situations that easily spiral out of control — and not in a good way
• Human agony, hate, or poverty are frequent topics. These are darker topics than in a melodrama.
• Describes the demise of a once heroic or well-liked persona.
• An unredeemable conclusion in which one or more characters die
• Arrives at a terrible catharsis

Shakespeare offers a plethora of tragedies from which to pick. Few, however, can compare to “Othello” in terms of its vicious villain, tragic demise of its hero, and heartbreaking denouement. Because he doesn’t believe he deserves the life he has, Othello loses everything he has ever loved or desired.

These complex among the types of drama in literature. They are more than just tragedy and comedy blended together. The main themes are-

• A serious plot delivered in a funny, sarcastic, or snarky manner.
• Characters with tragic flaws whose acts do not result in death
• A confusing subject
• Characters with broad personalities that act in stereotypically humorous ways
• There is no joyful or funny conclusion.

Classic plays were primarily concerned with clear-cut comedy, tragedy, or melodramatic genres. Tennessee Williams’ “A Streetcar Named Desire” contains enough comedic aspects to keep it from being classified as a tragedy – yet no one can argue that Blanche DuBois is anything other than a terribly broken character. It is the epitome of modern tragicomedy.

Drama Type –  Melodrama

Melodramas are an exaggerated kind of drama in literature, in which conventional one-dimensional characters such as heroes, heroines, and villains contend with exciting, passionate, and frequently deadly situations. The main themes of melodrama are-

• Character clichés include heroes, heroines, villains, mentors, and so on.
• Romantic or sombre stories with sweeping arcs
• Plots and events that are larger-than-life (or very small stories told in big ways)
• Character reactions are exaggerated
• Clearly defined literary topics
• Character flaws must be overcome in order to attain a resolution
• Ending that is sometimes cheerful and sometimes sad

When referring to melodrama, take Henrik Ibsen’s “A Doll’s House”. Nora’s exaggerated emotions place the piece squarely in the category of melodrama. WOW!! The finale is a blend of Nora’s delight and hope and Torvald’s melancholy and despair. Sometimes called “tear-jerkers”, another example of such melodramas is the play “The  Glass  Menagerie” by Tennessee Williams.

Many a time, people don’t understand the difference between opera and musicals. An opera is a type of drama where the  actors  sing the lines or dialogues instead of speaking them. Also, the main themes of an opera are-

• Arias, which are actually musical soliloquies.
• Plot-driving sequences that may or may not be melodious
• A libretto (text) that has been turned to music.
• Tragic, comic, or melodramatic subject matter
• May have a dancing aspect, but mostly depends upon vocal performances
• Set design, costume design, and production

Giacomo Puccini’s “La Boheme” is one of the most famous operas of all time. It portrays the sad narrative of Rodolfo and Mimi, as well as the world of French Bohemia. The drama unfolds over the course of a year, set to one of opera’s most unforgettable compositions.

Drama Type –  Musical

Musicals are different from opera. While lines in opera are sung, dialogues in musicals are infused with music and performances. The main themes of musicals are-

• Firstly Songs break up periods of conventional plot.
• Characters frequently sing in unison to express their emotions.
• Songs as plot-altering devices
• Storylines that be dramatic or hilarious
• A  memorable  and unique musical score
• Frequently a lot of singing and dancing.

Many musicals, such as “Les Miserables” and “Phantom of the Opera” are based on larger literary works. Both of these musical dramas communicate their topics directly via song and use musical sequences to advance the story. They simplify their original material by focusing on the most vital characters and plot components.

• The term “theatre” is derived from the Greek word “theatron,” which means “seeing place.”
• The masks allowed a single actor to play multiple roles in the same play.
• The skene was a structure behind the orchestra. The skene was where actors changed their costumes. To create the background, pictures were sometimes hung from the skene. This is the origin of the term “scene.”
• The chorus would occasionally comment on the characters in the play or warn the hero of impending danger.
• A man named Thespis was the first actor. Actors are sometimes referred to as “Thespians” nowadays.
• Ancient Greece is where the drama masks that have come to symbolise theatre first appeared. The two masks represent the two main genres of Greek theatre, Comedy and Tragedy.
• In ancient Greece, tragedy, a genre that focuses on human suffering, was the most popular theatrical form. Thespis, a playwright and actor, is credited with the first performance of tragedy at the Dionysia.

Drama in literature is an ancient art, that we should preserve. Not only is it enjoyable to read, but also is delightful to perform. However, Theatre is a very subtle  art form , and these actors deserve our respect and reverence. Also, Immerse yourself in reading more and more drama to enjoy this ancient art.

Drama allows children to explore, discuss, and deal with difficult issues, as well as express their emotions in a safe environment. It allows them to investigate their own cultural values as well as those of others, both  past  and present.

For more such informative and exciting articles keep visiting our  blog !

What exactly is drama in literature?

A drama is a form of literature that is created to be performed in front of an audience. This sort of  writing  takes the form of a script, and the tale is told through the lines of the actors who play the characters. People can view dramas on stage, on the radio, or on film. 

What are some  examples  of drama in literature?

Here are three famous examples of drama in literature: 1. A tragedy is depicted in William Shakespeare’s famous play Romeo and Juliet. Due to their bickering families, two young children in this drama fall in love and feel compelled to keep their feelings hidden from their parents. Their hasty decisions, however, lead to their deaths. 2. Jean Cocteau’s play  Les parents terribles  is an example of a melodrama that has numerous layers of overdramatic scenarios such as infidelity and suicide. 3. The Phantom of the Opera by Andrew Lloyd Weber is a well-known example of a musical play that portrays the story of obsession.

What is the significance of drama in literature?

Dramas serve the purpose of entertaining the audience. While reading a narrative might be powerful, seeing it performed by actors adds a sense of realism to the work. Many individuals prefer spending their spare time watching dramas, specifically in the form of movies or television, in this day and age of binge-watching.

What are the four primary types of drama?

Tragedy, comedy, tragicomedy, and melodrama are the four main types of drama. Although these genres emerged at separate times, each has its own distinct qualities. All of them, however, play important roles in contemporary culture and should be recognised.

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