dulce et decorum est setting essay

Dulce et Decorum Est Summary & Analysis by Wilfred Owen

• Line-by-Line Explanation & Analysis
• Poetic Devices
• Vocabulary & References
• Form, Meter, & Rhyme Scheme
• Line-by-Line Explanations

"Dulce et Decorum Est" is a poem by the English poet Wilfred Owen. Like most of Owen's work, it was written between August 1917 and September 1918, while he was fighting in World War 1. Owen is known for his wrenching descriptions of suffering in war. In "Dulce et Decorum Est," he illustrates the brutal everyday struggle of a company of soldiers, focuses on the story of one soldier's agonizing death, and discusses the trauma that this event left behind. He uses a quotation from the Roman poet Horace to highlight the difference between the glorious image of war (spread by those not actually fighting in it) and war's horrifying reality.

• Read the full text of “Dulce et Decorum Est”

The Full Text of “Dulce et Decorum Est”

1 Bent double, like old beggars under sacks,

2 Knock-kneed, coughing like hags, we cursed through sludge,

3 Till on the haunting flares we turned our backs,

4 And towards our distant rest began to trudge.

5 Men marched asleep. Many had lost their boots,

6 But limped on, blood-shod. All went lame; all blind;

7 Drunk with fatigue; deaf even to the hoots

8 Of gas-shells dropping softly behind.

9 Gas! GAS! Quick, boys!—An ecstasy of fumbling

10 Fitting the clumsy helmets just in time,

11 But someone still was yelling out and stumbling

12 And flound’ring like a man in fire or lime.—

13 Dim through the misty panes and thick green light,

14 As under a green sea, I saw him drowning.

15 In all my dreams before my helpless sight,

16 He plunges at me, guttering, choking, drowning.

17 If in some smothering dreams, you too could pace

18 Behind the wagon that we flung him in,

19 And watch the white eyes writhing in his face,

20 His hanging face, like a devil’s sick of sin;

21 If you could hear, at every jolt, the blood

22 Come gargling from the froth-corrupted lungs,

23 Obscene as cancer, bitter as the cud

24 Of vile, incurable sores on innocent tongues,—

25 My friend, you would not tell with such high zest

26 To children ardent for some desperate glory,

27 The old Lie: Dulce et decorum est

28 Pro patria mori .

“Dulce et Decorum Est” Summary

“dulce et decorum est” themes.

The Horror and Trauma of War

• See where this theme is active in the poem.

The Enduring Myth that War is Glorious

Line-by-line explanation & analysis of “dulce et decorum est”.

Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs, And towards our distant rest began to trudge.

Men marched asleep. Many had lost their boots, But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of gas-shells dropping softly behind.

Gas! GAS! Quick, boys!—An ecstasy of fumbling Fitting the clumsy helmets just in time,

Lines 11-14

But someone still was yelling out and stumbling And flound’ring like a man in fire or lime.— Dim through the misty panes and thick green light, As under a green sea, I saw him drowning.

Lines 15-16

In all my dreams before my helpless sight, He plunges at me, guttering, choking, drowning.

Lines 17-20

If in some smothering dreams, you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil’s sick of sin;

Lines 21-24

If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues,—

Lines 25-28

My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie: Dulce et decorum est Pro patria mori .

“Dulce et Decorum Est” Symbols

The Dying Soldier

• See where this symbol appears in the poem.

“Dulce et Decorum Est” Poetic Devices & Figurative Language

• See where this poetic device appears in the poem.

“Dulce et Decorum Est” Vocabulary

Select any word below to get its definition in the context of the poem. The words are listed in the order in which they appear in the poem.

• Knock-kneed
• Haunting flares
• Flound'ring
• Froth-corrupted
• See where this vocabulary word appears in the poem.

Form, Meter, & Rhyme Scheme of “Dulce et Decorum Est”

Rhyme scheme, “dulce et decorum est” speaker, “dulce et decorum est” setting, literary and historical context of “dulce et decorum est”, more “dulce et decorum est” resources, external resources.

Biography of Wilfred Owen — A detailed biographical sketch of Wilfred Owen's life, including analysis of his work.

An Overview of Chemical Warfare — A concise historical account of the development of chemical weapons, with detailed descriptions of the poison gases used in WWI.

Listen to "Dulce et Decorum Est" — A recording of "Dulce et Decorum Est," provided by the Poetry Foundation.

Representing the Great War — The Norton Anthology's overview of literary representation of World War I, with accompanying texts. This includes two of Jessie Pope's patriotic poems, as well as poems by Siegfried Sassoon and others and various contemporary illustrations. It also suggests many additional resources for exploration.

Horace, Ode 3.2 — One translation of the Horace ode that the lines "Dulce et Decorum Est" originally appear in. 

Digital Archive of Owen's Life and Work — An archive of scanned documents from Owen's life and work, including his letters, as well as several handwritten drafts of "Dulce et Decorum Est" and other poems.

The White Feather — A brief personal essay about the treatment of conscientious objectors in WWI-era Britain.

LitCharts on Other Poems by Wilfred Owen

Anthem for Doomed Youth

Mental Cases

Spring Offensive

Strange Meeting

The Next War

Ask LitCharts AI: The answer to your questions

Dulce et Decorum Est 101: Summary, Analysis, & Questions and Answers

“Dulce et Decorum Est” by Wilfred Owen concentrates on the shocking details of events soldiers came through in World War I. Owen recalls the war realities by showing readers the soldiers’ urgency when faced with death.

If you’re stuck with writing a paper on the poem, you’re in the right place! Below, you will find the Dulce et Decorum Est analysis, summary, answers to the most common questions. And don’t forget to check our free essay examples .

Let’s start!

• Literary Devices
• Language: Meter, Rhythm, Rhyme Scheme, Tone
• Essay Ideas
• Questions and Answers

Dulce Et Decorum Est: Summary

The author paints a group of marching soldiers in a muddy landscape. The soldiers are tired and sick. They are coughing like older adults, and their knees are shaking. Besides, they are far from the fighting spirit. Some of them walk like they seem to be sleeping. Some even lost their boots, and their feet are bleeding.

At the same time, they carry heavy packs while going away from light flares, used by the German army to spot an enemy by lighting up the territory. Their destination is a distant camp.

Soldiers are worn out physically and mentally. Their perception is clouded as if they were drunk. They can hardly recognize an impending threat.

Suddenly, one from the group warns about a gas attack so that soldiers can put on their protecting helmets. Everyone manages to do it on time, except for one soldier. The author saw his suffering and agony.

The soldier death reminded Owen of someone caught in fire or lime, used to blind the enemy in ancient times. He compares this terrible scene with drowning in the ocean, not underwater, but in the air full of poisonous gas.

Then, the reader is brought into the author’s post-war reality. Even years later, Owen did not escape the picture of yelling and dying in front of his eyes comrade-in-arms.

After sharing his grievous experience, the author turns to the readers and states a straightforward thing. It lies in the fact that if they took his boots and walked a mile, they would never have said to their children the war is glorious.

The author recalls marching behind a wagon with a dying wrecked-face soldier, who reminds of someone passing away from cancer or other diseases. Such memories dispel an “old lie” that dying for one’s country is sweet and fitting.

Dulce Et Decorum Est: Literary Analysis

We approach the literary analysis of the Dulce Et Decorum Est. You will understand the poem’s themes, the literary devices the author used, and the poem’s language.

Let’s go!

Dulce Et Decorum Est: Theme

The author illustrates the relationship between reality and heroic ideals. He does it via two central themes: patriotism and its false glory and horrors of war .

The poem’s title and final lines, “Dulce et Decorum Est,” are from Horace’s Ode 3.2 . The bar is a Latin equivalent for “It is sweet and fitting to die for one’s country.” It echoes powerfully in the hearts of the young, showing only the heroic and romantic side of patriotic death and other sacrifices “for good.”

In reality, it’s far from that. The author argues such a way of war glorification, calling it an “old Lie.” Each horror depicted from the “on-site” shatters the enduring myth that the war is glorious.

Line by line, the poem shows how terrible and horrifying the war experience is. One thing is clear: if the reader could see and feel all the author’s horror, they would not talk so zealously about patriotism and the delights of war.

All the above is bolstered by the third theme: the traumatic war’s impact on humans . In this context, possible terrible emotional or physical pains will not get better with time. The lasting effects of war trauma barely level out all the arrogance and glory of war.

Dulce Et Decorum Est: Literary Devices

Now, we will stop on Dulce Et Decorum Est literary devices. To express the main idea, the author used several poetic techniques, including:

Let’s explore Dulce Et Decorum’s literary devices and look at a few examples of their application.

The author successfully uses many similes to make the terror visible. Thanks to them, it is easier for readers to perceive the pain, horrific images, and agony.

One of the examples is in the very beginning: “ like old beggars under sacks ” — soldiers are shown not as brave mighty heroes, but as the homeless and weak tramps who beg for a living.

Here is the list of other same-purpose phrases: “ coughing like hags ,” “ like a devil’s sick of sin ,” “ obscene as cancer ,” “ like a man in fire or lime ,” “ as under a green sea ,” and “ bitter as the cud .”

Dulce et Decorum Es is so literal that it has only a single metaphor . It is used in the poem to make vivid imagery of the soldiers’ physical state. The metaphors are the compelling phrases, namely, “ drunk with fatigue ” and “ deaf even to the hoots .”

We have already touched a bit upon the symbolic elements in the poem’s imagery. Symbolism pictures the WWI experience like a nightmare rather than a real-life event.

The first symbolic element author introduces a green sea in which one of the soldiers “dies” after a gas attack, as he could not put on a mask on time. It can be explained by what Owen saw then: a gas fog through the mask glass.

Using this symbol in pair with the verb “drowning” transmits the painful and cruel way the soldier died. Besides, it builds the link between drowning in the ocean and gas suffocation. It is easier for readers to imagine the terrible feeling of lacking enough oxygen underwater.

The irony shows up in the poem’s very beginning. First, the reader sees the title Dulce et Decorum Est, meaning the poem will show how great it is to fight for the homeland. The first line is opposite to something glorious and sweet.

Reading more into the poem opens up terrifying things about war gradually. The author uses irony to express the violence, making the phrase in the title an illusion.

Along with irony and other poetic techniques, the author uses oxymorons . Two contradictory words used together make an oxymoron.

In phrase “ To children ardent for some desperate glory ,” the initially negative “ desperate ” word is combined with the joyous “ glory .” Another oxymoron is “ An ecstasy of fumbling ,” where the opposing state of extreme happiness combines with an awkward way of doing something.

With oxymorons, Owen produces a dramatic effect. The poem forces the reader to stop and think about the whole complexity of war and man’s place in it.

Dulce Et Decorum Est Language: Meter, Rhythm, Rhyme Scheme, Tone

The language of the poem Dulce Et Decorum Est is composed of several poetic devices, including meter, rhythm, rhyme scheme, and tone. Let’s describe each of them:

• Meter. The poem is composed of five-syllable pairs. Each pair’s first syllable is unstressed, and the second is stressed. The Dulce Et Decorum Est meter pattern is iambic pentameter.
• Rhythm. Combined with other techniques, the poem’s somber rhythm expresses imagery. The words themselves are rumbling. They collide to paint a horrific picture of the field where soldiers march. What is more, it is evocative of the rhythm of the heart.
• Rhyme scheme. Although the poem’s meter is rather complex, the rhyme pattern is simple. The rhyme scheme in Dulce Et Decorum Est is ABABCDCD. The author manages with simple words and no more than double rhyme sounds repetition.
• Tone. The poem’s tone is bitter, angry, and critical. The trauma and self-recrimination heat the speaker’s voice. That’s why he so accurately conveys all the fears and horrors he endured. Along with the angry tone, the ironically used “my friend” addressing those supporting an “old lie” impacts them more intensely.

Now, we move on to the poem’s setting.

Dulce Et Decorum Est: Setting

Owen does not give the exact setting location, but it is clear from the context that the action takes place in 1917 winter in France.

What is this context?

The poem is written during Wilfred Owen’s actual WWI experience . Here when he wrote letters with stories of the dying soldier.

Besides, there are elements in the poem, which serve as a clue to understanding the setting.

The most evident is green chlorine gas, deployed by the German army since 1915, and “clumsy helmets” or gas masks, used as gas attacks responsive measure.

Gas shells and flares are also WWI-specific elements. Soldiers never used them before.

The setting breaks into the past and present in terms of the author. After two stanzas, we shift to his indeterminate present in the past. It shows us that his horrors did not leave him even in the postwar peacetime.

Dulce Et Decorum Est Essay Ideas

Now that you have explored the poem analysis, it’s time to write the Dulce et Decorum Est analysis essay. We gathered 15 essay topic ideas to make things simple. Please, pick any from the list:

• Dulce Et Decorum Est poem figurative language
• Dulce Et Decorum Est poem literary devices
• Irony in poem Dulce Et Decorum Est
• Symbolism in poem Dulce Et Decorum Est
• What is the theme of the poem Dulce Et Decorum Est?
• How does Wilfred Owen describe the horrors of war in the poem Dulce Et Decorum Est?
• The brutality of war in the poem Dulce Et Decorum Est
• How does Wilfred Owen convey the human costs of war in the poem Dulce Et Decorum Est?
• Illustration of First World War in the poem Dulce Et Decorum Est by Wilfred Owen
• Literary devices and themes in Dulce Et Decorum Est
• Dulce Et Decorum Est: is it charming to die for one’s country?
• Why was Dulce Et Decorum Est written: literary and historical context?
• What is the Dulce Et Decorum Est message?
• The portrayal of death in Dulce Et Decorum Est by Wilfred Owen
• Depiction of tragedies of war in the poem Dulce Et Decorum Est

If the topics are not enough and you still have any questions, we suggest you check out an example of a ready-made Dulce et Decorum Est and The Things they Carried: Compare & Contrast Essay .

To help you finally delve into the topic, we gathered the most frequently asked questions and comprehensive answers to them below.

Dulce Et Decorum Est: Questions and Answers

Below you will find comprehensive Dulce et Decorum Est questions and answers.

Who Wrote Dulce Et Decorum Est?

Dulce et Decorum Est was written by Wilfred Edward Salter Owen , an English soldier, and poet. He was born on 18 March 1893 near Oswestry in Shropshire. Among the First World War poets, he was almost the leading one.

At the time he lived, ideas and themes he erased in his poetry were in contrast to the perception of war by the public. As ideas of anti-militarism developed, his poems became increasingly recognized. Here are several examples: “ Anthem for Doomed Youth ,” “ Strange Meeting ,” “ Insensibility ,” and “ Spring Offensive .” All of them were published posthumously.

On 4 November, at the age of 25, Owen was killed while leading his men across the Sambre and Oise Canal.

When Was Dulce Et Decorum Est Written?

Like most of Wilfred Owen’s works, Dulce et Decorum Est was written between August 1917 and September 1918. At that time, Owen was fighting in the First World War. Most likely, it was written in 1917 when he was at the Craiglockhart War Hospital near Edinburgh.

What Does Dulce Et Decorum Est Mean?

Dulce et Decorum Est is a citation from the Roman poet Horace’s Ode 3.2. The literal meaning of it is “it’s sweet and fitting to die for one’s country.”

The author aims at deconstructing this myth. In the last stanza, he calls it an “old lie.”

Owen successfully showed the difference between the horrifying reality of war and its glorious image, usually spread by those not even fighting in it.

What Is Dulce Et Decorum Est About?

Originally written as a personal letter, Owen later decided to appeal to a broader audience of all war supporters. The poem is highly emotional, making it one of the most popular condemnations of the war.

Dulce et Decorum Est begins with an image of weary soldiers walking from the front lines through thick mud. Then, there is a gas attack, in which one of the soldiers dies.

What Happened in the Poem Dulce et Decorum Est?

The poem tells us the story of a group of soldiers, “ drunk with fatigue ,” forced to make their way “through the mud” to take shelter from the explosive shells that fall on their rear.

Then gas shells fell around them. The soldiers rushed to put on their gas masks. In a rush, one of them is caught gassed. The author sees him “screaming again and stumbling.” Then, he sees him yelling in agony as he is drowning in the green sea.

When the attack was over, they proceeded on their way, but their mate was in the wagon, with white eyes and coughing up blood.

Who Is the Speaker in the Poem Dulce et Decorum Est?

The poem, composed of 28 free iambic pentameters, lets us hear the voice of the poet himself . Owen appears here as a soldier with a deep incurable emotional trauma left after the war and its horrifying events.

Why Was Dulce Et Decorum Est Written?

Discussing war horrors in the abstract does not require much effort. Owen managed to depict those horrors in a specifically devastating way. What’s more, he shows in the poem that every aspect of war is terrible. Starting from a soldier’s daily life, continuing to the death in an attack, and postwar traumatized body and mind.

The author is very disappointed with the war. A reader can see it in the last few lines of the last stanza.

How Does Dulce et Decorum Est Make the Reader Feel?

The way the author uses language to put the audience inside the events helps them understand the terrible experience of awful aspects of war.

What Is the Message of Dulce et Decorum Est?

The central tension lies between the reality of the war and the government’s portrayal of war. They paint it as sweet and fitting to die for your homeland. The message that Owen conveys is the reality of the cruel and horrific war.

Why Is Dulce Et Decorum Est Important?

The poem lies genre of protest poetry because it shows the horror and reality of war, specifically the First World War. Dulce et Decorum Est sets this horror against how war is so often glorified.

• Wilfred Owen’s “Dulce et Decorum Est” — English Emory
• Horace, Ode 3.2 
• Biography of Wilfred Owen
• Wilfred Owen: Biography & War Poet
• Digital Archive of Owen’s Life and Work 
• Wilfred Owen’s Dulce et Decorum est: Summary & Analysis
• Dr. Santanu Das explores the manuscript for Wilfred Owen’s “Dulce et Decorum est” Video on the British Library’s World War I website
• Ian McMillan asks if “Dulce et Decorum est” has distorted our view of WWI Video on the BBC’s iWonder website
• Manuscript version of ‘Dulce et Decorum Est’ The Poetry Manuscripts of Wilfred Owen on the British Library’s website
• Listen to “Dulce et Decorum Est” 
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Dulce et Decorum Est Summary & Analysis

Dulce et decorum est: about the poem.

The poem Dulce et Decorum Est is a prominent anti-war poem written by Wilfred Owen about the events surrounding the First World War. Owen served as a Lieutenant in the War and felt the soldiers’ pain and the real truth behind war.

In the poem, he creates an hierarchical division of events. First, he discusses the general unwillingness of the soldiers who are actually facing the wrath of war to continue with the war. The soldiers are caught in a sudden gas attack, most probably the chlorine gas which forms a green sea. Owen then moves on to depict the trauma the narrator suffers while he watches his fellow soldier succumb to the deadly gas poisoning and can do nothing. Finally, he makes an outstanding commentary on how the perspectives of people talking about war and the soldiers who are witnessing it differ.

In the poem, Owen presents a graphic picturisation not of the the war but the casualty of war. Such characterisation makes the poem a distinct anti-war poem of all time. Further, in ‘Dulce et Decorum Est’ we find that it is not confined to being an anti-war poem. Rather, it moves a step ahead to invoke those people who make rallying  cry for youths to enlist to fight war in name of glory and national honour.

This brings out the irony between the idealism of war as heroic by men exhorting youth to join the war and realism of the war as devastating that a soldier of the war face. The use of irony marks Owen’s known form of expression.

He directed the first draft of this poem to Jessie Pope, a civilian propagandist and poetess who rooted on the youths to join war efforts. Then, he  later revised it to mention “a certain Poetess” and ultimately eliminated it in order to rope in a larger audience.

The title of the poem is satiric and a manifestation of the disgust and bitterness the narrator holds for the warmongers. The title appears in the last two lines of the poem. “Dulce et Decorum est Pro patria mori” (It is sweet and fitting to die for one’s country.) was a popular Latin phrase at that time. It was originally a part of the Roman Poet Horace’s Ode 3.2 . Owen ends the poem with these lines to accentuate the fact that participation in war may not at all be decorous. He was simply unable to justify the sufferings of war. The outbreaks of influenza, or living in trenches with rats for days didn’t seem justifiable. The loss of so many lives, soldiers living in worst conditions, blocking each other’s food supplies didn’t support a humane environment.

About the Poet: Wilfred Owen

Wilfred Edward Salter Owen, MC (Military Cross) was an English soldier and one of the leading war-poets of the First World War. He is best known for his works which stood contrary to the popular perception of war at the time and the patriotic verses of the writers like Rupert Brooke. Many of his best-known works came out  posthumously including “Dulce et Decorum Est”, “Insensibility”, “Anthem for Doomed Youth”, “Futility” and “Strange Meeting”.

His early writings show influence of Romantic poets like Keats and Shelley. But, his later ones show a distinct influence of his fellow soldier Siegfried Sassoon, especially his use of satire.

Owen was awarded the Military Cross for his courage and leadership in the Joncourt action.

Dulce et Decorum Est: Form and Structure

The poem is a combination of two sonnets. Though the spacing is regular between them, it gives a semblance of French ballad. The breaks in the sonnets are irregular and irregularity brings out a sense of irregularity and imperfectness of the world.

In the first sonnet, the poet describes his experiences of the war. In the second sonnet, he becomes analytic with a clear stand. He reflects back on what he experienced and attempts to correct the outlook of others.

The poem rhymes well following patterns like ABAB, CDCD etc. It may look like one written in Iambic Pentameter. But, the stresses are not definite in every line. May be this is another way of Owen to break off from the conventions and traditional ideals of the society and show the world its true face.

Dulce et Decorum Est: Line by line Analysis

The poem develops along three stages – presentation of weary and tired soldiers, then their sudden exposure to bombings and gassing and finally, the horrific after-effect of the war – described so emphatically.

Bent double, like old beggars under sacks, Knock-kneed, coughing like hags,

The first stanza starts with the description of the tired, war-ridden soldiers. According to the speaker, the soldiers were bent double like old beggars with heavy sacks. Here, ‘double’ points to the fact that the soldiers were not only physically but also mentally exhausted.

They were knock-kneed or physically deformed, coughing like hags. With the use of simile with the word “like” in ‘like old beggars’, and ‘hags’, the poet tries to induce the convincing image of horrid and terrifying experiences of the war.

… we cursed through sludge, Till on the haunting flares we turned our backs And towards our distant rest began to trudge.

Exhausted, they dragged on through the sludge nonetheless. The “sludge” may actually depict the trenches the soldiers had to live through during the First World War. Seemingly, these trenches became a part of an extended war-plan. The soldiers wouldn’t turn around even if the haunting flares or bombs exploded near them. They kept on moving to their camps, a place where they could rest. It was certainly ‘distant’ from the war-front.

Here, ‘distant rest’ can also point to subtle description of death as the ultimate destiny for the war-soldiers. Only death could be the real guarantee of rest. The First World War did cost over nine million lives.

Men marched asleep. Many had lost their boots But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of tired, outstripped Five-Nines that dropped behind.

With this, the speaker continues the description and says the men marched on. They were dog-tired as if they were asleep. Even when many of them lost their boots they limped on their blood-shod feet. They all went lame and blind and drunk with fatigue. They even grew deaf to the noises, hoots of the shells and the bombs around them. Even the five-point-nine calibre shells which dropped behind them seemed to fail to awaken the soldiers.

To make it easy, the soldiers were so tired that they could not even hear the sounds of all the noises, hoots, bombs or the mighty shells.

Gas! Gas! Quick, boys! – An ecstasy of fumbling, Fitting the clumsy helmets just in time; But someone still was yelling out and stumbling, And flound’ring like a man in fire or lime. . .

With the second stanza, we move on to the second act or stage where a sudden chaos ensues. The poem suddenly gains pace with the abrupt gas-attack. The soldiers were caught in the frenzy which is marked by ‘Gas! Gas! Quick, boys!’. They hastened to ready themselves with masks and helmets. While fitting their clumsy helmets in time, they fumbled. But, there was one soldier still yelling out and stumbling, floundering like a man on fire or lime (which burns live tissues).

The ‘ecstasy of fumbling’ provides us with an irony. Surely, the situation was far from being ecstasy. It only describes the picture of how tired and jaded they were. The chaos followed the fatigue and presented itself as ecstasy.

With the use of simile, the poet takes help from outside to actually describe what he was feeling. It is as if he cannot deal with the event head-on. So, he sought similarity with hags to minimize the pain he was feeling – the pain of a life getting lost right in front of his eyes.

Dim, through the misty panes and thick green light, As under a green sea, I saw him drowning.

The speaker then says that through the hazy window-panes and the dim, thick green light, he saw his comrade drowning under a green sea. The gas-attack produced the “green” sea that his eyes saw.

With the repetition of the word ‘green’, the poet paints a gruesome picture of how overwhelming the scene must have been.

In all my dreams, before my helpless sight, He plunges at me, guttering, choking, drowning.

The poet stresses upon the dreams the speaker is having in the third stanza. In all his dreams, the same soldier plunges at the speaker. And, like always, he can do nothing but look at him helplessly.

Here, ‘helpless sight’ underscores the sense of helplessness he felt at not being able to help his fellow soldier when he succumbed to the gas-attack. As in past, he was unable to do anything about it and was guilt-ridden, the same is reflected in his dreams.

The man in his dreams is always guttering, choking and drowning. Here, ‘guttering’ may point to gurgling like water draining down a gutter or the sounds in the throat of the choking man.

The rhyme scheme of this stanza follows the second one. Quite possibly, it highlights how the past (second stanza) is affecting his present (third stanza).

If in some smothering dreams you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil’s sick of sin;

Now with this stanza, the poem enters its final stage where the speaker takes over the narrative. Here, as discussed earlier, ‘you’ is meant to point out to  the extended audience Owen tries to show the real face of the war to. Here, he attempts to convince us to see the war as if we were there.

Yet again, the pace of the poem slows down. The whole stanza is a single complex sentence comprising of some conditional (if) clauses. The motive is to say that we the readers could feel the poet’s agony and support his point if we were present in the battlefield and saw the horrific happenings there.

Clearly, through this stanza, he wants the reader to feel the pain he went through. But he knows there is no way that we the readers can feel the same. It is just not possible to feel the same from afar. So, everything from now can only be hypothetical.

Owen continues to exhort the readers to prove his point. He claims that we the readers could feel the same pity of war if we could follow the wagon that they (speaker and his comrades) flung the soldier’s body in, or watch the dead soldier’s lifeless white eyes or his pitiful face in an overwhelming (smothering) dream.

Here, the poet has used expressions like ‘white eyes’, ‘writhing in his face’, ‘hanging face’ and ‘devil’s sick of sin’ to express how horrible the dream could be.

Here is a simile in comparing the lifeless face to a devil’s sick of sin. Again, when we notice keenly we find the use of sibilance with ‘face’, ‘devil’s’,  ‘sick’ and ‘sin’ in the last line above.

If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues, My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie; Dulce et Decorum est Pro patria mori.

Further, the poet invokes the readers and calls them his friend (‘my friend’) while carrying on with his logic. He opines, if we could hear the soldier’s voice gargling blood from his lung corrupted by the gas at every jolt the wagon experienced sounding as “obscene as cancer” and bitter as cud, then we would not say with such high zest and conviction to the keen children desirous of glory, “the old lie” of “Dulce et decorum est”.

Here, ‘high zest’ is a satirical take to point out the idealistic conviction and enthusiasm of people sitting back home. Nonetheless, it brings in light the hypocrisy of such men and women who are far away from the war and unaware of the true reality of the war.

He clearly calls “Dulce et Decorum est Pro patria mori” (“It is sweet and fitting to die for one’s country”) an old lie. Even when he maintains that he is not unwilling to sacrifice his life for his country, he simply doesn’t believe in the old conviction that it is the sweet and fitting thing to do. Needless to say, he didn’t gain any sweet or fitting, worthwhile experience from the war.

So, this anti-war poem goes on to paint the tragedy of war and to convince the leaders against trying to infuse false patriotism in youths. And, unlike many other war-poems, this is based on real stocktaking, real knowledge and real assessment of the situation.

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Dulce et Decorum est

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Among Wilfred Owen’s most famous poems, “Dulce et Decorum Est” was written in 1917 while he was in Craiglockhart War Hospital in Scotland, recovering from injuries sustained on the battlefield during World War I. The poem details the death of a soldier from chlorine gas told by another soldier who witnesses his gruesome end. Owen himself died in action on November 4, 1918 in France at the age of 25. He published only five poems during his lifetime. “Dulce et Decorum Est” appeared for the first time in print in the posthumous Poems (1920) and is now considered one of the greatest poems of the tumultuous period. This, and other poems of Owen’s on the topic of war, became renowned for the poet’s unflinching look at the physical horrors of warfare as well as his condemnation of those who glorified service.

The poem’s Latin title is taken from a famous line from the Roman poet Horace: “Dulce et decorum est / Pro patria mori” (Lines 27-28), which translates to “It is sweet and fitting to die for one’s country.” This quote was widely used to support war efforts and as a general military philosophy in England at the time. Owen originally sarcastically dedicated the poem to his contemporary Jessie Pope, a woman poet who wrote popular pro-war poetry aimed at young men, comparing war to a game and urging them to enlist. While Owen edited out the specificity of the dedication, he did intend his poem as a response to poetry like Pope’s. The poem does not appear to be autobiographical in that Owen seems not to have experienced a chlorine gas attack in World War I. However, this doesn’t lessen his speaker’s realistic rendering of such an event nor dismisses the horrors Owen himself experienced (See: Further Reading & Resources ).

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Content Warning: Due to its source material, this study guide features references to and descriptions of World War I, the battle’s effects on the human body, physical descriptions of the effects of chemical warfare, and discussions of post-traumatic stress disorder.

Poet Biography

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Wilfred Edward Salter Owen was born on March 18, 1893 in Oswestry, England, near the border of Wales. His parents were Susan and Thomas, a railway station master. Owen was the eldest child of four and close to his siblings and mother. He was educated at the Birkenhead Institute and at Shrewsbury Technical School. In his late teens, he began writing poetry and was accepted into the University of London but could not fund attendance. For a time, he thought he would join the clergy and worked as an assistant to a Vicar in Reading. However, this assignment also led to his questioning the church and its ability to help those in need. He went to school at Reading University College (now the University of Reading) and wrote poetry in his spare time, but he returned home in 1913 after falling ill.

Eight months later, to support himself, he worked as a private tutor of English in Bordeaux, France where he fell in love with France and befriended the elderly poet and pacificist, Laurent Tailhade, who encouraged his work. In June, the Archduke Franz Ferdinand was assassinated in Sarajevo and World War I began. Owen considered joining the French army but eventually returned to England. He enlisted in October of 1915. In the summer 1916, he became a second lieutenant in the Manchester Regiment and in December, he wound up back in France, but this time on the battlefield.

In the winter and spring of 1917, he was concussed by a shell, nearly froze to death in a field of snow, was caught in a blast that killed most of his fellow officers, saw friends and comrades die, and was diagnosed with post-traumatic stress disorder (known at the time as “shell shock”). In June, Owen was admitted to Craiglockhart War Hospital in Edinburgh to recuperate. There, he edited the hospital’s journal, The Hydra , under his doctor’s encouragement. The poet Siegfried Sassoon arrived at the hospital shortly thereafter, and the two men became close friends and influenced each other’s work. Already a published poet, Sassoon encouraged, read, and edited Owen’s poetry.

Owen and Sassoon were both interested in psychoanalysis, which was new at the time, and sought to translate their emotional experiences, dreams, and dreamlike visions into poetry while interweaving stark realities of violence and war. In November 1918, Owen was discharged from Craiglockhart and began light duties in North Yorkshire. In March, he was stationed in Ripon Army Camp at its Command Depot. There, he wrote the majority of the poems that would make up the posthumous Poems . Sassoon introduced him to several important literary figures in London and in May, a publishing company expressed interest in his poetry manuscript.

That July, he went back to active duty. Owen grew increasingly distressed by wartime propaganda but felt it his duty to record the horrific realities of war. Sassoon did not want him to go and Owen kept his service a secret until he was in France. He returned to the front lines of battle a month later.

On November 4, 1918, Wilfred Owen was killed in action just a week before the signing of the Armistice that ended the war. Upon posthumous publication of Owen’s Poems (1920), edited by Sassoon, he was quickly lauded as among the best war poets of the nation. Critics believed at the time, and still do today, that his poems’ gritty realism and sympathetic tone served as an important counterpoint to the popular patriotic view of military service as an objectified, glorious endeavor.

Bent double, like old beggars under sacks,

Knock-kneed, coughing like hags, we cursed through sludge,

Till on the haunting flares we turned our backs,

And towards our distant rest began to trudge.

Men marched asleep. Many had lost their boots,

But limped on, blood-shod. All went lame; all blind;

Drunk with fatigue; deaf even to the hoots

Of gas-shells dropping softly behind.

Gas! GAS! Quick, boys!—An ecstasy of fumbling

Fitting the clumsy helmets just in time,

But someone still was yelling out and stumbling

And flound’ring like a man in fire or lime.—

Dim through the misty panes and thick green light,

As under a green sea, I saw him drowning.

In all my dreams before my helpless sight,

He plunges at me, guttering, choking, drowning.

If in some smothering dreams, you too could pace

Behind the wagon that we flung him in,

And watch the white eyes writhing in his face,

His hanging face, like a devil’s sick of sin;

If you could hear, at every jolt, the blood

Come gargling from the froth-corrupted lungs,

Obscene as cancer, bitter as the cud

Of vile, incurable sores on innocent tongues,—

My friend, you would not tell with such high zest

To children ardent for some desperate glory,

The old Lie:  Dulce et decorum est

Pro patria mori.

Owen, Wilfred. “ Dulce et Decorum Est .” 1921. Poetry Foundation.

The poem begins with a detailed look at a group of weary soldiers, the speaker among them, as they end a day’s battle. Injured and weighed down by their equipment, they slog their way to where they will make camp. The first stanza details their physicality and centers on their extreme exhaustion, which makes them less alert to the signs of war behind them.

In the second stanza, they are surprised by a chemical gas attack and hurry to put on their gas masks. One soldier cannot secure his in time and is exposed to the burning chemicals. His comrades watch helplessly as he suffocates, as if he were drowning in water. His desperate fight for breath haunts the speaker who later sees the soldier's death “[i]n all [his] dreams” (Line 15).

The last stanza is a passionate condemnation of those who promote war as glorious. The speaker believes if they could have seen the soldier’s slow, painful death as he was carried away in a cart, they would reconsider their philosophy. The speaker details the soldier’s blindness, his slack expression, his coughing up of blood due to his affected lungs, and the chemical burns on his tongue. He notes that if people could see these catastrophic injuries, they wouldn’t be so quick to believe—or encourage—“[t]he old Lie” (Line 27) that dying for one’s country is a grand gesture worth any price.

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Cummings Study Guide

....... Wilfred Owen was born in Shropshire, England, in 1893 and studied at the University of Reading. Because he could not afford to continue his education, he left school and worked as an English-language tutor in France while also writing poetry. After the outbreak of the First World War in 1914, the loss of so many young lives horrified him. Nevertheless, after returning home in 1915, he enlisted in the Artist's Rifles of the British army, received a commission, and shipped out to France in late December 1916. Over the next several months, he wrote poetry to record his impressions of the war. In the spring of 1917, he exhibited symptoms of shell shock after experiencing the hell of trench warfare. He also contracted trench fever, a bacterial infection transmitted by lice. His superiors returned him to Britain, where he underwent treatment at a war hospital in Craiglockhart, Scotland, then a suburb of Edinburgh and now part of the city. While there, he continued to write poems, one of which was “Dulce et Decorum Est." An experienced poet who was also receiving treatment, Siegrfied Sassoon (1886-1967), helped him edit and polish his work. After his discharge from the hospital, Owen mingled with poets and wrote more poetry. His work by this time was showing great promise. Eventually, he returned to the army—and to war. He died in action in France just one week before the war ended (November 11, 1918). He was only twenty-five. However, his war poems, including “Dulce et Decorum Est" and " Anthem " lived on and today remain as meaningful and relevant as when he wrote them.  

Type of Work

....... “Dulce et Decorum Est" is a lyric poem expressing in stark language the poet's reaction to the horror of war. Owen intended it to rebut the notion that combat is a noble and glorious pursuit.

....... The scenes described in the poem took place during World War I (1914-1918) on a battlefield in France. The Allied Powers of Britain, France, the United States, Russia, and other countries were fighting the Central Powers of Germany, Austria-Hungry, and other countries.

Composition and Publication

....... Owen wrote "Dulce et Decorum Est" in 1917 while undergoing treatment at a war hospital in Craiglockhart, Scotland. In 1918 he included it in a collection of poems he was preparing for publication. After returning to duty, he died on a French battlefield. His soldier friend and fellow poet, Siegfried Sassoon (1886-1967), teamed with poet and prose writer Edith Sitwell (1887-1964) to edit the poems. The London firm of Chatto and Windus published the collection, The Poems of Wilfred Owen , in December 1920.

The Title and Final Sentence

....... The title is part of the Latin quotation at the end of the poem: Dulce et decorum est pro patria mori . Here is Owen's own translation of the quotation: It is sweet and meet to die for one's country . Others have translated the third word, decorum , as glorious , noble , or fitting instead of meet . The source of the quotation is the second ode in Book III of Carmina ( Odes ) by the ancient Roman writer Quintus Horatius Flaccus, or Horace (65-8 BC). 

The meter pattern of the poem is iambic pentameter, which consists of five pairs of syllables. The first syllable of each pair is unstressed; the second, stressed. The first two lines of the poem demonstrate the pattern.

....... 1 ................ 2 ................ 3 ............... 4 .................. 5 Bent DOU .. | .. ble, LIKE .. | .. old BEG .. | .. gars UN .. | .. der SACKS , ........... 1 ...................... 2 .................. 3 ...................... 4 ...................... 5 Knock- KNEED , .. | .. cough ING .. | .. like HAGS , .. | .. we CURSED .. | .. through SLUDGE

....... The first line rhymes with the third, the second with the fourth, the third with the sixth, and so on. 

....... The theme of the poem is straightforward and unambiguous: war is hell on earth, and there is nothing glorious about it. In presenting this theme, Owen was also presenting a warning, as he makes clear in the preface to his collection of poems.

This book is not about heroes. English poetry is not yet fit to speak of them. Nor is it about deeds, or lands, nor anything about glory, honour, might, majesty, dominion, or power, except War. Above all I am not concerned with poetry. My subject is War, and the pity of War. The Poetry is in the pity. Yet, these elegies are to this generation in no sense conciliatory. They may be to the next. All a poet can do today is warn. That is why the true poets must be truthful.

....... Following are examples of figures of speech in the poem.

Alliteration

M en m arched asleep. M any had lost their boots  B ut l imped on, b l ood-shod.  s ome s mothering kn ock- kn eed w atching w hite eyes f rom the f roth C ome g ar g ling f rom the f roth- c orrupted lungs, Obscene as c ancer, bitter as the c ud

Men marched asleep

Dim, through the misty panes and thick green light, As under a green sea, I saw him drowning. Simile : Comparison of the mist of green gas to a sea Metaphor : Comparison of the gas victim to a victim of drowning

hoot gargling

Knock-kneed, coughing like hags, we cursed through sludge Comparison of a soldier's coughing to the coughing of a witch His hanging face, like a devil's sick of sin Comparison of a soldier's face to a devil's face

1. Write a short essay arguing that "Dulce et Decorum" is as meaningful today as it was when Owen wrote it in 1917. 2. Ask a person who fought in a war whether the poem expresses what he or she felt on the battlefield. Report your answer to your class. 3. . Write an essay arguing that many Hollywood films romanticize and glorify soldiering. 4. Write an essay about the use of chemical warfare in the First World War. 5. Which of the following word (or words) best describes the tone of the poem: somber, sad, impassive, angry, bitter. Explain your answer. .

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Revision: EDUQAS Poetry Anthology Single Poem Essay on 'Dulce et Decorum Est' by Wilfrid Owen

Subject: English

Age range: 14-16

Resource type: Assessment and revision

Last updated

28 March 2017

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