best love essay books

18 Of The Most Illuminating Literary Passages On Love, Life, And Romance By Beau Taplin

• https://thoughtcatalog.com/?p=484337

I can’t remember exactly when I first stumbled upon Beau Taplin’s writing. I suppose it was when I found myself in a used bookstore a few weeks ago with a copy of  Hunting Season in my hands. Then I remembered, later, a friend from Australia had told me some time ago when we were in Nicaragua that he was one of her favorites. Beau’s work largely exists online, on posts that get reblogged thousands of times and on his website – the only place you can buy copies of his books. Here are a select few of some of the most beautiful and illuminating passages from his work.

“ Listen to me, your body is not a temple. Temples can be destroyed and desecrated. Your body is a forest—thick canopies of maple trees and sweet scented wildflowers sprouting in the under wood. You will grow back, over and over, no matter how badly you are devastated. ”

“ often, when we have a crush, when we lust for a person, we see only a small percentage of who they really are. the rest we make up for ourselves. rather than listen, or learn, we smother them in who we imagine them to be, what we desire for ourselves, we create little fantasies of people and let them grow in our hearts. and this is where the relationship fails. in time, the fiction we scribble onto a person falls away, the lies we tell ourselves unravel and soon the person standing in front of you is almost unrecognizable, you are now complete strangers in your own love. and what a terrible shame it is. my advice: pay attention to the small details of people, you will learn that the universe is far more spectacular an author than we could ever hope to be. ”, human beings are made of water–-, we were not designed to hold ourselves together, rather run freely like oceans like rivers, “ one day, whether you are 14, 28 or 65, you will stumble upon someone who will start a fire in you that cannot die. however, the saddest, most awful truth you will ever come to find – is they are not always with whom we spend our lives. ”, “ home is not where you are from, it is where you belong. some of us travel the whole world to find it. others, find it in a person.”, “ it’s 4am and i can’t remember how your voice sounds anymore. ”, “ it’s strange how your childhood sort of feels like forever. then suddenly you’re sixteen and the world becomes an hourglass and you’re watching the sand pile up at the wrong end. and you’re thinking of how when you were just a kid, your heartbeat was like a kick drum at a rock show, and now it’s just a time bomb ticking out. and it’s sad. and you want to forget about dying. but mostly you just want to forget about saying goodbye. ”, “ there was never going to be an “us” because you wanted to be missed more than you wanted to be loved. ”, “ it is a frightening thought, that in one fraction of a moment you can fall in the kind of love that takes a lifetime to get over. ”, “ the one thing i know for sure is that feelings are rarely mutual, so when they are, drop everything, forget belongings and expectations, forget the games, the two days between texts, the hard to gets because this is it, this is what the entire world is after and you’ve stumbled upon it by chance, by accident – so take a deep breath, take a step forward, now run, collide like planets in the system of a dying sun, embrace each other with both arms and let all the rules, the opinions and common sense crash down around you. because this is love kid, and it’s all yours. believe me, you’re in for one hell of a ride, after all – this is the one thing i know for sure. ”, “ the single greatest thing about love, in my experience, is the way it is doomed to pain and loss from its onset. whether it is the spouse that outlives their lover, or loses them to another, there is no escaping that most solemn of inevitabilities. that two people can commit themselves to all this sadness and heartache in the name of such brief happiness, the warm touch of familiar skin, the unrivalled pleasantness in waking up beside the same person you spent the entire night with in your dreams, is all the proof i need that insanity exists, and it is fucking beautiful. ”, “ it’s you. it’s been you for as long as i can remember. everyone else has just been another failed attempt at perfecting the art of pretending you’re not. i miss you. ”, “ i want somebody with a sharp intellect and a heart from hell. somebody with eyes like starfire and a mouth with a kiss like a bottomless well. but mostly i just want someone who will love me. when i do not know how to love myself. ”, “ do not call me perfect, a lie is never a compliment. call me an erratic damaged and insecure mess. then tell me that you love me for it. ”, “ the hours between 12am and 6am have a funny habit of making you feel like you’re either on top of the world, or under it. ”, “ my heart beats in almosts. it’s constantly in pursuit of those whom it desires but the moment it comes too close, it stops, turns, and bolts in the other direction. i hold onto what makes me miserable and i let the good things go. i’m self destructive.” i said. “it’s the way i’ve always been.”

“and why do you think that is” 

“because it’s simpler to destroy something you love,” i said. 
“than it is to watch it leave. ”, “ i just want to be the person you miss at 3am. ”, “ she was unstoppable. not because she did not have failures or doubts, but because she continued on despite them. ”, for more from koty follow her on facebook ., koty neelis.

Former senior staff writer and producer at Thought Catalog.

Keep up with Koty on Twitter

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Like Love: Essays and Conversations Hardcover – April 2, 2024

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A career-spanning collection of inspiring, revelrous essays about art and artists Like Love is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson’s brilliant work. These profiles, reviews, remembrances, tributes, and critical essays, as well as several conversations with friends and idols, bring to life Nelson’s passion for dialogue and dissent. The range of subjects is wide―from Prince to Carolee Schneemann to Matthew Barney to Lhasa de Sela to Kara Walker―but certain themes recur: intergenerational exchange; love and friendship; feminist and queer issues, especially as they shift over time; subversion, transgression, and perversity; the roles of the critic and of language in relation to visual and performance arts; forces that feed or impede certain bodies and creators; and the fruits and follies of a life spent devoted to making. Arranged chronologically, Like Love shows the writing, thinking, feeling, reading, looking, and conversing that occupied Nelson while writing iconic books such as Bluets and The Argonauts. As such, it is a portrait of a time, an anarchic party rich with wild guests, a window into Nelson’s own development, and a testament to the profound sustenance offered by art and artists.

• Print length 336 pages
• Language English
• Publisher Graywolf Press
• Publication date April 2, 2024
• Dimensions 6.44 x 1.12 x 9.31 inches
• ISBN-10 1644452812
• ISBN-13 978-1644452813
• See all details

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Editorial Reviews

** Book Riot 's "Best Nonfiction Books of 2024 (So Far)" ** “The new book from Nelson, one of the most towering public intellectuals alive today, collects 20 years of her work. . . . Essential reading.” ―Sophia M. Stewart, The Millions “Nelson’s admiration and enthusiasm for her subjects is a palpable driver of joy and delight. . . . A revelatory gathering of beloved art and artists presented with distinctive prose.” ― Kirkus Reviews , starred review “A masterful showcase for Nelson’s wide-ranging intellect and critical prowess.” ―Publishers Weekly “ Like Love is a personal intellectual genealogy, both a chart of Nelson’s influences, collaborators, and intimate friendships, and a map of her mind at work. . . . Throughout Like Love , Nelson is herself a poet of the question spirit.” ―Walton Muyumba, The Boston Globe “Drawn from nearly 20 years of genre-defying author Maggie Nelson’s work, Like Love offers incisive commentary on topics ranging from music and literature to feminism and queerness to motherhood and love.” ― Time 's “Most Anticipated Books of 2024” “This is precisely Nelson’s real magic – from within the well of pop culture, film review, and art essay, rises Nelson’s gift for seeing the right things under the surface of just about anything at all.” ―Tom Johnson, West Trade Review “There are a couple authors and artists out there that I am distinctly grateful to be alive alongside, and Maggie Nelson might be at the top of that list. . . . [Like Love is] a stunning and integral book.” ―Julia Hass, Literary Hub 's “Most Anticipated Books of 2024” “Through Maggie Nelson’s powerful prose and expansive reflection on a wide breadth of subject matter, we see one of the most wonderful, poetic minds of this generation detail how she’s come to see the world through a lens of love through friendship with some of the world’s most influential artists and creative thinkers.” ―Felicia Reich, Paste Magazine “Readers can practically watch Nelson’s incisive mind growing and changing as she speaks with colleagues such as Hilton Als and Judith Butler, or as she writes about queerness, motherhood, violence, the lyrics of Prince and the devastating loss of a friend.” ―Bethanne Patrick, Los Angeles Times “By making the problems of the cultural sphere her own, Nelson attempts to live with them without smothering them under the weight of her care. In this way, her criticism is exactly like love.” ―Jenny Wu, The Brooklyn Rail “We have a sense, I think, of the false border sequestering art from theory. And so to remark on Maggie Nelson’s facility in mating the two is to say the least about how she does so―which is with a hurtling gusto that nonetheless invites us to pause and think.” ―Lauren Michele Jackson, The New Yorker “A luminous gathering of dispatches from the delicate adventure of thinking alongside other people. Like Love is a reminder of wow.” ―Jeremy Atherton Lin, author of Gay Bar “Maggie Nelson’s shimmering genius is on full display in this collection. Like Love is a celebration of friendship and outlaw communities of artists and writers that demonstrates how we can hold onto love as we hurtle uncertainly into the future.” ―Cathy Park Hong “ Like Love is a convergence of the most incandescent parts of Maggie Nelson’s inimitable craft: there is her ceaseless curiosity, her capacity not only to hold complexity but to court it with equal parts desire and critique, the generosity and gratitude of her thinking held by gorgeous turns of phrase.” ―Johanna Hedva, author of Your Love Is Not Good and “Sick Woman Theory”

About the Author

Product details.

• Publisher ‏ : ‎ Graywolf Press (April 2, 2024)
• Language ‏ : ‎ English
• Hardcover ‏ : ‎ 336 pages
• ISBN-10 ‏ : ‎ 1644452812
• ISBN-13 ‏ : ‎ 978-1644452813
• Item Weight ‏ : ‎ 1 pounds
• Dimensions ‏ : ‎ 6.44 x 1.12 x 9.31 inches
• #12 in General Books & Reading
• #24 in Arts & Photography Criticism
• #51 in Essays (Books)

About the author

Maggie nelson.

Maggie Nelson is the author of several acclaimed books in multiple genres. Her books of nonfiction include Like Love: Essays and Conversations (Graywolf Press, 2024), On Freedom: Four Songs of Care and Constraint (Graywolf Press, 2021), The Argonauts (Graywolf Press, 2015), global best-seller and winner of the National Book Critics Circle Award; a landmark work of cultural, art, and literary criticism titled The Art of Cruelty: A Reckoning (Norton, 2011), which was named a NY Times Notable Book of the Year; the cult classic Bluets (Wave Books, 2009), which was named by Bookforum one of the 10 best books of the past 20 years; a memoir about her family, media spectacle, and sexual violence titled The Red Parts (originally published by Free Press in 2007, reissued by Graywolf in 2016); and a critical study of painting and poetry titled Women, the New York School, and Other True Abstractions (University of Iowa, 2007; winner, the Susanne M. Glassock Award for Interdisciplinary Scholarship). Her books of poetry include Something Bright, Then Holes (Soft Skull Press, 2007), Jane: A Murder (Soft Skull, 2005; finalist, the PEN/Martha Albrand Award for the Art of the Memoir), The Latest Winter (Hanging Loose Press, 2003), and Shiner (Hanging Loose, 2001). She has been the recipient of a Creative Capital Literature Fellowship, a Guggenheim Fellowship in Nonfiction, an NEA Fellowship in Poetry, and an Andy Warhol Foundation/Creative Capital Arts Writers Grant. In 2016 she received a MacArthur "genius" grant. She currently teaches at the University of Southern California.

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As a self-professed mega-fan of rom-com novels and films, I was thrilled when Amazon announced their upcoming Modern Love TV series , based on the long-running New York Times Modern Love column . Premiering on Oct. 18, the series boasts a star-studded cast (Anne Hathaway, Tina Fey, Dev Patel and Andrew Scott are just four of the show's featured actors) and will feature eight anthology-style episodes about love in all of its many forms — romantic, familial, platonic, sexual, and for oneself. Whether you're a long-time reader of Modern Love or are just discovering the column, now is the perfect time to catch up on some of the greatest essays before the show premieres.

In the revised and updated version of the Modern Love book (first published in 2007) editor Daniel Jones compiled 42 of the columns best essays. In his introduction to the book, Jones writes:

"I suppose if we are going to try to define what a love story is, we should begin by defining what love is, but that can be even more slippery. Our definitions of love, too, tend toward the flowery treatment. From where I sit, however -- as someone who has read, skimmed, or otherwise digested some one hundred thousand love stories over the past fifteen years -- love, at its best, is more of a wheelbarrow than a rose: gritty, and messy but also durable. Yet still hard to put into words."

Below are seven of my favorite of the 42 essays that appear in the Modern Love book, a great refresher for seasoned readers and a perfect precursor to the series for new fans, too:

'You Might Want to Marry My Husband' by Amy Krouse Rosenthal

In this March 2017 column (published just 10 days before she died of ovarian cancer at age 51) author Amy Krouse Rosenthal wrote a moving letter to her husband, Jason Rosenthal, in the hopes of finding him a new partner:

"Here is the kind of man Jason is: He showed up at our first pregnancy ultrasound with flowers. This is a man, who, because he is always up early, surprises me every Sunday morning by making some kind of oddball smiley face out of items near the coffee pot: a spoon, a mug, a banana. This is a main who emerges from the minimart or gas station and says, 'Give me your palm.' And voila, a colorful gum ball appears. (He knows I love all the flavors but white.) My guess is you know enough about him now. So let's swipe right."

Read "You Might Want To Marry My Husband."

'The Race Grows Sweeter Near Its Final Lap' by Eve Pell

Although Eve Pell's Jan. 2013 essay has not been officially confirmed as part of the Modern Love series, clues from the trailer highly suggest its inclusion. In it, Pell wrote of her late-in-life marriage to a Japanese American widower named Sam:

"Old love is different. In our 70s and 80s, we had been through enough of life’s ups and downs to know who we were, and we had learned to compromise. We knew something about death because we had seen loved ones die. The finish line was drawing closer. Why not have one last blossoming of the heart?"

Read "The Race Grows Sweeter In Its Final Lap."

'When Eve and Eve Bit the Apple' by Kristen Scharold

In this Nov. 2016 essay, writer Kristen Scharold wrote about coming out as queer and leaving her Evangelical church when she meets and falls in love with a woman named Jess:

"I felt my cramped religious framework of false dichotomies and moral starkness beginning to collapse. What once seemed like a bleak choice between losing my soul or losing my most cherished friend was in fact a lesson that true love is the only thing that could save me."

Read "When Eve and Eve Bit The Apple."

'When the Doorman is Your Main Man' by Julie Margaret Hogben

Hogben's Oct. 2015 essay (also seemingly included in the Modern Love series trailer) focused on the unique friendship she shares with her doorman, Guzim, and how his support helped her embark on the journey of single motherhood with courage:

"I became fodder for gossip: Who was the father? Did I dump him, or did he dump me? Valid questions, sometimes asked to my face, sometimes not. But down in the lobby, Guzim was there with no dog in the race. I wasn’t his daughter, sister or ex. I wasn’t his employee or boss. Our social circles didn’t overlap. Six days a week, he stood downstairs, detached but also caring enough to be the perfect friend, neither worried nor pitying."

Read "When The Doorman Is Your Main Man."

'Rallying to Keep the Game Alive' by Ann Leary

Leary's Sept. 2013 essay about the almost-end and subsequent reunification of her marriage to actor Denis Leary is a moving look at a modern marriage (and another essay that, though currently unconfirmed, also seems to be included in the Modern Love trailer.) She wrote:

"When we met, I was 20, he 25. We were too young and inexperienced to know that people don’t change who they are, only how they play and work with others. Our basic problem was, and is, that we are almost identical — in looks, attitudes and psychological makeup. Two Leos who love children and animals, and are intensely emotional and highly sensitive and competitive with everybody, but especially with each other."

Read "Rallying To Keep The Game Alive."

'Now I Need a Place to Hide Away' by Ann Hood

In her Feb. 2017 column, author Ann Hood wrote about The Beatles fandom she shared with her young daughter, Grace, who died suddenly of complications from a virulent form of strep when she was just five years old:

"It is difficult to hide from the Beatles. After all these years they are still regularly in the news. Their songs play on oldies stations, countdowns and best-ofs. There is always some Beatles anniversary: the first No. 1 song, the first time in the United States, a birthday, an anniversary, a milestone, a Broadway show. But hide from the Beatles I must. Or, in some cases, escape."

Read "Now I Need A Place To Hide Away."

'Take Me As I Am, Whoever I Am' by Terri Cheney

Terri Cheney's Jan. 2008 essay, which has been confirmed as the inspiration behind the episode of the Modern Love series starring Anne Hathaway, is about the author's experience with rapid-cycling bipolar disorder and how it affected her dating life. Cheney wrote:

"In love there’s no hiding: You have to let someone know who you are, but I didn’t have a clue who I was from one moment to the next. When dating me, you might go to bed with Madame Bovary and wake up with Hester Prynne. Worst of all, my manic, charming self was constantly putting me into situations that my down self couldn’t handle."

Read "Take Me As I Am, Whoever I Am."

This article was originally published on Sep. 12, 2019

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2021 was rough, but books about love gave us life. Here are 13 recommendations

Mia Estrada

Who doesn't love a good, well, love story? Whether it's the meet cutes, the crossed stars, the sheer passion, or a forbidden union, we're big fans.

Here are the Books We Love: 360+ great 2021 reads recommended by NPR

Books We Love , NPR's list of best reads from 2021, has hundreds of recommendations: 369 of them, to be exact. With that kind of lengthy list, it can be hard to know exactly where to start. So here are 13 suggestions from our colleagues and independent critics for what to read if you want a good love story or want to explore themes of love and relationships.

Act Your Age, Eve Brown: A Novel by Talia Hibbert

"Has there ever been a better time to read about a charming, hilarious young woman who just can't seem to get it together? This book follows Eve Brown – a talented cook, phenomenal singer, devoted sister and, at the start of the story, a notorious ne'er-do-well. As her story unspools, Eve winds up learning a lot about herself and what she's capable of; her struggle also helps illuminate how rigid and often misguided the expectations of our family, friends and communities can be." — Leah Donnella , supervising editor, Code Switch

A Lot Like Adiós by Alexis Daria

"Childhood besties Michelle and Gabriel hook up one night after high school graduation – and for a moment it looks like the two might finally get together until Michelle discovers that Gabe is planning on leaving for college across the country. After a blowout fight, the two don't speak again for years – until the gym that Gabriel owns hires Michelle to work on a rebranding campaign. Once they reconnect ... well, let's just say they collaborate on more than a marketing campaign. It's hot, it's fun and it's a great chance to brush up on your Spanish vocabulary." — Lauren Migaki , senior producer, NPR Ed

Dial A for Aunties by Jesse Q. Sutanto

"A crime novel wrapped up in a romance? Just what the doctor ordered for readers during the pandemic! There's a lot to love here, especially the criminal high jinks that Meddelin, her mother and her aunts find themselves immersed in as she rekindles a lost flame. Above and beyond, though, this is a love letter to the bonds of family and culture." — Tayla Burney , senior content manager

Fat Chance, Charlie Vega by Crystal Maldonado

"I'm glad there's a wave of YA books with fat protagonists, but the characters often possess a level of self-confidence that's too good to be true. Crystal Maldonado has created a much-needed believable protagonist with teenage and adult readers. Charlie Vega is a fat, glasses-wearing, biracial Puerto Rican with a diet-pushing mother and a beautiful, athletic best friend. When her classmate Brian pursues a romantic relationship, Charlie is plagued with-self doubt. The book is propelled by conflicts both internal and external. I'm glad this book isn't body-positive escapism, but rather a well-observed story of fat teenage life." — Jessica Reedy , producer/editor, Pop Culture Happy Hour

12 books NPR staffers loved in 2021 that might surprise you

First comes like: a novel by alisha rai.

"Alisha Rai is one of my go-to writers when I need a romance. Her books are usually quite spicy, but with First Comes Like , Rai shows she can write a great slow-burn romance. When beauty influencer Jia Ahmed learns that she has been catfished by a man pretending to be Bollywood star Dev Dixit, she ends up striking up a friendship with the real actor. A paparazzi mishap leads Jai and Dev to begin fake-dating. Will their fake relationship lead to real feelings? (Of course it will – this is a romance after all.) It's a lovely story about decent people just trying to do the right thing." — Jessica Reedy

Author Interviews

Jasmine guillory recommends 3 summer reads for the romantic at heart, honey girl by morgan rogers.

"One night, Grace Porter – burned out and aimless after finally getting her Ph.D. in astronomy – gets drunkenly married to a woman whose name she does not know, in Vegas no less. Cliché? Definitely. A bad idea? Maybe ... not? Through the mists of her epic hangover, Grace starts to piece together clues about her mysterious new wife. Yuki, as it turns out, hosts a radio show about the supernatural. What follows is a delightfully weird summer where together, Grace and Yuki learn about mythical monsters and even face down some of their own." — Lauren Migaki

Seeing 'Love In Color'

Love in color: mythical tales from around the world, retold by bolu babalola.

"This multifaceted, multitalented Nigerian-British writer – humorist, television creator and now bestselling author – searched the globe to find a radically diverse group of stories about love, from magical folk tales of West Africa to iconic Greek myths and ancient legends from the Middle East. Then, with an evocative and vivid style, she brought new life to old tales and wrote three original stories of her own. The result is a remarkable modern collection of 13 short stories about love." — Carole V. Bell , book critic

Book Reviews

Love rides the q train in this supernaturally sweet romance, one last stop: a novel by casey mcquiston.

"One Last Stop made me fall in love with Casey McQuiston's writing all over again. In this one, August, an inexperienced 20-something trying to figure out life in the big city, is an expert at keeping other people at arm's length until she meets Jane, an impossibly cool girl who always seems to be riding the subway at the same time as her. One Last Stop is queer romance with a side of time-travel shenanigans, but amid all the whip-smart banter and heartwarming rom-com tropes is a potent reminder to make room for love in all parts of your life." — Sharon Pruitt-Young , reporter, newsdesk

Your Laughing Muscles Will Get A Workout In This Sporty Romance

The dating playbook by farrah rochon.

"Any list of 2021's best romantic comedies must include Farrah Rochon's The Dating Playbook . The story she weaves about Taylor Powell, a fitness trainer in need of some clients, and Jamar Dixon, an injured football superstar in need of a secret but hard-core fitness regime, is fresh, funny and sexy. It also boasts a ripped-from-the-headlines plot that touches on topics like football and concussion, and how social media has made having a private life an artform for anyone with celebrity status. Rochon presents her themes with jump-off-the-page humor, and they go far beyond the ups and downs of romance to broader concerns about family, women, friendship and jealousy." — Denny S. Bryce , book critic

Intimacy Is Nothing To Be Ashamed Of In Helen Hoang's Powerful New Romance

The heart principle: a novel by helen hoang.

"Anna Sun is a talented violinist in the Bay Area whose disappointing boyfriend springs a proposal on her: an open relationship. While processing her boyfriend's request and battling a creative block, Anna meets Quan and wonders if he might be the real deal. I love this book because it deals with issues that feel really relevant to today, such as creative burnout, bad boyfriends and neurodivergence, which Helen Hoang explores through these deeply rich and heartfelt characters." — Candice Lim , production assistant, Pop Culture Happy Hour

Love And Hope Are At The Heart Of 'The Prophets'

The prophets: a novel by robert jones, jr..

"This book broke my heart in a necessary way. It's spectacular. A poetic queer love story and an excruciating portrait of life on a Mississippi plantation, it deserves every accolade. At the center are Samuel and Isaiah, two enslaved boys who grow up as best friends and eventually become lovers, and an older enslaved man, Amos, who takes on the role of preacher as a way of securing some semblance of safety and power. Jones excels at ensemble storytelling, treating each character with compassion while being brutally unsparing about the system they live under and the desperate compromises they have to make." — Carole V. Bell

Trust: A Novel by Domenico Starnone, translated by Jhumpa Lahiri

"In author Domenico Starnone's Italian-to-English translation, a couple named Pietro and Teresa are on-again, off-again until the day Teresa says, essentially, "Let's tell each other our worst secret." What she thinks will bind them together forever turns out to be what drives them apart; they've revealed the worst and it's unforgettable. For a lesser writer, this might be enough. For Starnone, it's a jumping-off point, even in a slim, taut book with no wasted words or ideas. When Pietro and Teresa meet again in the evening of their lives, the power one of them holds over the other still matters." — Bethanne Patrick , book critic

While We Were Dating by Jasmine Guillory

"Jasmine Guillory is the queen of charming romance novels. In her sixth book, we meet ad exec Ben Stephens and movie star Anna Gardiner, who hit it off at a marketing campaign meeting and end up falling into a just-for-cameras relationship (with some fun benefits too). Unfortunately, romantic feelings (as they always do) get in the way of this arrangement. You might remember Ben from one of Guillory's last books, The Wedding Date – the brother of uptight Theo. The best part about Guillory's books is revisiting these characters and guessing who will show up in subsequent novels. Not to mention the descriptive California references (as a California native, I eat those up). Guillory's writing style is addictive, but she also tackles heavy themes. I can guarantee you'll finish this book quickly and want to check out her other ones." — Anjuli Sastry Krbechek , producer, It's Been a Minute with Sam Sanders

To read more recommendations from staff members, you can explore the "Staff Picks" section on the 2021 Books We Love website.

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Reader Lists > Literary Figures

Great love letters, recommended by stephanie.

The Letters of Vita Sackville-West to Virginia Woolf by Vita Sackville-West

Letters to Véra (Vintage International) by Vladimir Nabokov

A Literate Passion: Letters of Anaïs Nin & Henry Miller, 1932-1953 by Anais Nin

Letters to Milena (The Schocken Kafka Library) by Franz Kafka

The Love Letters of Mary Wollstonecraft to Gilbert Imlay by

"In your heavenly eyes there is ecstasy I cannot even begin to perceive. There is incessant passion; there is, perhaps, godlike rapture." Vita Sackville-West in a letter to Virginia Woolf

"Yes, I need you, my fairy-tale. Because you are the only person I can talk with about the shade of a cloud, about the song of a thought." —Vladimir Nabokov in a 1923 letter to his wife, Véra Nabokov

“I love you too much, Henry, and that is something to be feared, you know. I have come too close to you.” —Anaïs Nin in a letter to Henry Miller

"I, in a sense, am independent of you, just because the dependency reaches beyond all bounds. The either/or is too great. Either you are mine, in which case it’s good, or I lose you, in which case it’s not just bad but simply nothing. In that case there wouldn’t be any jealousy, no suffering, no anxiety—nothing. And there’s certainly something blasphemous about building so much on one person, and this is also the reason why fear creeps round the foundations. It’s not, however, so much the fear about you as the fear of daring to build like this at all." —Franz Kafka

"You have, by your tenderness and worth, twisted yourself more artfully round my heart than I supposed possible." —Mary Wollstonecraft in a letter to Gilbert Imlay (Paris, February 1794)

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Essays About Love: 20 Intriguing Ideas for Students

Love can make a fascinating essay topic, but sometimes finding the perfect topic idea is challenging. Here are 20 of the best essays about love.

Writers have often explored the subject of love and what it means throughout history. In his book Essays in Love , Alain de Botton creates an in-depth essay on what love looks like, exploring a fictional couple’s relationship while highlighting many facts about love. This book shows how much there is to say about love as it beautifully merges non-fiction with fiction work.

The New York Times  published an entire column dedicated to essays on modern love, and many prize-winning reporters often contribute to the collection. With so many published works available, the subject of love has much to be explored.

If you are going to write an essay about love and its effects, you will need a winning topic idea. Here are the top 20 topic ideas for essays about love. These topics will give you plenty to think about and explore as you take a stab at the subject that has stumped philosophers, writers, and poets since the dawn of time.

For help with your essays, check out our round-up of the best essay checkers .

1. Outline the Definition of Love

2. describe your favorite love story, 3. what true love looks like, 4. discuss how human beings are hard-wired for love, 5. explore the different types of love, 6. determine the true meaning of love, 7. discuss the power of love, 8. do soul mates exist, 9. determine if all relationships should experience a break-up, 10. does love at first sight exist, 11. explore love between parents and children, 12. discuss the disadvantages of love, 13. ask if love is blind, 14. discuss the chemical changes that love causes, 15. outline the ethics of love, 16. the inevitability of heartbreak, 17. the role of love in a particular genre of literature, 18. is love freeing or oppressing, 19. does love make people do foolish things, 20. explore the theme of love from your favorite book or movie.

Defining love may not be as easy as you think. While it seems simple, love is an abstract concept with multiple potential meanings. Exploring these meanings and then creating your own definition of love can make an engaging essay topic.

To do this, first, consider the various conventional definitions of love. Then, compare and contrast them until you come up with your own definition of love.

One essay about love you could tackle is describing and analyzing a favorite love story. This story could be from a fiction tale or real life. It could even be your love story.

As you analyze and explain the love story, talk about the highs and lows of love. Showcase the hard and great parts of this love story, then end the essay by talking about what real love looks like (outside the flowers and chocolates).

This essay will explore what true love looks like. With this essay idea, you could contrast true love with the romantic love often shown in movies. This contrast would help the reader see how true love looks in real life.

An essay about what true love looks like could allow you to explore this kind of love in many different facets. It would allow you to discuss whether or not someone is, in fact, in true love. You could demonstrate why saying “I love you” is not enough through the essay.

There seems to be something ingrained in human nature to seek love. This fact could make an interesting essay on love and its meaning, allowing you to explore why this might be and how it plays out in human relationships.

Because humans seem to gravitate toward committed relationships, you could argue that we are hard-wired for love. But, again, this is an essay option that has room for growth as you develop your thoughts.

There are many different types of love. For example, while you can have romantic love between a couple, you may also have family love among family members and love between friends. Each of these types of love has a different expression, which could lend itself well to an interesting essay topic.

Writing an essay that compares and contrasts the different types of love would allow you to delve more deeply into the concept of love and what makes up a loving relationship.

What does love mean? This question is not as easy to answer as you might think. However, this essay topic could give you quite a bit of room to develop your ideas about love.

While exploring this essay topic, you may discover that love means different things to different people. For some, love is about how someone makes another person feel. To others, it is about actions performed. By exploring this in an essay, you can attempt to define love for your readers.

What can love make people do? This question could lend itself well to an essay topic. The power of love is quite intense, and it can make people do things they never thought they could or would do.

With this love essay, you could look at historical examples of love, fiction stories about love relationships, or your own life story and what love had the power to do. Then, at the end of your essay, you can determine how powerful love is.

The idea of a soul mate is someone who you are destined to be with and love above all others. This essay topic would allow you to explore whether or not each individual has a soul mate.

If you determine that they do, you could further discuss how you would identify that soul mate. How can you tell when you have found “the one” right for you? Expanding on this idea could create a very interesting and unique essay.

Break-ups seem inevitable, and strong relationships often come back together afterward. Yet are break-ups truly inevitable? Or are they necessary to create a strong bond? This idea could turn into a fascinating essay topic if you look at both sides of the argument.

On the one hand, you could argue that the break-up experience shows you whether or not your relationship can weather difficult times. On the other hand, you could argue that breaking up damages the trust you’re working to build. Regardless of your conclusion, you can build a solid essay off of this topic idea.

Love, at first sight is a common theme in romance stories, but is it possible? Explore this idea in your essay. You will likely find that love, at first sight, is nothing more than infatuation, not genuine love.

Yet you may discover that sometimes, love, at first sight, does happen. So, determine in your essay how you can differentiate between love and infatuation if it happens to you. Then, conclude with your take on love at first sight and if you think it is possible.

The love between a parent and child is much different than the love between a pair of lovers. This type of love is one-sided, with care and self-sacrifice on the parent’s side. However, the child’s love is often unconditional.

Exploring this dynamic, especially when contrasting parental love with romantic love, provides a compelling essay topic. You would have the opportunity to define this type of love and explore what it looks like in day-to-day life.

Most people want to fall in love and enjoy a loving relationship, but does love have a downside? In an essay, you can explore the disadvantages of love and show how even one of life’s greatest gifts is not without its challenges.

This essay would require you to dig deep and find the potential downsides of love. However, if you give it a little thought, you should be able to discuss several. Finally, end the essay by telling the reader whether or not love is worth it despite the many challenges.

Love is blind is a popular phrase that indicates love allows someone not to see another person’s faults. But is love blind, or is it simply a metaphor that indicates the ability to overlook issues when love is at the helm.

If you think more deeply about this quote, you will probably determine that love is not blind. Rather, love for someone can overshadow their character flaws and shortcomings. When love is strong, these things fall by the wayside. Discuss this in your essay, and draw your own conclusion to decide if love is blind.

When someone falls in love, their body feels specific hormonal and chemical changes. These changes make it easier to want to spend time with the person. Yet they can be fascinating to study, and you could ask whether or not love is just chemical reactions or something more.

Grab a science book or two and see if you can explore these physiological changes from love. From the additional sweating to the flushing of the face, you will find quite a few chemical changes that happen when someone is in love.

Love feels like a positive emotion that does not have many ethical concerns, but this is not true. Several ethical questions come from the world of love. Exploring these would make for an interesting and thoughtful essay.

For example, you could discuss if it is ethically acceptable to love an object or even oneself or love other people. You could discuss if it is appropriate to enter into a physical relationship if there is no love present or if love needs to come first. There are many questions to explore with this love essay.

If you choose to love someone, is heartbreak inevitable? This question could create a lengthy essay. However, some would argue that it is because either your object of affection will eventually leave you through a break-up or death.

Yet do these actions have to cause heartbreak, or are they simply part of the process? Again, this question lends itself well to an essay because it has many aspects and opinions to explore.

Literature is full of stories of love. You could choose a genre, like mythology or science fiction, and explore the role of love in that particular genre. With this essay topic, you may find many instances where love is a vital central theme of the work.

Keep in mind that in some genres, like myths, love becomes a driving force in the plot, while in others, like historical fiction, it may simply be a background part of the story. Therefore, the type of literature you choose for this essay would significantly impact the way your essay develops.

Most people want to fall in love, but is love freeing or oppressing? The answer may depend on who your loved ones are. Love should free individuals to authentically be who they are, not tie them into something they are not.

Yet there is a side of love that can be viewed as oppressive, deepening on your viewpoint. For example, you should stay committed to just that individual when you are in a committed relationship with someone else. Is this freeing or oppressive? Gather opinions through research and compare the answers for a compelling essay.

You can easily find stories of people that did foolish things for love. These stories could translate into interesting and engaging essays. You could conclude the answer to whether or not love makes people do foolish things.

Your answer will depend on your research, but chances are you will find that, yes, love makes people foolish at times. Then you could use your essay to discuss whether or not it is still reasonable to think that falling in love is a good thing, although it makes people act foolishly at times.

Most fiction works have love in them in some way. This may not be romantic love, but you will likely find characters who love something or someone.

Use that fact to create an essay. Pick your favorite story, either through film or written works, and explore what love looks like in that work. Discuss the character development, storyline, and themes and show how love is used to create compelling storylines.

If you are interested in learning more, check out our essay writing tips !

Bryan Collins is the owner of Become a Writer Today. He's an author from Ireland who helps writers build authority and earn a living from their creative work. He's also a former Forbes columnist and his work has appeared in publications like Lifehacker and Fast Company.

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The best essay collections to read now

From advice on friendship and understanding modern life to getting a grasp on coronavirus, these books offer insight on life. 

What better way to get into the work of a writer than through a collection of their essays? 

These seven collections, from novelists and critics alike, address a myriad of subjects from friendship to how colleges are dealing with sexual assaults on campus to race and racism. 

Trick Mirror by Jia Tolentino (2019)

As a staff writer at The New Yorker , Jia Tolentino has explored everything from a rise in youth vaping to the ongoing cultural reckoning about sexual assault. Her first book Trick Mirror takes some of those pieces for The New Yorker as well as new work to form what is one of the sharpest collections of cultural criticism today.

Using herself and her own coming of age as a lens for many of the essays, Tolentino turns her pen and her eye to everything from her generation’s obsession with extravagant weddings to how college campuses deal with sexual assault.

If you’re looking for an insight into millennial life, then Trick Mirror should be on your to-read list.

In Search of Our Mothers’ Gardens by Alice Walker (1983)

Sometimes essays collected from a sprawling period of a successful writer’s life can feel like a hasty addition to a bibliography; a smash-and-grab of notebook flotsam. Not so In Search of Our Mother’s Gardens , from which one can truly understand the sheer range of the Pulitzer Prize winner’s range of study and activism. From Walker’s first published piece of non-fiction (for which she won a prize, and spent her winnings on cut peonies) to more elegiac pieces about her heritage, Walker’s thoughts on feminism (which she terms “womanism”) and the Civil Rights Movement remain grippingly pertinent 50 years on.

Me Talk Pretty One Day by David Sedaris (2000)

That David Sedaris’s ascent to literary stardom happened later in his life – his breakthrough collection of humour essays was released when he was 44 – suited the author’s writing style perfectly. Me Talk Pretty One Day is both a painfully funny account of his childhood and an enduring snapshot of mid-forties malaise. First story ‘Go Carolina’, about his attempt to transcend a childhood lisp, is told from a perfect distance and with all the worldliness necessary to milk every drop of tragic, cringeworthy humour from his childhood. It never falters from there: by the book’s second half, in which Sedaris is living in France, he’s firmly established his niche, writing about the ways that even snobs experience utter humiliation ­– and Me Talk Pretty One Day is all the more human for it. 

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16 Books About Love Everyone Should Read

Love is simultaneously one of the most important emotions people can have and one of the most misunderstood ones. What’s more – it’s also subjective. 

How many countless situations have there been where two people are together and experience the exact same feelings for each other, however, one dubs these feelings “love” and the other isn’t ready to use that word. How many of these relationships have ended then and there because of simple semantics?  

Situations such as these show that, even though we all think we know what love is, we actually desperately need to try and understand it better. With that goal in mind, here are 16 fiction and non-fiction books about the love we think everyone should read. 

8 Non-Fictional Books About Love  

Many of us are hesitant to “study” love as if it’s a school subject. Needless to say, however, getting rid of these restraints and burying your nose between the pages is one of the best things you can do for your future love life. 

1. The Art of Loving by Erich Fromm   

Bottom line:   .

The Art of Loving has only been around since 2006 but its less than 200 pages of insight have already helped millions of people learn how to love fully and completely, way above the surface-level feelings most of us see as “love”. 

Quick Review:   

As an experienced and world-renowned social philosopher and psychoanalyst, Fromm manages to fill every page of his short but best-selling book with invaluable wisdom . He talks about the profound difference between “true love” – one that’s built on maturity, self-reflection, and commitment . He presents love as an art, as something that needs to be understood, practiced, mastered, and that always requires our full attention if it’s to be done right. 

2. Essays in Love by Alain de Botton  

De Botton’s Essays in Love is one of the best books for everyone who’s feeling confused about their love life and relationship experience. 

In this ingenious collection of essays, de Botton goes through the various stages of a relationship in a systematic and comprehensive style. He goes from the very first moments of affection to the confusion, anxiety, and heartache at the end of each relationship. This step-by-step breakdown of people’s relationships can seem simple but Alain de Botton’s approach is surprisingly illuminating and insightful. 

3. Men are from Mars, Women are from Venus by John Gray  

Bottom line:.

The title Men are from Mars, Women are from Venus: The Classic Guide to Understanding the Opposite Sex can seem overly simplistic but behind that metaphor, Gray has crammed a lot of ingenious tips and tricks for understanding the opposite sex. 

Quick Review:

Gray’s metaphor may seem crude at first glance and can even appear as something that flies in the faces of gender abolitionists but it’s actually quite straightforward. There are differences between gender roles – whatever we wish to ascribe them to – and understanding these differences is essential for avoiding and fixing many of the common pitfalls in relationships that countless people struggle with. 

4. On Love by Stendhal  

Stendhal famously considers On Love to be the best book he’s ever written. Yet, for a lot of his fans and critics, that’s quite controversial. There is no denying that On Love is a must-read, however – for its wit, insight, as well as out of sheer curiosity.  

Stendhal’s book on love is a book that requires patience to grasp fully which is likely why so many members of the modern audience have trouble with it. If you have the patience and drive to truly look into Stendhal’s words, however, you can find lots of easily-unraveled mysteries and clear answers to the questions about the love we all have. 

5. The Mathematics of Love: Patterns, Proof, and the Search for the Ultimate Equation by Hannah Fry  

Mathematics and love don’t mesh well for most people but Fry’s The Mathematics of Love: Patterns, Proof, and the Search for the Ultimate Equation actually offers a very insightful and unique look at the question of what love is. 

As every math teacher always says – everything can be seen in mathematical terms. Hannah Fry, a mathematician herself, certainly takes this idiom to heart and dissects everything love-related through the prism of mathematical equations and patterns – from sex and dating sites to marriage , love, and divorce . 

6. The 5 Love Languages: The Secret to Love That Lasts by Gary Chapman   

The 5 Love Languages: The Secret to Love That Lasts is the type of book we’d recommend for every couple with communication issues plaguing their relationship.  

One of the biggest bestsellers in the love and relationship side of literature, Chapman’s book on love languages is a must-read for anyone who wants to keep their long-term relationship going strong. It’s not controversial to say that communication is one of the secret ingredients to a happy love life and Chapman hits the nail on the head with this masterpiece. 

7. All About Love: New Visions by Bell Hooks  

Bell Hooks’ All About Love: New Visions is a provocative, insightful, and revolutionary take on how we see and understand love. 

As a renowned scholar, philosopher, and feminist, it’s no surprise that Bell Hooks has some ideas about love that not many before her have considered. According to Hooks, our society has failed to provide people with an adequate and consistent understanding of what love is. So, she proposes that agreeing on such a cultural paradigm about love can be immensely helpful for people who currently try to build their love lives and relationships on a more of a “trial and error” method than anything else.  

8. Hold Me Tight: Seven Conversations for a Lifetime of Love by Sue Johnson  

In Hold Me Tight: Seven Conversations for a Lifetime of Love , Sue Johnson offers an entirely new model for couples therapy that has changed the love lives of millions of people. 

This New Your Times best-seller introduces the Emotionally Focused Therapy model which views relationships and love as a type of attachment bond. This can seem simple on the face of it but Johnson takes a very scientific and psychological approach to relationships and spends a lot of time in her book teaching her readers how to recognize “the demon dialogue” and how to approach and revisit the rockier moments of their relationships.  

8 Novels About Love  

If non-fiction really isn’t your thing and you prefer to get your insight from fiction – or if you’re just looking for some heartwrenching love stories to delve into – below we’ve also listed some of the best love novels humanity has ever produced. 

1. Le Grand Meaulnes by Alain-Fournier  

Le Grand Meaulnes or ‘The Lost Domain’ in English is lauded as one of the best French novels of the 20 th century because of its fascinating exploration of what love is for young men. 

The only novel of the young Alain-Fournier who was unfortunate enough to die in 1914 at the early age of 27, Le Grand Meaulnes looks into that fragile period between boyhood and manhood, and into what love looks like at that age. Also, if you’re looking to read Alain-Fournier’s novel in English, we’d recommend the version translated by Frank Dalby Davison. 

2. Anna Karenina by Leo Tolstoy  

Tolstoy’s Anna Karenina is one of those books that don’t need an introduction as it’s one of the world’s greatest novels and possibly the greatest tragic love story ever put to paper. 

A tale of love, passion , betrayal, and loss, all set in 19 th -century Russia, Anna Karenina may scare some western readers who “don’t feel ready” for Russian literature but it’s a novel every fan of romance literature should read.  

3. The Portrait of a Lady by Henry James  

The Portrait of a Lady is one of Henry James’ most acclaimed novels and it explores the tragedy of loving the wrong person as well as the painful disconnect between money and happiness . 

In The Portrait of a Lady , James tells the story of Isabel Archer, a young American lady brought to Europe where she tries to find love. The book is ultimately a tragedy, however, as it explores the Archer’s wrong choice and the many ways in which it affects her life going forward. 

4. Jane Eyre by Charlotte Bronte  

An all-time classic, Bronte’s Jane Eyre is often said to have revolutionized prose fiction with its use of a first-person narrative but what really helped it beat the test of time is its phenomenal lead character and the tension-filled story. 

Set in the middle of the 19 th century, Jane Eyre follows the titular character as she goes through the pains of early adulthood. A psychologically intense love story, a mystery, and a poignant social commentary on class, feminism, sexuality, and religion, Jane Eyre likely always will be a must-read. 

5. The Time Traveler’s Wife by Audrey Niffenegger  

A newer but incredibly popular entry to our list, The Time Traveler’s Wife is a masterful exploration of the importance of love and dedication even the in the face of seemingly unmanageable situations.  

The book asks the “What if” scenario of a time traveler who can’t control his powers but falls in love and tries to maintain a marriage anyway. In that way, Niffenegger looks at just how far love and dedication can get a married couple even in the most impossible and absurd situation. 

6. Call Me By Your Name by Andre Aciman  

Call Me By Your Name by Andre Aciman became famous across the globe for its intense and intimate look at queer love and the fascination, fear , and passion that accompany it. 

Aciman’s world-renowned work was quickly adapted on the big screen and for good reasons – such an extraordinarily good presentation of the uniqueness and intensity of queer love is still so rare that Call Me By Your Name easily stands out above its peers and is a must-read for modern audiences. 

7. The Thorn Birds by Colleen McCullough  

Colleen McCullough’s The Thorn Birds presents the large Clearys family – an ensemble of fascinating characters, all with their unique love aches and experiences.  

Set in early 20 th century Australia, The Thorn Birds is a classic family drama that effortlessly shifts its focus between the many members of the Clearys family, their dreams, problems, loves, and pains. In that way, The Thorn Birds is an incredibly thorough and enjoyable exploration of love, relationships, and marriage from all possible angles. 

8. Pride and Prejudice by Jane Austen  

Austen’s Pride and Prejudice is one of the most famous books on this list and is an absolute delight to read and reread because of its cheerful and witty yet insightful view of love. 

Few novels show us this side of early 19 th -century England as well as Austen’s Pride and Prejudice . The center of the story is the playful romance between Elizabeth Bennet and Mr. Darcy, and it is presented as delightfully and enthrallingly as possible. Behind the wittiness of their banter is lots of substance too, however, making this the quintessential romance novel for many generations. 

Wrapping Up  

Are we saying that you’ll become a love guru after going through this list? No, we can’t promise that. If you’ve been feeling a little confused about this whole topic as of late, however, there certainly are lots of answers and wisdom hidden in those 16 gems above. Happy reading! 

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Yordan Zhelyazkov is a published fantasy author and an experienced copywriter. While he has degrees in both Creative Writing and Marketing, much of his research and work are focused on history and mythology. He’s been working in the field for years and has amassed a great deal of knowledge on Norse, Greek, Egyptian, Mesoamerican, Japanese mythology, and others.

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50 Must-Read Contemporary Essay Collections

Liberty Hardy

Liberty Hardy is an unrepentant velocireader, writer, bitey mad lady, and tattoo canvas. Turn-ons include books, books and books. Her favorite exclamation is “Holy cats!” Liberty reads more than should be legal, sleeps very little, frequently writes on her belly with Sharpie markers, and when she dies, she’s leaving her body to library science. Until then, she lives with her three cats, Millay, Farrokh, and Zevon, in Maine. She is also right behind you. Just kidding! She’s too busy reading. Twitter: @MissLiberty

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I feel like essay collections don’t get enough credit. They’re so wonderful! They’re like short story collections, but TRUE. It’s like going to a truth buffet. You can get information about sooooo many topics, sometimes in one single book! To prove that there are a zillion amazing essay collections out there, I compiled 50 great contemporary essay collections, just from the last 18 months alone.  Ranging in topics from food, nature, politics, sex, celebrity, and more, there is something here for everyone!

I’ve included a brief description from the publisher with each title. Tell us in the comments about which of these you’ve read or other contemporary essay collections that you love. There are a LOT of them. Yay, books!

Must-Read Contemporary Essay Collections

They can’t kill us until they kill us  by hanif abdurraqib.

“In an age of confusion, fear, and loss, Hanif Willis-Abdurraqib’s is a voice that matters. Whether he’s attending a Bruce Springsteen concert the day after visiting Michael Brown’s grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly.”

Would Everybody Please Stop?: Reflections on Life and Other Bad Ideas  by Jenny Allen

“Jenny Allen’s musings range fluidly from the personal to the philosophical. She writes with the familiarity of someone telling a dinner party anecdote, forgoing decorum for candor and comedy. To read  Would Everybody Please Stop?  is to experience life with imaginative and incisive humor.”

Longthroat Memoirs: Soups, Sex and Nigerian Taste Buds  by Yemisi Aribisala

“A sumptuous menu of essays about Nigerian cuisine, lovingly presented by the nation’s top epicurean writer. As well as a mouth-watering appraisal of Nigerian food,  Longthroat Memoirs  is a series of love letters to the Nigerian palate. From the cultural history of soup, to fish as aphrodisiac and the sensual allure of snails,  Longthroat Memoirs  explores the complexities, the meticulousness, and the tactile joy of Nigerian gastronomy.”

Beyond Measure: Essays  by Rachel Z. Arndt

“ Beyond Measure  is a fascinating exploration of the rituals, routines, metrics and expectations through which we attempt to quantify and ascribe value to our lives. With mordant humor and penetrating intellect, Arndt casts her gaze beyond event-driven narratives to the machinery underlying them: judo competitions measured in weigh-ins and wait times; the significance of the elliptical’s stationary churn; the rote scripts of dating apps; the stupefying sameness of the daily commute.”

Magic Hours  by Tom Bissell

“Award-winning essayist Tom Bissell explores the highs and lows of the creative process. He takes us from the set of  The Big Bang Theory  to the first novel of Ernest Hemingway to the final work of David Foster Wallace; from the films of Werner Herzog to the film of Tommy Wiseau to the editorial meeting in which Paula Fox’s work was relaunched into the world. Originally published in magazines such as  The Believer ,  The New Yorker , and  Harper’s , these essays represent ten years of Bissell’s best writing on every aspect of creation—be it Iraq War documentaries or video-game character voices—and will provoke as much thought as they do laughter.”

Dead Girls: Essays on Surviving an American Obsession  by Alice Bolin

“In this poignant collection, Alice Bolin examines iconic American works from the essays of Joan Didion and James Baldwin to  Twin Peaks , Britney Spears, and  Serial , illuminating the widespread obsession with women who are abused, killed, and disenfranchised, and whose bodies (dead and alive) are used as props to bolster men’s stories. Smart and accessible, thoughtful and heartfelt, Bolin investigates the implications of our cultural fixations, and her own role as a consumer and creator.”

Betwixt-and-Between: Essays on the Writing Life  by Jenny Boully

“Jenny Boully’s essays are ripe with romance and sensual pleasures, drawing connections between the digression, reflection, imagination, and experience that characterizes falling in love as well as the life of a writer. Literary theory, philosophy, and linguistics rub up against memory, dreamscapes, and fancy, making the practice of writing a metaphor for the illusory nature of experience.  Betwixt and Between  is, in many ways, simply a book about how to live.”

Wedding Toasts I’ll Never Give by Ada Calhoun

“In  Wedding Toasts I’ll Never Give , Ada Calhoun presents an unflinching but also loving portrait of her own marriage, opening a long-overdue conversation about the institution as it truly is: not the happy ending of a love story or a relic doomed by high divorce rates, but the beginning of a challenging new chapter of which ‘the first twenty years are the hardest.'”

How to Write an Autobiographical Novel: Essays  by Alexander Chee

“ How to Write an Autobiographical Novel  is the author’s manifesto on the entangling of life, literature, and politics, and how the lessons learned from a life spent reading and writing fiction have changed him. In these essays, he grows from student to teacher, reader to writer, and reckons with his identities as a son, a gay man, a Korean American, an artist, an activist, a lover, and a friend. He examines some of the most formative experiences of his life and the nation’s history, including his father’s death, the AIDS crisis, 9/11, the jobs that supported his writing—Tarot-reading, bookselling, cater-waiting for William F. Buckley—the writing of his first novel,  Edinburgh , and the election of Donald Trump.”

Too Much and Not the Mood: Essays  by Durga Chew-Bose

“ Too Much and Not the Mood is a beautiful and surprising exploration of what it means to be a first-generation, creative young woman working today. On April 11, 1931, Virginia Woolf ended her entry in A Writer’s Diary with the words ‘too much and not the mood’ to describe her frustration with placating her readers, what she described as the ‘cramming in and the cutting out.’ She wondered if she had anything at all that was truly worth saying. The attitude of that sentiment inspired Durga Chew-Bose to gather own writing in this lyrical collection of poetic essays that examine personhood and artistic growth. Drawing inspiration from a diverse group of incisive and inquiring female authors, Chew-Bose captures the inner restlessness that keeps her always on the brink of creative expression.”

We Were Eight Years in Power: An American Tragedy  by Ta-Nehisi Coates

“‘We were eight years in power’ was the lament of Reconstruction-era black politicians as the American experiment in multiracial democracy ended with the return of white supremacist rule in the South. In this sweeping collection of new and selected essays, Ta-Nehisi Coates explores the tragic echoes of that history in our own time: the unprecedented election of a black president followed by a vicious backlash that fueled the election of the man Coates argues is America’s ‘first white president.'”

Look Alive Out There: Essays by Sloane Crosley

“In  Look Alive Out There,  whether it’s scaling active volcanoes, crashing shivas, playing herself on  Gossip Girl,  befriending swingers, or squinting down the barrel of the fertility gun, Crosley continues to rise to the occasion with unmatchable nerve and electric one-liners. And as her subjects become more serious, her essays deliver not just laughs but lasting emotional heft and insight. Crosley has taken up the gauntlets thrown by her predecessors—Dorothy Parker, Nora Ephron, David Sedaris—and crafted something rare, affecting, and true.”

Fl â neuse: Women Walk the City in Paris, New York, Tokyo, Venice, and London  by Lauren Elkin

“Part cultural meander, part memoir,  Flâneuse  takes us on a distinctly cosmopolitan jaunt that begins in New York, where Elkin grew up, and transports us to Paris via Venice, Tokyo, and London, all cities in which she’s lived. We are shown the paths beaten by such  flâneuses  as the cross-dressing nineteenth-century novelist George Sand, the Parisian artist Sophie Calle, the wartime correspondent Martha Gellhorn, and the writer Jean Rhys. With tenacity and insight, Elkin creates a mosaic of what urban settings have meant to women, charting through literature, art, history, and film the sometimes exhilarating, sometimes fraught relationship that women have with the metropolis.”

Idiophone  by Amy Fusselman

“Leaping from ballet to quiltmaking, from the The Nutcracker to an Annie-B Parson interview,  Idiophone  is a strikingly original meditation on risk-taking and provocation in art and a unabashedly honest, funny, and intimate consideration of art-making in the context of motherhood, and motherhood in the context of addiction. Amy Fusselman’s compact, beautifully digressive essay feels both surprising and effortless, fueled by broad-ranging curiosity, and, fundamentally, joy.”

Not That Bad: Dispatches from Rape Culture  by Roxane Gay

“In this valuable and revealing anthology, cultural critic and bestselling author Roxane Gay collects original and previously published pieces that address what it means to live in a world where women have to measure the harassment, violence, and aggression they face, and where they are ‘routinely second-guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, bullied’ for speaking out.”

Sunshine State: Essays  by Sarah Gerard

“With the personal insight of  The Empathy Exams , the societal exposal of  Nickel and Dimed , and the stylistic innovation and intensity of her own break-out debut novel  Binary Star , Sarah Gerard’s  Sunshine State  uses the intimately personal to unearth the deep reservoirs of humanity buried in the corners of our world often hardest to face.”

The Art of the Wasted Day  by Patricia Hampl

“ The Art of the Wasted Day  is a picaresque travelogue of leisure written from a lifelong enchantment with solitude. Patricia Hampl visits the homes of historic exemplars of ease who made repose a goal, even an art form. She begins with two celebrated eighteenth-century Irish ladies who ran off to live a life of ‘retirement’ in rural Wales. Her search then leads to Moravia to consider the monk-geneticist, Gregor Mendel, and finally to Bordeaux for Michel Montaigne—the hero of this book—who retreated from court life to sit in his chateau tower and write about whatever passed through his mind, thus inventing the personal essay.”

A Really Big Lunch: The Roving Gourmand on Food and Life  by Jim Harrison

“Jim Harrison’s legendary gourmandise is on full display in  A Really Big Lunch . From the titular  New Yorker  piece about a French lunch that went to thirty-seven courses, to pieces from  Brick ,  Playboy , Kermit Lynch Newsletter, and more on the relationship between hunter and prey, or the obscure language of wine reviews,  A Really Big Lunch  is shot through with Harrison’s pointed aperçus and keen delight in the pleasures of the senses. And between the lines the pieces give glimpses of Harrison’s life over the last three decades.  A Really Big Lunch  is a literary delight that will satisfy every appetite.”

Insomniac City: New York, Oliver, and Me  by Bill Hayes

“Bill Hayes came to New York City in 2009 with a one-way ticket and only the vaguest idea of how he would get by. But, at forty-eight years old, having spent decades in San Francisco, he craved change. Grieving over the death of his partner, he quickly discovered the profound consolations of the city’s incessant rhythms, the sight of the Empire State Building against the night sky, and New Yorkers themselves, kindred souls that Hayes, a lifelong insomniac, encountered on late-night strolls with his camera.”

Would You Rather?: A Memoir of Growing Up and Coming Out  by Katie Heaney

“Here, for the first time, Katie opens up about realizing at the age of twenty-eight that she is gay. In these poignant, funny essays, she wrestles with her shifting sexuality and identity, and describes what it was like coming out to everyone she knows (and everyone she doesn’t). As she revisits her past, looking for any ‘clues’ that might have predicted this outcome, Katie reveals that life doesn’t always move directly from point A to point B—no matter how much we would like it to.”

Tonight I’m Someone Else: Essays  by Chelsea Hodson

“From graffiti gangs and  Grand Theft Auto  to sugar daddies, Schopenhauer, and a deadly game of Russian roulette, in these essays, Chelsea Hodson probes her own desires to examine where the physical and the proprietary collide. She asks what our privacy, our intimacy, and our own bodies are worth in the increasingly digital world of liking, linking, and sharing.”

We Are Never Meeting in Real Life.: Essays  by Samantha Irby

“With  We Are Never Meeting in Real Life. , ‘bitches gotta eat’ blogger and comedian Samantha Irby turns the serio-comic essay into an art form. Whether talking about how her difficult childhood has led to a problem in making ‘adult’ budgets, explaining why she should be the new Bachelorette—she’s ’35-ish, but could easily pass for 60-something’—detailing a disastrous pilgrimage-slash-romantic-vacation to Nashville to scatter her estranged father’s ashes, sharing awkward sexual encounters, or dispensing advice on how to navigate friendships with former drinking buddies who are now suburban moms—hang in there for the Costco loot—she’s as deft at poking fun at the ghosts of her past self as she is at capturing powerful emotional truths.”

This Will Be My Undoing: Living at the Intersection of Black, Female, and Feminist in (White) America  by Morgan Jerkins

“Doubly disenfranchised by race and gender, often deprived of a place within the mostly white mainstream feminist movement, black women are objectified, silenced, and marginalized with devastating consequences, in ways both obvious and subtle, that are rarely acknowledged in our country’s larger discussion about inequality. In  This Will Be My Undoing , Jerkins becomes both narrator and subject to expose the social, cultural, and historical story of black female oppression that influences the black community as well as the white, male-dominated world at large.”

Everywhere Home: A Life in Essays  by Fenton Johnson

“Part retrospective, part memoir, Fenton Johnson’s collection  Everywhere Home: A Life in Essays  explores sexuality, religion, geography, the AIDS crisis, and more. Johnson’s wanderings take him from the hills of Kentucky to those of San Francisco, from the streets of Paris to the sidewalks of Calcutta. Along the way, he investigates questions large and small: What’s the relationship between artists and museums, illuminated in a New Guinean display of shrunken heads? What’s the difference between empiricism and intuition?”

One Day We’ll All Be Dead and None of This Will Matter: Essays  by Scaachi Koul

“In  One Day We’ll All Be Dead and None of This Will Matter , Scaachi Koul deploys her razor-sharp humor to share all the fears, outrages, and mortifying moments of her life. She learned from an early age what made her miserable, and for Scaachi anything can be cause for despair. Whether it’s a shopping trip gone awry; enduring awkward conversations with her bikini waxer; overcoming her fear of flying while vacationing halfway around the world; dealing with Internet trolls, or navigating the fears and anxieties of her parents. Alongside these personal stories are pointed observations about life as a woman of color: where every aspect of her appearance is open for critique, derision, or outright scorn; where strict gender rules bind in both Western and Indian cultures, leaving little room for a woman not solely focused on marriage and children to have a career (and a life) for herself.”

Tell Me How It Ends: An Essay in 40 Questions  by Valeria Luiselli and jon lee anderson (translator)

“A damning confrontation between the American dream and the reality of undocumented children seeking a new life in the U.S. Structured around the 40 questions Luiselli translates and asks undocumented Latin American children facing deportation,  Tell Me How It Ends  (an expansion of her 2016 Freeman’s essay of the same name) humanizes these young migrants and highlights the contradiction between the idea of America as a fiction for immigrants and the reality of racism and fear—both here and back home.”

All the Lives I Want: Essays About My Best Friends Who Happen to Be Famous Strangers  by Alana Massey

“Mixing Didion’s affected cool with moments of giddy celebrity worship, Massey examines the lives of the women who reflect our greatest aspirations and darkest fears back onto us. These essays are personal without being confessional and clever in a way that invites readers into the joke. A cultural critique and a finely wrought fan letter, interwoven with stories that are achingly personal, All the Lives I Want is also an exploration of mental illness, the sex industry, and the dangers of loving too hard.”

Typewriters, Bombs, Jellyfish: Essays  by Tom McCarthy

“Certain points of reference recur with dreamlike insistence—among them the artist Ed Ruscha’s  Royal Road Test , a photographic documentation of the roadside debris of a Royal typewriter hurled from the window of a traveling car; the great blooms of jellyfish that are filling the oceans and gumming up the machinery of commerce and military domination—and the question throughout is: How can art explode the restraining conventions of so-called realism, whether aesthetic or political, to engage in the active reinvention of the world?”

Nasty Women: Feminism, Resistance, and Revolution in Trump’s America  by Samhita Mukhopadhyay and Kate Harding

“When 53 percent of white women voted for Donald Trump and 94 percent of black women voted for Hillary Clinton, how can women unite in Trump’s America? Nasty Women includes inspiring essays from a diverse group of talented women writers who seek to provide a broad look at how we got here and what we need to do to move forward.”

Don’t Call Me Princess: Essays on Girls, Women, Sex, and Life  by Peggy Orenstein

“Named one of the ’40 women who changed the media business in the last 40 years’ by  Columbia Journalism Review , Peggy Orenstein is one of the most prominent, unflinching feminist voices of our time. Her writing has broken ground and broken silences on topics as wide-ranging as miscarriage, motherhood, breast cancer, princess culture and the importance of girls’ sexual pleasure. Her unique blend of investigative reporting, personal revelation and unexpected humor has made her books bestselling classics.”

When You Find Out the World Is Against You: And Other Funny Memories About Awful Moments  by Kelly Oxford

“Kelly Oxford likes to blow up the internet. Whether it is with the kind of Tweets that lead  Rolling Stone  to name her one of the Funniest People on Twitter or with pictures of her hilariously adorable family (human and animal) or with something much more serious, like creating the hashtag #NotOkay, where millions of women came together to share their stories of sexual assault, Kelly has a unique, razor-sharp perspective on modern life. As a screen writer, professional sh*t disturber, wife and mother of three, Kelly is about everything but the status quo.”

Too Fat, Too Slutty, Too Loud: The Rise and Reign of the Unruly Woman  by Anne Helen Petersen

“You know the type: the woman who won’t shut up, who’s too brazen, too opinionated—too much. She’s the unruly woman, and she embodies one of the most provocative and powerful forms of womanhood today. In  Too Fat, Too Slutty, Too Loud , Anne Helen Petersen uses the lens of ‘unruliness’ to explore the ascension of pop culture powerhouses like Lena Dunham, Nicki Minaj, and Kim Kardashian, exploring why the public loves to love (and hate) these controversial figures. With its brisk, incisive analysis,  Too Fat, Too Slutty, Too Loud  will be a conversation-starting book on what makes and breaks celebrity today.”

Well, That Escalated Quickly: Memoirs and Mistakes of an Accidental Activist  by Franchesca Ramsey

“In her first book, Ramsey uses her own experiences as an accidental activist to explore the many ways we communicate with each other—from the highs of bridging gaps and making connections to the many pitfalls that accompany talking about race, power, sexuality, and gender in an unpredictable public space…the internet.”

Shrewed: A Wry and Closely Observed Look at the Lives of Women and Girls  by Elizabeth Renzetti

“Drawing upon Renzetti’s decades of reporting on feminist issues,  Shrewed  is a book about feminism’s crossroads. From Hillary Clinton’s failed campaign to the quest for equal pay, from the lessons we can learn from old ladies to the future of feminism in a turbulent world, Renzetti takes a pointed, witty look at how far we’ve come—and how far we have to go.”

What Are We Doing Here?: Essays  by Marilynne Robinson

“In this new essay collection she trains her incisive mind on our modern political climate and the mysteries of faith. Whether she is investigating how the work of great thinkers about America like Emerson and Tocqueville inform our political consciousness or discussing the way that beauty informs and disciplines daily life, Robinson’s peerless prose and boundless humanity are on full display.”

Double Bind: Women on Ambition  by Robin Romm

“‘A work of courage and ferocious honesty’ (Diana Abu-Jaber),  Double Bind  could not come at a more urgent time. Even as major figures from Gloria Steinem to Beyoncé embrace the word ‘feminism,’ the word ‘ambition’ remains loaded with ambivalence. Many women see it as synonymous with strident or aggressive, yet most feel compelled to strive and achieve—the seeming contradiction leaving them in a perpetual double bind. Ayana Mathis, Molly Ringwald, Roxane Gay, and a constellation of ‘nimble thinkers . . . dismantle this maddening paradox’ ( O, The Oprah Magazine ) with candor, wit, and rage. Women who have made landmark achievements in fields as diverse as law, dog sledding, and butchery weigh in, breaking the last feminist taboo once and for all.”

The Destiny Thief: Essays on Writing, Writers and Life  by Richard Russo

“In these nine essays, Richard Russo provides insight into his life as a writer, teacher, friend, and reader. From a commencement speech he gave at Colby College, to the story of how an oddly placed toilet made him reevaluate the purpose of humor in art and life, to a comprehensive analysis of Mark Twain’s value, to his harrowing journey accompanying a dear friend as she pursued gender-reassignment surgery,  The Destiny Thief  reflects the broad interests and experiences of one of America’s most beloved authors. Warm, funny, wise, and poignant, the essays included here traverse Russo’s writing life, expanding our understanding of who he is and how his singular, incredibly generous mind works. An utter joy to read, they give deep insight into the creative process from the prospective of one of our greatest writers.”

Curry: Eating, Reading, and Race by Naben Ruthnum

“Curry is a dish that doesn’t quite exist, but, as this wildly funny and sharp essay points out, a dish that doesn’t properly exist can have infinite, equally authentic variations. By grappling with novels, recipes, travelogues, pop culture, and his own upbringing, Naben Ruthnum depicts how the distinctive taste of curry has often become maladroit shorthand for brown identity. With the sardonic wit of Gita Mehta’s  Karma Cola  and the refined, obsessive palette of Bill Buford’s  Heat , Ruthnum sinks his teeth into the story of how the beloved flavor calcified into an aesthetic genre that limits the imaginations of writers, readers, and eaters.”

The River of Consciousness  by Oliver Sacks

“Sacks, an Oxford-educated polymath, had a deep familiarity not only with literature and medicine but with botany, animal anatomy, chemistry, the history of science, philosophy, and psychology.  The River of Consciousness  is one of two books Sacks was working on up to his death, and it reveals his ability to make unexpected connections, his sheer joy in knowledge, and his unceasing, timeless project to understand what makes us human.”

All the Women in My Family Sing: Women Write the World: Essays on Equality, Justice, and Freedom (Nothing But the Truth So Help Me God)  by Deborah Santana and America Ferrera

“ All the Women in My Family Sing  is an anthology documenting the experiences of women of color at the dawn of the twenty-first century. It is a vital collection of prose and poetry whose topics range from the pressures of being the vice-president of a Fortune 500 Company, to escaping the killing fields of Cambodia, to the struggles inside immigration, identity, romance, and self-worth. These brief, trenchant essays capture the aspirations and wisdom of women of color as they exercise autonomy, creativity, and dignity and build bridges to heal the brokenness in today’s turbulent world.”

We Wear the Mask: 15 True Stories of Passing in America  by Brando Skyhorse and Lisa Page

“For some, ‘passing’ means opportunity, access, or safety. Others don’t willingly pass but are ‘passed’ in specific situations by someone else.  We Wear the Mask , edited by  Brando Skyhorse  and  Lisa Page , is an illuminating and timely anthology that examines the complex reality of passing in America. Skyhorse, a Mexican American, writes about how his mother passed him as an American Indian before he learned who he really is. Page shares how her white mother didn’t tell friends about her black ex-husband or that her children were, in fact, biracial.”

Feel Free: Essays by Zadie Smith

“Since she burst spectacularly into view with her debut novel almost two decades ago, Zadie Smith has established herself not just as one of the world’s preeminent fiction writers, but also a brilliant and singular essayist. She contributes regularly to  The New Yorker  and the  New York Review of Books  on a range of subjects, and each piece of hers is a literary event in its own right.”

The Mother of All Questions: Further Reports from the Feminist Revolutions  by Rebecca Solnit

“In a timely follow-up to her national bestseller  Men Explain Things to Me , Rebecca Solnit offers indispensable commentary on women who refuse to be silenced, misogynistic violence, the fragile masculinity of the literary canon, the gender binary, the recent history of rape jokes, and much more. In characteristic style, Solnit mixes humor, keen analysis, and powerful insight in these essays.”

The Wrong Way to Save Your Life: Essays  by Megan Stielstra

“Whether she’s imagining the implications of open-carry laws on college campuses, recounting the story of going underwater on the mortgage of her first home, or revealing the unexpected pains and joys of marriage and motherhood, Stielstra’s work informs, impels, enlightens, and embraces us all. The result is something beautiful—this story, her courage, and, potentially, our own.”

Against Memoir: Complaints, Confessions & Criticisms  by Michelle Tea

“Delivered with her signature honesty and dark humor, this is Tea’s first-ever collection of journalistic writing. As she blurs the line between telling other people’s stories and her own, she turns an investigative eye to the genre that’s nurtured her entire career—memoir—and considers the price that art demands be paid from life.”

A Twenty Minute Silence Followed by Applause  by Shawn Wen

“In precise, jewel-like scenes and vignettes,  A Twenty Minute Silence Followed by Applause  pays homage to the singular genius of a mostly-forgotten art form. Drawing on interviews, archival research, and meticulously observed performances, Wen translates the gestural language of mime into a lyric written portrait by turns whimsical, melancholic, and haunting.”

Acid West: Essays  by Joshua Wheeler

“The radical evolution of American identity, from cowboys to drone warriors to space explorers, is a story rooted in southern New Mexico.  Acid West  illuminates this history, clawing at the bounds of genre to reveal a place that is, for better or worse, home. By turns intimate, absurd, and frightening,  Acid West  is an enlightening deep-dive into a prophetic desert at the bottom of America.”

Sexographies  by Gabriela Wiener and Lucy Greaves And jennifer adcock (Translators)

“In fierce and sumptuous first-person accounts, renowned Peruvian journalist Gabriela Wiener records infiltrating the most dangerous Peruvian prison, participating in sexual exchanges in swingers clubs, traveling the dark paths of the Bois de Boulogne in Paris in the company of transvestites and prostitutes, undergoing a complicated process of egg donation, and participating in a ritual of ayahuasca ingestion in the Amazon jungle—all while taking us on inward journeys that explore immigration, maternity, fear of death, ugliness, and threesomes. Fortunately, our eagle-eyed voyeur emerges from her narrative forays unscathed and ready to take on the kinks, obsessions, and messiness of our lives.  Sexographies  is an eye-opening, kamikaze journey across the contours of the human body and mind.”

The Nature Fix: Why Nature Makes Us Happier, Healthier, and More Creative  by Florence Williams

“From forest trails in Korea, to islands in Finland, to eucalyptus groves in California, Florence Williams investigates the science behind nature’s positive effects on the brain. Delving into brand-new research, she uncovers the powers of the natural world to improve health, promote reflection and innovation, and strengthen our relationships. As our modern lives shift dramatically indoors, these ideas—and the answers they yield—are more urgent than ever.”

Can You Tolerate This?: Essays  by Ashleigh Young

“ Can You Tolerate This?  presents a vivid self-portrait of an introspective yet widely curious young woman, the colorful, isolated community in which she comes of age, and the uneasy tensions—between safety and risk, love and solitude, the catharsis of grief and the ecstasy of creation—that define our lives.”

What are your favorite contemporary essay collections?

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The Nine Best Books on the Philosophy of Love

Lennox Johnson September 14, 2020 Books

From beginner-friendly introductions to classic books on the philosophy of love, this page features books to suit any learning style. It’s worth noting that there is no single best book on the philosophy of love. The best book for you will depend heavily on your preferred learning style and the amount of time/energy you’re willing to spend reading. For example, if you tend to find classic works of philosophy difficult to understand, you might want to start with a short, beginner-friendly introduction. If you prefer more depth, you can choose a more comprehensive introduction or pick up one of the classics.

It’s also worth noting that it is not a list of personal recommendations. Personal book recommendations tend to be highly subjective, idiosyncratic, and unreliable. This list is part of a collection of over 100 philosophy reading lists which aim to provide a central resource for philosophy book recommendations. These lists were created by searching through hundreds of university course syllabi , internet encyclopedia bibliographies , and community recommendations . Links to the syllabi and other sources used to create this list are at the end of the post. Following these links will help you quickly find a broader range of options if the listed books do not fit what you are looking for.

Here are the best philosophy books on love in no particular order.

Love: A Very Short Introduction – Ronald de Sousa

Publisher description: Although there are many kinds of love, erotic love has been celebrated in art and poetry as life’s most rewarding and exalting experience, worth living and dying for and bringing out the best in ourselves. And yet it has excused, and even been thought to justify, the most reprehensible crimes. Why should this be? This Very Short Introduction explores this and other puzzling questions. Do we love someone for their virtue, their beauty, or their moral or other qualities? Are love’s characteristic desires altruistic or selfish? Are there duties of love? What do the sciences – neuroscience, evolutionary and social psychology, and anthropology – tell us about love? …

Philosophy of Love: A Partial Summing-up – Irving Singer

Publisher description: The author of the classic philosophical treatment of love reflects on the trajectory, over decades, of his thoughts on love and other topics.

In 1984, Irving Singer published the first volume of what would become a classic and much acclaimed trilogy on love. Trained as an analytical philosopher, Singer first approached his subject with the tools of current philosophical methodology. Dissatisfied by the initial results (finding the chapters he had written “just dreary and unproductive of anything”), he turned to the history of ideas in philosophy and the arts for inspiration. He discovered an immensity of speculation and artistic practice that reached wholly beyond the parameters he had been trained to consider truly philosophical. In his three-volume work The Nature of Love , Singer tried to make sense of this historical progression within a framework that reflected his precise distinction-making and analytical background. In this new book, he maps the trajectory of his thinking on love. It is a “partial” summing-up of a lifework: partial because it expresses the author’s still unfolding views, because it is a recapitulation of many published pages, because love―like any subject of that magnitude―resists a neatly comprehensive, all-inclusive formulation. …

Eros, Agape, and Philia: Readings in the Philosophy of Love – Alan Soble

Publisher description: For centuries, popular writers and respected scholars have written about and analyzed the phenomenon of love without exhausting its potential for contemporary debate. By representing the three major traditions in the philosophy of love–Platonic eros, Christian agape, and Aristotelian philia–editor Alan Soble has not only examined the intellectual problem of what “love” is, but has designed a dialogue among the three traditions in genuine philosophical style. …

The Routledge Handbook of Love in Philosophy – Adrienne Martin

Publisher description: The Routledge Handbook of Love in Philosophy collects 39 original chapters from prominent philosophers on the nature, meaning, value, and predicaments of love, presented in a unique framework that highlights the rich variety of methods and traditions used to engage with these subjects. …

Lysis, Symposium, Phaedrus, Alcibiades, with Selections from Republic and Laws – Plato

Publisher description: This collection features Plato’s writings on sex and love in the preeminent translations of Stanley Lombardo, Paul Woodruff and Alexander Nehamas, D. S. Hutchinson, and C. D. C. Reeve.

Reeve’s Introduction provides a wealth of historical information about Plato and Socrates, and the sexual norms of classical Athens. His introductory essay looks closely at the dialogues themselves and includes the following sections: Socrates and the Art of Love; Socrates and Athenian Paiderastia; Loving Socrates; Love and the Ascent to the Beautiful; The Art and Psychology of Love Explained; and Writing about Love.

Nicomachean Ethics – Aristotle

Publisher description: A student of Plato and a teacher of Alexander the Great, Aristotle is one of the towering figures in Western thought. A brilliant thinker with wide-ranging interests, he wrote important works in physics, biology, poetry, politics, morality, metaphysics, and ethics.

In the Nicomachean Ethics , which he is said to have dedicated to his son Nicomachus, Aristotle’s guiding question is what is the best thing for a human being? His answer is happiness. “Happiness,” he wrote, “is the best, noblest, and most pleasant thing in the world.” But he means not something we feel, not an emotion, but rather an especially good kind of life . Happiness is made up of activities in which we use the best human capacities, both ones that contribute to our flourishing as members of a community, and ones that allow us to engage in god-like contemplation. …

The Art of Loving – Erich Fromm

Publisher description: The renowned psychoanalyst and social philosopher Erich Fromm has helped millions of men and women achieve rich, productive lives by developing their hidden capacities for love. In this astonishingly frank and candid book, he explores the ways in which this extraordinary emotion can alter the whole course of your life.

Most of us are unable to develop our capacities for love on the only level that really counts—a love that is compounded of maturity, self-knowledge, and courage. Learning to love, like other arts, demands practice and concentration. Even more than any other art it demands genuine insight and understanding.

In this classic work, Fromm explores love in all its aspects–not only romantic love, steeped in false conceptions and lofty expectations, but also love of parents, children, brotherly love, erotic love, self-love, and the love of God.

Existentialism and Romantic Love – Skye Cleary

Publisher description: This book is an existential study of romantic loving. It draws on five existential philosophers to offer insights into what is wrong with our everyday ideas about romantic loving, why reality often falls short of the ideal, sources of frustrations and disappointments, and possibilities for creating authentically meaningful relationships.

What Love Is: And What it Could Be – Carrie Jenkins

Publisher description: A rising star in philosophy examines the cultural, social, and scientific interpretations of love to answer one of our most enduring questions

What is love? Aside from being the title of many a popular love song, this is one of life’s perennial questions. In What Love Is , philosopher Carrie Jenkins offers a bold new theory on the nature of romantic love that reconciles its humanistic and scientific components. Love can be a social construct (the idea of a perfect fairy tale romance) and a physical manifestation (those anxiety- inducing heart palpitations); we must recognize its complexities and decide for ourselves how to love. Motivated by her own polyamorous relationships, she examines the ways in which our parameters of love have recently changed-to be more accepting of homosexual, interracial, and non-monogamous relationships-and how they will continue to evolve in the future. Full of anecdotal, cultural, and scientific reflections on love, What Love Is is essential reading for anyone seeking to understand what it means to say “I love you.” Whether young or old, gay or straight, male or female, polyamorous or monogamous, this book will help each of us decide for ourselves how we choose to love.

The following sources were used to build this list:

University Course Syllabi:

• Philosophy of Love and Sex – University of Oregon
• Love and Sex – University of Rhode Island
• Philosophy of Love – Temple University
• Philosophy of Sex and Love – William Patterson University

Bibliographies:

• Bibliography to the Stanford Encyclopedia of Philosophy article on Love
• Bibliography to the Internet Encyclopedia of Philosophy article on Love

Other Recommendations:

• Books/essays on love?
• What are some good philosophical texts on “love”?
• Some book recommendations for Love?
• Good books on the philosophy of love
• What are the important works in the philosophy of love?
• Recommend me books/papers on the Philosophy of Love (beginner)

The Daily Idea aims to make learning about philosophy as easy as possible by bringing together the best philosophy resources from across the internet.

• Find the best philosophy books on a wide variety of topics with this collection of over 120 philosophy reading lists .
• Find free online philosophy articles, podcasts, and videos with this organised collection of 400+ free philosophy resources .

You can also follow The Daily Idea on Facebook and Twitter for updates.

A History of Western Philosophy in 500 Essential Quotations – Lennox Johnson

Category: Reference | Length: 145 pages | Published: 2019

Publisher’s Description: A History of Western Philosophy in 500 Essential Quotations is a collection of the greatest thoughts from history’s greatest thinkers. Featuring classic quotations by Aristotle, Epicurus, David Hume, Friedrich Nietzsche, Bertrand Russell, Michel Foucault, and many more, A History of Western Philosophy in 500 Essential Quotations is ideal for anyone looking to quickly understand the fundamental ideas that have shaped the modern world.

The 25 Greatest Essay Collections of All Time

Today marks the release of Aleksandar Hemon’s excellent book of personal essays, The Book of My Lives , which we loved, and which we’re convinced deserves a place in the literary canon. To that end, we were inspired to put together our list of the greatest essay collections of all time, from the classic to the contemporary, from the personal to the critical. In making our choices, we’ve steered away from posthumous omnibuses (Michel de Montaigne’s Complete Essays , the collected Orwell, etc.) and multi-author compilations, and given what might be undue weight to our favorite writers (as one does). After the jump, our picks for the 25 greatest essay collections of all time. Feel free to disagree with us, praise our intellect, or create an entirely new list in the comments.

The Book of My Lives , Aleksandar Hemon

Hemon’s memoir in essays is in turns wryly hilarious, intellectually searching, and deeply troubling. It’s the life story of a fascinating, quietly brilliant man, and it reads as such. For fans of chess and ill-advised theme parties and growing up more than once.

Slouching Towards Bethlehem , Joan Didion

Well, obviously. Didion’s extraordinary book of essays, expertly surveying both her native California in the 1960s and her own internal landscape with clear eyes and one eyebrow raised ever so slightly. This collection, her first, helped establish the idea of journalism as art, and continues to put wind in the sails of many writers after her, hoping to move in that Didion direction.

Pulphead , John Jeremiah Sullivan

This was one of those books that this writer deemed required reading for all immediate family and friends. Sullivan’s sharply observed essays take us from Christian rock festivals to underground caves to his own home, and introduce us to 19-century geniuses, imagined professors and Axl Rose. Smart, curious, and humane, this is everything an essay collection should be.

The Boys of My Youth , Jo Ann Beard

Another memoir-in-essays, or perhaps just a collection of personal narratives, Jo Ann Beard’s award-winning volume is a masterpiece. Not only does it include the luminous, emotionally destructive “The Fourth State of the Matter,” which we’ve already implored you to read , but also the incredible “Bulldozing the Baby,” which takes on a smaller tragedy: a three-year-old Beard’s separation from her doll Hal. “The gorgeous thing about Hal,” she tells us, “was that not only was he my friend, he was also my slave. I made the majority of our decisions, including the bathtub one, which in retrospect was the beginning of the end.”

Consider the Lobster , David Foster Wallace

This one’s another “duh” moment, at least if you’re a fan of the literary essay. One of the most brilliant essayists of all time, Wallace pushes the boundaries (of the form, of our patience, of his own brain) and comes back with a classic collection of writing on everything from John Updike to, well, lobsters. You’ll laugh out loud right before you rethink your whole life. And then repeat.

Notes of a Native Son , James Baldwin

Baldwin’s most influential work is a witty, passionate portrait of black life and social change in America in the 1940s and early 1950s. His essays, like so many of the greats’, are both incisive social critiques and rigorous investigations into the self, told with a perfect tension between humor and righteous fury.

Naked , David Sedaris

His essays often read more like short stories than they do social criticism (though there’s a healthy, if perhaps implied, dose of that slippery subject), but no one makes us laugh harder or longer. A genius of the form.

Against Interpretation , Susan Sontag

This collection, Sontag’s first, is a dazzling feat of intellectualism. Her essays dissect not only art but the way we think about art, imploring us to “reveal the sensuous surface of art without mucking about in it.” It also contains the brilliant “Notes on ‘Camp,'” one of our all-time favorites.

The Common Reader , Virginia Woolf

Woolf is a literary giant for a reason — she was as incisive and brilliant a critic as she was a novelist. These witty essays, written for the common reader (“He is worse educated, and nature has not gifted him so generously. He reads for his own pleasure rather than to impart knowledge or correct the opinions of others. Above all, he is guided by an instinct to create for himself, out of whatever odds and ends he can come by, some kind of whole- a portrait of a man, a sketch of an age, a theory of the art of writing”), are as illuminating and engrossing as they were when they were written.

Teaching a Stone to Talk , Annie Dillard

This is Dillard’s only book of essays, but boy is it a blazingly good one. The slender volume, filled with examinations of nature both human and not, is deft of thought and tongue, and well worth anyone’s time. As the Chicago Sun-Times ‘s Edward Abbey gushed, “This little book is haloed and informed throughout by Dillard’s distinctive passion and intensity, a sort of intellectual radiance that reminds me both Thoreau and Emily Dickinson.”

Thirteen Ways of Looking at a Black Man , Henry Louis Gates Jr.

In this eloquent volume of essays, all but one of which were originally published in the New Yorker , Gates argues against the notion of the singularly representable “black man,” preferring to represent him in a myriad of diverse profiles, from James Baldwin to Colin Powell. Humane, incisive, and satisfyingly journalistic, Gates cobbles together the ultimate portrait of the 20th-century African-American male by refusing to cobble it together, and raises important questions about race and identity even as he entertains.

Otherwise Known As the Human Condition , Geoff Dyer

This book of essays, which won the National Book Critics Circle Award in the year of its publication, covers 25 years of the uncategorizable, inimitable Geoff Dyer’s work — casually erudite and yet liable to fascinate anyone wandering in the door, witty and breathing and full of truth. As Sam Lipsyte said, “You read Dyer for his caustic wit, of course, his exquisite and perceptive crankiness, and his deep and exciting intellectual connections, but from these enthralling rants and cultural investigations there finally emerges another Dyer, a generous seeker of human feeling and experience, a man perhaps closer than he thinks to what he believes his hero Camus achieved: ‘a heart free of bitterness.'”

Art and Ardor , Cynthia Ozick

Look, Cynthia Ozick is a genius. One of David Foster Wallace’s favorite writers, and one of ours, Ozick has no less than seven essay collections to her name, and we could have chosen any one of them, each sharper and more perfectly self-conscious than the last. This one, however, includes her stunner “A Drugstore in Winter,” which was chosen by Joyce Carol Oates for The Best American Essays of the Century , so we’ll go with it.

No More Nice Girls , Ellen Willis

The venerable Ellen Willis was the first pop music critic for The New Yorker , and a rollicking anti-authoritarian, feminist, all-around bad-ass woman who had a hell of a way with words. This collection examines the women’s movement, the plight of the aging radical, race relations, cultural politics, drugs, and Picasso. Among other things.

The War Against Cliché , Martin Amis

As you know if you’ve ever heard him talk , Martin Amis is not only a notorious grouch but a sharp critical mind, particularly when it comes to literature. That quality is on full display in this collection, which spans nearly 30 years and twice as many subjects, from Vladimir Nabokov (his hero) to chess to writing about sex. Love him or hate him, there’s no denying that he’s a brilliant old grump.

Cultural Amnesia: Necessary Memories From History and the Arts , Clive James

James’s collection is a strange beast, not like any other essay collection on this list but its own breed. An encyclopedia of modern culture, the book collects 110 new biographical essays, which provide more than enough room for James to flex his formidable intellect and curiosity, as he wanders off on tangents, anecdotes, and cultural criticism. It’s not the only who’s who you need, but it’s a who’s who you need.

I Feel Bad About My Neck: And Other Thoughts on Being a Woman , Nora Ephron

Oh Nora, we miss you. Again, we could have picked any of her collections here — candid, hilarious, and willing to give it to you straight, she’s like a best friend and mentor in one, only much more interesting than any of either you’ve ever had.

Arguably , Christopher Hitchens

No matter what you think of his politics (or his rhetorical strategies), there’s no denying that Christopher Hitchens was one of the most brilliant minds — and one of the most brilliant debaters — of the century. In this collection, packed with cultural commentary, literary journalism, and political writing, he is at his liveliest, his funniest, his exactingly wittiest. He’s also just as caustic as ever.

The Solace of Open Spaces , Gretel Ehrlich

Gretel Ehrlich is a poet, and in this collection, you’ll know it. In 1976, she moved to Wyoming and became a cowherd, and nearly a decade later, she published this lovely, funny set of essays about rural life in the American West.”Keenly observed the world is transformed,” she writes. “The landscape is engorged with detail, every movement on it chillingly sharp. The air between people is charged. Days unfold, bathed in their own music. Nights become hallucinatory; dreams, prescient.”

The Braindead Megaphone , George Saunders

Saunders may be the man of the moment, but he’s been at work for a long while, and not only on his celebrated short stories. His single collection of essays applies the same humor and deliciously slant view to the real world — which manages to display nearly as much absurdity as one of his trademark stories.

Against Joie de Vivre , Phillip Lopate

“Over the years,” the title essay begins, “I have developed a distaste for the spectacle of joie de vivre , the knack of knowing how to live.” Lopate goes on to dissect, in pleasantly sardonic terms, the modern dinner party. Smart and thought-provoking throughout (and not as crotchety as all that), this collection is conversational but weighty, something to be discussed at length with friends at your next — oh well, you know.

Sex and the River Styx , Edward Hoagland

Edward Hoagland, who John Updike deemed “the best essayist of my generation,” has a long and storied career and a fat bibliography, so we hesitate to choose such a recent installment in the writer’s canon. Then again, Garrison Keillor thinks it’s his best yet , so perhaps we’re not far off. Hoagland is a great nature writer (name checked by many as the modern Thoreau) but in truth, he’s just as fascinated by humanity, musing that “human nature is interstitial with nature, and not to be shunned by a naturalist.” Elegant and thoughtful, Hoagland may warn us that he’s heading towards the River Styx, but we’ll hang on to him a while longer.

Changing My Mind , Zadie Smith

Smith may be best known for her novels (and she should be), but to our eyes she is also emerging as an excellent essayist in her own right, passionate and thoughtful. Plus, any essay collection that talks about Barack Obama via Pygmalion is a winner in our book.

My Misspent Youth , Meghan Daum

Like so many other writers on this list, Daum dives head first into the culture and comes up with meat in her mouth. Her voice is fresh and her narratives daring, honest and endlessly entertaining.

The White Album , Joan Didion

Yes, Joan Didion is on this list twice, because Joan Didion is the master of the modern essay, tearing at our assumptions and building our world in brisk, clever strokes. Deal.

100 Best Essays Books of All Time

We've researched and ranked the best essays books in the world, based on recommendations from world experts, sales data, and millions of reader ratings. Learn more

Men Explain Things to Me

Rebecca Solnit | 5.00

Chelsea Handler Goes deep with statistics, personal stories, and others’ accounts of how brutal this world can be for women, the history of how we've been treated, and what it will take to change the conversation: MEN. We need them to be as outraged as we are and join our fight. (Source)

See more recommendations for this book...

Me Talk Pretty One Day

David Sedaris | 4.96

Between the World and Me

Ta-Nehisi Coates | 4.94

Barack Obama The president also released a list of his summer favorites back in 2015: All That Is, James Salter The Sixth Extinction, Elizabeth Kolbert The Lowland, Jhumpa Lahiri Between the World and Me, Ta-Nehisi Coates Washington: A Life, Ron Chernow All the Light We Cannot See, Anthony Doerr (Source)

Jack Dorsey Q: What are the books that had a major influence on you? Or simply the ones you like the most. : Tao te Ching, score takes care of itself, between the world and me, the four agreements, the old man and the sea...I love reading! (Source)

Doug McMillon Here are some of my favorite reads from 2017. Lots of friends and colleagues send me book suggestions and it's impossible to squeeze them all in. I continue to be super curious about how digital and tech are enabling people to transform our lives but I try to read a good mix of books that apply to a variety of areas and stretch my thinking more broadly. (Source)

Slouching Towards Bethlehem

Joan Didion | 4.94

Peter Hessler I like Didion for her writing style and her control over her material, but also for the way in which she captures a historical moment. (Source)

Liz Lambert I love [this book] so much. (Source)

We Should All Be Feminists

Chimamanda Ngozi Adichie | 4.92

Bad Feminist

Roxane Gay | 4.88

Irina Nica It’s hard to pick an all-time favorite because, as time goes by and I grow older, my reading list becomes more “mature” and I find myself interested in new things. I probably have a personal favorite book for each stage of my life. Right now I’m absolutely blown away by everything Roxane Gay wrote, especially Bad Feminist. (Source)

Trick Mirror

Reflections on Self-Delusion

Jia Tolentino | 4.86

Lydia Polgreen This book is amazing and you should read it. https://t.co/pcbmYUR4QP (Source)

Maryanne Hobbs ⁦@jiatolentino⁩ hello Jia :) finding your perspectives in the new book fascinating and so resonant.. thank you 🌹 m/a..x https://t.co/BoNzB1BuDf (Source)

Yashar Ali . @jiatolentino’s fabulous book is one of President Obama’s favorite books of 2019 https://t.co/QHzZsHl2rF (Source)

Consider the Lobster

And Other Essays

David Foster Wallace | 4.85

A Room of One's Own

Virginia Woolf | 4.75

Dress Your Family in Corduroy & Denim

David Sedaris | 4.73

Adam Kay @penceyprepmemes How about David Sedaris, for starters - "Dress your family in corduroy and denim" is an amazing book. (Source)

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The Fire Next Time

James Baldwin | 4.69

Barack Obama Fact or fiction, the president knows that reading keeps the mind sharp. He also delved into these non-fiction reads: Age of Ambition: Chasing Fortune, Evan Osnos Thinking, Fast and Slow, Daniel Kahneman Moral Man And Immoral Society, Reinhold Niebuhr A Kind And Just Parent, William Ayers The Post-American World, Fareed Zakaria Lessons in Disaster, Gordon Goldstein Sapiens: A Brief History of... (Source)

When You Are Engulfed in Flames

David Sedaris | 4.67

David Sedaris | 4.63

David Blaine It’s hilarious. (Source)

The White Album

Joan Didion | 4.62

Dan Richards I feel Joan Didion is the patron saint of a maelstrom of culture and environment of a particular time. She is the great American road-trip writer, to my mind. She has that great widescreen filmic quality to her work. (Source)

Steven Amsterdam With her gaze on California of the late 60s and early 70s, Didion gives us the Black Panthers, Janis Joplin, Nancy Reagan, and the Manson follower Linda Kasabian. (Source)

A Supposedly Fun Thing I'll Never Do Again

Essays and Arguments

David Foster Wallace | 4.61

Tressie McMillan Cottom | 4.60

Melissa Moore The best book I read this year was Thick by Tressie McMillan Cottom. I read it twice and both times found it challenging and revelatory. (Source)

David Sedaris and Hachette Audi | 4.60

Sister Outsider

Essays and Speeches

Audre Lorde, Cheryl Clarke | 4.60

Bianca Belair For #BHM  I will be sharing some of my favorite books by Black Authors 26th Book: Sister Outsider By: Audre Lorde My first time reading anything by Audre Lorde. I am now really looking forward to reading more of her poems/writings. What she writes is important & timeless. https://t.co/dUDMcaAAbx (Source)

Let's Explore Diabetes with Owls

David Sedaris | 4.58

Austin Kleon I read this one, then I read his collected diaries, Theft By Finding, and then I read the visual compendium, which might have even been the most interesting of the three books, but I’m listing this one because it’s hilarious, although with the interstitial fiction bits, it’s sort of like one of those classic 90s hip-hop albums where you skip the “skit” tracks. (Source)

Notes from a Loud Woman

Lindy West | 4.56

Matt Mcgorry "Shrill: Notes From a Loud Woman" by Lindy West @TheLindyWest # Lovvvvveeedddd, loved, loved, loved this book!!!  West is a truly remarkable writer and her stories are beautifully poignant while dosed with her… https://t.co/nzJtXtOGTn (Source)

Shannon Coulter @JennLHaglund @tomi_adeyemi I love that feeling! Just finished the audiobook version of Shrill by Lindy West after _years_ of meaning to read it and that's the exact feeling it gave me. Give me your book recommendations! (Source)

The Collected Schizophrenias

Esmé Weijun Wang | 4.52

Tiny Beautiful Things

Advice on Love and Life from Dear Sugar

Cheryl Strayed | 4.49

Ryan Holiday It was wonderful to read these two provocative books of essays by two incredibly wise and compassionate women. Cheryl Strayed, also the author of Wild, was the anonymous columnist behind the online column, Dear Sugar and boy, are we better off for it. This is not a random smattering of advice. This book contains some of the most cogent insights on life, pain, loss, love, success, youth that I... (Source)

James Altucher Cheryl had an advice column called “Dear Sugar”. I was reading the column long before Oprah recommended “Wild” by Cheryl and then Wild became a movie and “Tiny Beautiful Things” (the collection of her advice column) became a book. She is so wise and compassionate. A modern saint. I used to do Q&A sessions on Twitter. I’d read her book beforehand to get inspiration about what true advice is. (Source)

We Were Eight Years in Power

An American Tragedy

Ta-Nehisi Coates | 4.47

The Myth of Sisyphus and Other Essays

Albert Camu | 4.47

David Heinemeier Hansson Camus’ philosophical exposition of absurdity, suicide in the face of meaninglessness, and other cherry topics that continue on from his fictional work in novels like The Stranger. It’s surprisingly readable, unlike many other mid 20th century philosophers, yet no less deep or pointy. It’s a great follow-up, as an original text, to that book The Age of Absurdity, I recommended last year. Still... (Source)

Kenan Malik The Myth of Sisyphus is a small work, but Camus’s meditation on faith and fate has personally been hugely important in developing my ideas. Writing in the embers of World War II, Camus confronts in The Myth of Sisyphus both the tragedy of recent history and what he sees as the absurdity of the human condition. There is, he observes, a chasm between the human need for meaning and what he calls... (Source)

The Penguin Essays Of George Orwell

George Orwell, Bernard Crick | 4.46

Peter Kellner George Orwell was not only an extraordinary writer but he also hated any form of cant. Some of his most widely read works such as 1984 and Animal Farm are an assault on the nastier, narrow-minded, dictatorial tendencies of the left, although Orwell was himself on the left. (Source)

The Opposite of Loneliness

Essays and Stories

Marina Keegan, Anne Fadiman | 4.46

Dear Ijeawele, or a Feminist Manifesto in Fifteen Suggestions

Chimamanda Ngozi Adichie | 4.45

The Tipping Point

How Little Things Can Make a Big Difference

Malcolm Gladwell | 4.45

Kevin Rose Bunch of really good information in here on how to make ideas go viral. This could be good to apply to any kind of products or ideas you may have. Definitely, check out The Tipping Point, which is one of my favorites. (Source)

Seth Godin Malcolm Gladwell's breakthrough insight was to focus on the micro-relationships between individuals, which helped organizations realize that it's not about the big ads and the huge charity balls... it's about setting the stage for the buzz to start. (Source)

Andy Stern I think that when we talk about making change, it is much more about macro change, like in policy. This book reminds you that at times when you're building big movements, or trying to elect significant decision-makers in politics, sometimes it's the little things that make a difference. Ever since the book was written, we've become very used to the idea of things going viral unexpectedly and then... (Source)

Selected Essays

Mary Oliver | 4.44

We Are Never Meeting in Real Life.

Samantha Irby | 4.44

Complete Essays

Michel de Montaigne, Charles Cotton | 4.42

Ryan Holiday There is plenty to study and see simply by looking inwards — maybe even an alarming amount. (Source)

Alain de Botton I’ve given quite a lot of copies of [this book] to people down the years. (Source)

Is Everyone Hanging Out Without Me? (And Other Concerns)

Mindy Kaling | 4.42

Angela Kinsey .@mindykaling I am rereading your book and cracking up. I appreciate your chapter on The Office so much more now. But all of it is fantastic. Thanks for starting my day with laughter. You know I loves ya. ❤️ https://t.co/EB99xnyt0p (Source)

Yashar Ali Reminds me of one of my favorite lines from @mindykaling's book (even though I'm an early riser): “There is no sunrise so beautiful that it is worth waking me up to see it.” https://t.co/pS56bmyYjS (Source)

Not That Bad

Dispatches from Rape Culture

Roxane Gay, Brandon Taylor, et al | 4.40

Henry David Thoreau | 4.40

Laura Dassow Walls The book that we love as Walden began in the journal entries that he wrote starting with his first day at the pond. (Source)

Roman Krznaric In 1845 the American naturalist went out to live in the woods of Western Massachusetts. Thoreau was one of the great masters of the art of simple living. (Source)

John Kaag There’s this idea that philosophy can blend into memoir and that, ideally, philosophy, at its best, is to help us through the business of living with people, within communities. This is a point that Thoreau’s Walden gave to me, as a writer, and why I consider it so valuable for today. (Source)

Confessions of a Common Reader

Anne Fadiman | 4.40

I Feel Bad About My Neck

And Other Thoughts on Being a Woman

Nora Ephron | 4.39

Holidays on Ice

David Sedaris | 4.37

An American Lyric

Claudia Rankine | 4.36

Cheryl Strayed A really important book for us to be reading right now. (Source)

Jeremy Noel-Tod Obviously, it’s been admired and acclaimed, but I do feel the general reception of it has underplayed its artfulness. Its technical subtlety and overall arrangement has been neglected, because it has been classified as a kind of documentary work. (Source)

Christopher Hitchens | 4.36

Le Grove @billysubway Hitchens book under your arm. I’m reading Arguably. When he’s at his best, he is a savage. Unbelievable prose. (Source)

Notes of a Native Son

James Baldwin | 4.35

The Man Who Mistook His Wife for a Hat and Other Clinical Tales

Oliver Sacks | 4.34

Suzanne O'Sullivan I didn’t choose neurology because of it but the way Oliver Sacks writes about neurology is very compelling. (Source)

Tanya Byron This is a seminal book that anyone who wants to work in mental health should read. It is a charming and gentle and also an honest exposé of what can happen to us when our mental health is compromised for whatever reason. (Source)

Bradley Voytek I can’t imagine one day waking up and not knowing who my wife is, or seeing my wife and thinking that she was replaced by some sort of clone or robot. But that could happen to any of us. (Source)

The Empathy Exams

Leslie Jamison | 4.33

This is the Story of a Happy Marriage

Ann Patchett | 4.31

Sex, Drugs, and Cocoa Puffs

A Low Culture Manifesto

Chuck Klosterman | 4.30

Karen Pfaff Manganillo Never have I read a book that I said “this is so perfect, amazing, hilarious, he’s thinking what I’m thinking (in a much more thought out and cool way)”. (Source)

Bird By Bird

Some Instructions on Writing and Life

Anne Lamott | 4.29

Susan Cain I love [this book]. Such a good book. (Source)

Timothy Ferriss Bird by Bird is one of my absolute favorite books, and I gift it to everybody, which I should probably also give to startup founders, quite frankly. A lot of the lessons are the same. But you can get to your destination, even though you can only see 20 feet in front of you. (Source)

Ryan Holiday It was wonderful to read these two provocative books of essays by two incredibly wise and compassionate women. [...] Anne Lamott’s book is ostensibly about the art of writing, but really it too is about life and how to tackle the problems, temptations and opportunities life throws at us. Both will make you think and both made me a better person this year. (Source)

Zadie Smith | 4.29

Barack Obama As 2018 draws to a close, I’m continuing a favorite tradition of mine and sharing my year-end lists. It gives me a moment to pause and reflect on the year through the books I found most thought-provoking, inspiring, or just plain loved. It also gives me a chance to highlight talented authors – some who are household names and others who you may not have heard of before. Here’s my best of 2018... (Source)

What the Dog Saw and Other Adventures

Malcolm Gladwell | 4.28

Sam Freedman @mrianleslie (Also I agree What the Dog Saw is his best book). (Source)

The Witches Are Coming

Lindy West | 4.27

Against Interpretation and Other Essays

Susan Sontag | 4.25

How to Write an Autobiographical Novel

Alexander Chee | 4.25

Eula Biss Alex Chee explores the realm of the real with extraordinarily beautiful essays. Being real here is an ambition, a haunting, an impossibility, and an illusion. What passes for real, his essays suggest, becomes real, just as life becomes art and art, pursued this fully, becomes a life. (Source)

Changing My Mind

Occasional Essays

Zadie Smith | 4.25

Barrel Fever

David Sedaris | 4.24

Chelsea Handler [The author] is fucking hilarious and there's nothing I prefer to do more than laugh. If this book doesn't make you laugh, I'll refund you the money. (Source)

The Fire This Time

A New Generation Speaks About Race

Jesmyn Ward | 4.24

Why Not Me?

Mindy Kaling | 4.24

The View from the Cheap Seats

Selected Nonfiction

Neil Gaiman | 4.24

I Was Told There'd Be Cake

Sloane Crosley | 4.24

The Intelligent Investor

The Classic Text on Value Investing

Benjamin Graham | 4.23

Warren Buffett To invest successfully over a lifetime does not require a stratospheric IQ, unusual business insights, or inside information. What's needed is a sound intellectual framework for making decisions and the ability to keep emotions from corroding that framework. This book precisely and clearly prescribes the proper framework. You must provide the emotional discipline. (Source)

Kevin Rose The foundation for investing. A lot of people have used this as their guide to getting into investment, basic strategies. Actually Warren Buffett cites this as the book that got him into investing and he says that principles he learned here helped him to become a great investor. Highly recommend this book. It’s a great way understand what’s going on and how to evaluate different companies out... (Source)

John Kay The idea is that you look at the underlying value of the company’s activities instead of relying on market gossip. (Source)

Tell Me How It Ends

An Essay in Forty Questions

Valeria Luiselli | 4.23

Tina Fey | 4.22

Sheryl Sandberg I absolutely loved Tina Fey's "Bossypants" and didn't want it to end. It's hilarious as well as important. Not only was I laughing on every page, but I was nodding along, highlighting and dog-earing like crazy. [...] It is so, so good. As a young girl, I was labeled bossy, too, so as a former - O.K., current - bossypants, I am grateful to Tina for being outspoken, unapologetic and hysterically... (Source)

They Can't Kill Us Until They Kill Us

Hanif Abdurraqib, Dr. Eve L. Ewing | 4.22

Saadia Muzaffar Man, this is such an amazing book of essays. Meditations on music and musicians and their moments and meaning-making. @NifMuhammad's mindworks are a gift. Go find it. (thank you @asad_ch!) https://t.co/htSueYYBUT (Source)

This Is Water

Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life

David Foster Wallace | 4.21

John Jeremiah Sullivan | 4.21

Greil Marcus This is a new book by a writer in his mid-thirties, about all kinds of things. A lot of it is about the South, some of it is autobiographical, there is a long and quite wonderful piece about going to a Christian music camp. (Source)

The Mother of All Questions

Rebecca Solnit | 4.20

The Partly Cloudy Patriot

Sarah Vowell, Katherine Streeter | 4.20

Essays of E.B. White

E. B. White | 4.19

Adam Gopnik White, for me, is the great maker of the New Yorker style. Though it seems self-serving for me to say it, I think that style was the next step in the creation of the essay tone. One of the things White does is use a lot of the habits of the American newspaper in his essays. He is a genuinely simple, spare, understated writer. In the presence of White, even writers as inspired as Woolf and... (Source)

A Field Guide to Getting Lost

Rebecca Solnit | 4.19

A Man Without a Country

Kurt Vonnegut | 4.18

No Time to Spare

Thinking About What Matters

Ursula K. Le Guin, Karen Joy Fowler | 4.17

Pilgrim at Tinker Creek

Annie Dillard | 4.16

Laura Dassow Walls She’s enacting Thoreau, but in a 20th-century context: she takes on quantum physics, the latest research on DNA and the nature of life. (Source)

Sara Maitland This book, which won the Pulitzer literature prize when it was released, is the most beautiful book about the wild. (Source)

Maggie Nelson | 4.14

Furiously Happy

A Funny Book About Horrible Things

Jenny Lawson | 4.13

Women & Power

A Manifesto

Mary Beard | 4.13

Twenty Lessons from the Twentieth Century

Timothy Snyder | 4.12

George Saunders Please read this book. So smart, so timely. (Source)

Tom Holland "There isn’t a page of this magnificent book that does not contain some fascinating detail and the narrative is held together with a novelist’s eye for character and theme." #Dominion https://t.co/FESSNxVDLC (Source)

Maya Wiley Prof. Tim Snyder, author of “In Tyranny” reminded us in that important little book that we must protect our institutions. #DOJ is one of our most important in gov’t for the rule of law. This is our collective house & #Barr should be evicted. https://t.co/PPxM9IMQUm (Source)

Small Wonder

Barbara Kingsolver | 4.11

The Source of Self-Regard

Selected Essays, Speeches, and Meditations

Toni Morrison | 4.11

Hyperbole and a Half

Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened

Allie Brosh | 4.11

Bill Gates While she self-deprecatingly depicts herself in words and art as an odd outsider, we can all relate to her struggles. Rather than laughing at her, you laugh with her. It is no hyperbole to say I love her approach -- looking, listening, and describing with the observational skills of a scientist, the creativity of an artist, and the wit of a comedian. (Source)

Samantha Irby | 4.10

Both Flesh and Not

David Foster Wallace | 4.10

David Papineau People can learn to do amazing things with their bodies, and people start honing and developing these skills as an end in itself, a very natural thing for humans to do. (Source)

So Sad Today

Personal Essays

Melissa Broder | 4.10

Hope in the Dark

Untold Histories, Wild Possibilities

Rebecca Solnit | 4.09

Prem Panicker @sanjayen This is from an essay Solnit wrote to introduce the updated version of her book Hope In The Dark. Anything Solnit is brilliant; at times like these, she is the North Star. (Source)

The Faraway Nearby

How to Be Alone

Jonathan Franzen | 4.08

Regarding the Pain of Others

Susan Sontag | 4.08

The Essays of Warren Buffett

Lessons for Corporate America, Fifth Edition

Lawrence A. Cunningham and Warren E. Buffett | 4.08

One Day We'll All Be Dead and None of This Will Matter

Scaachi Koul | 4.07

Amy Poehler | 4.06

The Souls of Black Folk

W.E.B. Du Bois | 4.05

Barack Obama According to the president’s Facebook page and a 2008 interview with the New York Times, these titles are among his most influential forever favorites: Moby Dick, Herman Melville Self-Reliance, Ralph Waldo Emerson Song Of Solomon, Toni Morrison Parting The Waters, Taylor Branch Gilead, Marylinne Robinson Best and the Brightest, David Halberstam The Federalist, Alexander Hamilton Souls of Black... (Source)

In Praise of Shadows

Jun'ichiro Tanizaki | 4.05

Kyle Chayka Tanizaki is mourning what has been paved over, which is the old Japanese aesthetic of darkness, of softness, of appreciating the imperfect—rather than the cold, glossy surfaces of industrialized modernity that the West had brought to Japan at that moment. For me, that’s really valuable, because it does preserve a different way of looking at the world. (Source)

Ways of Seeing

John Berger | 4.04

Robert Jones He’s a Marxist and says that the role of publicity or branding is to make people marginally dissatisfied with their current way of life. (Source)

David McCammon Ways of Seeing goes beyond photography and will continue to develop your language around images. (Source)

John Harrison (Eton College) You have to understand the Marxist interpretation of art; it is absolutely fundamental to the way that art history departments now study the material. Then you have to critique it, because we’ve moved on from the 1970s and the collapse of Marxism in most of the world shows—amongst other things—that the model was flawed. But it’s still a very good book to read, for a teenager especially. (Source)

Tackling the Texas Essays

Efficient Preparation for the Texas Bar Exam

Catherine Martin Christopher | 4.04

The Book of Delights

Ross Gay | 4.04

Mere Christianity

C. S. Lewis | 4.04

Anoop Anthony "Mere Christianity" is first and foremost a rational book — it is in many ways the opposite of a traditional religious tome. Lewis, who was once an atheist, has been on both sides of the table, and he approaches the notion of God with accessible, clear thinking. The book reveals that experiencing God doesn't have to be a mystical exercise; God can be a concrete and logical conclusion. Lewis was... (Source)

I Remember Nothing

and Other Reflections

Nora Ephron | 4.04

On Photography

Susan Sontag | 4.03

Susan Bordo Sontag was the first to make the claim, which at the time was very controversial, that photography is misleading and seductive because it looks like reality but is in fact highly selective. (Source)

Notes from No Man's Land

American Essays

Eula Biss | 4.03

The Doors of Perception

Heaven and Hell (Thinking Classics)

Aldous Huxley, Robbie McCallum | 4.03

Michelle Rodriguez Aldous Huxley on Technodictators https://t.co/RDyX70lnZz via @YouTube ‘Doors of Perception’ is a great book entry level to hallucinogenics (Source)

Auston Bunsen I also really loved “The doors of perception” by Aldous Huxley. (Source)

Dr. Andrew Weil Came first [in terms of my interests]. (Source)

The Geek Feminist Revolution

Kameron Hurley | 4.02

Wow, No Thank You.

Samantha Irby | 4.01

A Modest Proposal

Jonathan Swift | 4.01

At Large and at Small

Familiar Essays

Anne Fadiman | 4.00

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Blog – Posted on Tuesday, Nov 03

The 60 best romance novels to sweep you off your feet.

Romance is a perennial favorite for readers everywhere, and it isn’t hard to see why. A good love story has drama, intrigue, laughs, and, if you’re lucky, a little heat; while the very best romance novels can feel just like falling in love — intimate and personal, yet huge and life-changing all at once. 

We’ve compiled a list of our all-time favorite romance novels, from historical regency romance to contemporary novels tackling love in the digital age. So whether you’re searching for a how-to guide or cautionary tale (and there are plenty of those), you’re hungry to read the next rom-com blockbuster before it hits Netflix, or you just want to lose yourself in timeless romance tropes, we’ve got you covered! 💘

If you're feeling overwhelmed by the number of great romance novels out there, why not take our 30-second quiz to narrow it down quickly and get a personalized romance book recommendation?

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The Classics

1. jane eyre by charlotte brontë.

Though Jane Eyre might be ‘poor, obscure, plain and little’, her love story is anything but. One of the authoritative classics of the genre, Jane Eyre’ s enduring popularity is testament to the power of its central romance. Jane, a destitute young orphan, arrives at the home of the mysterious Mr Rochester in search of employment, but finds far more than she bargained for. The naïve and uncertain Jane is magnetically drawn to her brooding employer, but will the twisted secrets lying at the heart of Thornfield Hall undermine their budding relationship? Written at a time when most romantic heroines were preternaturally pretty, the headstrong, wilful, yet utterly average Jane is a subversive breath of fresh air — or should we say Eyre?

2. Anna Karenina by Leo Tolstoy

A sprawling epic that takes readers across continents in the name of love, Anna Karenina is one of the longest books on this list, coming to an intimidating 800+ pages. But those who persevere with this colossus of a novel are richly rewarded. In what is considered by many to be the best romance novel of all time (and, we think, one of the best books to read in a lifetime ), Tolstoy tells the story of an extramarital affair and its fallout in Imperial Russian society.  When Anna runs away with the handsome Count Vronsky, excitement gives way to paranoia, isolation, and regret, as we witness the unravelling of their relationship, and of Anna herself. As much a cautionary tale as it is a romance novel, Anna Karenina is a richly imagined portrait of both the agonies and ecstasies of love.

3. Love in the Time of Cholera (Oprah's Book Club) by Gabriel Garcia Márquez

Florentino Ariza has been waiting for 50 years for his true love to return. That’s not to say he’s been bored: he’s passed the time by having no fewer than 622 love affairs, which he has painstakingly recorded in his notebooks. Despite his dalliances and the passing of decades, when the man who married his childhood sweetheart dies, a now elderly Florentino seizes the opportunity to declare his love once more. An astonishing exploration of devotion and reunions, and the unrealistic expectations we place on those we love, Love in the Time of Cholera doesn’t just ask whether the hero will get the girl — it asks whether he should. They don’t just hand out the Nobel Prize for Literature to anyone, so it’s safe to say we’re in good hands with Gabriel Garcia Márquez.

4. North and South by Elizabeth Gaskell

This classic fish-out-of-water tale follows Margaret, a nineteen-year-old girl whose life is turned upside down when her family relocates from a sleepy village to Darkshire — a rough and restless industrial town in the north of England. Margaret finds a new calling, advocating for the poor and disenfranchised, but it brings her into direct conflict with imposing mill owner John Thornton. Can the two find any common ground, or will misunderstanding keep them at odds? Heart-warming and ahead of its time, North and South isn’t just a beautiful romance, it also has a lot to say on politics, gender, and religion, so one for the history buffs, too!

5. Pride and Prejudice by Jane Austen

It is a truth universally acknowledged that any list of the best romance novels must be in want of at least one Jane Austen title (we’ve gone for three!). And Pride and Prejudice is by far the English humorist’s most famous story. It’s a tale as old as time: boy meets girl; boy and girl bicker and declare their contempt for one another; boy and girl realise over time that there is, in fact, more to one another than meets the eye — but has this realisation come too late? It might now be a rom-com trope, but Pride and Prejudice is one of the oldest and greatest examples of the thin line between love and hate. Elizabeth and Darcy’s romance is as honest as it is unexpected, and Austen’s characters are so vividly realised and so utterly believable that you’ll be gasping, cringing, and crying along with them.

6. Emma by Jane Austen

Austen once set out in a letter the perfect subject for a novel — “Three or four families in a country village” — and the description fits Emma well. The glue that holds these families together (and our beloved heroine) is Emma Woodhouse. Clever, rich, beautiful, and utterly deluded, she’s determined to meddle with the hearts of her neighbours, but sees no need to find a husband herself. The novel bends narration through the distorting lens of our protagonist, making for a genius coming-of-age story and a work of comic brilliance. No matter who plays them, in what adaptation , her characters never fail to be laugh-out-loud funny!

7. Sense and Sensibility by Jane Austen

The third and final instalment in our ode to romance titan Jane Austen, Sense and Sensibility is a novel of lies, secrets, and seduction. Following two sisters — one wild and impulsive, the other quiet and sensible — it brilliantly portrays a world of money and status, gossip and innuendo, where rigid social convention governs the impulses of the heart. Through their parallel experiences of love and heartbreak, will these two young women learn to strike a balance between wearing your heart on your sleeve and concealing your true feelings?

8. Maurice by E.M. Forster

The brave and passionate tale of a young man’s sexual awakening, this intensely personal novel was written by Forster in 1914, when homosexual relationships were not only stigmatised, but illegal. Languishing in a drawer for fifty-seven years, Maurice was published after the author’s death, and quickly celebrated as a powerful, moving, beautifully-written love story. It chronicles the experiences of a privileged but modest young man, who comes up against unrequited love, heartbreak, and society politics on his journey to self-discovery. If you’re scouring this list for brilliant LGBT books , look no further!

9. The Princess Bride by William Goldman

As Goldman himself writes in the introduction, “dollars to donuts you’ve seen the movie”. But if you haven’t read the book that inspired the cult hit, you’ve missed a trick. A spoof fairy tale, a sharp satire, and a rocket-powered fantasy , all brilliantly disguised as a love story — there’s absolutely nothing fluffy about The Princess Bride . In fact, though there’s plenty to giggle about in the story of Buttercup and Prince Humperdink, you might also call this novel a tightly-plotted thriller. So if you’re of a nervous disposition, maybe stick to fairy tales meant for kids. 

10 . Tess of the D'Urbervilles by Thomas Hardy

Reading Hardy’s Tess of the D’Urbervilles is an affecting experience that will stay with you for a lifetime. Its heroine, Tess Durbyfield, is so beautifully and sympathetically drawn that you cannot help but feel crushed as the world conspires against her; betrayed by men who exploit her, a society that casts her out, and by the callousness of her religion. As the seasons change, and Tess changes with them, it’s clear that she identifies most with the natural world — and it is here that the intensity of Hardy’s imagination comes into its own. His lush and evocative descriptions, metaphors, and parallels make this tragic romance novel a poetic masterpiece. 

11. Wuthering Heights by Emily Brontë

The first and only novel by an elusive icon, Emily Brontë’s Wuthering Heights plunges headfirst into an exploration of the violence of doomed romance. Amid the bleak and feral atmosphere of the Yorkshire moors, the novel revolves obsessively around the tempestuous course of Cathy and Heathcliff’s self-destructive love affair. A gothic novel of intense passion, betrayal, and bitter vengeance — underpinned by the quiet beauty of Brontë’s lyricism — Wuthering Heights is an iconoclastic masterpiece that has inspired film-makers, novelists, poets, and song-writers for generations.

12. Romeo and Juliet by William Shakespeare

The quintessential love story that has spawned countless retellings and inspired who knows how many writers, Shakespeare’s Romeo and Juliet —  the story of two star-crossed lovers from rival houses — wrote many of the rules of tragic romance. From iconic scenes like the balcony soliloquy, to legendary one-liners (“A plague o’ both your houses”, anyone?), and the ending that defined the romantic tragedy genre, any aspiring romance connoisseur should get this one under their belt.

13. Rebecca by Daphne du Maurier

A dark, twisted tale told almost exclusively as a flashback, Rebecca follows the nameless protagonist and her speedy marriage to a mysterious but charming stranger, Maxim de Winter, whom she meets on a business excursion. Things quickly become unsettling, as the protagonist learns of the troubling questions surrounding Maxim’s previous wife, Rebecca, whose spectre haunts their relationship. As Maxim’s carefully curated image — and their relationship — unravels further, the protagonist falls deeper into the shadow of Rebecca’s legacy. If you’re one who enjoys indulging in dark romance plots with thriller or mystery elements, du Maurier’s novel may be one for you. 

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Historical Romance

14. gone with the wind by margaret mitchell.

Spoiled Southern belle Scarlett O’Hara only ever had to worry about her love life, until poverty threatened to wipe out her family’s plantation. Doing everything she can to save their fortunes, Scarlett embarks on a series of unexpected adventures, traversing burning cities and bandit-filled forests. Despite her new priorities, Scarlett quickly finds that she cannot leave affairs of the heart behind completely, as she is torn between her beloved Ashley and the dashing but dangerous Rhett. A controversial presentation of Civil-War era America, Gone With the Wind explores the complexities of both romantic and platonic love. If you’ve seen the incomparable Vivien Leigh bring her to life on screen, it’s time to meet Scarlett on the page.

15. The Thorn Birds by Colleen McCullough

The Thorn Birds explores the tangled web of three generations of one Australian Outback family, carefully tracking their loves and losses over the course of 50 years. The emotional heart of the novel lies in the illicit relationship between Meggie, the daughter of the family, and Ralph, a priest in the local parish. Their attraction is dangerous, forbidden — and difficult to resist. Will they ever be together, or will the seemingly insurmountable obstacles between them keep them apart? This sweeping panorama of life in a rural sheep station from 1915 to 1969 is an Aussie cultural mainstay — it’s the best-selling book in Australian history!

16. The Notebook by Nicholas Sparks

The story of Noah and Allie is captured in three intertwined snap-shots: their teens, their early thirties, and old age. As our mysterious, elderly narrator unpacks these nesting dolls, we gradually learn about the love affair between our protagonists. The universe appears to have conspired to keep these childhood sweethearts apart: with meddling families, possessive fiancés, and World War II thrown into the mix, will they ever find their way back together? Some might dismiss it as chick-lit, but The Notebook is a guaranteed tear-jerker — every time. Who would have thought the words "if you’re a bird, I’m a bird" could pack such an emotional punch?

17. A Walk to Remember by Nicholas Sparks

Popular and outgoing class president Landon doesn’t think he has much in common with the preacher’s daughter Jamie, until circumstance forces them together. A last-ditch effort to get a date to the high school dance leads to an unexpected romance in A Walk to Remember, Nicholas Sparks’ follow-up to smash hit The Notebook. As Landon and Jamie slowly find common ground, and an appreciation for one another, A Walk to Remember proves that love can be found in surprising places. It’s a charming and sweet read, but, be warned — it’s another Sparks tear-jerker. How does he always get us?

18. Indigo by Beverly Jenkins

A member of a wealthy, free Black family, Galen Vachon has a lot to lose when he decides to become a member of the Underground railroad network, and join the effort to free enslaved Southerners. His risky lifestyle catches up with him when, attacked and injured, he is forced to seek sanctuary in the basement of a stranger. That stranger is Hester Wyatt, a former slave. Despite agreeing to nurse Galen back to health, their clashing personalities lead Hester to wonder whether she can keep her promise — not to mention the hostile forces that have started to come looking for him. Equal parts history and romance, this novel from NAACP nominee Beverly Jenkins will keep you on the edge of your seat.

19. Ross Poldark by Winston Graham

If you’re a die-hard fan of the television phenomenon Poldark , you’ll be delighted to hear that there are twelve (yes, twelve) novels to consume. A rich Cornish broth of love, rivalry, and discontent, Graham’s novels conjure up the lashing rains, the wild winds, and the crashing seas of 18th century Cornwall as his plots roar along the coastline. If you start with book one (a sensible choice) you’ll meet Ross Poldark as he returns from war in America. A Mr Darcy-come-Robin Hood hero, he rescues an urchin girl from a brawl and employs her as his maid — an act which will alter the course of his life for the next twelve books. Did I mention there are twelve?

20. Outlander by Diana Gabaldon

The best historical romance novels must all make great TV, because here’s another one that inspired a super sexy series. Before it became an epic costume drama, Gabaldon’s time-travelling novel introduced us to former British combat nurse, Claire Randall, and her roguish young love interest, Scotts warrior Jamie Fraser. There’s only one thing keeping this gorgeous couple apart…several centuries. On a trip to the Highlands with her husband Frank, Claire tumbles back in time to 1743, and finds herself caught between two very different lives, and two very different men. If you’re looking for a best-selling romance novel that’s got it all — passion, intrigue, danger, and time travel — Outlander is your one!

21. A Long Petal of the Sea by Isabel Allende

A recent release that’s already considered vintage Allende, A Long Petal of the Sea is suffused with a vibrant sense of time and place as it traces its story through forty years of authoritarian rule in Spain. Allende’s novel begins when pregnant widow, Roser, and her brother-in-law, Victor, flee fascist Spain aboard a ship chartered by the poet Pablo Neruda. Arriving in Chile, they immediately embroil themselves in a tangled web of characters connected by love and tragedy. A Long Petal of the Sea is a masterful historical romance novel, tinged with Allende’s hallmark magical realism . Don’t sleep on this one!

22. Tipping the Velvet by Sarah Waters

Living a quiet life and working in her family’s seafood restaurant in late 19th century England, Nan King is happy just the way she is — that is until Kitty Butler, a male impersonator and performer, whirls into her line of sight. Enchanted by her performances, Nan finally manages to meet Kitty and ends up becoming her dresser. The two head for big cities that Nan has never even dreamed of — and a passionate romance unfurls backstage that rivals the action onstage. For fans of historical fiction and lesbian romance, this rollercoaster of a novel will take you on exhilarating ride, filled with titillating insight into the raunchy underbelly of 1890s England and the thrill of forbidden love.

23. Birdsong by Sebastian Faulks

Beginning during WWI and spanning three generations, Sebastian Faulks’ Birdsong is an epic novel about the power of war to strip everything from you, whether that be home, family, dignity — or love. With a few key couples dominating the pages in the style of Anna Karenina , we see the action through their eyes and feel their struggle to maintain hope after endless sacrifices. For those inspired by stories of love in the time of war, Birdsong evokes classics like War and Peace , wrapping wartime drama in a healthy coating of romance, intrigue, and sacrifices for the greater good.

Contemporary Romance

24. call me by your name by andré aciman.

A long, hot Italian summer provides the backdrop to an equally steamy romance in Call Me by Your Name , the story of a young man’s romance with his family’s lodger. As tender and heartfelt as it is intense and passionate, Elio and Oliver’s love affair begins awkwardly, slowly, and tacitly, before building to unprecedented heights as the summer draws to a close. A modern classic of LGBT+ literature, this exploration of first love and sexual awakening is vividly realised, and astonishingly honest. The second you’re through reading, you’re sure to be clamouring for more. Luckily for you, Aciman released a sequel last year — so you won’t have to say goodbye to Elio and Oliver just yet.

25. The Time Traveler's Wife by Audrey Niffenegger

When Henry and Clare bump into one another at the local library, it’s a classic meet-cute. Except, it’s not. Because Clare and Henry have met each other before —  in fact, she’s known him her whole life. As it turns out, Henry’s a time traveler, and Clare is his future wife. A rare genetic condition causes Henry to jump uncontrollably along the timeline of Clare’s life. They decide to give things a shot after their ‘first meeting’, but, despite their deep love for one another, they face  lots of challenges along the way; after all, it’s hard to keep up a relationship when one party is constantly dropping in and out of reality. Niffenegger’s touching novel is sure to pull at your heartstrings, as she leads us to consider how free will and destiny combine to determine who we end up loving.

26. The Kiss Quotient by Helen Hoang

Stella loves logic. The problem is, love isn’t logical. A highflying mathematician, she’s never put much thought into finding a romantic partner. But when she decides it’s finally time to settle down, Stella comes up with a characteristically pragmatic plan: she’ll hire someone to teach her how to do it. Enter Michael, a handsome escort, who usually doesn’t do repeat customers. When he agrees to give Stella lessons in love, he finds himself drawn deeper into her life; suddenly, Stella isn’t the only one who’s learning. A charming and affectionate portrayal of the love life of a neurodivergent woman, The Kiss Quotient is a breath of fresh air — we doubt you’ll have read a romance quite like this before.

27. When Katie Met Cassidy by Camille Perri

When Katie Met Cassidy is every inch the classic Nora Efron-style rom-com, with one simple difference — both our protagonists are women. Katie is a small town girl, reeling from the breakdown of her engagement. Cassidy is a high powered businesswoman, living and thriving in New York’s gay scene. A chance meeting is enough to cement their fate, and the two women are drawn uncontrollably to one another. Joyous, hilarious, and deeply sexy, Perri’s novel is not just an exploration of sexuality and gender nonconformity, but a sparkling subversion of the romantic comedy form.

28. Me Before You by Jojo Moyes

Will Traynor is living a lonely life. Recently left quadriplegic by a motorcycle accident, his formerly fast-paced life has ground to a halt. Enter Lou; bubbly, funny sunshine in human form. Will’s mother has hired her to help care for Will, in the hopes of lifting his perpetually dour mood, but the intrusion is not a welcome one — at least at first. Over time, the two come to understand one another a little better, though Will remains insistent on keeping Lou at arm’s length, while she struggles to understand what he’s so afraid of. Will she be able to break down his walls? You’ll shed a tear or two, but you won’t be able to resist falling in love with Me Before You.

29. Something Borrowed by Emily Giffin

Emily Giffin’s best-selling romance novel is for every woman that’s been the sidekick in a lopsided friendship. In this story, it’s Rachel White: hard-working attorney, consummate good girl, and diligent maid of honour to her dazzling best friend Darcy — who happens to be marrying the man that Rachel is in love with. Yeah, that wasn’t part of the plan. ( Well , she did set them up, but what are best friends for?) Things start to spiral out of control when Rachel drunkenly confesses her feelings to Darcy’s fiancé, and is both delighted and devastated to hear he feels the same way. It might be a classic romance trope , but this knotty love triangle will have you on the edge of your seat to the very end.

30. Red, White & Royal Blue by Casey McQuiston

Probably the best romance novel of 2019, Casey McQuiston’s queer, royal love story didn’t just take the New York Times bestseller list by storm, it broke the internet. A kaleidoscope of popular influences, dripping in internet lingo, Ariana Grande references, and memes aplenty, Red, White & Royal Blue is the book we were screaming for. It’s set in an alternate reality where in 2016, a Democrat became the first female president of the US, and follows First Son Alex — a twenty-something, biracial, modern-day Kennedy. The action begins at a royal wedding, when Alex is told to play nice with his childhood nemesis, the Prince of Wales. As the famous pair fake a bromance for the cameras, behind the scenes… well , you know where this is going.

31. The Hating Game by Sally Thorne

Lucy Hutton doesn’t dislike Joshua Templeman. She doesn’t reluctantly tolerate him. She hates him. And she has to sit across from his joyless, infuriatingly handsome face every day . To be fair to Joshua, the feeling’s mutual. Lucy’s a people pleaser — the kind who wears yellow to work — and she pushes all his buttons. Now they’re up for the same promotion, and this bitter workplace rivalry is about to reach boiling point. But when tensions run high, you know what they say: there’s a thin line between love and hate. Sally Thorne’s The Hating Game is an unmissable treat for anyone who loves a rom-com about that undeniable spark between nemeses.

32. Normal People by Sally Rooney

Sally Rooney was recognised as both a gifted writer and a perceptive and nuanced observer, when she released her debut novel Conversations With Friends . In Normal People, she captures the zeitgeist with the same subtlety and skill. It’s an intimate love story of deceptive simplicity: Marianne and Connell are two mismatched young people —unlikely friends, unlikely lovers — who share a profound understanding. However, as their small town lives in rural Ireland are eclipsed by the heady and confusing world of student Dublin, the ways in which they mould each other reveal a universal truth about the lasting impact that one person can have on another. Dripping with longing and regret, and steered by two deeply vulnerable characters, this novel remains immensely readable — one of the best romance novels of the 21st century.

33. Beach Read by Emily Henry

Henry’s smart and steamy page-turner, Beach Read, gave us all a sizzling slice of the summer romance we missed out on in 2020. In an effort to crack a crippling case of writer’s block, January, a hopeless romantic, and Gus, who thinks happy endings are for fairy tales, don’t swap numbers, but genres. Before the summer is out, January must write the next great work of literary fiction , while Gus has to pen a bestselling romance novel. Two writers, two beach huts, and plenty of whipcrack banter — let’s hope Henry is an author with a soft spot for happily-ever-after.

34. It Ends with Us by Colleen Hoover

Everything in Lily’s life seems to be falling into place. She’s got a new place in Boston, her own business, and she’s convinced gorgeous neurosurgeon Ryle Kincaid to break his “no-dating” rule. Her old life in small-town Maine certainly seems a long way behind her. But as questions about her new relationship, and Ryle’s stubborn aversion to dating, begin to overwhelm her, Lily can’t help but wonder about Atlas Corrigan — her first love, and a link to the world she left behind. So when Atlas appears in Boston, everything she has with Ryle is suddenly thrown into question. This unforgettable tale is as heartbreaking as it is thrilling; prepare yourself for a rollercoaster ride of emotions.

35. The Proposal by Jasmine Guillory

A New York Times bestselling romance novel and a favorite among book clubs and celebrity book-lovers alike, The Proposal is a fun and flirty novel about a second chance at love. Guillory kicks off with a man on one knee; it’s not the usual way to start a love story, but this proposal isn’t followed by happily ever after. When Nik’s boyfriend asks her to spend the rest of her life with him, saying no isn’t the hard part (the guy can’t even spell her name right!) — it’s doing it in front of a stadium full of disappointed baseball fans. Luckily, handsome doctor Carlos is there to sweep her away from the frenzy and into an epic rebound of food, fun, and fantastic sex. But how serious can their glorified hookups get before someone slams on the brakes?

36. On Earth We're Briefly Gorgeous by Ocean Vuong

Part tragic romance, part coming-of-age, part war trauma — Vuong’s On Earth We’re Briefly Gorgeous is a heart-wrenching, expansive look at a lot of hard truths. Little Dog, a Vietnamese refugee in the U.S. and protagonist of this semi-autobiographical novel, tries to find solace in the small comforts of his life in the working class town of Hartford, Connecticut but realizes that he wants to grow beyond his current horizons. The reader follows Little Dog as he chases the American Dream, pursues a growing romance with a farm boy who’s struggling with his family’s homophobia, and questions how to be happy in the shadow of grief and trauma. A raw, poetic, and dark experience, if you enjoy a large helping of hardship and identity crises with your romance, this might be your cup of tea.

37. Kiss an Angel by Susan Elizabeth Phillips

Go to jail or marry the mystery man her father has set her up with — headstrong Daisy Devreaux chooses the latter. Her new husband, Alex Markov, is a deadpan grade-A jerk who seems to have no patience for Daisy’s bourgeois tastes and flights of fancy. But as they work on restoring a rundown traveling circus, their growing influence on each other becomes impossible to ignore. Fans of stubborn romantic leads (à la Annie and Frank from Annie Get Your Gun ), quirky settings, and the time-tested city-girl-in-the-country trope may find a winner in Kiss An Angel .

38. Vision in White by Nora Roberts

Mackensie Elliott is head of her own wedding planning business and firmly believes she’s better at capturing other people’s special days than she would be at experiencing her own. But when Mackensie hits it off with the seemingly humdrum Carter Maguire, a high school English teacher who’s definitely not her type, her friends encourage her to make the first move. What begins as a casual fling becomes something more, and Mackensie has to ask herself if she’s willing to step out from behind her cool and collected facade and seize her own happiness. Readers looking for a tentative slow burn and a strong female lead will find a perfect match in Roberts’ charming Vision in White .

Young Adult Romance

39. twilight by stephenie meyer.

It’s faced more than its fair share of backlash, derision, and parody, but it’s impossible to deny that few books have influenced the cultural zeitgeist as much as Twilight . It’s the book that led a generation of teenage girls to genuinely debate whether vampires or werewolves were hotter, and that launched an entire renaissance of paranormal romance books . No matter what the critics say, it’s the definitive high school romance turned struggle against a vampiric death cult — so why not revisit Twilight mania, and see what all the hype was about? Oh, and P.S., we’re totally team Edward.

40. Forever . . . by Judy Blume

‘Sybil Davison has a genius IQ and has been laid by at least six different guys’. So begins Judy Blume’s Forever… Is it any wonder that this YA book has been a favorite under-the-covers read ever since its release in the 70’s? This refreshingly honest presentation of teenage sexuality was deeply controversial because of its raunchy subject matter — it’s even been banned from several libraries — but it remains a classic. Katherine and Michael’s high school romance is a charming coming-of-age story that’s sure to have you laughing and cringing in equal parts.

41. To All the Boys I've Loved Before by Jenny Han

Imagine if all your high school crushes suddenly knew every embarrassing thought you’ve ever had about them. That’s what happens to Lara Jean, a sixteen-year-old girl whose life is turned upside down when letters she’s written to all the boys she’s ever loved — letters that the recipients were never supposed to see — are sent. Naturally, the fallout is chaotic. Jenny Han’s sugary sweet novel not only spent 40 weeks on the New York Times bestseller list, it was also adapted into a blockbusting movie. If there’s one thing you should take away from this one, it’s to keep your top secret love letters under lock and key.

42. The Selection by Kiera Cass

Fans of dystopian novels (think The Hunger Games ) will find a lot to love in The Selection, the first in Kiera Cass’ Selection series. After being selected to compete for the heart of a Prince, America is forced to leave behind her home and the boy she secretly loves but cannot be with. What she doesn’t expect is to start falling for the handsome prince. With a Netflix adaptation in the works, now’s your chance to get ahead of the hype and join this YA series’ cult following before it’s cool.

43. Fangirl by Rainbow Rowell

An internet phenomenon that has a special place in the hearts of superfans everywhere, Rainbow Rowell’s young adult romance is as charming as it is candid. Cath is a fanfiction-writing, premiere-attending, card-carrying fangirl. Her twin sister Wren used to be the same, But now they’re in college, Wren has lost interest in geeky pursuits — she’s far too busy partying, making friends, and being cool. She’s also lost interest in Cath. Without her sister for the first time, Cath is forced to navigate the confusion and loneliness of being a freshman all alone. Will the cute guy in her creative writing class be a welcome distraction? How about her new roommate’s friendly ex-boyfriend...?

44. Eleanor & Park by Rainbow Rowell

Another Rainbow Rowell novel met with critical acclaim, Eleanor & Park is an urgent, breathless, gut-punch of a love story about two teen misfits and one life-changing school year. It’s 1986 when Eleanor arrives in her new town, all chaotic red hair and mismatched clothes. She takes a seat on the school bus and finds herself next to Park — quiet, understated, and impossibly cool. Carefully yet wholeheartedly, over late night phone calls and countless mix tapes, Eleanor and Park fall in love. It’s that pure, fear-laced, heartbreaking kind of love you only experience when you’re sixteen — and trust us, your heart will melt.

45. Anna and the French Kiss by Stephanie Perkins

When Anna’s father ships her off to boarding school in Paris, she’s less than thrilled to be leaving behind her friends in Atlanta — especially that cute guy she works with at the multiplex. But all is forgiven (and cute coworkers forgotten) when she meets Etienne St. Clair. He’s charming, smart, gorgeous...and tragically taken. But hearts have a way of coming together in the City of Love. So if Anna plays her cards right, her senior year might just end with the perfect first kiss. Relive the flutters of first love in Perkins’ wonderfully cheesy tale of crushes, complications, and croissants.

46. Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Sáenz

It’s 1987 and a hot summer’s day in El Paso, Texas, when Ari and Dante meet at a swimming pool. On the face of things, they have nothing in common. Ari is guarded, angry, and struggling to feel like he belongs. Dante is an open-hearted know-it-all, still figuring out who he is. But, as they spend the summer learning about each other, and discovering themselves, a friendship floods the lives of these two loners like a golden light. Aristotle and Dante Discover the Secrets of the Universe is a tender and lyrical reminder that love in all its many forms should be open, deep, and without shame.

47. Simon vs. the Homo Sapiens Agenda by Becky Albertalli

High school junior Simon has a lot on his mind; but when a stray email falls into the wrong hands and he’s blackmailed by class clown Martin, he’s forced to play along — or he’ll be outed as gay, along with his increasingly flirtatious pen pal. As his friend group starts to fray and the situation becomes increasingly tenuous, Simon will have to keep up with the pace of change, or risk the life he knows crashing down around his ears. Simon vs. the Homo Sapiens Agenda is a gay romance filled with warm fuzzies, dry humor, and supportive friendships. Albertalli’s feel-good novel is still able, however, to flirt with some bigger questions about homophobia and the experience of being a closeted teen in the American South.

48. The Song of Achilles by Madeline Miller

In this romantic retelling of a perennial Classics favorite, Homer’s Iliad , Madeline Miller casts Patroclus as the awkward but lovable ancient Grecian nerd to Achilles’ jock. As the unlikely duo fight in battle, quarrel, and form a bond that grows deeper every day, their conflicting beliefs about the Trojan War threaten to tear them apart. Miller, a classics teacher herself, takes up Homer’s thread of lyrical prose while adding her own unique style and story elements. If you’re partial to Rick Riordan (who, incidentally, gave this book a glowing review !) and his ancient mythology series, but wished they had a more mature and romantic tone, look no further than The Song of Achilles.

49. More Happy Than Not by Adam Silvera

Sixteen-year-old Aaron Soto is trying to recover from a family tragedy, supported by his friends and his girlfriend Genevieve. But when Aaron starts spending his time almost exclusively with new boy Thomas, he quickly comes to a number of realizations that he’s not altogether thrilled with. At the same time, a slot opens up for a memory-alteration procedure at the Leteo Institute, and Aaron has the choice of wiping the things he’d rather not dwell on out of his head forever. A grittier take on young adult romance, More Happy Than Not goes deep into themes of depression, homophobia, and suicide, while exploring the scientific possibilities of the not-too-distant future .

50. The Fault in Our Stars by John Green

For three years, Hazel’s life has been nothing but terminal. Diagnosed with incurable cancer at the age of thirteen, she’s never had the chance to experience the thrilling awkwardness of being a teenager. In an attempt to find kids who understand, Hazel’s mother forces her to attend a truly miserable cancer support group. Enter: Augustus Waters. A charming, and unremarkably handsome amputee with an alarming optimism for life, Gus is a much-needed plot twist in the story of Hazel Grace. Bold, irreverent, and raw, The Fault in Our Stars is a witty tour de force about the thrilling and tragic business of being alive, and a heartbreaking (but never depressing) story about a love that lasts ‘forever, within the numbered days.’

Regency Romance

51. the grand sophy by georgette heyer.

When Sophia Stanton-Lacy is dropped on her aunt’s doorstep by her diplomat father, she’s not quite what any of her extended family were expecting. Self-assured, confident, and more than a touch rebellious, the beautiful and charismatic Sophy sweeps through London like a breath of fresh air. In the opinion of her stern cousin Charles, however, that fresh air feels more like a hurricane. This witty, sophisticated tale of societal intrigue and domestic dramas has a lot to offer Austen fans, and Heyer’s pacy comedy-of-manners is served with a generous helping of heart-stopping romance.

52. Secrets of a Summer Night by Lisa Kleypas

Annabelle needs a rich husband, and fast. Her family are in dire financial straits, and she must use every tool at her disposal to save them. There’s one major issue, however — her most tenacious suitor, entrepreneur Simon Hunt, has no interest in marrying her. As Annabelle struggles to resist his advances and keep her head in the game, Simon finds the chase even more exciting. This steamy regency romance is the first book in Kleypas’ mega-popular Wallflowers series, so once you’ve devoured this one (and we bet you will) there’s plenty left to enjoy.

53. Flowers from the Storm by Laura Kinsale

A devilishly debonair womanizer is suddenly interred in an insane asylum, having suffered a stroke. The sheltered and naïve Maddy, fascinated by his scandalous reputation, is tasked with his care. Despite her Quaker upbringing and the brutality of their surroundings, the unlikely pair find themselves swept up in a passionate and intense love affair. As she grows closer to the Duke of Jervaux, Maddy begins to realise his playboy facade conceals hidden depths. New York Times bestseller Kinsale reminds us there’s often much more than meets the eye in this gripping, steamy, and desire-drenched novel.

54. Lord of Scoundrels by Loretta Chase

Lord of Scoundrels may be the third in its series, but we can’t resist including it on this list. One of the most well-known and well received historical romance novels of all time , this regency read has had readers seriously hot under the starched collar for 25 years. When the independent and beautiful Jessica Trent rolls into town to save her brother from the influence of the caddish Sebastian, the two engage in a fierce battle of wits. When the tension between them reaches fever pitch, they’re caught in a compromising situation at a society party. Will Sebastian do what’s right to save Jessica’s reputation, or is he really as unscrupulous as she always suspected?

Erotic Romance

55. fifty shades of grey by e. l. james.

You’ve probably already read Fifty Shades — it was the biggest selling book of the 2010’s, after all. But if the pop culture phenomenon somehow passed you by, it’s never too late to give this kinky thriller a try. The story of hunky, troubled billionaire Christian Grey and Anastasia Steele, a naïve student who (quite literally) falls headfirst into his life, started out as self-published Twilight fanfiction. Who could have imagined that this steamier-than-a-sauna novel would go on to sell over 125 million copies!

56. Delta of Venus by Anaïs Nin

If there’s one thing more exciting than erotic fiction, it’s vintage erotic fiction. If you’re looking for retro erotica with a disarming feminist twist , look no further than Delta of Venus, a collection of 15 short stories written by Anais Nin in the 1940s. In sexy bitesize chunks, Nin regales us with stories of torrid love affairs and passionate trysts, told in what Nin herself refers to as ‘women's language, seeing sexual experience from a woman's point of view’. It’s as gorgeous as it was groundbreaking.

57. Twice In A Lifetime by Clare Lydon

Would you take a second chance at first love? This is the dilemma that Sally and Harriet face in Twice in a Lifetime . Teenage sweethearts, they broke up when Harriet moved away to college, breaking Sally’s heart. But a chance luggage mix-up at the airport brings them crashing back together. The sexual tension is heavy — but the emotional baggage is, too. Is it worth another shot? Scorching sex scenes are balanced out by genuine warmth and deeply likeable main characters in this LGBTQ+ erotic novel.

58. Rush by Maya Banks

Forbidden desire takes center stage in Rush, the first book in bestselling author Maya Banks’ Breathless trilogy, which follows the exploits of three very handsome, very successful, and very debauched business partners. Rush focuses on Gabe, who finds himself in a tight spot when he lays eyes on his best friend’s younger sister for the first time in several years. The attraction is instant. But will he get what he wants, or will outside forces intervene? Raunchy and compulsively readable, you’ll be rushing (pun intended) to find out what happens next in this erotic page-turner.

59. Bared to You by Sylvia Day

Another self-publishing success story in the vein of Fifty Shades of Grey, Sylvia Day’s Bared to You boasts a similarly devoted fan base — and a similarly intense love story. It’s often heartwarming, and always hot, but Bared to You is much more than just titillating. The story of Eva, a sexual assault survivor navigating her way to a healthy romantic life is surprisingly heartfelt. You’ll find you can’t help but root for our heroine as she finds love with the charismatic and equally complicated Gideon.

60. On Dublin Street by Samantha Young

Scotland’s answer to Fifty Shades of Grey , this erotic romance novel is much more than just “innocent young graduate meets gorgeous billionaire and dot, dot, dot” . Jocelyn and Braden — the innocent young graduate and gorgeous billionaire, respectively — are exquisitely written characters, engaged in a captivating and bittersweet love story. They meet when Jocelyn moves to Edinburgh and takes up an apartment in a building owned by Braden. He immediately feels an intense attraction, but, knowing Jocelyn’s past has left her guarded, Braden proposes a ‘no-strings-attached’ arrangement. Witty dialogue and steamy sex scenes ensue, but how long can the fun last before they want more than just mind-blowing passion?

Developed a taste for fiery love stories? Why not check out our guide to New Adult books and their sleek, steamy collegiate romances?

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The Best Reviewed Essay Collections of 2022

Featuring bob dylan, elena ferrante, zora neale hurston, jhumpa lahiri, melissa febos, and more.

We’ve come to the end of another bountiful literary year, and for all of us review rabbits here at Book Marks, that can mean only one thing: basic math, and lots of it.

Yes, using reviews drawn from more than 150 publications, over the next two weeks we’ll be calculating and revealing the most critically-acclaimed books of 2022, in the categories of (deep breath): Fiction ; Nonfiction ; Memoir and Biography ; Sci-Fi, Fantasy, and Horror ; Short Story Collections ; Essay Collections; Poetry; Mystery and Crime ; Graphic Literature ; and Literature in Translation .

Today’s installment: Essay Collections .

Brought to you by Book Marks , Lit Hub’s “Rotten Tomatoes for books.”

1. In the Margins: On the Pleasures of Reading and Writing  by Elena Ferrante (Europa)

12 Rave • 12 Positive • 4 Mixed

“The lucid, well-formed essays that make up In the Margins  are written in an equally captivating voice … Although a slim collection, there is more than enough meat here to nourish both the common reader and the Ferrante aficionado … Every essay here is a blend of deep thought, rigorous analysis and graceful prose. We occasionally get the odd glimpse of the author…but mainly the focus is on the nuts and bolts of writing and Ferrante’s practice of her craft. The essays are at their most rewarding when Ferrante discusses the origins of her books, in particular the celebrated Neapolitan Novels, and the multifaceted heroines that power them … These essays might not bring us any closer to finding out who Ferrante really is. Instead, though, they provide valuable insight into how she developed as a writer and how she works her magic.”

–Malcolm Forbes ( The Star Tribune )

2. Translating Myself and Others by Jhumpa Lahiri (Princeton University Press)

8 Rave • 14 Positive • 1 Mixed

“Lahiri mixes detailed explorations of craft with broader reflections on her own artistic life, as well as the ‘essential aesthetic and political mission’ of translation. She is excellent in all three modes—so excellent, in fact, that I, a translator myself, could barely read this book. I kept putting it aside, compelled by Lahiri’s writing to go sit at my desk and translate … One of Lahiri’s great gifts as an essayist is her ability to braid multiple ways of thinking together, often in startling ways … a reminder, no matter your relationship to translation, of how alive language itself can be. In her essays as in her fiction, Lahiri is a writer of great, quiet elegance; her sentences seem simple even when they’re complex. Their beauty and clarity alone would be enough to wake readers up. ‘Look,’ her essays seem to say: Look how much there is for us to wake up to.”

–Lily Meyer ( NPR )

3. The Philosophy of Modern Song by Bob Dylan (Simon & Schuster)

10 Rave • 15 Positive • 7 Mixed • 4 Pan

“It is filled with songs and hyperbole and views on love and lust even darker than Blood on the Tracks … There are 66 songs discussed here … Only four are by women, which is ridiculous, but he never asked us … Nothing is proved, but everything is experienced—one really weird and brilliant person’s experience, someone who changed the world many times … Part of the pleasure of the book, even exceeding the delectable Chronicles: Volume One , is that you feel liberated from Being Bob Dylan. He’s not telling you what you got wrong about him. The prose is so vivid and fecund, it was useless to underline, because I just would have underlined the whole book. Dylan’s pulpy, noir imagination is not always for the squeamish. If your idea of art is affirmation of acceptable values, Bob Dylan doesn’t need you … The writing here is at turns vivid, hilarious, and will awaken you to songs you thought you knew … The prose brims everywhere you turn. It is almost disturbing. Bob Dylan got his Nobel and all the other accolades, and now he’s doing my job, and he’s so damn good at it.”

–David Yaffe ( AirMail )

4.  Body Work: The Radical Power of Personal Narrative by Melissa Febos (Catapult)

13 Rave • 2 Positive • 2 Mixed Read an excerpt from Body Work here

“In her new book, Body Work: The Radical Power of Personal Narrative , memoirist Melissa Febos handily recuperates the art of writing the self from some of the most common biases against it: that the memoir is a lesser form than the novel. That trauma narratives should somehow be over—we’ve had our fill … Febos rejects these belittlements with eloquence … In its hybridity, this book formalizes one of Febos’s central tenets within it: that there is no disentangling craft from the personal, just as there is no disentangling the personal from the political. It’s a memoir of a life indelibly changed by literary practice and the rigorous integrity demanded of it …

Febos is an essayist of grace and terrific precision, her sentences meticulously sculpted, her paragraphs shapely and compressed … what’s fresh, of course, is Febos herself, remapping this terrain through her context, her life and writing, her unusual combinations of sources (William H. Gass meets Elissa Washuta, for example), her painstaking exactitude and unflappable sureness—and the new readers she will reach with all of this.”

–Megan Milks ( 4Columns )

5. You Don’t Know Us Negroes by Zora Neale Hurston (Amistad)

12 Rave • 3 Positive • 1 Mixed

“… a dazzling collection of her work … You Don’t Know Us Negroes reveals Hurston at the top of her game as an essayist, cultural critic, anthropologist and beat reporter … Hurston is, by turn, provocative, funny, bawdy, informative and outrageous … Hurston will make you laugh but also make you remember the bitter divide in Black America around performance, language, education and class … But the surprising page turner is at the back of the book, a compilation of Hurston’s coverage of the Ruby McCollom murder trial …

Some of Hurston’s writing is sensationalistic, to be sure, but it’s also a riveting take of gender and race relations at the time … Gates and West have put together a comprehensive collection that lets Hurston shine as a writer, a storyteller and an American iconoclast.”

–Lisa Page ( The Washington Post )

6. Strangers to Ourselves: Unsettled Minds and the Stories That Make Us by Rachel Aviv (Farrar, Straus and Giroux)

11 Rave • 4 Positive • 2 Mixed Listen to an interview with Rachel Aviv here

“… written with an astonishing amount of attention and care … Aviv’s triumphs in relating these journeys are many: her unerring narrative instinct, the breadth of context brought to each story, her meticulous reporting. Chief among these is her empathy, which never gives way to pity or sentimentality. She respects her subjects, and so centers their dignity without indulging in the geeky, condescending tone of fascination that can characterize psychologists’ accounts of their patients’ troubles. Though deeply curious about each subject, Aviv doesn’t treat them as anomalous or strange … Aviv’s daunted respect for uncertainty is what makes Strangers to Ourselves distinctive. She is hyperaware of just how sensitive the scale of the self can be.”

–Charlotte Shane ( Bookforum )

7. A Line in the World: A Year on the North Sea Coast by Dorthe Nors (Graywolf)

11 Rave • 1 Positive Read an excerpt from A Line in the World here

“Nors, known primarily as a fiction writer, here embarks on a languorous and evocative tour of her native Denmark … The dramas of the past are evoked not so much through individual characters as through their traces—buildings, ruins, shipwrecks—and this westerly Denmark is less the land of Hans Christian Andersen fairy tales and sleek Georg Jensen designs than a place of ancient landscapes steeped in myth … People aren’t wholly incidental to the narrative. Nors introduces us to a variety of colorful characters, and shares vivid memories of her family’s time in a cabin on the coast south of Thyborøn. But in a way that recalls the work of Barry Lopez, nature is at the heart of this beautiful book, framed in essay-like chapters, superbly translated by Caroline Waight.”

–Claire Messud ( Harper’s )

8. Raising Raffi: The First Five Years by Keith Gessen (Viking)

4 Rave • 10 Positive • 1 Mixed Read an excerpt from Raising Raffi here

“A wise, mild and enviably lucid book about a chaotic scene … Is it OK to out your kid like this? … Still, this memoir will seem like a better idea if, a few decades from now, Raffi is happy and healthy and can read it aloud to his own kids while chuckling at what a little miscreant he was … Gessen is a wily parser of children’s literature … He is just as good on parenting manuals … Raising Raffi offers glimpses of what it’s like to eke out literary lives at the intersection of the Trump and Biden administrations … Needing money for one’s children, throughout history, has made parents do desperate things — even write revealing parenthood memoirs … Gessen’s short book is absorbing not because it delivers answers … It’s absorbing because Gessen is a calm and observant writer…who raises, and struggles with, the right questions about himself and the world.”

–Dwight Garner ( The New York Times )

9. The Crane Wife by CJ Hauser (Doubleday)

8 Rave • 4 Positive • 2 Mixed • 1 Pan Watch an interview with CJ Hauser here

“17 brilliant pieces … This tumbling, in and out of love, structures the collection … Calling Hauser ‘honest’ and ‘vulnerable’ feels inadequate. She embraces and even celebrates her flaws, and she revels in being a provocateur … It is an irony that Hauser, a strong, smart, capable woman, relates to the crane wife’s contortions. She felt helpless in her own romantic relationship. I don’t have one female friend who has not felt some version of this, but putting it into words is risky … this collection is not about neat, happy endings. It’s a constant search for self-discovery … Much has been written on the themes Hauser excavates here, yet her perspective is singular, startlingly so. Many narratives still position finding the perfect match as a measure of whether we’ve led successful lives. The Crane Wife dispenses with that. For that reason, Hauser’s worldview feels fresh and even radical.”

–Hope Reese ( Oprah Daily )

10. How to Read Now by Elaine Castillo (Viking)

8 Rave • 2 Positive • 1 Mixed Read an excerpt from How to Read Now here

“Elaine Castillo’s How to Read Now begins with a section called ‘Author’s Note, or a Virgo Clarifies Things.’ The title is a neat encapsulation of the book’s style: rigorous but still chatty, intellectual but not precious or academic about it … How to Read Now proceeds at a breakneck pace. Each of the book’s eight essays burns bright and hot from start to finish … How to Read Now is not for everybody, but if it is for you, it is clarifying and bracing. Castillo offers a full-throated critique of some of the literary world’s most insipid and self-serving ideas …

So how should we read now? Castillo offers suggestions but no resolution. She is less interested in capital-A Answers…and more excited by the opportunity to restore a multitude of voices and perspectives to the conversation … A book is nothing without a reader; this one is co-created by its recipients, re-created every time the page is turned anew. How to Read Now offers its audience the opportunity to look past the simplicity we’re all too often spoon-fed into order to restore ourselves to chaos and complexity—a way of seeing and reading that demands so much more of us but offers even more in return.”

–Zan Romanoff ( The Los Angeles Times )

Our System:

RAVE = 5 points • POSITIVE = 3 points • MIXED = 1 point • PAN = -5 points

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Julia Quinn, Fern Michaels & More Best-Selling Romance Authors Reveal Their Favorite Love Stories: Part 2

Find out which love stories enchant Julia Quinn, Rebecca Serle and more!

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Whether it comes from book clubs, Facebook groups, bibliophile friends or another source, uncovering a great book recommendation is a small victory for book lovers everywhere. And if your favorite genre is romance, you’re in for a treat! This is the third installment of our fun literary ‘series’ where some of our favorite writers share their favorite book recommendations — and you are going to love these new picks!

Check out the first batch of romance recommendations here: Colleen Hoover, Sarah J. Maas & More Best-Selling Romance Authors Reveal the Love Stories They Can’t Get Enough Of

Woman’s World caught up with 7 bestselling authors, from fan favorite Bridgerton author Julia Quinn to beloved romance writers like Jasmine Guillory and Fern Michaels. Here, they each reveal why certain books remain their most sacred romance reads and why this genre is so important. Keep reading to uncover their go-to stories to add to your TBR (to-be-read) pile.

Fern Michaels , Author of The Wild Side

“Everyone likes an adventure, and a great romance is the best adventure of all,” says Fern Michaels, #1 New York Times bestselling author of The Wild Side and Fear Thy Neighbor .

Fern’s thoughts on her favorite romances:

Love Lettering by Kate Clayborn

“A story about finding love and finding your creativity, with characters who work their way into your heart and don’t let go.”

A Duke, The Lady and A Baby by Vanessa Riley

“A bold, inclusive historical romance about the lengths which people will go to protect the ones they love. If you love Bridgerton , you won’t want to miss this!”

You Can Run by Rebecca Zanetti

“Edge-of-your-seat suspense in a snowy landscape – you can practically feel the chill as a brilliant FBI profiler chases an unexpected killer.”

Jasmine Guillory , Author of Drunk On Love

“Nothing makes me smile like a good, swoony, satisfying romance novel. I started writing them because I love reading them so much,” says bestselling author Jasmine Guillory, author of Drunk On Love and The Wedding Date .

Jasmine’s thoughts on her favorite romances:

The Fastest Way to Fall by Denise Williams

“I was so charmed by this book and this slow-burn, touching love story!”

Honey Girl by Morgan Rogers

“This dreamy story about a couple who get married in Vegas and then slowly fall in love won my heart!”

The Right Swipe by Alisha Rai

“Alisha Rai always delivers — this book is sexy, smart and so moving.”

Julia Quinn , Author of Romancing Mister Bridgerton

“Romances hit every emotion, and then they leave you with a smile,” says Julia Quinn, bestselling author of Romancing Mister Bridgerton and The Viscount Who Loved Me , which have been made into a massively successful Netflix series.

MUST READ: ‘ Bridgerton’ Cast: Catch Up With the Stars of the Delightful Regency Era Series

Julia’s thoughts on her favorite romances:

Dreaming of You by Lisa Kleypas

“Just a perfect historical romance. I’ve read it countless times.”

The Hating Game by Sally Thorne

“The perfect enemies-to-lovers story. I’d pay real money to read a retelling, this time from Josh’s point-of-view.”

The Perils of Pleasure by Julie Anne Long

“The first in the Pennyroyal Green series — passionate, exciting and wickedly clever.”

Lori Wilde , Author of The Wedding at Moonglow Bay

“Romance celebrates the most unifying adventure of our lives, connecting intimately with another person,” says bestselling author Lori Wilde, author of The Wedding at Moonglow Bay and The Lighthouse on Moonglow Bay .

Lori’s thoughts on her favorite romances:

Heaven, Texas by Susan Elizabeth Philips

“Love brings the cocky alpha to his knees.”

Indigo by Beverly Jenkins

“A triumphant story of sweeping love and epic courage.”

The Summer Cottage by Annie Rains

“Heartwarming and hopeful story of enduring love.”

Rebecca Serle , Author of Expiration Dates

“To me, every story is a love story. I like to write love stories that are a little bit different, that involve traditional romance but often center on other significant relationships in our lives. My novel In Five Years is a love story about best friends and my novel One Italian Summer is a love story about a mother and her daughter. But don’t get me wrong, I love romance too!” says Rebecca Serle, bestselling author of Expiration Dates .

Rebecca’s thoughts on her favorite romances:

The Jessica Darling Series by Megan McCafferty

“Jessica, Marcus and Marcus, Jessica — the greatest love story that will ever be! It’s also a love story about yourself, a story of becoming.”

The Time Traveler’s Wife by Audrey Niffenegger

“A love story for the ages.”

Eligible by Curtis Sittenfeld

“Love this retelling of Pride and Prejudice. One of my all-time favorites.”

Nisha Sharma , Author of The Letters We Keep

“For me, the romance genre is a genre of hope,” says Nisha Sharma, award-winning a uthor of Dating Dr. Dil and The Letters We Keep (out 5/1). “The genre has given me the opportunity to express incredibly profound South Asian cultural experiences, connections and relationships. As a reader, the romance genre has always been, and will continue to be, a safety net in the world.”

Nisha’s thoughts on her favorite romances:

The Kiss Countdown by Etta Easton

“This is a charming story about a down-on-her-luck woman, an astronaut and a pretend romance that begins to feel very real very quickly.”

This Could Be Us by Kennedy Ryan

“One of my favorite novelists publishing absolute right now is Kennedy Ryan. Her most recent release is This Could Be Us is about a woman starting over after the mess her ex-husband left her. It’s stunningly messy and beautiful.”

The Curious Secrets of Yesterday by Namrata Patel

“I am, and always will be obsessed with Namrata Patel’s work. Her next novel, The Curious Secrets of Yesterday , is about a spice shop, generational conflict, and a sweet romance between two individuals with complex ancestry.” (Out 6/14)

Carolyn Brown , Author of Meadow Falls

“Romance, to me, means exploring emotions and the hope of a happy-ever-after after all the struggles that life can throw at a couple,” says Carolyn Brown, author of Meadow Falls and The Bluebonnet Battle.

Carolyn’s thoughts on her favorite romances:

Hummingbird by LaVyrle Spencer

“A story of trying to figure out whether to listen to the heart or mind.”

The Moonglow Sisters by Lori Wilde

Deal of the Day

“From ugly tears to belly laughs, The Moonglow Sisters delivers all the feels.”

The Wedding War by Liz Talley

“ The Wedding War will capture your attention on page one and won’t let you sleep until you read the last sentence.”

Prefer mysteries? Stephen King, Lisa Jewell, Ruth Ware And More Best-Selling Mystery Authors Reveal The Stories They Can’t Get Enough of

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Stephen Breyer to the Supreme Court Majority: You’re Doing It Wrong

By Louis Menand

One day in 1993, Stephen Breyer , then the chief judge of the Court of Appeals for the First Circuit, which sits in Boston, was riding his bicycle in Harvard Square when he was hit by a car. He was taken to Mount Auburn Hospital with broken ribs and a punctured lung. While he was recovering, he was visited by three White House officials. They had flown up to interview him for a possible nomination to the United States Supreme Court.

The vetting went well enough, and Breyer was invited to Washington to meet the President, Bill Clinton . Breyer’s doctors advised against flying, so he took the train, in some discomfort. The meeting with Clinton did not go well. According to Jeffrey Toobin’s “ The Nine ,” a book about the Supreme Court, Clinton found Breyer “heartless.” “I don’t see enough humanity,” he complained. “I want a judge with soul.” Breyer was told to go home. They would call.

He knew that things had gone poorly. “There’s only two people who aren’t convinced I’m going to be on the Supreme Court,” he told a fellow-judge. “One is me and the other is Clinton.” He was right. The phone never rang. The seat went to Ruth Bader Ginsburg .

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Ginsburg was a cool customer, too, but she knew which buttons to push. In her interview with Clinton, she talked about the death of her mother and about helping her husband get through law school after he was stricken with testicular cancer. Clinton loved catch-in-the-throat stories like that. Ginsburg was confirmed by the Senate 96–3.

A year went by, there was another Supreme Court vacancy, and Breyer was again in the mix. His candidacy was pushed by Ted Kennedy, with whom he had worked as the chief counsel of the Senate Judiciary Committee when Kennedy was its chair. Clinton really wanted to nominate his Secretary of the Interior, Bruce Babbitt, but Babbitt faced opposition from senators in Western states, and Breyer seemed politically hypoallergenic.

So Breyer was chosen. Still, the White House did not do him any favors. Clinton’s indecisiveness was an ongoing story in the press—it had taken him eighty-six days to pick Ginsburg—and the news coverage made it plain that Breyer was not his first or even his second choice. The White House counsel, Lloyd Cutler, told reporters that, of the candidates being considered, Breyer was “the one with the fewest problems.”

Clinton announced the selection without even waiting for Breyer to come down from Boston. When Breyer did show up, a few days later, he said, “I’m glad I didn’t bring my bicycle down.” Famous last words. In 2011, he broke his collarbone in another biking accident near his home in Cambridge, and in 2013 he fractured his right shoulder and underwent shoulder-replacement surgery after crashing his bicycle near the Korean War Veterans Memorial, on the National Mall. He was seventy-four. You have to give him credit. He gets right back on the horse.

Since his appointment to the Court, Breyer has published several books on his jurisprudential views. His latest is “ Reading the Constitution: Why I Chose Pragmatism, Not Textualism ” (Simon & Schuster). It sums up his frustration with the court that he just stepped down from.

Clinton was not the only person who read Breyer as a technocrat. People felt he lacked a quality that Clinton could apparently summon at will—empathy. “He’s always been smarter than most of those around him,” the Yale constitutional-law professor Akhil Amar explained to a reporter, “so he’s had to learn how to get along with other people.”

That was his reputation at Harvard Law School, too, where he taught administrative law for many years before becoming a judge. “Breyer’s basic social instincts are conservative,” a Harvard colleague, Morton Horwitz, told the Times . “His legal culture is more liberal, and his very flexible pragmatism will enable him to give things a gentle spin in a liberal direction. But he’s a person without deep roots of any kind. He won’t develop a vision. . . . The words ‘social justice’ would somewhat embarrass him.”

It’s true that Breyer has a professorial presentation. He is cosmopolitan and erudite. He travels to other countries and is interested in their legal systems; reporters like to drop the fact that he has read “À la Recherche du Temps Perdu,” in French, twice. He is also, for a judge, relatively wealthy. His wife, Joanna Hare, a clinical psychologist at Dana-Farber, is the daughter of an English viscount.

Before joining the Court, Breyer showed few signs of being a social-justice warrior. He has, like the President who appointed him, neoliberal inclinations. He was instrumental in creating sentencing guidelines for federal judges that he later conceded were too rigid. He wrote a book on regulatory reform. And one of his proudest legislative achievements was working with Kennedy to deregulate the airline industry.

But he has an admirable temperament. Toobin called him “the sunniest individual to serve on the Supreme Court in a great many years.” Seated on a bench next to a lot of intellectual loners— Antonin Scalia , Clarence Thomas , David Souter , Ginsburg herself—Breyer became a consensus seeker, if not always a consensus builder. He believed in reasoned discourse.

He had also learned, from watching Kennedy do business in the Senate, that compromise is how you get things done in government, and he understood that on an ideologically divided court the power is in the middle. Being a split-the-difference centrist, like his predecessor Lewis Powell, and like the Justice he was closest to, Sandra Day O’Connor , suited his personality, too.

Breyer loved the job and was reluctant to announce his retirement, throwing liberals who feared another R.B.G. fiasco into a panic. He stepped down at the end of the 2021-22 term, in time for President Joe Biden to put one of Breyer’s former clerks, Ketanji Brown Jackson , on the Court. Breyer is now back where he started, as a professor of administrative law at Harvard. Happily for the law school, there are now many dedicated bike lanes in Cambridge.

Horwitz was not entirely right about what George H. W. Bush called “the vision thing.” Beneath Breyer’s pragmatic, let-us-reason-together persona is the soul of a Warren Court liberal. The Warren Court is where Breyer’s judicial career began. After graduating from Harvard Law School, in 1964, he clerked for Justice Arthur Goldberg. It was, he said, “a court with a mission.” The mission was to realize the promise of Brown v. Board of Education.

Brown is Breyer’s touchstone. He calls the decision “an affirmation of justice itself.” Brown was decided in 1954, and it governs only segregation in public schools. This is because the Fourteenth Amendment’s guarantee of “the equal protection of the laws,” the right under which Brown was decided, is a right that can be exercised only against states and their agencies. But Breyer understands Brown in a broader sense. He believes that the reasoning in Brown leads to the condemnation of any and all discrimination that is within the reach of government to eliminate.

Extending the spirit of Brown is what the 1964 Civil Rights Act was designed to do. The act was signed into law in July, just as Breyer was beginning his clerkship, and it did something that Congress had tried once before, in 1875: make it unlawful for public accommodations like hotels, theatres, and restaurants to discriminate on the basis of race. In 1883, in a blockbuster decision, the Supreme Court had thrown out that earlier act as unconstitutional. It ruled that the government cannot tell private parties whom they must serve.

Title II of the Civil Rights Act once again prohibited discrimination in public accommodations on the basis of race, color, religion, or national origin. But how are privately owned businesses like restaurants within the reach of the state? In October, 1964, three months after the act was signed into law, that question came before the Court in two challenges to the constitutionality of Title II: Heart of Atlanta Motel v. U.S., concerning a motel in Georgia that refused to serve Black travellers, and Katzenbach v. McClung, concerning a restaurant in Birmingham, Ollie’s Barbecue, that refused to seat Black customers. (They could use a takeout window.)

The Court ruled that Congress gets its power to ban discrimination in public accommodations from the commerce clause in Article I of the Constitution. (“Congress shall have power . . . to regulate Commerce with foreign Nations, and among the several States, and with the Indian Tribes.”) This holding required the Court to find that the Heart of Atlanta Motel and Ollie’s Barbecue were, in fact, part of interstate commerce. And the Court so found.

Since the motel was patronized by people travelling from one state to another, and since the ingredients for some of the food served at Ollie’s came from outside Alabama, the Court held that the motel and the restaurant were part of commerce “among the several states” and therefore within the power of Congress to regulate. The Court declared the 1883 ruling “inapposite and without precedential value,” and the decision in both cases was unanimous. Breyer thinks that they were the most important rulings of his clerkship.

There was another case with far-reaching effects that was decided during Breyer’s clerkship: Griswold v. Connecticut. The plaintiffs, Estelle Griswold and C. Lee Buxton, opened a Planned Parenthood clinic in New Haven and were arrested for counselling married couples about birth-control devices, which were illegal under the state’s anti-contraception law. Griswold and Buxton argued that, since the law was unconstitutional, they could not be prosecuted for advising women to break it. In a 7–2 decision, the Court agreed. What constitutional provision did the Connecticut law violate? The right to privacy.

Justice William O. Douglas wrote the opinion of the Court, and it is a classic of judicial inventiveness. Nowhere does the Constitution mention a right to privacy, but Douglas proposed that “specific guarantees in the Bill of Rights have penumbras, formed by emanations from those guarantees that help give them life and substance.” By this jurisprudential alchemy, the First, Third, Fourth, Fifth, and Ninth Amendments could be interpreted as defining a “zone of privacy” whose penumbra would extend to the marital bedroom.

Douglas concluded his opinion with an encomium to marriage. He got quite worked up about it. “Marriage is a coming together for better or for worse, hopefully enduring, and intimate to the degree of being sacred,” he wrote. “It is an association that promotes a way of life, not causes; a harmony in living, not political faiths; a bilateral loyalty, not commercial or social projects. Yet it is an association for as noble a purpose as any involved in our prior decisions.” Douglas was sixty-six. A year after Griswold, he divorced his twenty-six-year-old third wife, Joan Martin, to marry Cathleen Heffernan, who was twenty-two.

Griswold became a key precedent in two landmark cases: Roe v. Wade, decided in 1973, and Obergefell v. Hodges, the same-sex-marriage case, decided in 2015. “The right of privacy,” Harry Blackmun wrote for the Court in Roe, “is broad enough to encompass a woman’s decision whether or not to terminate her pregnancy.” In Obergefell, Anthony Kennedy, also writing for the Court, quoted Douglas’s reflections on marriage in their entirety and added some emanations of his own. In addition to a privacy right, he declared, constitutional liberties extend “to certain personal choices central to individual dignity and autonomy, including intimate choices that define personal identity and beliefs.” (In a dissent, Scalia said that he would “hide my head in a bag” before putting his name to some of Kennedy’s prose.)

The shape of Breyer’s Supreme Court career therefore has an emblematic significance, because it was bookended by two decisions that undid much of what the Warren Court achieved in Heart of Atlanta and Griswold. Breyer’s first major dissent came in 1995, in U.S. v. Lopez, a commerce-clause case; his last was in Dobbs v. Jackson Women’s Organization, the decision that overturned Roe v. Wade .

Lopez turned on the constitutionality of the Gun-Free School Zones Act of 1990, which made it a federal crime to possess a firearm in a school zone. In a 5–4 decision, the Court rejected the government’s argument that the act was a legitimate exercise of Congress’s power under the commerce clause. It was the first time since 1936 that the Court had struck down a federal law for exceeding the commerce-clause power.

Much of the New Deal was made possible by the commerce clause. In his dissent, Breyer noted that more than a hundred federal laws include the phrase “affecting commerce.” How many was the Court bent on invalidating? Some, anyway. Five years later, in U.S. v. Morrison, the Court threw out provisions of the Violence Against Women Act on the ground of commerce-clause overreach.

Breyer’s dissent in Dobbs, in 2022, was joined by Elena Kagan and Sonia Sotomayor . The privacy right in Roe “does not stand alone,” they wrote. “The Court has linked it for decades to other settled freedoms involving bodily integrity, familial relationships, and procreation. Most obviously, the right to terminate a pregnancy arose straight out of the right to purchase and use contraception. . . . They are all part of the same constitutional fabric.” They wondered, again, how much the Court was prepared to unravel. In his concurrence, Thomas suggested that the Court might want to reconsider Griswold and Obergefell.

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What happened? Breyer has an explanation, and he lays it out in the new book. He thinks it’s all a matter of interpretation.

As Breyer points out, a majority of the Court now subscribes to the interpretive methods known as textualism and originalism. Textualism and originalism tend to be run together as types of what used to be called “strict construction” (a term that seems to have fallen out of use). But there is a difference. Textualism is primarily a way of interpreting statutes, and originalism is a way of interpreting the Constitution.

Textualists ask what the words of a statute literally mean. Information like legislative history or social-science data is largely irrelevant. Textualists don’t ask, “What would Congress have us do?” They just say, “What is the rule here?” and try to follow it.

Originalists, on the other hand, ask what the Framers would have them do. Originalists can consult the records of the Constitutional Convention (which are hardly comprehensive) and documents like the Federalist Papers (which is a collection of op-eds). But they claim to stick to the “original public understanding” of constitutional language—that is, what the words meant to the average voter in the eighteenth century. They do not invent rights that the Framers would not have recognized, as originalists think Douglas did in Griswold.

More recently, originalists have looked to something called “history and tradition,” highly malleable terms—whose history? which tradition?—by which they tend to mean things as they were prior to circa 1964. Writing for the Court in Dobbs, Samuel Alito explained that the decision turned on “whether the right at issue in this case is rooted in our Nation’s history and tradition.” The constitutional right to abortion was then fifty years old. For women likely to rely on it, the right had existed for their entire lifetimes. But what mattered to the originalists was whether women could rely on it in the nineteenth century.

The use of race as a plus factor in college and university admissions is even older. The practice dates from the late nineteen-sixties, and has been ruled constitutional by the Supreme Court three times: in 1978, in 2003, and in 2016. But the majority had little trouble wiping it out last term, in Students for Fair Admissions v. Harvard . It is a bit brazen to be shouldering aside precedents under the banner of “tradition.”

Breyer sums up textualism and originalism as attempts to make judicial reasoning a science and to make law a list of rules. In our system of government, the Constitution is the big trump card. But it doesn’t come with a user manual. The document is basically a list of clauses—the commerce clause (sixteen words), the equal-protection clause (fourteen words), and so on. And the Constitution gives the reason for a clause only twice: in the patent-and-copyright clause in Article I and in the right-to-bear-arms clause in the Second Amendment. (We could add the preamble, the “We the People” clause, which gives the rationale for having a written constitution in the first place, a novel idea in 1787.)

Some constitutional clauses, like the requirement that the President be native-born, are rules, but many, like the equal-protection clause (the only reference to equality in the entire document), are principles. They do not mark out bright lines separating the constitutionally permitted from the constitutionally forbidden.

Courts, however, are obliged to draw those lines. Judges cannot conclude that the law is a gray area. Textualists and originalists believe that their approach draws the line at the right place. Breyer thinks that the idea that there is a single right place, good for all time, is a delusion, and that his approach, which he calls “pragmatism,” is the one best suited to the design of the American legal system. Pragmatism makes the system “workable” (a word Breyer uses many times) because it does not box us into rigid doctrines and anachronistic meanings.

Pragmatist judges therefore look to the law’s purposes, consequences, and values. They ask, “Why did the lawmakers write this? What are the real-world consequences for the way the Court interprets it? And what are the values that subtend the system of government that courts are a part of?” These are questions that literal readings can’t answer.

An originalist like Scalia, for example, thinks that the “cruel and unusual punishment” clause in the Eighth Amendment makes unconstitutional only punishments that would have been considered cruel and unusual in 1791, the year the amendment was ratified. In 1791, people were sentenced to death for theft. If we said that seems cruel and unusual today, Scalia would say, “Fine. Pass a law against it. But the Constitution does not forbid it.” When he was asked what punishment the Framers would have considered cruel and unusual, Scalia said, “Thumbscrews.”

To this, a pragmatist judge would say, “Then what is the point of having a constitution?” The words “cruel and unusual” were chosen by the Framers (in this case, James Madison, who drafted the Bill of Rights) because their meanings are not fixed. And that goes to the purpose of the clause. The Constitution does not prohibit cruel and unusual punishment because cruelty is bad and we’re against it. It prohibits punishment that most people would find excessive in order to preserve the public’s faith in the criminal-justice system. If we started executing people for stealing a loaf of bread today, the system would lose its legitimacy. Surely an originalist would agree that the Framers were big on legitimacy.

The same is true of many other clauses—for example, the free-speech clause in the First Amendment. Free speech is protected not because it’s a God-given right. It’s protected because, in a democracy, if you do not allow the losers to have their say, you cannot expect them to submit to the will of the winners. Free speech legitimizes majoritarian rule.

Breyer’s book is organized as a series of analyses of some twenty Supreme Court cases, most of which Breyer took part in during his time on the Court. Some are major cases, like District of Columbia v. Heller, in which the originalists found a right to possess a gun for self-defense in the Second Amendment, which says nothing about self-defense. (“Some have made the argument, bordering on the frivolous, that only those arms in existence in the eighteenth century are protected by the Second Amendment,” Scalia wrote in the Court’s opinion. Hmm. What happened to the Thumbscrews Doctrine?)

Other cases are perhaps less than major, like Return Mail, Inc. v. United States Postal Service, which answered the question of whether the federal government is a “person” capable of petitioning the Patent Trial and Appeal Board under the Leahy-Smith America Invents Act. (It is not.) Breyer explains how originalists and textualists decided each case and how he, as a pragmatist, decided them. His book is accessible, rather repetitive, and neither theoretical nor technical. It is addressed to non-lawyers.

It also seems weirdly naïve. Or maybe purposefully naïve. In most of the cases Breyer discusses, where there was disagreement on the Court it resulted not from differences in interpretive methods but from differences in politics. In almost every case, the originalists and textualists came down on the conservative side, restricting the powers of the federal government and expanding the powers of the states, and the pragmatists and “living constitutionalists” (another term that’s now largely avoided) came down on the liberal side.

What is naïve is to believe that the conservative Justices—which means, on the current Court, the six Justices appointed by Republican Presidents, though they are not always on the same page—would decide cases differently if they switched to another method of interpretation. Judicial reasoning doesn’t work that way. Judges pretty much know where they want to come out, and then they figure out a juridically respectable way of getting there.

Why would Breyer want to ignore, or seriously understate, the part that political ideology plays in Supreme Court decisions? The answer lies in an earlier book, “ The Authority of the Court and the Peril of Politics ,” based on a lecture he delivered at Harvard in 2021. It’s all about legitimacy.

Legitimacy is why the Warren Court was on a mission in 1964. The Supreme Court’s reputation—you could say its mystique—is all that it has. It cannot tax or spend. Only Congress can do those things, and only the President can send in the Army. When Southern school districts ignored Brown and refused to integrate, the Court was in danger of being exposed as a paper tiger. It was crucial, therefore, that everyone believe that the Justices were not making law, only finding it. The Constitution made them do it. That was the Court’s claim to legitimacy.

Breyer thinks that the Court still operates this way. All Justices, he says in “The Authority of the Court,” “studiously try to avoid deciding a case on the basis of ideology rather than law.” The reason that “different political groups so strongly support some persons for appointment to the Court and so strongly oppose others” is that people “confuse perceived personal ideology (inferred from party affiliation or that of the nominating executive) and professed judicial philosophy.”

But Presidents and Senate majorities certainly think they are appointing Justices who share their political beliefs, even when they profess to be simply looking for the most qualified jurist. Sometimes Presidents are wrong. Earl Warren, appointed by Dwight D. Eisenhower, no enthusiast of race-mixing, is a famous example. But that is not because Warren was apolitical. Warren was a Republican politician. He had been elected governor of California three times and had run for Vice-President on the ticket with Thomas E. Dewey, in 1948. For Warren, the political constituency that mattered when he became Chief Justice was not the President or Congress. It was the public.

He could see that, in the postwar era, public opinion was likely to favor expanded liberties—the United States was presenting itself, after all, as the leader of the free world—and although his court may sometimes have got a few paces ahead of public opinion, it was largely in step with the times. It was a liberal era. We are not living in a liberal era anymore, and the Court reflects this.

Politics is the art of governance. The Supreme Court is a branch of government, and is therefore a political body. Its decisions affect public life. If by “political” we mean “partisan,” we are still talking about governance, because partisanship is loyalty to a political ideology, normally instantiated in a political party. Politics, therefore, cannot not be partisan. Partisanship is how politics works. Even when politicians say, “This is no time for politics,” they are saying it for partisan reasons. They are saying it because it is good for their side to say it.

What makes the Court different from other political actors is stare decisis, the tradition of respecting its earlier decisions, something Congress does not have to worry about. There is no rule against overturning a precedent, though. So why has the Court been traditionally reluctant to do so? Why does Thomas’s suggestion that it might be time to overrule Griswold and Obergefell seem so radical? It’s because the Court’s legitimacy is intimately tied to the perception that, in making its rulings, it looks only to what the Constitution says and what the Court has previously decided. When the Court overturns a case, it has to make it appear as though the decision was wrong as a matter of law.

This is why Breyer insists that it’s all a matter of legal forensics, of what interpretive lenses the Justices use. He wants to preserve the authority of the Court. He wants to prevent the Justices from being seen as the puppets of politicians.

His toughest moment on the Court, for this reason, must have been Parents Involved in Community Schools v. Seattle School District, decided in 2007. In that case, the Court struck down a Seattle policy of using race as a factor in assigning students to high schools with the aim of attaining rough racial balance.

It was the kind of policy that the Court had approved a number of times since Brown. Now, in an opinion by John Roberts, the Court declared that it had had enough. Roberts ended with a memorable line, no doubt saved up for the right occasion: “The way to stop discrimination on the basis of race is to stop discriminating on the basis of race.”

After Roberts announced the Court’s opinion, on the last day of the term, Breyer delivered a speech from the bench. “Bristling with barely concealed anger,” according to an account by the legal scholar Lani Guinier, he accused the Court’s Republican appointees of voting their policy preferences. “It is not often in the law that so few have so quickly changed so much,” he said.

In 2019, Breyer’s speech from the bench was published as a pamphlet by Brookings. The title he gave it was “Breaking the Promise of Brown.” ♦

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Donald Trump and Megan Mullally performing the Green Acres theme song at the Emmy Awards, Los Angeles, September 2005

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In the Warsaw Ghetto in October 1941 Mary Berg, then a teenager, wrote in her diary about the improbable persistence of laughter in that hellish place:

Every day at the Art Café on Leszno Street one can hear songs and satires on the police, the ambulance service, the rickshaws, and even the Gestapo, in a veiled fashion. The typhus epidemic itself is the subject of jokes. It is laughter through tears, but it is laughter. This is our only weapon in the ghetto—our people laugh at death and at the Nazi decrees. Humor is the only thing the Nazis cannot understand.

Berg here movingly expresses a common and comforting idea. Laughter is one of the few weapons that the weak have against the strong. Gallows humor is the one thing that cannot be taken away from those who are about to be hanged, the final death-defying assertion of human dignity and freedom. And the hangmen don’t get the jokes. Fascists don’t understand humor.

There is great consolation in these thoughts. Yet is it really true that fascists don’t get humor? Racist, misogynistic, antisemitic, xenophobic, antidisabled, and antiqueer jokes have always been used to dehumanize those who are being victimized. The ghetto humor that Berg recorded was a way of keeping self-pity at bay. But as Sigmund Freud pointed out, jokes can also be a way of shutting down pity itself by identifying those who are being laughed at as the ones not worthy of it: “A saving in pity is one of the most frequent sources of humorous pleasure.” Humor, as in Berg’s description, may be a way of telling us not to feel sorry for ourselves. But it is more often a way of telling us not to feel sorry for others. It creates an economy of compassion, limiting it to those who are laughing and excluding those who are being laughed at. It makes the polarization of humanity fun.

Around the time that Berg was writing her diary, Theodor Adorno and Max Horkheimer were pointing to the relationship between Nazi rallies and this kind of comedy. The rally, they suggested, was an arena in which a release that was otherwise forbidden was officially permitted:

The anti-Semites gather to celebrate the moment when authority lifts the ban; that moment alone makes them a collective, constituting the community of kindred spirits. Their ranting is organized laughter. The more dreadful the accusations and threats, the greater the fury, the more withering is the scorn. Rage, mockery, and poisoned imitation are fundamentally the same thing.

Donald Trump is not a Nazi, and his followers are (mostly) not fascists. But it is not hard to see how this description resonates with his campaign appearances. Trump is America’s biggest comedian. His badinage is hardly Wildean, but his put-downs, honed to the sharpness of stilettos, are many people’s idea of fun. For them, he makes anger, fear, and resentment entertaining.

For anyone who questions how much talent and charisma this requires, there is a simple answer: Ron DeSantis. Why did DeSantis’s attempt to appeal to Republican voters as a straitlaced version of Trump fall so flat? Because Trumpism without the cruel laughter is nothing. It needs its creator’s fusion of rage, mockery, and poisoned imitation, whether of a reporter with a disability or (in a dumb show that Trump has been playing out in his speeches in recent months) of Joe Biden apparently unable to find his way off a stage. It demands the withering scorn for Sleepy Joe and Crooked Hillary, Crazy Liz and Ron DeSanctimonious, Cryin’ Chuck and Phoney Fani. It requires the lifting of taboos to create a community of kindred spirits. It depends on Trump’s ability to be pitiless in his ridicule of the targets of his contempt while allowing his audience to feel deeply sorry for itself. (If tragedy, as Aristotle claimed, involves terror and pity, Trump’s tragicomedy deals in terror and self-pity.)

Hard as it is to understand, especially for those of us who are too terrified to be amused, Trump’s ranting is organized laughter. To understand his continuing hold over his fans, we have to ask: Why is he funny?

This is not the 1930s or the 1940s, and we should not expect this toxic laughter to be organized quite as it was then. Trump functions in a culture supersaturated with knowingness and irony. In twentieth-century European fascism, the relationship between words and actions was clear: the end point of mockery was annihilation. Now, the joke is “only a joke.” Populist politics exploits the doubleness of comedy—the way that “only a joke” can so easily become “no joke”—to create a relationship of active connivance between the leader and his followers in which everything is permissible because nothing is serious.

This shift has happened in Europe, too. Think of Boris Johnson’s clown act, his deliberately ruffled hair, rumpled clothes, and ludicrous language. Or think of Giorgia Meloni, the first Italian prime minister from the far right since Benito Mussolini, posting on election day in September 2022 a TikTok video of herself holding two large melons ( meloni in Italian) in front of her breasts: fascism as adolescent snigger. It is impossible to think of previous far-right leaders engaging in such public self-mockery. Only in our time is it possible for a politician to create a sense of cultlike authority by using the collusiveness of comedy, the idea that the leader and his followers are united by being in on the joke.

Trump may be a narcissist, but he has a long history of this kind of self-caricature. When he did the Top Ten List on the David Letterman show in 2009, he seemed entirely comfortable delivering with a knowing smirk the top ten “financial tips” written for him, including “When nobody’s watching I go into a 7/11 and stick my head under a soda nozzle”; “Save money by styling your own hair” (pointing to his own improbable coiffure); “Sell North Dakota to the Chinese”; “If all else fails, steal someone’s identity”; and “The fastest way to get rich: marry and divorce me.” This performance, moreover, was the occasion for Trump’s entry into the world of social media. His first ever tweet was: “Be sure to tune in and watch Donald Trump on Late Night with David Letterman as he presents the Top Ten List tonight!”

At the 2005 Emmy Awards, Trump dressed in blue overalls and a straw hat and, brandishing a pitchfork, sang the theme song from the 1960s TV comedy Green Acres . Trump is a terrible singer and a worse actor, but he seemed completely unembarrassed on stage. He understood the joke: that Oliver, the fictional character he was impersonating, is a wealthy Manhattanite who moves to rustic Hooterville to run a farm, following his dream of the simple life—an alternative self that was amusing because it was, for Trump, unimaginable. But he may have sensed that there was also a deep cultural resonance. The Apprentice was “reality TV ,” a form in which the actual and the fictional are completely fused.

Green Acres , scenes from which played on a screen behind Trump as he was singing, pioneered this kind of metatelevision. Its debut episode set it up as a supposed documentary presented by a well-known former newscaster. Its characters regularly broke the fourth wall. When Oliver launched into rhapsodic speeches about American rural values, a fife rendition of “Yankee Doodle” would play on the soundtrack, and the other characters would move around in puzzlement trying to figure out where the musician was. Eva Gabor, playing Oliver’s pampered wife, admits on the show that her only real talent is doing impressions of Zsa Zsa Gabor, the actor’s more famous real-life sister.

The critic Armond White wrote in 1985 that “ Green Acres ’ surreal rationale is to capture the moment American gothic turns American comic.” Trump playing Oliver in 2005 may be the moment American comedy turned gothic again. Whoever had the idea of connecting Trump back to Green Acres clearly understood that “Donald Trump” had by then also become a metatelevision character, a real-life failed businessman who impersonated an ultrasuccessful mogul on The Apprentice . And Trump went along with the conceit because he instinctively understood that self-parody was not a threat to his image—it was his image. This connection to Green Acres was reestablished by Trump himself as president of the United States. In December 2018, as he was about to sign the Farm Bill into law, Trump tweeted, “Farm Bill signing in 15 minutes! #Emmys #TBT,” with a clip of himself in the Green Acres spoof. Hooterville and the White House were as one.

What is new in the development of antidemocratic politics is that Trump brings all this comic doubleness—the confusion of the real and the performative, of character and caricature—to bear on the authoritarian persona of the caudillo, the duce, the strongman savior. The prototype dictators of the far right may have looked absurd to their critics (“Hitler,” wrote Adorno and Horkheimer, “can gesticulate like a clown, Mussolini risk false notes like a provincial tenor”), but within the community of their followers and the shadow community of their intended victims, their histrionics had to be taken entirely seriously. Trump, on the other hand, retains all his self-aware absurdity even while creating a political persona of immense consequence.

This comic-authoritarian politics has some advantages over the older dictatorial style. It allows a threat to democracy to appear as at worst a tasteless prank: in the 2016 presidential campaign even liberal outlets like The New York Times took Hillary Clinton’s e-mails far more seriously than Trump’s open stirring of hatred against Mexicans and Muslims. Funny-autocratic functions better in a society like that of the US, where the boundaries of acceptable insult are still shifting and mainstream hate-mongering still has to be light on its feet. It allows racial insults and brazen lies to be issued, as it were, in inverted commas. If you don’t see those invisible quotation marks, you are not smart enough—or you are too deeply infected by the woke mind virus—to be in on the joke. You are not part of the laughing community. The importance of not being earnest is that it defines the boundaries of the tribe. The earnest are the enemy.

The extreme right in America was very quick to understand the potency of “only a joke” in the Internet age. In a 2001 study of three hate speech websites sympathetic to the Ku Klux Klan, Michael Billig noted that each of them described itself on its home page as a humorous exercise. The largest, called “N…..jokes KKK ” (the ellipsis is mine) carried the disclaimers: “You agree by entering this site, that this type of joke is legal where you live, and you agree that you recognize this site is meant as a joke not to be taken seriously”; “And you agree that this site is a comedy site, not a real racist site”; “We ARE NOT real life racists.”

What does “real life” even mean when Klansmen are not really racist? The power of this “humorous” mode of discourse lies at least partly in the way it blurs the distinctions between the real and the symbolic, and between words and actions. Consider the example of some of the men tried for their alleged parts in a 2020 plot to kidnap Gretchen Whitmer, the Democratic governor of Michigan. One of them, Barry Croft, insisted at his trial in 2022 that he was joking most of the time when he posted on Facebook questions like “Which governor is going to end up being dragged off and hung for treason first?” Another, Brandon Caserta, was acquitted in 2022 in part because he successfully pleaded that violent statements he made on Facebook and in secretly recorded meetings of the group were not serious. These included claims that the Second Amendment sanctions the killing of “agents of the government when they become tyrannical.” “I may kill dozens of agents but eventually die in the process,” Caserta wrote on Facebook in May 2020. He later posted that he would beat government agents so hard they would “beg til they couldn’t beg any more because their mouth is so full of blood.”

At Croft’s trial, his defense attorney put it to an FBI witness that a meme Croft posted showing thirty bullets as “30 votes that count” was “A little tongue-in-cheek? A little bit funny?” On the second season of Jon Ronson’s superb podcast series for the BBC , Things Fell Apart , Caserta acknowledges that, on the secret recordings, he is heard to urge his fellow militia members that any lawyers advocating for the Covid vaccine be decapitated in their own homes, speaks of “wanting Zionist banker blood,” and advocates blowing up buildings where the vaccine is manufactured. He nonetheless insists to Ronson:

This isn’t something I’m dead serious about. This is nothing I ever planned. It’s funny, dude! It’s funny! It’s fun to blow stuff up. It’s fun to shoot guns. It’s fun to say ridiculous offensive shit. And if it offends you, so what? I don’t care about your feelings and how you feel about words. Sorry!

The twist of logic here is striking: Caserta equates blowing stuff up and shooting people with saying ridiculous offensive shit. Violent words and violent actions are all covered by the same disclaimer—one that Trump’s apologists use to blur the relationship between his words and his followers’ actions in the assault on the Capitol on January 6, 2021. In the Trumpian twilight zone where democracy is dying but not yet dead, the connection between words (“fight like hell”) and deeds (the armed invasion of the Capitol) must be both strong and weak, sufficiently “no joke” to be understood by the faithful yet sufficiently “only a joke” to be deniable to the infidels. The comic mode is what creates the plausible deniability that in turn allows what used to be mainstream Republicans (and some Democrats) to remain in denial about what Trumpism really means.

For those who love Trump, there is something carnivalesque in all of this. In his discussion of “mediaeval laughter” in Rabelais and His World , Mikhail Bakhtin wrote that “one might say that it builds its own world versus the official world, its own church versus the official church, its own state versus the official state.” Bakhtin suggested that the

festive liberation of laughter…was a temporary suspension of the entire official system with all its prohibitions and hierarchic barriers. For a short time life came out of its usual, legalized and consecrated furrows and entered the sphere of utopian freedom.

Trump and many of his followers have made this quite literal. They create their own America, their own republic, their own notions of legality, their own church of the leader’s cult, their own state versus what they see as the official state. In this way, extreme polarization becomes a sphere of utopian freedom.

This is the capacious zone in which Trump’s comedy operates, an arena that admits everyone who gets the joke, from those who fantasize about killing tyrants, decapitating lawyers, and torturing government agents to those who just like to blow off steam by listening to their hero saying stuff that riles the woke enemy. It is crucial that in Trump’s delivery there is no shift from mockery to seriousness, no line between entertainment and violence. His singsong tone is generous and flexible, serving equally well for vaudeville and vituperation. In his streams of consciousness, they flow together as complementary currents.

In the recent speeches in which he has upped the ante on openly fascist rhetoric by characterizing his opponents as “vermin” and accusing immigrants of “poisoning the blood of our country,” it is notable that his cadence is soft, almost lilting. There is no warning to his audience that these comments are of a different order. They are not even applause lines. By underplaying them, Trump leaves open the fundamental question: Is his mimicking of Hitler’s imagery just another impersonation, all of a piece with the way he does Biden and Haley in funny voices or even with the way he sings the theme song from Green Acres ?

Even when Trump actually goes the whole way and acknowledges that his rhetoric is indeed Hitlerian, as he did in a speech in Iowa after the alarmed reaction of liberals to his previous “poisoning the blood” speech, it is in a passage that jumbles together murderous intent, complaint about the media, and comic acting: “They are destroying the blood of our country. That’s what they’re doing…. They don’t like it when I said that. And I never read Mein Kampf .” But he makes the “Kampf” funny, puckering his lips and elongating the “pf” so it sounds like a rude noise. He continues: “They said ‘Oh, Hitler said that.’” Then he adds his defense: “in a much different way.” It is the stand-up comedian’s credo: it’s not the jokes, it’s the way you tell ’em. And this is, indeed, true—the difference is in the way he tells it, in a voice whose ambiguous pitch has been perfected over many years of performance.

The knowingness is all. In the speech in Conway, South Carolina, on February 10, in which he openly encouraged Russia to attack “delinquent” members of NATO , this startling statement, with potential world-historical consequences, was preceded by Trump’s metatheatrical riff on the idea of “fun.” What was fun, he told his followers, was the reaction he could provoke just by saying “Barack Hussein Obama”:

Every time I say it, anytime I want to have a little fun…even though the country is going to hell, we have to have a little bit of fun…. Remember Rush Limbaugh, he’d go “Barack Hooosaynn Obama”—I wonder what he was getting at.

He then segued into another commentary on his own well-honed send-up of Joe Biden: “I do the imitation where Biden can’t find his way off the stage…. So I do the imitation—is this fun?—I say this guy can’t put two sentences together…and then I go ‘Watch!’” (He said the word with a comic pout.) “I’ll imitate him. I go like this: ‘Haw!’” Trump hunches his shoulders and extends his arm, in a parody of Biden’s gestures. In this burlesque, Trump is not just mimicking his opponent; he is explicitly reenacting his own previous mocking impersonation, complete with commentary. He is simultaneously speaking, acting, and speaking about his acting.

It is within this “fun” frame that Trump proceeded to insinuate that there is something awry with Nikki Haley’s marriage: “Where’s her husband? Oh he’s away…. What happened to her husband? What happened to her husband! Where is he? He’s gone. He knew, he knew.” He and presumably many members of the audience were aware that Michael Haley is currently serving in Djibouti with the South Carolina National Guard. But as part of the show, with the funny voices and the exaggerated gestures, that lurid hint at some mysteriously unmentionable scandal (“He knew, he knew”) is somehow amusing. And then so is Trump’s story about telling an unnamed head of a “big” NATO country that the US would not defend it from invasion and—the punch line—that he would “encourage” Russia “to do whatever the hell they want.” Here Trump is acting in both senses, both ostentatiously performing and exerting a real influence on global politics—but which is which? How can we tell the dancer from the dance?

This shuffling in a typical Trump speech of different levels of seriousness—personal grudges beside grave geopolitics, savage venom mixed with knockabout farce, possible truths rubbing up against outrageous lies—creates a force field of incongruities. Between the looming solidity of Trump’s body and the airy, distracted quality of his words, in which weightless notions fly off before they are fully expressed, he seems at once immovable and in manic flux.

Incongruity has long been seen as one of the conditions of comedy. Francis Hutcheson in Reflections Upon Laughter (1725) noted that it is “this contrast or opposition of ideas of dignity and meanness which is the occasion of laughter.” The supposedly dignified idea of “greatness” is vital to Trump’s presence and rhetoric. But it is inextricably intertwined with the mean, the inconsequential, even the infantile. He is at one moment the grandiose man of destiny and the next a naughty child—an incongruity that can be contained only within an organized laughter in which the juxtaposition of incompatibilities is the essence of fun. This is why Trump’s lapses into pure gibberish—like telling a National Rifle Association gathering in Harrisburg, Pennsylvania, on February 9 that the Democrats are planning to “change the name of Pennsylvania” and that, in relation to the marble columns in the hall, it was “incredible how they could [have been built] years ago without the powerful tractors that you have today”—do not make his fans alarmed about his mental acuity. Cognitive dysfunction is not a worry with a man whose métier is cognitive dissonance.

Part of the dissonance is that Trump’s stand-up routine is completely dependent on the idea that he and his audience most despise: political correctness. Like much of the worst of contemporary comedy, Trump both amuses and thrills his audience by telling them that he is saying what he is not allowed to say. “Beautiful women,” he said at the rally in South Carolina after pointing to a group of female superfans in the audience. “You’re not allowed to say that anymore, but I’ll say it…. That usually is the end of a career, but I’ll say it.” There are so many layers to a moment like this: the idea that the woke mob is stopping manly men from complimenting attractive women, a sideways nod toward the “pussygate” tapes that should have ended Trump’s political career but didn’t, a dig at the Me Too movement, a reiteration of Trump’s right to categorize women as “my type” or “not my type,” the power of the leader to lift prohibitions—not just for himself but, in this carnivalesque arena of utopian freedom, for everyone in the audience.

Flirting with the unsayable has long been part of his shtick. If we go all the way back to May 1992 to watch Trump on Letterman’s show, there is a moment when Trump silently mouths the word “shit.” He does this in a way that must have been practiced rather than spontaneous—it takes some skill to form an unspoken word so clearly for a TV audience that everyone immediately understands it. Letterman plays his straight man: “You ain’t that rich, Don, you can’t come on here and say that.” But of course Trump did not “say” it. A sympathetic audience loves a moment like this because it is invited to do the transgressive part in its head. It gets the pleasure of filling in the blank.

Trump’s audiences, in other words, are not passive. This comedy is a joint enterprise of performer and listener. It gives those listeners the opportunity for consent and collusion. Consider a televised speech Trump gave at the Al Smith Dinner, hosted by the Catholic archbishop of New York, Cardinal Timothy Dolan, in October 2016, near the end of the presidential campaign. The dinner, held to raise money for Catholic charities, is traditionally the last occasion on which the two main presidential candidates share a stage—Hillary Clinton was also present. Trump deadpanned that he knew he would have a receptive audience because “so many of you in the archdiocese already have a place in your heart for a guy who started out as a carpenter working for his father. I was a carpenter working for my father. True.”

What is the joke here? That Trump is like Jesus Christ. Imagine if Clinton had attempted an equivalent gag. There would have been outrage and uproar: Clinton has insulted all Christians by making a blasphemous comparison between herself and the divine Savior. But the cameras cut to Dolan, a sycophantic supporter of Trump, and showed him laughing heartily. And if the cardinal found it funny, it was funny. It was thus an in-joke. If Clinton had made it, it would be the ultimate out-joke, proof of the Democrats’ contempt for people of faith.

But what is allowed as funny will sooner or later be proposed seriously. Many of those attending Trump rallies now wear T-shirts that proclaim “Jesus Is My Savior. Trump Is My President.” Some of them illustrate the slogan with a picture of an ethereal Christ laying both his hands on Trump’s shoulders. What begins as a risqué quip ends up as a religious icon. There is no line here between sacrilege and devotion, transgressive humor and religious veneration.

Just as Trump’s jokes can become literal, his ugly realities can be bathed in the soothing balm of laughter. Long before he ran for president, he was indulged on the late-night talk shows as the hilarious huckster. In 1986 Letterman tried repeatedly to get Trump to tell him how much money he had, and when he continually evaded the question, Letterman broke the tension with the laugh-line, “You act like you’re running for something.” In December 2005 Conan O’Brien asked him, “You also have an online school? Is that correct?” Trump replied, “Trump University—if you want to learn how to get rich.” The audience howled with laughter, presumably not because they thought he was kidding but because the very words “Trump University” are innately absurd. When he did that Top Ten List on Letterman in 2009, Trump’s comic financial advice included “For tip number four, simply send me $29.95.”

But these jokes came true. Trump wouldn’t say how much he was worth because his net worth was partly fictional. Trump did run for something. Trump University was an innately funny idea that people took seriously enough to enable Trump to rip them off. And Trump does want you to send him $29.95—the first thing you get on Trump’s official website is an insistent demand: “Donate Today.” This is the thing about Trump’s form of organized laughter, in which the idea of humor obscures the distinction between outlandish words and real-life actions. Sooner or later, the first becomes the second. The in-joke becomes the killer line.

March 21, 2024

Who Should Regulate Online Speech?

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Fintan O’Toole is the Advising Editor at The New York Review and a columnist for The Irish Times. His most recent book, We Don’t Know Ourselves: A Personal History of Modern Ireland , was published in the US last year. (March 2024)

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Imprinted by Belief

Does It Seem Like the End Times Are Here? These Novels Know Better.

What can fiction tell us about the apocalypse? Ayana Mathis finds unexpected hope in novels of crisis by Ling Ma, Jenny Offill and Jesmyn Ward.

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By Ayana Mathis

Ayana Mathis’s most recent novel, “The Unsettled,” was published in September.

• April 11, 2024

On the day my mother died, I sat by her bedside and read the Psalms. The room was quiet — the need for machines had passed — save for the sound of my voice and my mother’s labored breathing. Outside her room, the hospital went about its business: Lunch trays were delivered, nurses conferred, a television played too loudly down the corridor. Out there, time passed in its usual, unremarkable way. In her room, my mother and I had stepped off time’s familiar track.

Everything inessential vanished in her final hours. I read the Psalms because they comforted her. I told her I loved her. She squeezed my hand, which, in that afternoon when she was no longer able to speak, was as profound an expression of love as any words had ever been. When she died hours later, I knew that on the other side of her hospital room door there awaited, at least for me, an altered world.

The subject of this essay is apocalypse, and so I have begun with an ending. If you have lost a deeply beloved, then you have experienced the obliterating finality of death, that catastrophe in the small universe of an individual life. The loss also brings a realization: The “worst thing” that could happen is no longer a future projection; it has exploded into the present.

Apocalypse is generally understood as a future event: widespread suffering, extinctions, various iterations of end-time destruction gunning for us from some tomorrow. Out there, in the vast, unknowable not-yet, apocalypse roars. It paralyzes us with fear, deadens us into numbness or provokes us to hysteria. We are powerless in its face.

But what if we could change our relationship with the end by shifting our perspective on it? The first step might be dwelling more profoundly in the here and now where our crises amass, rather than focusing on the boogeyman future. We already know something about how to do this: We are creatures of loss; we have confronted, or will confront, the “worst things” in the real time of our lives. There is a precedent, then, for how, in this moment, we might collectively approach the apocalyptic worst things. While our beloved still lives, there is possibility: We can give her our attention; we can hold her hand.

I won’t downplay the current horrors — tens of thousands dead in Gaza, conflict in Ukraine, the high-stakes presidential election on the horizon — or imply that all will turn out right. The novels in this essay don’t do that either. Instead, they suggest new ways of seeing: a shift to deeper present-time awareness, even wonder, as the times grow ever more dire. The theologian Catherine Keller calls this “apocalyptic mindfulness.” “A cloud of roiling possibility seems to reveal itself,” she writes in “Facing Apocalypse” (2021). “It guarantees no happy ending. It may, however, enhance the uncertain chance of better outcomes.”

Many of our end-time notions are inflected by the biblical Book of Revelation. Its phantasmagoric visions and lurid scenes of destruction have thoroughly infiltrated Western talk of the end: the Four Horsemen, the beast we call the Antichrist (though Revelation doesn’t use the term), fires, plagues and raging pestilence. It may come as a surprise, then, that apokalypsis, the Greek word for “revelation,” means not “ending” but “unveiling.” As Keller writes, “It means not closure but dis-closure — that is, opening. A chance to open our eyes?” But, to what?

In Ling Ma’s novel “ Severance ” (2018), newly pregnant Candace Chen wanders a near-deserted New York City in the midst of a pandemic caused by a disease called Shen Fever. The majority of the city’s residents have fled or become “fevered,” a zombielike state that leaves victims stuck on repeat: a family endlessly setting the table and saying grace; a saleswoman, her jaw half eaten by decay, folding and refolding polo shirts at an abandoned Juicy Couture store on Fifth Avenue. The fevered are the least threatening zombies imaginable: so busy with their mindless performance of mundane tasks that they don’t notice the living. Ma has a knack for nuanced satire.

Candace sticks around because she’s got nowhere else to go; she’s the orphaned child of Chinese immigrants who died years before. Inexplicably, and perhaps somewhat to her dismay, she remains virus-free. As the pandemic shuts down the city, she doggedly persists with her job in the Bibles department at Spectra, a book production company: “I clicked Send, knowing it was fruitless,” she says. When public transportation stops entirely, she moves into her office on the 32nd floor, overlooking an empty Times Square.

It doesn’t take long to understand that a vast grief underlies Candace’s workaholic paralysis. So intense is her mourning for her parents that for a while the pandemic hardly registers. She needs to hold on to something, even pointless work at Spectra. The office setting is no coincidence: In some sense, Candace, too, is fevered, and her job’s rote repetition is a kind of anesthetic.

The dull but familiar grind of late-capitalist working life acts as a numbing agent, or perhaps a blindfold. When work dries up because the rest of the world is no longer at its desk, Candace rambles around the city utterly alone, taking pictures of derelict buildings that she posts on a blog she calls “NY Ghost.” One afternoon she enters a flooded subway station. “You couldn’t even see the water beneath all the garbage,” Ma writes. “The deeper you tunneled down, the bigger the sound, echoed and magnified by the enclosed space, until this primordial slurp was all that existed.” Grieving Candace is adrift, her internal landscape aligned with the desolation of the external world.

Published two years before the Covid pandemic, “Severance” offers an eerily prescient description of a nation shocked and exhausted. For so many, 2020 was a kind of apocalyptic unveiling. The pandemic revealed the fault lines in our health care and our schools, as well as the fact that so many of us were living in perpetual economic precarity. Then there were the deaths, which as a country we have hardly begun to mourn. Painfully and all at once, we understood the fragility of the systems we relied on, and the instability of our own lives.

Yet alongside the devastation there was transient beauty: In many places, air and water quality improved during lockdown and wildlife resurged. Health-care and essential workers were acknowledged and more respected; we realized the extent of our dependence on one another. If only for a little while, we were thrown into Keller’s “apocalyptic mindfulness.” But the eye snapped shut. We “recovered,” and, like Candace, we find ourselves once again in a collective disquiet, punctuated by bouts of terror as we contemplate the future.

On the final afternoon of her wandering, Candace ventures into the same Juicy Couture store she’d photographed weeks before. Ominously, the fevered saleswoman has been bludgeoned to death. Candace’s unborn child seems frightened too: “The baby moved inside of me, fluttering frantically.” Candace leaves Manhattan through the Lincoln Tunnel in a yellow taxi she’s commandeered from a fevered driver. She joins a band of survivors led by a creepy zealot named Bob, a former I.T. guy who wears a brace for carpal tunnel syndrome, that most banal of white-collar work maladies. They journey to the Chicago suburbs to homestead in a deserted mall. (I told you Ma has a knack for satire.)

In this semi-cult, Candace’s grief intensifies. She begins to have visions of her mother, who warns her that she and her unborn baby aren’t safe with Bob. Candace’s mother is right. Bob has a penchant for shooting the fevered in the head if he encounters them when he and the others go “stalking” for food and supplies. We squirm at these killings, even if the victims are not quite alive, at least not in the usual sense. Bob’s violent demagoguery opens Candace’s eyes to her metaphorically fevered state, and as we look into the mirror the novel holds up to us, we begin to wonder about our relationship to our own beleaguered world.

At last, Candace’s fever breaks and, fully alive, she escapes Bob and the others in a Nissan stolen from the group’s mini-fleet. She drives into once grand Chicago, swerving to avoid abandoned cars clogging Milwaukee Avenue. Finally, she runs out of gas. “Up ahead there’s a massive littered river, planked by an elaborate, wrought-iron red bridge,” she recounts. “Beyond the bridge is more skyline, more city. I get out and start walking.”

The “end” for Candace and her baby is not, in fact, an ending, but rather, an awakening that follows revelation.

If “Severance” chronicles its protagonist’s end-time stirrings from the stupor of grief, Jenny Offill’s novel “ Weather ” (2020) is its manic cousin, a diaristic account of climate anxiety. Narrated in the first person, aggressively present tense and composed of short chapters that leap from association to observation, the book is like a panicked brain in overdrive.

“Weather”’s protagonist, Lizzie, works as a university librarian in New York City. Her former professor, Sylvia, a climate change expert, finagled the gig for her though Lizzie isn’t really qualified. “Years ago, I was her grad student,” Lizzie explains, “but then I gave up on it. She used to check in on me sometimes to see if I was still squandering my promise. The answer was always yes.”

Lizzie is all wry self-deprecation. As the book progresses, we understand that she is less an underachiever than an empath, so often overwhelmed that her focus scrambles. Or perhaps it’s that she is deeply attentive to things we try to ignore. Her experience of the world is the opposite of Candace’s near-impenetrable grief. Lizzie is porous. Too much gets in: grave news about the environment, the plights of relative strangers — like kindly Mr. Jimmy, a car-service owner being run out of business by Uber. Lizzie “helps” by taking Mr. Jimmy’s car to various appointments, though she can’t afford it and the traffic makes her late.

The novel doesn’t so much unfold as tumble out over the course of a turbulent year that encompasses Donald Trump’s election in 2016. After Trump’s win, tensions rise in Lizzie’s Brooklyn neighborhood. Even Mr. Jimmy is spewing casual vitriol about Middle Eastern people and car bombs. Lizzie’s husband, Ben, retreats to the couch, to read a “giant history of war.” And I haven’t even mentioned Henry, Lizzie’s depressive, recovering-addict brother, who meets a woman, marries and has a baby, all at whiplash speed. When the marriage implodes, Henry winds up on Lizzie and Ben’s couch, using again and barely able to parent his daughter.

For Lizzie, as for most of us, personal and collective catastrophes run parallel. Her vision of the future grows ever darker. She talks to Sylvia about buying land somewhere cooler, where Eli, her young son, and Iris, her newborn niece, might fare better in 30 years or so. “Do you really think you can protect them? In 2047?” Sylvia asks.

“I look at her,” Lizzie thinks. “Because until this moment, I did, I did somehow think this.” The realization of her helplessness is unbearable, but Lizzie knows she must bear it: This bleak state of affairs is her son’s inheritance.

Lizzie is gripped by grief and despair — she spends far too much time on doomsday prepper websites — both complicated responses to a planet in the midst of radical, damaging change. “In a world of mortal beings,” Keller writes in “Facing Apocalypse,” “it would seem that without some work of mourning, responsibility for that world cannot develop.” Lizzie’s sense of loss and futility is wrenching, but her response attaches her that much more deeply to this world. Her anxiety is acute because the time in which to act is limited and shot through with urgency.

Lizzie experiences her moment as unprecedented; her end-time sensibility suggests an analogy, albeit to a starkly different context. The Apostle Paul also understood himself to be living through an extraordinary rupture in time. Paul's zeal to spread the Gospel through the ancient world was fueled by his conviction that ordinary time, and life, had been profoundly derailed by Christ’s crucifixion, and was soon to end with his imminent Second Coming. Paul believed he was living in an in-between time that the Italian philosopher Giorgio Agamben has aptly called “ the time that remains ,” a phrase borrowed from Paul’s letter to the fledgling church at Corinth. “The time is short,” Paul wrote. “From now on those who have wives should live as if they do not; those who mourn, as if they did not; those who are happy, as if they were not.”

The old world and its rules had not yet passed away but the prospect of Christ’s return cast an altering light on the present, highlighting the impermanence of all things. Everything was revealed to be in flux and therefore subject to reversals and change.

In “Weather,” Lizzie’s frazzled report from the event horizon of impending disaster, the time that remains means that moments are more precious, less bound by previous rules of engagement and more open to radically new ones. Near the end of the novel, Henry reclaims his sobriety, and Lizzie finds renewed, if melancholic, love for this imperiled world. She wants to find a new way to engage, even as she is uncertain what that might be. “There’s the idea in the different traditions. Of the veil,” Lizzie says. “What if we were to tear through it?” The image recalls Keller’s apokalypsis — a revelatory “ dis-closure .”

Jesmyn Ward’s “ Salvage the Bones ” (2011) takes a very different approach to apocalypse. The novel is set over 12 days, before and just after Hurricane Katrina strikes the Gulf Coast. The 15-year-old narrator, Esch, her father and three brothers live in the Mississippi Delta, outside a coastal town Ward calls Bois Sauvage. Unlike other characters we have encountered, Ward’s need no awakening; and time is far too short for existential anxiety or long-term planning.

The novel opens as China, a pit bull belonging to Esch’s brother Skeetah, is giving birth. Moody, commanding China is the love of Skeetah’s young life and as vivid as any human character in the book. “What China is doing is fighting, like she was born to do,” Ward writes. “Fight our shoes, fight other dogs, fight these puppies that are reaching for the outside, blind and wet.” Skeetah hopes to sell China’s puppies for big money. Enough to send his older brother, Randall, to basketball camp, where, the family hopes, he’ll be noticed by college scouts. Enough, perhaps, to help Esch take care of her baby. Esch is pregnant, though not far enough along to show, and she is in love with the baby’s father, her brother Randall’s friend Manny, who keeps her a secret and won’t kiss her on the mouth.

The novel is full of mothers: mothers to be, absent mothers (Esch’s mother died in childbirth years before), animal mothers, even mythical mothers (Esch is fixated on the avenging Medea, whom she’s read about in school). And, of course, Mother Nature is flying across the gulf, heading straight for Bois Sauvage. Mothers in this novel are makers and destroyers. In some cases, they are also unprepared to occupy the role; they are in jeopardy or else the circumstances of their motherhood run afoul of certain proprieties.

Esch’s pregnancy isn’t easy. It may also be hard for readers to accept: Esch is in dire financial straits and young enough to scandalize some of us. Does the prospect of her motherhood elicit the same empathy as Lizzie’s or Candace’s? Whose children do we think of as the hope for the future when the end is nigh? Which mothers are most valued in the collective perception? Not, generally speaking, an impoverished Black girl barely into her teens.

Ward’s concerns are with those who will bear the brunt of the coming storms, both natural and metaphoric, on the page and in the world. Esch and her family face Katrina with nothing besides a few canned goods they’ve scared up, and some plywood nailed over the doors and windows. Esch herself is the sort of vulnerable person Scripture might refer to as “the least of these.” Each time I read the novel, my mind leaps to the biblical Mary, mother of Jesus, a poor, brown, teenage girl who gave birth in a barn because no safer provision was made for her. In that story, the life least protected turns out to be the most essential.

So it is in “Salvage the Bones”: Esch and her unborn child, along with fighting China and her puppies, are the beating heart of this universe. Here, Esch considers which animals flee before a coming storm: “Maybe the bigger animals do,” she reflects. “Maybe the small don’t run. Maybe the small pause on their branches, the pine-lined earth, nose up, catch that coming storm air that would smell like salt to them, like salt and clean burning fire, and they prepare like us.”

With “the small,” or those treated as such, as focal points, Ward’s novel is also an indictment. It’s true that Katrina was a natural disaster, but its effects were preventable, or might have been mitigated. Most of us remember the levees breaking. The disaster’s aftermath — thousands, mostly poor, stranded without food or water; critically ill patients dying in storm-ravaged hospitals ; desperate, unarmed civilians shot by police officers — was entirely the fault of humans.

We might extend Ward’s insight to end-time crises in general, in which other Esches are similarly left with the greater share of suffering. We may not be able to reverse the crises themselves, but we can intervene in the devastation they cause, and to whom.

We have been down a harrowing road; there isn’t much comfort here. But perhaps at this critical juncture in our human story, it is not comfort that will aid us most. Perhaps what will aid us most is to enter more fully into dis comfort. To awaken to our grief, like Candace. To try to tear through the veil, like Lizzie. In this way we might begin to believe that the future is not foreclosed upon, whatever it might look like.

I leave us with Esch’s declaration of hope at the end of Ward’s novel. Esch’s family has survived, but Skeetah is searching for China, who disappeared in the storm: “He will look into the future and see her emerge into the circle of his fire, beaten dirty by the hurricane so she doesn’t gleam anymore … dull but alive, alive, alive.”

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