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What is a Synoptic Essay and How Do I Write One?

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Writing the synoptic essay

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Part of the A-Level History course now involves a synoptic element. This involves examining change and reasons for change over a fixed period of time. This is usually around 100 years. If you are writing a synoptic essay, a slightly different approach is needed.  You will need to give an overview of your understanding of the major themes studied in the unit/subject (and within the context), often indicating how your understanding of the themes has developed over time. This can be quite difficult to get right. 

How do exam boards describe the synoptic element?

Synopticity is:

'Approaching history in the way a professional historian would' by drawing together knowledge, ideas and arguments to show overall historical understanding . (QCA's definition)

Essentially, we are looking for breadth of understanding (an ability to see beyond the obvious and to see the deeper implications of questions), together with a relevant linking of ideas and arguments across the topic / period of the question.

It mixes breadth of understanding (an ability to see the key underlying themes of the period the 'drivers' bringing change; the degree of continuity; the relationship between state and people), with depth of example and understanding of the importance of precise supporting detail.

At A2, essays are likely to have more than one focus; more than one issue to discuss and more than one viewpoint to analyse. The question itself invites a 'synoptic response' so a good conventional essay answer will do all these things.

A synoptic essay will usually ask you to examine "how far" or "how valid/convincing". In order to approach a synoptic well, it is good practice to organise your themes FIRST. This will make the essay easier to write.

Examples of synoptic style questions

  • How far was the personality cult of Adolf Hitler responsible for the success of the Nazi party?
  • 'Between 1547 and 1559 England was almost torn apart by religious revolution.' Assess the validity of this view.

Both of these questions are synoptic. They are asking you to examine the events/people in the context of other long and short term themes. 

Example:  "How far was the personality of Adolf Hitler responsible for the success of the Nazi party?"

In this question, you are expected not only to be able to assess how important Hitler was to the Nazis, but you are also expected to set the Nazis in the wider historical context of the time and examine other long/short term factors that may have aided their success.

In the long-term, the following factors could be said to have aided Nazi success:

The legacy of the Bismarckian system - the nature of authority and rule, as well as the legacy of policies such as Kulturkampf.

The outdated autocratic regime in Germany under the Kaisers (Kaiserreich)

Difficult relations with Britain, France and Russia. The whole power struggle of the time - especially the growing confidence of Russia against Austria-Hungary and the difficult family ties between ruling families.

World War I and Germany's loss.

The Treaty of Versailles and the 'stab in the back' myth.

The weakness in the set-up of the Weimar Republic 

In the Shorter-term...

The personality of Adolf Hitler and his election to the leadership of the NSDAP.

Failings made by the politicians of the Weimar Republic

The Instability of the Weimar Republic

The Nazi part machine - i.e. organisation

Nazi party tactics - i.e. putsches, propaganda, rallies, use of SA etc...

The Wall Street Crash and depression, growth in anti-semitism.

The mistakes of Hindenburg, Von Papen and Von Schleicher.

This is not an exhaustive list of reasons for the success of the Nazi Party; however, it should highlight to you that the personality of Hitler as suggested by the question was just one of many short and longer term factors that helped the Nazis to become successful.

In a synoptic essay you would need to weigh this up in the light of the other factors at play, whilst at the same time displaying your understanding of the entire period and actually how much change took place. Some would argue for example that some of Hitler's policies were more extreme versions of Bismarckian policies, for example, Bismarck's' Kulturkampf deliberately persecuted Catholics in Germany; Hitler, in a far more extreme way, persecuted Jews.

Some may also argue that because Bismarck and the Kaiser had ruled in an absolute way, that this was the kind of rule that Germans were used to; perhaps they weren't ready for the democracy that was offered by the Republic, so when Hitler came along offering a return to the traditional absolute style of rule, it seemed familiar to Germans.

Of course, the validity of these views is very open to question, but that is the point of the synoptic essay. You are required to think more deeply about the question and read between the lines. The REAL question at play in this example is: "Why were the Nazis successful?"

A good way to organise your themes might be as follows:

Introduction that includes very brief setting of the scene and states your line of argument.

Discuss the theme that is asked for by the question (in this case the personality of Hitler) - how important was this?

Discuss the other short-term themes that were also important to the period/event and evaluate significance. Then compare the significance of these other factors in comparison to the initial factor.

Finally, here comes the synoptic analysis, you then need to examine the longer term themes at play and examine their role - how important were they in comparison to the shorter term factors. Were there many shifts or changes? How much continuity was there? How did any changes or continuity affect the situation?

Conclusion - how important was the factor as stated by the question? Set it in light of the wider context of the time and re-assert your point of view.

*N.B. Where appropriate once again you need to include the historiography and views of historians throughout.

  • Guide to essay-writing
  • A-level 'how to' guides

What Is a Synopsis and How Do You Write One?

What to Put In and What to Leave Out

  • An Introduction to Punctuation
  • Ph.D., Rhetoric and English, University of Georgia
  • M.A., Modern English and American Literature, University of Leicester
  • B.A., English, State University of New York

In the 19th century, a synopsis was a classroom exercise used for teaching traditional grammar but today, the accepted definition of a synopsis is a general overview of an article, essay, story, book, or other written work. In the field of publishing, a synopsis may serve as a proposal for an article or book. In feature writing and other forms of nonfiction, a synopsis may also refer to a concise summary of a polemic argument or event. You might also find a synopsis included in a review or report.

Fast Facts: Synopsis

Pronunciation: si-NOP-sis

Etymology From the Greek, "general view"

Plural : synopses

Adjective : synoptic

Synopsis vs. Outline

Some people use the terms outline and synopsis synonymously and they really are very similar. When it comes to fiction, however, the distinction is more clearcut. While each may contain similar information, a synopsis is an overview that summarizes the main plot points of the work, whereas an outline functions as a structural tool that breaks the plot down into its component parts.

If you think of it in terms of a novel, the synopsis would be similar to the book jacket copy that tells you who the characters are and what happens to them. It usually also gives readers a feeling for the tone, genre, and theme of the work. An outline would be more akin to a page of chapter listings (provided the author has titled the chapters rather than just numbering them) which functions as a map that leads the reader from the beginning of a literary journey to its final destination or denouement.

In addition to crucial information, a synopsis often includes a thematic statement. Again, thinking in terms of fiction, it would identify the genre and even subgenre, for example, a romance Western, a murder mystery, or a dystopic fantasy and would also reveal something of the tone of the work—whether dark or humorous, erotic or terrifying.

What to Include and What to Leave Out

Since a synopsis is a condensation of the original material, a writer must be sure to include the most important details so that the reader will be able to fully comprehend what the work is about. Sometimes, it's hard to know what to put in and what to leave out. Writing a summary requires critical thinking . You're going to have to analyze the original material and decide what the most important information is.

A synopsis isn't about style or details, it's about supplying enough information for your audience to easily understand and categorize the work. A few brief examples might be permissible, but numerous examples, dialogues, or extensive quotations have no place in a synopsis. Do, however, keep your synopsis true to the plot and timeline of the original story.

Synopses for Non-Fiction Stories

The purpose of a synopsis for a work of nonfiction is to serve as a condensed version of an event, a controversy, a point of view, or background report. Your job as a writer is to include enough basic information so that a reader can easily identify what the story is about and understand its tone. While detailed information is important when telling the larger story, only the information crucial to comprehending the "who, what, when, where, and why" of an event, proposal, or argument is necessary for the synopsis.

Again, as with fiction, the tone and the eventual outcome of your story will also likely come into play in your summary. Choose your phrasing judiciously. Your goal is to use as a few words as possible to achieve maximum impact without leaving out so much information that your reader ends up confused.

  • Fernando, Jovita N., Habana, Pacita I., and Cinco, Alicia L. "New Perspectives in English One." Rex, 2006
  • Kennedy, X.J., Kennedy, Dorothy M., and Muth, Marcia F. "The Bedford Guide for College Writers." Ninth Edition. Bedford/St. Martin's, 2011
  • Brooks, Terri. " Words' Worth: A Handbook on Writing and Selling Nonfiction ." St. Martin's Press, 1989
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synoptic essay definition

Learn how to prepare and write a synopsis assignment.

  • Newcastle University
  • Academic Skills Kit
  • Assignment Types

A synopsis is a brief summary which gives readers an overview of the main points. In an academic context, this is usually a summary of a text (a journal article, book, report etc) but in some instances you might be writing a synopsis of a talk, film or other form of presentation. A synopsis is a neutral summary, objectively capturing the main points, rather than your own perspective or critique, and it focusses directly on the text you’re summarising rather than being a wider discussion of a topic, as an essay might be.

A synopsis aims to give the reader a full, if brief, account of the whole text so that they can follow its main points without having to read it themselves. It’s not a ‘trailer’ designed to tempt your audience to read the text itself, so you don’t have to worry about ‘hooking’ them in with hints and high points or ‘spoiling the ending’ - give the whole text equal coverage, including the conclusions. You could add some commentary which gives the reader a bit of context about the text, including the authors and circumstances it was written in (for example, if it is part of a debate, particular school of thought or its significance and what impact it’s had).

Writing a good synopsis is a skill, and there are a number of challenges: 

  • Separating the main points from the minor detail
  • Knowing what to leave out as well as what to include
  • Giving a sense of the overall narrative as well as listing the key points
  • Covering the whole text within a small word limit
  • Knowing how closely to stick to the original, especially in terms of the wording
  • Whether to give all key points equal treatment, or cover some more briefly, even combining them
  • Rephrasing things concisely without losing the meaning or misrepresenting it
  • Not leaving out anything crucial to understanding the whole overall message

A good synopsis will allow the reader to feel as if they’d skimread the whole text themselves, understanding the overall gist and highlighting what they need to know. A poor synopsis will get bogged down in detail, giving a confused account of the whole story by just listing points, miss out major points or give an inaccurate or one-sided account or stick so closely to the original that it becomes plagiarism without demonstrating a real understanding by the person summarising it.  

How to prepare a synopsis

Boiling down the key points and overall narrative of the original means good reading and note-taking skills which aim to identify and boil down key points to their essence. You could try some of the following approaches: 

  • Read the whole text, and afterwards, without re-reading, jot down your first initial summary in 50 words to capture its overall point. You can check it back for accuracy or anything you left out, but stick within ca 50 words
  • Read the introduction and first line of each paragraph to get a sense of the overall structure and key points within it
  • Highlight one sentence in each paragraph that you think is essential detail to understanding that section
  • Alternatively, with a marker pen, cross out anything that isn’t essential to an understanding of the whole section or text 
  • Jot down only key words as a summary of each point rather than whole sentences
  • Read each paragraph and summarise it without looking, in one sentence of your own 
  • Consider how many points you can make within your word count, and reduce or combine your list of summarised points down to this number

You could start small, identifying just keywords or sentences at first and then work them up into phrases, bullet points and sentences as a rough plan or draft, or you could start big with the original text and reduce each section, paragraph and sentence summary again and again until you have boiled it down to its essence.  

When you start to prepare your first plan or draft, try to use your notes or memory and step away from the original as much as you can. You can go back and check it afterwards, but you need to create some distance to be able to create your own account and have confidence in the points you have identified as essential.

Writing a synopsis

The main decisions facing you as you write up your summary are about how closely to stick to the original in terms of structure and style, and how much attention to give to each point. 

  • You could begin your synopsis with a brief context, explaining who the authors are, the context and significance of their work, as well as anything you think might help the reader to understand the following summary
  • The most common structure is to follow that of the original text, to give a sense of its narrative flow as well as the key points within it. You could choose to depart from it a little though, perhaps glossing over some points faster than others, combining two sections which go together or aren’t enough in their own right, possibly even changing the order a little where it helps to combine two similar points. Careful use of signposting language will help the reader clearly follow the structure (and note anywhere you’ve changed it from the original) so they can identify the bit you’re talking about in the original if they want to
  • The style will naturally be strongly influenced by the original wording, but you should phrase it in your own words wherever possible. It’s harder to nibble away words from a much longer original than it is to start again and use your own concise phrasing, and you want to demonstrate your own understanding to the reader. You could use the odd original phrase or quotation here or there, but the synopsis needs to be more than a collage of quotations; it’s a thing in its own right rather than a cut-down version of the original
  • You can also show your own response to the text in the way you use language to guide the reader to what you feel are the key points and (briefly) why. Your own voice doesn’t need to be very obvious in the synopsis, as it’s about the text rather than your reaction to it, but you have made analytical decisions about what is important, and might want to explain to the reader why these points are significant in understanding the whole
  • What is the main purpose of this text? What did it aim to discover, explain or prove?
  • Why was this research done? How significant is it?
  • How was the research conducted? What kind of research is it?
  • What were the three (or four, five) main things I should be aware of from this paper?
  • What is their line of argument?
  • What is their overall conclusion, recommendation, finding? Why is that important?

Managing word count

The trick to writing a concise synopsis which keeps within your word limit is not to start from the much bigger original text, but from your own boiled down notes. If you’re over the word count, you could start cutting out words that don’t seem essential, but if you go too far, you end up with a text which does not read well and doesn’t hang together. It might be better to remove whole sentences and perhaps whole points, than nibble away at words here and there.

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  • Literary Terms
  • Definition & Examples
  • When & How to Write a Synopsis

I. What is a Synopsis?

A synopsis is a brief summary that gives audiences an idea of what a composition is about. It provides an overview of the storyline or main points and other defining factors of the work, which may include style, genre, persons or characters of note, setting, and so on. We write synopses for all kinds of things—any type of fiction or nonfiction book, academic papers, journal and newspaper articles, films, TV shows, and video games, just to name a few!

The amount of detail and information revealed in a synopsis depends on its purpose. For instance, authors often need to provide a lengthy synopsis when proposing a book, article, or work to potential publishers or editors —in that case, a synopsis will include a full plot overview (which includes revealing the ending), signs of character progression, detailed explanation of theme and tone, and so on. This article will mainly focus on the short synopses you see every day on websites and other media outlets.

II. Example of a Synopsis

Here’s an example of a short synopsis of the story of Jack and Jill:

Jack and Jill is the story of a boy and a girl who went up a hill together. They went to fetch a pail of water, but unfortunately, their plan is disrupted when Jack falls and hits his head, and rolls back down the hill. Then, Jill falls too, and comes tumbling down after Jack.

As you can see, the synopsis outlines what happens in the story. It introduces the main characters and the main plot points without being overly detailed or wordy.

III. Importance of Synopses

Synopses are extremely valuable and necessary pieces of writing for authors, film makers, TV producers, academic writers, and many others.

  • On one level, it’s what actually helps a book get published or a film or TV series get made—a successful, well-written synopsis can convince the person in charge of publication or production to bring a work to life
  • On the other hand, synopses grab the attention of potential audiences and can convince them to read, watch, or listen
  • Also, they help researchers find what they are looking for and decide if a piece is relevant to their field

Without them, audiences and readers would never know what something was about before reading or viewing it! Thus, the importance of synopses is twofold: it both helps works get made and then helps them reach the right audiences.

IV. Examples of Synopses in Literature

Example 1: synopsis of a novel.

When we want to choose a novel, it’s a common practice to read a synopsis of what it’s about. A short synopsis will give us just enough details to draw readers in and hopefully convince them to read the book! Here’s a brief synopsis from Cliff’s Notes of The Hunger Games :

In Suzanne Collins’ The Hunger Games, the Capitol forces each of Panem’s 12 districts to choose two teenagers to participate in the Hunger Games, a gruesome, televised fight to the death. In the 12th district, Katniss Everdeen steps in for her little sister and enters the Games, where she is torn between her feelings for her hunting partner, Gale Hawthorne, and the district’s other tribute, Peeta Mellark, even as she fights to stay alive. The Hunger Games will change Katniss’ life forever, but her acts of humanity and defiance might just change the Games, too.

Example 2: Synopsis of an Academic Paper

Sometimes, teachers, professors, publications, or editors want a synopsis of an academic paper, lecture, or article, which is more formally called an abstract (See Related Terms ). Like with a work of fiction, it gives a summary of the main points of the papers or article and provides a snapshot of what issues will be discussed. Synopses of these types of work are particularly important for scholars and anyone doing research, because when searching, they need to be able to know what an article is about and whether it is relevant to their work.

During his career, J.R.R. Tolkien gave a lecture on the classic Beowulf , which became one of the most respected and most-consulted academic sources on the poem to date. Here is a synopsis:

Before Tolkien, general scholarly opinion held…that while the poem might after all be unified, it was nevertheless unfortunate that the poet had chosen to tell stories about a hero, ogres, and a dragon, instead of detailing the wars in the North to which he often provocatively alludes. Tolkien’s lecture strongly and sometimes ironically defends the poet’s decision and the poem itself. The poet had every right to choose fantasy rather than history as his subject; in doing so he universalized his theme; his many allusions to events not recounted gave his work depth; most of all, the poem offered a kind of negotiation between the poet’s own firmly Christian world and the world of his pagan ancestors, on whom he looked back with admiration and pity.

This synopsis shares the main focus of Tolkien’s famous lecture and outlines its purpose for those who may be interested in it and can benefit from his research.

V. Examples of Synopses in Popular Culture

Example 1: synopsis of a tv series.

Giving the audience a written preview of a subject or storyline is a standard practice for TV producers. Before the series Gotham premiered, Warner Brothers released a detailed synopsis of exactly what the show would be about, which was particularly important because the audience would want to know how it would be placed amongst other Batman storylines. Here is a selection from its official synopsis:

Gotham is the origin story of the great DC Comics Super- Villains and vigilantes, revealing an entirely new chapter that has never been told. From executive producer/writer Bruno Heller (The Mentalist, Rome), this one-hour drama follows one cop’s rise through a dangerously corrupt city teetering on the edge of evil and chronicles the genesis of one of the most popular super heroes of our time. Brave, earnest and eager to prove himself, the newly minted detective Gordon (Ben McKenzie) is partnered with the brash, but shrewd police legend Harvey Bullock (Donal Logue), as the two stumble upon the city’s highest-profile case ever: the murder of local billionaires Thomas and Martha Wayne.

This is only one piece of the synopsis provided by Warner Brothers, but it’s a good sample of the bigger picture. It introduces the main theme and major characters, giving us a taste of what the series has in store.

Example 2: Synopsis of a Film

The job of a film synopsis is to build excitement and anticipation in the audience. Fantastic Beasts and Where to Find Them is a long-awaited addition to J.K. Rowling’s Harry Potter universe and the release of this synopsis and trailer was big news in the world of popular culture. Here’s the synopsis:

Fantastic Beasts and Where to Find Them opens in 1926 as Newt Scamander has just completed a global excursion to find and document an extraordinary array of magical creatures. Arriving in New York for a brief stopover, he might have come and gone without incident…were it not for a No-Maj (American for Muggle) named Jacob, a misplaced magical case, and the escape of some of Newt’s fantastic beasts, which could spell trouble for both the wizarding and No-Maj worlds.

When a new film is announced, producers usually release a written synopsis like this, as well as an official trailer. Truly, a movie trailer is just a visual form of a synopses. But, a trailer builds even more anticipation in the audience than a written summary, because it gives a true peek at what will unfold on screen.

VI. Related Terms

An abstract is a brief summary of a scholarly work. It does the same things as a synopsis, but goes by a different term—“synopsis” is the preferred term for creative writing, films, and television, “while abstract” is the preferred term for formal or academic works. Overall, they have the same purpose.

An outline is shorter, less defined plan of what you’re going to include in a piece of writing. It’s usually written in the brainstorming phase, and just “outlines” general things that the work will include, and may change as you get farther in your work. An outline comes before a work is written, and a synopsis is written after a work is complete.

VII. Conclusion

In conclusion, synopses are useful summaries that are written for the benefit of a potential reader or audience. It gives an overview and a “sneak peek” at a work, which lets them choose things that are interesting or useful to them personally and/or professionally.

List of Terms

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  • Cite This Website

Leticia Mooney

Leticia Mooney

Author. Consultant. Coach. Life Reader.

Syntopic reading: What it is and how to do it

research - so many books

You may think you know how to read, but most people don’t.

‘Wait on!’ you’re grumbling. ‘I’m reading this!’

True! Congratulations, you can do the most basic level of reading.

The levels of reading

There are actually 4 levels of reading. The one that you’re taught in school, is Level 1. That’s when you can read a page and make sense of it. I call it ‘basic’ reading; others call it ‘elementary’ reading. It doesn’t matter whether you completed high school or not, the schooling system doesn’t get you beyond basic reading.

Level 2 is Inspectional Reading. If you’re lucky, you went to a high school that taught you how to ask questions of any kind of text, and how to make a book your own. Inspectional reading is a style of reading where you ‘inspect it: You look at all the parts, read the headings and the first sentences, and generally familiarise yourself with the work. If you do do this type of reading, it’s much more likely that you ‘found it’, rather than were ‘taught’ it. In my case, I stumbled upon the technique while coming to grips with an obscene number of texts while in my earliest days at university.

Level 3 is when you become a Demanding Reader. As a demanding reader, you exert effort. You only use this level of reading from texts from which you want to profit (generally speaking). It requires that you ask particular questions of a text, take notes in a particular way, and make the book your own.

Level 4 is the highest and most demanding type of reading of all: Syntopic Reading. When you’re reading at the Syntopic level, you’re working to synthesise material across a discipline (most of the time). Syntopic reading itself has five levels, requires a different approach to inspection, and is the point at which you make the authors work for you rather than you interpreting them .

If you’re interested in this stuff, go and buy (so you can write in) How to read a book by Mortimer J. Adler.

Syntopical Reading: How to do it

If you’re not interested in reading Adler’s book but you want to know how to conduct syntopical reading, then let me have a moment on the moral high-ground: Shame on you. Go and do your homework.

Ah, that’s better.

Now, let’s get cracking.

Syntopical reading has two phases

Phase 1 is Preparation; Phase 2 is Reading.

Preparation phase

During the preparation phase, you compile a bibliography. It requires a deep survey of the field, and you listing them all for yourself in some fashion. Then, you need to understand which books from that list are not just going to be relevant to you, but are both pertinent and fitting.

Reading phase

You can “just read” them. But what’s the point? You’re just doing basic reading if you just read them.

No, no. Syntopical reading is much deeper than this. Here’s how it works:

  • Inspect them to find the most relevant passages
  • Construct a neutral terminology that you will use. Don’t just pick up the terms that the authors use. This forces the authors to come to terms with you and your goals.
  • Create a set of neutral propositions, which is a list of questions that the authors need to answer.
  • Spend time defining the issues in the works, by listing all major and minor issues that you identify, on both sides of the subject. You have to interpret the authors, not just copy out what they say. The point is to analyse the work yourself and understand the author’s key positioning, and sometimes that’s not explicit.
  • Conduct an analysis of the issue by ordering the questions in such a way as to throw the most light onto the subject as possible.

One of the critical problems, of course, is knowing where to start. If you have access to a syntopicon, like Great Books of the Western World , great! However, even if you do have something like that, there’s a good chance that the world has moved on since it was published.

Nevertheless, if you do have access to a syntopicon, that’s an excellent gateway.

The point of syntopic reading is to come to terms with an entire field, issue, argument, or discipline, for whatever purpose you are chasing. It’s important to keep direct quotes from the authors as evidence for your issues identification, and from the questions that they answer, so that you can demonstrate enough distance; this is what Adler terms ‘dialectical detachment’.

Syntopical reading is the most demanding level of all four levels of reading. It enables you to force authors to come to terms with your subject, question, argument, or issue. Its benefits are not just academic; once you know how to deploy syntopical reading, you will know how to assess any issue, in any text (not just in books), and to be able to construct a narrative out of a field with relatively little effort. In so doing, you grow not just your general knowledge, but also your mind.

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  • a (quick/brisk) trot through something idiom
  • brushstroke
  • encapsulate
  • encapsulation
  • executive summary
  • recapitulation
  • shorthand for something idiom
  • to cut a long story short idiom

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/səˈnɑptɪk/.

Other forms: synoptically

If you’ve heard of a movie synopsis, which gives an overview of the plot, you can guess what synoptic means: summarizing. At the end of your 900-page treatise on morals, try to give a synoptic conclusion to drive your ideas home.

Synoptic can be broken down to syn- , meaning together, and -optic , meaning view or sight. So something that is synoptic pulls everything together. At the end of a long day touring your great aunt’s ancestral home, hearing endless stories about every dinner party she ever gave and all the people that ever stayed there, you might synoptically comment, “Basically she cooks well and has lots of fancy friends.”

  • adjective presenting a summary or general view of a whole “a synoptic presentation of a physical theory”
  • adjective presenting or taking the same point of view; used especially with regard to the first three gospels of the New Testament “ synoptic sayings” synonyms: synoptical same closely similar or comparable in kind or quality or quantity or degree

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synoptic essay definition

Synoptic Gospels , the Gospels of Matthew , Mark , and Luke in the New Testament , which present similar narratives of the life and death of Jesus Christ . Since the 1780s the first three books of the New Testament have been called the Synoptic Gospels because they are so similar in structure, content, and wording that they can easily be set side by side to provide a synoptic comparison of their content. (The Gospel According to John has a different arrangement and offers a somewhat different perspective on Christ.) The striking similarities between the first three Gospels prompt questions regarding the actual literary relationship that exists between them. This question, called the Synoptic problem, has been elaborately studied in modern times( see also Biblical literature: New Testament literature ).

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of or indicating a synopsis; forming a summary or overview.
(often cap.) presenting a subject from a similar, common viewpoint, as do the Gospels of Matthew, Mark, and Luke.
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Definition of synopsis

  • encapsulation
  • recapitulation
  • resume
  • resumé
  • run-through
  • summarization

Examples of synopsis in a Sentence

These examples are programmatically compiled from various online sources to illustrate current usage of the word 'synopsis.' Any opinions expressed in the examples do not represent those of Merriam-Webster or its editors. Send us feedback about these examples.

Word History

Late Latin, from Greek, literally, comprehensive view, from synopsesthai to be going to see together, from syn- + opsesthai to be going to see — more at optic

1603, in the meaning defined at sense 1

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“Synopsis.” Merriam-Webster.com Dictionary , Merriam-Webster, https://www.merriam-webster.com/dictionary/synopsis. Accessed 23 Jun. 2024.

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[ si- nop -tik ]

  • pertaining to or constituting a synopsis ; affording or taking a general view of the principal parts of a subject.
  • (often initial capital letter) taking a common view: used chiefly in reference to the first three Gospels synoptic Gospels, Matthew, Mark, and Luke, from their similarity in content, order, and statement.
  • (often initial capital letter) pertaining to the synoptic Gospels.

/ sɪˈnɒptɪk /

  • of or relating to a synopsis
  • (of the Gospels of Matthew, Mark, and Luke) presenting the narrative of Christ's life, ministry, etc from a point of view held in common by all three, and with close similarities in content, order, etc
  • of, relating to, or characterizing these three Gospels

a synoptic chart

  • any of the three synoptic Gospels
  • any of the authors of these three Gospels

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Derived forms.

  • synˈoptist , noun
  • synˈoptically , adverb

Other Words From

  • syn·opti·cal·ly adverb
  • nonsyn·optic adjective noun
  • nonsyn·opti·cal adjective
  • nonsyn·opti·cal·ly adverb

Word History and Origins

Origin of synoptic 1

Example Sentences

The walls opposite the windows are in both rooms lined with cases, in which there is a fine synoptic series.

In this way what are called synoptic charts were established.

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In This Article Expand or collapse the "in this article" section Synoptic Problem

Introduction, introductory works.

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  • The “Augustinian” Theory
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  • The “Jerusalem School”
  • Proto-Mark, Deutero-Mark, and Other Complex Theories
  • Representing Synoptic Data
  • The Argument from Order
  • Oral versus Literary Dependence
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  • Scribal and Rhetorical Models for the Synoptic Problem
  • The Theological and Historical Consequences of the Synoptic Problem

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Synoptic Problem by John S. Kloppenborg LAST REVIEWED: 13 September 2010 LAST MODIFIED: 13 September 2010 DOI: 10.1093/obo/9780195393361-0120

The Synoptic Problem is the problem of the literary relationships among the first three “Synoptic” Gospels. Matthew, Mark, and Luke are called “Synoptic Gospels” because they can be “seen together” ( syn-optic ) and displayed in three parallel columns. The three gospels contain many of the same stories and sayings, often related in the same relative sequence. However, there are also important differences in the wording of individual stories and sayings, in the ordering of some materials, and in the overall extent of each gospel. In some instances, the degree of verbatim agreement or the sequential agreement in the arrangement of episodes and sayings is so strong that one must posit some kind of literary relationship among the gospels. By contrast, there are often marked differences in wording between any two gospels, and sometimes among all three. This raises several questions: (1) Is the relationship among the three gospels a matter of direct literary dependence, indirect dependence mediated through oral performances of written texts, or common dependence on oral information? (2) Can the direction of dependence be established? (3) Can a genealogy of the development of the Synoptic Gospels be constructed?

Most introductions to the New Testament have at least a brief discussion of the Synoptic Problem. As critics of the Two-Document Hypothesis (2DH) have observed, the treatment of the Synoptic Problem is often far from even-handed, with various theorists either dismissing other theories as inadequate or not considering them at all. Kümmel’s otherwise masterful introduction to the New Testament ( Kummel 1975 ) provides a detailed history of scholarship but is lacking in a full consideration of alternatives to the 2DH. Collins 1983 gives careful attention to various logically possible theories, while ultimately favoring the 2DH. Both Goodacre 2001 and Kloppenborg 2008 are intended for the introductory student. Two online resources are available oriented to the novice, one maintained by Stephen Carlson ( Synoptic Problem ) and the other by Mark Goodacre ( New Testament Gateway ).

Collins, Raymond F. Introduction to the New Testament . Garden City, NY: Doubleday, 1983.

A careful treatment of New Testament source criticism, including a brief but clear presentation of the arrangements of the three gospels that are logically possible, given the array of Synoptic data. See especially pp. 115–155.

Goodacre, Mark S. The Synoptic Problem: A Way Through the Maze . The Biblical Seminar 80. London: Sheffield Academic Press, 2001.

An introductory level treatment of the Synoptic Problem that argues for Markan priority and the dependence of Luke on Matthew (hence, the Mark without Q (Farrer) Hypothesis (MwQH)). Critical of the 2DH, especially the arguments in favor of positing Q, Goodacre offers a careful and fair-minded analysis of the Synoptic Problem. Some attention is given to the Two-Gospel (Griesbach) Hypothesis (2GH), but none to complex theories.

Kloppenborg, John S. “What is Q?” In Q, The Earliest Gospel: An Introduction to the Original Stories and Sayings of Jesus . By John S. Kloppenborg, 1–40. Louisville: Westminster John Knox, 2008.

Designed as a basic introduction for undergraduates and the informed public, the first chapter of this text explains the data and arguments that go into the formulation of the 2DH. Kloppenborg compares and contrasts the 2DH with the explanations of the same data by the Two-Gospel (Griesbach) Hypothesis (2GH) and Mark without Q (Farrer) Hypothesis (MwQH).

Kümmel, Werner Georg. Introduction to the New Testament . Rev. ed. Translated by Howard C. Kee. Nashville: Abingdon, 1975.

Kümmel’s now standard introduction to the New Testament provides a long bibliography of works through the mid-20th century, as well as an account of the history of scholarship, culminating in a defense of the 2DH. Kümmel’s presentation has been criticized for its neglect of alternate hypotheses, except as preliminary steps toward the eventual triumph of the 2DH. See especially pp. 38–80.

New Testament Gateway .

Mark Goodacre’s New Testament Gateway contains a subdirectory on the Synoptic Problem and Q , collecting links to other websites that discuss issues related to the Synoptic Problem.

Synoptic Problem .

The site, maintained by Stephen Carlson, presents diagrams of two dozen possible theories to the Synoptic Problem, a brief bibliography, links for some important primary and secondary sources, and links to several other sites that defend other theories of the problem.

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What Is the Synoptic Problem?

The goal of the gospels is clearly to communicate what happened during Jesus’ time on earth. As Jesus commanded that we are to share the Good News, this is exactly what these authors are doing in their accounts.

What Is the Synoptic Problem?

When it comes to understanding “who is Jesus” and “what did He do during His time on earth,” one key place to start is by cracking open a book — the Bible.

The first four books of the New Testament, called the gospels, all contain an in-depth summary of how Jesus came to be and what He did during His roughly 33 years as Word become flesh.

The gospels all tell what is known as “the Good News” — the story of all Jesus did, taught, promised, and fulfilled. The first three, the Gospels of Matthew, Mark, and Luke, are all strikingly similar.

They more or less summarize the most important details of Jesus Christ and His life and ministry, from His miraculous virgin birth to His healing and teaching ministries to His betrayal, death, and ultimate resurrection.

As a rule, they focus on the whats, wheres, whens, and hows of Jesus’ time on earth. The fourth, the Gospel of John, focuses more on the “who” — the identity of the Christ by diving in-depth into His divinity.

These first three gospel accounts are all termed the Synoptic Gospels , and they have much in common, which is both comforting and troubling, for they raise a number of questions.

These questions, from how and why they are so similar to who wrote which account first and how this all came to be, are known as the “synoptic problem.”

Here, we dive into what is the synoptic problem, and why it matters.

The word synoptic is an adjective stemming from the noun synopsis, which means a summary, general survey, or overall condensation of a broader body of work.

These three synoptic gospel accounts — Matthew, Mark, and Luke — each summarize in different ways what happened during Jesus’ life as a man.

In fact, the three can be lined up in parallel format, each in a column stacked one next to the other, and most of the accounts are strikingly similar. Each is written in a different manner and style, and some are shorter or longer than the others.

Some contain additional, extraneous information, such as the circumstances surrounding the impregnation of Jesus’ mother, Mary, by the Holy Spirit.

People often interpret the word “problem” in a negative light: An unwelcome or possibly harmful situation or matter that must in some way be overcome. But “problem” has another meaning — an inquiry or investigation, such as a mathematic or scientific problem, one that is to be sorted out in a way that fascinates the intellect while challenging the heart and various theories behind the question.

In the case of the “synoptic problem” of the gospels, this refers to the fact that the gospel accounts are unusually similar, down to the phrasing, miracles, and parables.

This begs the question: How and why are all three so similar, yet written by three different people in three different time periods? Were they oral accounts or written? Were they copied one from another, or somehow each inspired by a fourth, separate account?

Are they similar because each writer was infused and empowered by the Holy Spirit, or because of some other reason?

Which Gospel Was Written First?

One question many people ask is which gospel account was written first, and did the other accounts take that writing into consideration as they penned (or orally recounted) their version?

Many people believe the Gospel of Mark was written first, likely between the mid-50s and late 60s AD, and most probably while the Apostle Peter, Mark’s constant companion, was still alive.

While none of the gospel accounts specifically list an author, early church scholars unanimously agreed it was written by “John Mark,” better known simply as Mark, and geared toward non-Jewish (Gentile) Christians.

The Gospel of Matthew, while technically anonymous, is ascribed unanimously to Matthew, one of the 12 apostles . The NIV Study Bible dates the account at roughly AD 50-70 and notes it is written largely for a Jewish-Christian audience, partly because of the author’s concern for the Old Testament, his use of Jewish terminology, and his lack of explanation of Jewish customs, as a Jewish audience would have needed no explanation.

The Gospel of Luke was specifically written to a Theophilus, thought to have been either a Roman official or high-ranking patron of the author’s, though its application clearly is intended for broader reach.

Scholars date the writing of this account sometime between the 60s and the 80s AD. Luke was a Gentile physician and companion of Paul, and the gospel account largely emphasizes the teaching of Jesus to the whole world, not simply God’s “chosen people.”

Many scholars believe Mark was written first because it is shorter, and a theory is that Matthew incorporated much of Mark into his own account, possibly to expand on the brevity for his audience.

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Luke is thought to have been written last, as it begins by acknowledging other accounts and notes he intends, after his own investigation into all circumstances, to set forth his own account.

However, the truth is no one really knows. Not only are the gospels anonymous but they are not dated. Hence, the “problem.”

Were the Gospels Oral Accounts or Written?

While there was indeed a strong oral tradition in the early days of the church, and certainly long before, many Bible experts believe the accounts were written.

Indeed, Luke’s account begins by acknowledging it is a letter to Theophilus, explaining at the start, “I too decided to write an orderly account for you” ( Luke 1:3 ).

But, as Jesus taught orally and in-person, likely the stories about Jesus were first shared orally, then later written as a way of preservation.   

Were They Copied One from Another or Inspired by a Separate Account?

The early church was close-knit and frequently in communication. While spread across wide expanses of land, the central church remained in Jerusalem, and church leaders would report back and share news and funds with their “home base.”

Many experts believe the gospel accounts were freely communicated , there to be helpful resources in spreading the Good News. So, the possibility is strong that the gospel writers studied and utilized each other’s research and tales to trigger their own memories.

Some scholars posit another theory: The synoptic gospels all stem not only from the writers’ own memories but from a fourth source , known as Q.Q, which stands for Quelle, is a French word meaning source.

While there appears to be no physical evidence for this “Q source,” the similarities among the accounts point to two possibilities.

One, the writers copied from each other (hence explaining the repetition of exact phrases, such as the term “divided up his clothes” after Jesus was crucified in Mark 15:24 , Matthew 27:35 , and Luke 23:34 ).

Or two, the writers based their texts upon the Q source, whether oral, written, or communicated some other way.

Did the Holy Spirit Play a Role in the Writing of These Gospel Accounts?

We know from the Book of Acts that the Holy Spirit filled the early church on the Day of Pentecost, lighting upon each like “tongues of fire” ( Acts 2:3 ) and infusing them with the power of the Spirit. Certainly, the authors were filled with the Holy Spirit as they wrote the gospels.

Some choose to see the above-mentioned “Q source” in that same light. That is, Q is actually the Holy Spirit.

How Do We Solve the Synoptic Problem?

Solving the synoptic problem largely comes down to ideology. Some solve it by believing one of the above theories.

Others choose to disregard the problem altogether, open to the idea that however, these accounts came to be, they are part of Holy Scripture and fundamentals of our faith.

Whatever we choose to believe (or disregard), one thing is clear: All four gospels are supremely helpful in enabling us to understand who Jesus is, why He came, and what He did.

And it all comes down to belief. As Jesus asked the blind men who came to Him for healing in Matthew 9:28-29 : “‘Do you believe that I am able to do this?’ ‘Yes, Lord,’ they replied. Then he touched their eyes and said, ‘According to your faith let it be done to you.’”

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AQA Synoptic Essay (Paper 3)

AQA Synoptic Essay (Paper 3)

Subject: Biology

Age range: 16+

Resource type: Other

Lbould's Shop

Last updated

21 May 2019

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pptx, 451.3 KB

An introduction to the synoptic essay on paper 3 of the AQA Biology A-level. Lesson includes the following…

  • choose topics relevant to the essay title
  • understand the mark scheme and why essays are awarded each band of marks.
  • Explore ways in which we can link topics to the main theme of the question ie the importance of (this is what students find hardest to do and what they need to be able to do gain the top 2 bands of marks)

I designed this ppt to introduce essays to my year 12s at the end of the AS course. Topics relevant to the essay titles from year 13 could certainly be added if you were using this year 13 students.

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A bit short for a fiver....it's one 15 slide PPT. The description of how marks are awarded is pretty much the same as the AQA resources and, of course, it's limited to the Y12 content (as you describe) but it means that a full discussion of 'the importance of.....' part of the question is rther threadbare.

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The Synoptic Problem

Profile image of John  Brown

A brief explanation of the Synoptic Problem and how it should be understood for Conservative Christians.

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Many people are unaware that there is such a thing as a synoptic problem. What even is the synoptic problem? Well, when reading the Synoptics (Matthew, Mark, and Luke), one might notice that they are very similar. So similar in fact, that it has led most scholars to conclude that there is a literary connection or dependence between these three gospels. Now, exactly what kind of connection is this supposed to amount to? This is what is referred to as the “synoptic problem”. In this paper, I look at three proposed hypotheses that attempt to provide an explanation to the so-called synoptic problem. Arguments for each of these hypotheses will be listed and explained. The arguments against each hypothesis are both implicit in the sections of competing hypotheses and will be left to the reader to explore further.

On the basis of 2017 surveys, the Pew Research Center declared that the issues of the Reformation no longer define American and European Protestants. And they no longer count for Catholics either. No wonder then that many ask what is the difference between Catholics and Protestants. To answer, this paper presents a "conceptual history" from the Council of Jerusalem to the American Great Awakenings. The paper shows that beliefs are the foundation of identity and identity combines both the principles of differentiation and unification. Employing the concept of "crisis" as the eminent German historian Reinhart Koselleck defined it, the narrative treats the history of Christianity as an ongoing series of crises of belief. It concludes that differences do matter and that Christians must find their beliefs, identifies, and affiliations within the varying legacies of these crises.

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COMMENTS

  1. What is a Synoptic Essay and How Do I Write One?

    A synoptic essay will usually ask you to examine "how far" or "how valid/convincing". In order to approach a synoptic well, it is good practice to organise your themes FIRST. This will make the essay easier to write. Examples of synoptic style questions. How far was the personality cult of Adolf Hitler responsible for the success of the Nazi party?

  2. Synoptic Definition & Meaning

    The meaning of SYNOPTIC is affording a general view of a whole. affording a general view of a whole; manifesting or characterized by comprehensiveness or breadth of view… See the full definition

  3. What Is a Synopsis and How Do You Write One?

    Updated on July 25, 2019. In the 19th century, a synopsis was a classroom exercise used for teaching traditional grammar but today, the accepted definition of a synopsis is a general overview of an article, essay, story, book, or other written work. In the field of publishing, a synopsis may serve as a proposal for an article or book.

  4. Writing a Synopsis

    Writing a Synopsis. A synopsis is a brief summary which gives readers an overview of the main points. In an academic context, this is usually a summary of a text (a journal article, book, report etc) but in some instances you might be writing a synopsis of a talk, film or other form of presentation. A synopsis is a neutral summary, objectively ...

  5. Synopsis: Definition and Examples

    A synopsis is a brief summary that gives audiences an idea of what a composition is about. It provides an overview of the storyline or main points and other defining factors of the work, which may include style, genre, persons or characters of note, setting, and so on. We write synopses for all kinds of things—any type of fiction or ...

  6. Syntopic reading: What it is and how to do it

    It requires that you ask particular questions of a text, take notes in a particular way, and make the book your own. Level 4 is the highest and most demanding type of reading of all: Syntopic Reading. When you're reading at the Syntopic level, you're working to synthesise material across a discipline (most of the time).

  7. SYNOPTIC

    SYNOPTIC definition: 1. giving a short description of something: 2. giving a short description of something: . Learn more.

  8. Synoptic

    synoptic: 1 adj presenting a summary or general view of a whole "a synoptic presentation of a physical theory" adj presenting or taking the same point of view; used especially with regard to the first three gospels of the New Testament " synoptic sayings" Synonyms: synoptical same closely similar or comparable in kind or quality or quantity or ...

  9. Synoptic Definition & Meaning

    Synoptic definition: Of or constituting a synopsis; presenting a summary of the principal parts or a general view of the whole.

  10. Synoptic Definition & Meaning

    Synoptic definition, pertaining to or constituting a synopsis; affording or taking a general view of the principal parts of a subject. See more.

  11. Synoptic essay plan

    synoptic essay plan which structure can be applied across all essays in biology sample essays and suggested plans for content the process of diffusion and its. ... Definition Fick's Law Types of diffusion e. Facilitated diffusion, osmosis Gas exchange in unicells, fish, mammals and plants Digestion and absorption of products Exchange of ...

  12. Synoptic Gospels

    Synoptic Gospels, the Gospels of Matthew, Mark, and Luke in the New Testament, which present similar narratives of the life and death of Jesus Christ.Since the 1780s the first three books of the New Testament have been called the Synoptic Gospels because they are so similar in structure, content, and wording that they can easily be set side by side to provide a synoptic comparison of their ...

  13. SYNOPTIC definition and meaning

    4 meanings: 1. of or relating to a synopsis 2. Bible a. (of the Gospels of Matthew, Mark, and Luke) presenting the narrative of.... Click for more definitions.

  14. synoptic

    Definition of synoptic. English dictionary and integrated thesaurus for learners, writers, teachers, and students with advanced, intermediate, and beginner levels. ... This essay needs a synoptic final paragraph. definition 2: (often cap.) presenting a subject from a similar, common viewpoint, as do the Gospels of Matthew, Mark, and Luke.

  15. synoptic adjective

    Definition of synoptic adjective in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more.

  16. Synopsis Definition & Meaning

    synopsis: [noun] a condensed statement or outline (as of a narrative or treatise) : abstract.

  17. SYNOPTIC Definition & Meaning

    Synoptic definition: pertaining to or constituting a synopsis; affording or taking a general view of the principal parts of a subject.. See examples of SYNOPTIC used in a sentence.

  18. Synoptic Problem

    The Synoptic Problem is the problem of the literary relationships among the first three "Synoptic" Gospels. Matthew, Mark, and Luke are called "Synoptic Gospels" because they can be "seen together" ( syn-optic) and displayed in three parallel columns. The three gospels contain many of the same stories and sayings, often related in ...

  19. What Is the Synoptic Problem?

    The word synoptic is an adjective stemming from the noun synopsis, which means a summary, general survey, or overall condensation of a broader body of work. ... Unraveling the Bible's Definition of a Lie. Luke is thought to have been written last, as it begins by acknowledging other accounts and notes he intends, after his own investigation ...

  20. AQA Synoptic Essay (Paper 3)

    Age range: 16+. Resource type: Other. File previews. pptx, 451.3 KB. An introduction to the synoptic essay on paper 3 of the AQA Biology A-level. Lesson includes the following…. choose topics relevant to the essay title. understand the mark scheme and why essays are awarded each band of marks. Explore ways in which we can link topics to the ...

  21. Synoptic Problems : Collected Essays

    This volume contains a collection of twenty-one essays of John S. Kloppenborg, with four foci: conceptual and methodological issues in the Synoptic Problem; the Sayings Gospel Q; the Gospel of Mark; and the Parables of Jesus. Kloppenborg, a major contributor to the Synoptic Problem, is especially interested in how one constructs synoptic hypotheses, always aware of the many gaps in our ...

  22. synoptic adjective

    Definition of synoptic adjective in Oxford Advanced Learner's Dictionary. Meaning, pronunciation, picture, example sentences, grammar, usage notes, synonyms and more. ... a broad synoptic view of history; Definitions on the go. Look up any word in the dictionary offline, anytime, ...

  23. (PDF) The Synoptic Problem

    liberty university the synoptic problem: an understanding of the development of the gospels a research paper submitted to dr. charles e. powell in partial fulfillment of the requirements for the course nbst 525 liberty baptist theological seminary by john m. brown lynchburg, virginia july 15, 2012 1 table of contents introduction ----- 2 unity and disharmony ----- error!